the ordinary life of a boston bred baggage handler is ...€¦ · the ordinary life of a boston...

TheordinarylifeofaBostonbredbaggagehandleristurnedupsidedownwhenhestealsa

suitcasethatcontainsterroristplans.Inspiredbytrueeventson9/II.

TABLEOFCONTENTS

Synopsis 3 ................................................................................................................................................

Director’s Statement 3 .............................................................................................................................

Filmmakers 4 ............................................................................................................................................

Key Cast 8 .................................................................................................................................................

Trivia 10 ....................................................................................................................................................

Film S>lls 11 .............................................................................................................................................

FBI Inves>ga>on 12 ..................................................................................................................................

Credits 15.................................................................................................................................................

Publicity Contact: Alvar Carretero (JJPR) | [email protected] | +1 (213) 399-6301

mailto:[email protected]

SYNOPSIS

Stuck in the minu>a of life Joe Franek, a Boston-bred baggage handler, fears he’ll never amount to anything. Being a pilot is his goal, but the dream seems far off as financial pressures mount.

When tasked with transferring an incoming bag, Franek cracks and steals from the case owned by Mohammed A]a and des>ned for American Airlines Flight 11 on September 11th, 2001. The suitcase misses Flight 11, forcing Franek to re-tag it for later departure.

Franek's world is turned upside down when Flight 11 crashes into the World Trade Center. All air traffic is grounded, and the chao>c airport is locked down. Tortured by his careless ac>ons, Franek becomes obsessed with tracking down the bag he delayed. Risking his job and sacrificing his security, Franek becomes a suspect, but his act of courage turns him into an unlikely hero and gives him the legacy for which he longed.

DIRECTOR’SSTATEMENT

On September 11, I slumped over my computer, heart heavy, Boston Marathon bombing on my mind. My mother had been at the finish line and her birthday falls on 9/II.

As I mulled over how America has become inundated with a]acks — marathon, subway, school, club; the list is long — I was overwhelmed by the desire to fix it. But changing the world from my boxy one bedroom in Los Feliz seemed hopeless.

A small >cker flashed across my LCD screen about heroes at Boston Logan Interna>onal Airport who wore scars of courage from 9/II. For them, impact required sacrifice. They could not choose a safe life, but they shaped the world that followed with small ac>ons, character and unlikely heroism.

That was my answer too — I could change the world with what I had in front of me. So instead of grappling with cosmic, chao>c problems I told a story whose heart beat focused on one incident with a down on his luck baggage handler, who like me wanted to ma]er, and whose act of courage ul>mately gave him the legacy for which he longed. The hope of our team is that the telling of Joe Franek’s story will inspire audience members to find courage within the daily minu>a of their lives.



FILMMAKERS

AbiDamarisCorbin-Writer/Director/Producer

Raised in South Boston, MA Abi Damaris Corbin entered college at age fourteen, gradua>ng with a Master of Arts in Performance Studies. Her desire to grow as a creator led her to the University of Southern California’s graduate produc>on program.

In the MFA program, Abi led mul>ple produc>ons.

Drone, a project Abi produced, was funded by USC and nominated for a Student Academy Award®. Following

Drone, Abi was chosen by Universal Studios and USC to direct Luna, a short film tes>ng cloud-based

technology. Abi then co-directed the feature film Actors Anonymous; the cast included Academy Award® nominated actors Eric Roberts and James Franco, who also execu>ve produced.

Universal Studios partnered with USC again, along with Disney and Google, to sponsor Abi’s recently completed film, The Suitcase. The short, which she wrote and directed, depicts events at Boston Logan Interna>onal Airport on 9/II. The narra>ve was selected by Crea>ve Ar>st Agency for their Moebius Showcase. Following gradua>on, Abi was selected as a Sony Pictures Fellow for their third annual Director's Program. Abi is engaged in cunng-edge produc>on and post-produc>on research with Disney and USC’s Entertainment Technology Center in conjunc>on with major studios and technology leaders including the Hollywood Post Alliance (HPA), SMPTE, and NAB.

Currently she is wri>ng her next feature screenplay, Swa2ed. Outside of media, she works with non-profit organiza>ons in urban areas concerned with social and economic change.



DrewDiamond-Producer

Drew Diamond is a LA based producer and writer originally from South Texas. He received his MFA from the USC School of Cinema>c Arts where he produced the Student Academy Award®

winning documentary A Second Chance. He has produced content for Disney, Universal, Warner Brothers, Giorgio Armani, Nike SB, Project Greenlight and Digital Studios. Fascinated by storytelling across all plaporms, Drew also produces new media content including live 360 streaming events and the first room scale interac>ve VR content for the Technicolor Experience Center which premiered at the 2017 SXSW film fes>val. Most recently he produced the

episodic series Pineapplewhich was selected to premiere at the 2017 Sundance Film Fes>val.

DanielaRuiz-Producer

Daniela is an LA based, Mexican American producer and talent manager. She received her BS in Film and Television from San Diego State University and her MFA in Producing from the American Film Ins>tute where she received scholarships from Women In Film and the La>no Donor Collabora>ve. At the AFI, Daniela produced 6 narra>ve short films as well as her thesis

film WomanOutside, which won best drama>c short at the UN Women Global Voices Film Fes>val and received a cer>ficate of merit from the Rochester Interna>onal Film Fes>val.

Daniela also wrote and produced television content for MTV Tr3s' RockDinner¡HeMatadoaMiMarido!Daniela is currently a manager at La>n World Entertainment where she represents top Hispanic talent. She also works alongside actor/producer Freida Pinto at her emerging produc>on company Freebird Films.

ElenaBawiec-ExecuPveProducer

A Moscow na>ve, Elena Bawiec, graduated with an MFA from the renowned USC School of Cinema>c Arts. While at USC, Elena produced numerous short films that travelled to film

fes>vals worldwide, gathering significant cri>cal acclaim along the way. Among them are: OnlyLight, a poe>c explora>on of the world of human trafficking; KaDa, a sci-fi comedy about a >me machine gone awry; and D’Arline, a period drama generously supported by the Sloan Founda>on about the physicist Richard Feynman. Her newest projects are an ambi>ous dune

racing proof of concept, Mother’s Day and a cinema>c essay by Greg Strasz Incendium, on which she worked side by side with her producing partner Jean de Meuron.



JeandeMeuron-ExecuPveProducer

Ater working as a branded content and TV commercial producer in his na>ve Switzerland, Jean de Meuron was a trainee at several Hollywood studios such as Paramount Pictures, The Weinstein Company, Universal Pictures and MGM. Ater a]ending USC’s School of Cinema>c Arts Summer Program, he graduated with a Bachelor’s degree with Outstanding Academic Achievement from The New School in New York. Recently, he was a student at UCLA’s pres>gious School of Theater, Film and Television, a]ending the Professional Program in Producing. Jean started his entertainment career working for prolific NY-based film, TV, and

Broadway producer Sco] Rudin at Sco] Rudin Produc>ons. Most recently, Jean’s short film, Lafemme et le TGV starring Jane Birkin, which he execu>ve produced, was nominated for an OSCAR® for Best Live Ac>on Short Film at the 89th Academy Awards®.

ChrisWiR-Editor/AssociateProducer

A self taught film editor, Chris Wi], resides in Los Angeles, California. His edi>ng work has

screened worldwide to great acclaim; the films include Kavi, a 2010 Academy Award® nominee and narra>ve feature films including The Veil starring William Levy and The Sundance Lab workshopped filmIntheShadows starring Manoj Bajpayee.

JonKeng-Cinematographer

Jon Keng’s work revolves around visual storytelling and exploring the nuances of the human condi>on. He regularly lenses films across Singapore, London, Beijing and Los Angeles, screening at over 100 film fes>vals across the world. A graduate of the American Film Ins>tute

Conservatory, his thesis film, Fata Morgana, premiered at the world renowned Clermont Ferrand Film Fes>val and went on to win Best Short Film at the 31st Golden Rooster Awards,

China's equivalent of the Oscars. Most recently, he shot Pineapple, an episodic series selected for the 2017 Sundance Film Fes>val.



PeterBawiec-SupervisingSoundEditor

Peter is a Polish Sound Designer. He was born in Amsterdam, the Netherlands; however, he lived and studied in Belgium, Poland, Singapore, and currently the United States. While in high school, the Chopin Music University in Warsaw, Poland allowed him to a]end Sound Engineering classes and there he became fascinated with sound. His life took a detour that involved genng a bachelors degree in Marke>ng and Finance but eventually led him to USC School of Cinema>c Arts. At USC, he focused in depth on the art of Sound Storytelling, worked on over 40 student films and was mentored by the Academy Award® winning Sound Designer Stephen H. Flick. Once he obtained his MFA degree, Peter went on to work on feature films and TV shows and has since heard his sound design play at Sundance, Tribeca, Berlin, SXSW, Ro]erdam and other film fes>vals around the globe. Peter loves cooking, Tchaikovsky and soldering cables.

NathanMaRhewDavid-Composer

Nathan Ma]hew David’s eclec>c background began in the classical world at a young age and

quickly expanded to indie bands and electronic music. Recent feature work has included TheLastWordfrom Mark Pellington which premiered at the 2017 Sundance Film Fes>val, and will be released theatrically by Bleecker Street Media. In Television, he is the composer for the

cri>cally acclaimed TBS series AngieTribecafrom creators Nancy and Steve Carrell. He was also the composer for both seasons of the USA drama SaNsfacNon. He studied film scoring at USC’s pres>gious Scoring for Mo>on Pictures and Television program (2012).



KEYCAST

MojeanAriaasFranek

A skilled mimic at age six, Mojean Aria began taking ac>ng lessons at his preschool teacher's recommenda>on. The sugges>on fueled a passion, which took Australian-raised Mojean to Na>onal Ins>tu>on of Drama>c Arts (N.I.D.A.) whose notable alumni include Cate Blanche], Judy Davis, Colin Friels, Mel Gibson, and Hugo Weaving. His talent was so impressive the school allowed him to join advanced (adult) classes at age fourteen.

In 2004 Mojean won a scholarship to the McDonald College High School of Performing Arts where he studied ac>ng for three hours a day while finishing his schooling. In 2005 Mojean

landed the lead role in the feature film Cross Life directed by Claire McCarthy. Cross Lifepremiered at the Sydney Film Fes>val. Following CrossLife, Mojean had several years which he refers to as the "experimental >me." While traversing projects, developing his approach, honing his own voice and purpose, he con>nued to study screen wri>ng and ac>ng.

Reloca>ng to Los Angeles, Mojean quickly landed the role of young Jake LaMo]a in TheBronxBull, portraying the character made famous by Robert De Niro in the iconic film RagingBull. Mojean next starred in the human rights film Aban&Khorshid which screened for The United Na>ons and major fes>vals, including Cannes, Sea]le and Palm Springs. Aria has mul>ple films due for release and others in pre-produc>on. He con>nues to passionately refine his crat and in his spare >me studies movement, poetry and mixed mar>al arts. Mojean currently resides in Los Angeles.



JosephReitmanasSully

Joseph Reitman has appeared in over 50 episodes of television including recurring roles on

Married with Children, Charmed, Hudson Street and The Shield, and roles on NCIS; LA, RayDonovan,CSIMiami,CSILasVegas,Monk,Supernatural,TheDrewCareyShow, ThePretender, SleeperCell, InPlainSight,JustAddMagic. Joe was also a series regular on Towniesfor ABC, and has also acted in over 20 feature films including ThePerfectStorm, Clueless, Tomcats, JayandSilentBobStrikeBack,AmericanPie2, Bandidas,M. Night Shyamalan’s LadyInTheWater, Gamer, Crank 2,MoneyMonsterand the upcoming This IsMeg, RuinMeand Mom&Dad.Most recently he guest starred in the TV pilot Happy!for the SyFy channel.

Outside of Hollywood Joe played poker professionally from 2006 to 2011, playing in the World Series of Poker for 5 years, as well as winning the Stone Cold Nuts Tournament online and bea>ng out 2774 players to win $266,000 in 14 hours. He also wrote a comic that was published by Marvel. Spiderman Unlimited #14 and was thrilled to be able to cross that off his bucket list.

CharleyRossmanasTimilty

A mul>-faceted character actor that con>nually sharpens his crat. Most recent successes

include an Academy Award for the Narra>ve Short ThisWayUpan AFI/ Jeremy Cloe film and the Student Emmy awarded MarNanAmericanthat Charley produced and acted in.

His ac>ng career began in 1992 with a string of Ac>on and Comedic Roles and as part of the

Universal Studios Stunt Team. Charley showed comedic talents in films such as Superbadand gained exposure in the soaps including Port Charles. He is known for playing a diverse characters including detec>ves (CSI reoccurring) and tough but lovable authority figures as a

series regular in TheTICK.

Most recently he starred in the WindriderAwardwhich screened at Sundance Film Fes>val.



TRIVIA

• The Suitcase is based on a declassified Review of InvesNgaNon Conducted by the FBI of

[Mohammed]A2a'sSuitcasesatBoston,MA.

• There are numerous conspiracy theories surrounding the 9/II hijackers’ suitcases that did

board the connec>ng flight from Boston Logan Interna>onal Airport (BOS).

• The original le]er discovered in Muhammed A]a’s suitcase is displayed at the 9/II Memorial

& Museum in NYC. The props team created an exact hand-wri]en replica for the film.

• The prop master spent nearly two months searching the suitcase for the starring role.

• Airport scenes were shot at San Bernardino Interna>onal Airport, which is the only airport in

Southern California where film crews can access an opera>onal baggage handling system.

• TheSuitcase is a graduate thesis film sponsored by the pres>gious Studio InnovaNonGrant

out of George Lucas' Entertainment Technology Center at USC.

• The StudioInnovaNonGrantwas created for Abi Damaris Corbin and is the only project out

of USC to be sponsored by major studios: Disney, Universal Pictures, Amazon, and technology

partners like Equinix, Wipro, and Google.

• 17 of the top Hollywood film and tech companies collaborated to make this film.

• This is the first USC film captured and finished in HDR.

• Abi Damaris Corbin a]ended college at the age of 14.

• The crew members for the film represent 10 different countries.



FILMSTILLS

Film s>lls, official poster and press materials available for download: www.thesuitcasefilm.com/media/



FBIINVESTIGATION


rlFfZ 0 ~OIl;~~1MEMORANDUM FOR THE RECORD ~

Event: Review of investigation conducted by the FBI of Atta' s suitcases at Boston, MA

Date: February 10,2004

Special Access Issues: none

Prepared by: Quinn John Tamm, Jr.

Team Number: Front Office and Team lA

On 09/111200 1, Mohammed Atta boarded US Airways Express Flight 5930 at theJetport, Portland, ME. Atta check two suitcases, a brand name Travelpro pull-alongsuitcase, black in color and a brand name Travel Gear suitcase, green in color.Investigation determined that the Travel Gear suitcase belonged to Abdul Aziz al Omari.The Travelpro suitcase had US Airways baggage ticket LAX US 138529 and the TravelGear suitcase had US Airways baggage ticket LAX US 138530. The tickets wereattached to the suitcases, and recorded electronically in the database of US Airways andAmerican Airlines. Both suitcases were check through to Los Angeles InternationalAirport (LAX). The suitcases were to be transferred to American Airlines (AA) Flight 11,departing Logan International Airport (BOS) for LAX. US Airways flight 5930 departedfrom the Jetport, Portland, ME at 6:00 am and arrived at Logan International Airport at7:00 am. AA Flight 11 departed from Logan Airport at 7:45 am. The reference for thisinformation is FBI report form (FD-302) interview oil 1AmericanAirlines passenger agent, and the passenger name record for Atta, maintained byAmerican Airlines (265-A-NY-280350-302-191 06). '/

Prior to departure, AA Flight 11, a Boeing 767 was serviced tinder the supervisionof! IA FBI report of interview is the source for/lhis information(32-7431 ).1 ~~a ramp service manager for American Airlines at LoganInternational Airport. He is responsible for the cleaning, fueling and baggage loading ofAmerican Airlines aircraft. on"-O.9/11 /200 1 he supervised the cleaning, refueling andbaggage loading of AA Flight 11>'M Flight 11 was an aircraft that arrived from SanFrancisco, CA at 6:00 am, and thereto,re was described as a "turn-around flight." Mr.I Is~~~dthat-at 7:301 J~e crew chief for F~ght 11 received a callfrom a passenger.service representative, sta#ng,that a passenger had just boarded Flight11, and the passengerservice representativewanted to determine if the passenger's twosuitcases h~d arrived from··US..~irways.1 " Itold the p~sen~er servicerepresentative, also known as a gate ..agent, that th~·S1:lI~caseshad arrived, but would notbe put on Flight 11, because the baggage ..compartment-had already been locked fordeparture] [noted..that it was unusual for 'th~'::pass~ngerservice representativeto call the ramp crew, unless the affected.passengerhas askedabout the baggage.

.......... ..... ',': '

'" 'c:..... :::::.~.J9/11 Personal Privacy

\...

I



When the suitcases were openedJ Ifound aKoran, tapes on flying Boeing aircraft, a large folding knife, a pad with flight ~anningdata, and an instrument for calculating the weight on an aircraft. I ontactedthe Massachusetts State Police (MSP). Sergeant Studley arrived at the baggage officeand took custody of the two suitcases.

.oJ,: .

......."::::~:/9/ 11 Per sonal Pr i vacy.:',:':/

........ /::.: .:

The suitcases were.~9.en··give~·~ol ., . :\,\],' the baggage expediter forAmerican Airlines atLogan International'Ai!£9r(:There is a ',f13J report of interview forI t302-46163). I ."..,., ..-::",placed new'tagson the suitcases andplaced them on a baggage belt t~·be load~~:<>nto AA Flight, 1\81\ 'After the crash ofFlight 11was reported] ..,..,." I,examinedthe two s~i~c~e-~. He stated that thetags on the two suitcas~~,had a covert marking that indicated tlta(~~ suitcases belongedto a.passenger, "th~t.wasa securi~y}ssu~.':1 . ~~ledl ""', ) thesenIor ramp SUp~rYisorfor American Airlines, and told him that what 'he had detennmed.I Ilias a FBI report ofinterview (302-440).1 lex~ined the luggageand directed I ~oopen the suitcases. ..

The two suitcases were searched by FBI agents at the offices of Troop "F" of theMSP at Logan International Airport. The following items of interest were recoveredfrom Atta's Travelpro suitcase:

Four page letter in ArabicElectronic flight computer with caseIslamic Finder Prayer ScheduleSimulator Check-ride proceduresFlight planner sheets attached to cardboardVideotape of flight procedures for a Boeing 747-4000Videotape of flight procedures for a Boeing 757-200Plastic device for determining the affect of an aircraft's weight on rangeFolding knifeBrand name "First Defense" Cayenne (red pepper) spray

The following items of interest were recovered from al-Omari's Travelgearsuitcase:

Three English grammar booksArabic to English dictionaryPerfume bottleBrand name Brylcream anti-dandruff hair dressingSaudi passport for al-OmariHudson United Bank. check book for aI-OmariThree photographsHandkerchiefTwenty dollar bill, US Currency(302-1306)

2



.-::<'9/11 Personal Privacy

It is presently unresolved if.,ilie(tw<?,.identified gate agents for American Airlines,I le'alled the ramp personnel servicing Flight 11 and askedif Atta's suitcases had been placed on.to the flight. This could be accomplished withfo~low-up interviews of the two ~~te agents: Ad~itionally, the ~~can Airline~ cre~chief] should be interviewed concemmg hIS conversation With"passenger service representatives" about Atta's luggage. '

There are two issues for the Commission to consider. First, is whether Attaintended his luggage be discovered and searched? Based on what is reported as havingoccurred, this is unlikely. The search of Atta's Trave1pro suitcase provided earlyinformation about the nature of the Islamist threat, the probable links to al Qaeda, and thetechniques used in the hijacking of the aircraft. Atta was concerned enough aboutwhether his luggage had been switched from US Airways Flight 5930 to AmericanAirlines Flight 11 that he made a last minute request to the gate agent about the suitcases.It is conclusive, that Atta did not want his suitcase to be discovered and searched.

The second issue is the identification of Atta as a "security issue." The twosuitcases had a covert tag from US Airways to warn that Atta and his luggage were asecurity issue. When a last minute inquiry was made, apparently on the behalf of A~about the status of his suitcases, no one at American Airlines thought to search theluggage. After the terrorist attacks this would become standard procedure. It is unclearnow what was the American Airlines' policy or the Federal Aviation Administration'spolicy pre-09/11/2001, for the search of luggage that may pose a threat, or be evidence ofcriminal activity.

3


CREDITS

Wri]en and Directed By ABI DAMARIS CORBIN Starring MOJEAN ARIA as JOE FRANEK JOSEPH D. REITMAN as SULLY DROPO CHARLEY ROSSMAN as DONALD TIMILTY Produced by DREW DIAMOND DANIELA RUIZ ABI DAMARIS CORBIN

Execu>ve Producers ELENA BAWIEC JEAN DE MEURON ERIK WEAVER Cinematographer JON KENG Editor CHRIS WITT Composer NATHAN MATTHEW DAVID Supervising Sound Editor PETER BAWIEC Visual Effects Supervisor GREGORY JONES Cas>ng Director SELINA RINGEL

Produc>on Designer LAUREN MEYER Costume Designer CHRISTINE BALD

Cloud Architect JOSH KOLDEN Workflow Architect DANIEL DE LA ROSA

Produc>on Manager DAN FUNES

First Assistant Director MATTHEW WILSON ROSS Rough Guard ART NAPIONTEK Tony Wess JOHN KOINES Translator ALEXANDRA LEMOSLE Flight A]endant HILTY BOWEN Rampie I ONEIL CASSELLS Pilot JOHN MCGLOTHLIN

Rampie II MONT POINDEXTER Ramp Supervisor CHASE TARCA Burly Guard TRAVIS GOODMAN Cute Rampie CASSIE SANDS Dog SAINT

Radio Announcer NEIL NAPIER Young Officer JULIAN VON NAGLE Crying Woman KATIE FOSTER Screener ELAINE KRATOFIL



Old Rampie JIMMY WADDELL Second Assistant Director ITAI FORMAN AMANJAH ANTHONY ROBERT FABRA Second Second Assistant Director YURI K LEE ADAM GRANDY AMANJAH ANTHON

Associate Producers VICTORIA ROSE CHRIS WITT

Stunt coordinator BOBBY KING Animal Wrangler CHANTEL BARTSCH Dialect Coach KATHLEEN DUNN-MUZINGO

Script Supervisor AMANDA GRISWOLD Produc>on Coordinator MICHAEL SCHWARCZ

Coordinator DAN EDELMAN Chief Administra>ve Officer (ETC) EDIE MEADOWS Administra>ve Assistant EILEEN ZUNIGA On Set Accoun>ng GREGORY SCHROEDER Camera Operator ROBERT GARZA First Assistant Camera RANDY KULINA Second Assistant Camera MINAMI MORIYAMA Steadicam Operator SAM LAW Camera PA RALPH LIU

S>ll Photographer IRINA LOGRA Background Photographer TODD SAKAMOTO BTS Videographer NATE MCLEAN Gaffer TOSHIHIKO KIZU Best Boy Electric DEW NAPATTALOONG Pre Rigging Gaffer SIMU FENG

Key Grip BRIEN CHATFIELD Dolly Grip ROBERT GARZA Best Boy Grip RALP LIU Swing CRAIG BOYDSTON TREY HORTON WILLIE BASS-GRIFFIN Art Director LUIS DIAZ Set Decorator ASHLEY LEUNG Set Dresser NATALIE RODGERS On-Set Dresser RYAN WICKS Lead Carpenter JASON TRINIDAD

Property Master STEPHEN SCHLEY Asst. Property Master KEVIN FOX

Hair and Make-up ABBIE ALVAREZ Make Up Assistant JENNIE HERNANDEZ



Costume Assistant JESSICA DABOVICH

VR Supervisor LINDSEY TOWNLEY VR Team DAVE DORSEY VR Team TIM WATSON Produc>on Sound Mixer PETER BAWIEC Boom Operator JOSH WALTERS NIKKI GUIRRE Re-recording Mixer PETER BAWIEC Sound Editor KARI BARBER ADR Recordist GINGE COX Addi>onal Sound Editor JAN BEZOUSKA Score Mixer JOHN CHAPMAN Recording Engineer RYAN MCCLURE Music Prepara>on JEFF TINSLEY USC Faculty Advisor JOHN WATSON Disney ABC Television Group Technical Advisors ANTHONY ACCARDO KAKI S. ETTINGER

Technical Advisor MICHELLE HUYNH

Technical Producer JENZ MERRILL Services Provided by Technicolor Sunset

V.P. of Broadcast Picture Opera>ons MARK SMIRNOFF

Director of Broadcast Produc>on VIK JAYAKUMAR Director of Technical Opera>ons ROBERT C. RODRIGUEZ Account Execu>ve ROY STEWART Finishing Producer CHAD SUSTIN Dailies Producer DENISE WOODGERD Titling CHRIS MOORE On Loca>on Services Engineer MICHAEL MOST Dailies Color Assist JOSHUA BERKOWITZ Dailies Colorist CHRIS PIPER

Online Editor JON VAN WYE Colorist MARIAN GRAU

Sound Services Provided By Technicolor at Paramount Sound Re-recording Mixers LAURA WIEST KEVIN FROINES Final Colorist HENRY SANTOS Addi>onal Online Edi>ng THOMAS GALYON

VFX Compositors ARLISS GAMMILL ROBERT CALCAGNO REGGIE LAMAR FORD JORDAN PRIETO

Storyboard Ar>sts SAM TUNG CLAY SONG JINGCHUAN WANG

Transporta>on Coordinator MIKE HELLERSTEIN



Drivers TIM MCINTOSH WALTER SPOHN PETER BARRY BRITTEN FAY IGNACIO GARCIA Extras Cas>ng YURI K LEE GREG SCHROEDER Produc>on Assistants JAQUELYN SOUTH KEVIN STU TARA FERRIS ANTHONY MCBRIDE MADALYN LAWSON GIA RIGOLI ANDREW GUNKEL IPEK KAHRAMAN KARLA LUNA DERRICK TYNES JAIME NIKOLETICH BETH SCHILLING Catering Coordinator SHIRAN WITT Catering EL TACUACHE CATERING JOE SOSA

Sundog Media RICHARD WELSH CHRIS RALPH Addi>onal Photography

First Assistant Director ITAI FORMAN

Second Assistant Director ERIC BRAUN Second Second AMBERLE HUBER Script Supervisor HALLIE OVERMAN Art Director BRUCE GUAN Set Dresser JING GE Set Dresser CRISTA CABANAS

Make Up Ar>st LAUREN BENCOMO

Wardrobe TONI CASERTA Best Boy Electrician YUSUKE SHIRATORI Key Grip WALTER LIN Best Boy Grip SEBASTIAN JOHNSON Company Grip JULIANA TAN S>ll Photo JULIANA TAN Produc>on Assistants MADALYN LAWSON JESSICA RAMOS BENJAMIN RODRIGUEZ ROBERT DALTON Transporta>on Coordinator BRIAN CONTRERAS

Catering JOHN THE CRAFTY CATERER Boston Unit 1st AC MICHELLE BROOKS

Grip ANDREW CREECH

Background Talent

JASON BUDD CHRISTIAN BURKE MEGAN CLANCY PAULA TAYLOR COSIO DEBORAH CHI CHRISTIAN COPELAND KELSI DAVIES SHELLY DULMAN SIRI HARKINS RORY HAYES JOHN ALLEN HARRETT MAX HUNTER DAN GREGORY DAN GRUENBERG DESI GRUEVA JON HENDERSON MAX HUNTER MAURICE JONES



Special Thanks

ALTERNATIVE RENTALS MARCO FERNANDES ANTHONY MAYOR TRISH REILLY MARGIE SPERLING AMERICAN HUMANE SOCIETY MIKE FINK MARKLOGIC RIVERFRONT STAGES SUNDOG MEDIA MARIELLE ALCE SIONE FOLAU JESS MALDANER TONY RETTENMAIER SYNC ON SET BRUCE BLOCK FOTOKEM CRAIG MANN RPM AUTO AKI TAKAHASHI LAURA BOROWSKY ANDREW GEORGE NAYELY MARTINEZ BRUCE THIELBAR RICHARD BROO MANFRED GARCIA JOE MEDINA AILEEN RODRIGUEZ VIDEO STITCH

PAUL BROOKS GRAYMETA MONETTE MENDOZA DAN ROSENFELT JONATHAN VASQUEZ RICHARD BURTON GEORGE HADID ANAUD PARIS NEVIN SCHREINER VANTAGE TV JANE BYON RICHARD KLETTER PIX SYSTEMS STAFF OF SAN BERNARDINO INTERNATIONAL AIRPORT JOE WALLENSTEIN CAL ARTS JUSTIN S. LEE MIKE RIZZUTO WEMERSIVE SANDRINE CASSITY PHIL LELYVELD ELIAS QUEZADA CINEWORKS LOS ANGELES ABEL RAMOS ST. GEORGE LOGISTICS WHITE LIGHT AUDIO JOE COFFEY RON RECORD SOHO NET KEN WILLIAMS

The persons and events in this mo>on picture are fic>>ous. Any similarity to actual persons or events is uninten>onal. This mo>on picture is protected under laws of the United States and

other countries. Unauthorized duplica>on, distribu>on, or exhibi>on may result in civil liability and criminal prosecu>on. © University of Southern California 2017



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