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THE PACIFIC ISLANDS Lecture 6B: Melanesian Islands

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Page 1: THE PACIFIC ISLANDS - arthistorywithivy.weebly.comarthistorywithivy.weebly.com/uploads/1/1/7/4/11745370/lecture_06b_micro.pdf · PAPUA NEW GUINEA: CEREMONIAL HOUSES IN THE SEPIK RIVER

THE PACIFIC ISLANDS

Lecture 6B: Melanesian Islands

Page 2: THE PACIFIC ISLANDS - arthistorywithivy.weebly.comarthistorywithivy.weebly.com/uploads/1/1/7/4/11745370/lecture_06b_micro.pdf · PAPUA NEW GUINEA: CEREMONIAL HOUSES IN THE SEPIK RIVER

THE PACIFIC ISLANDS AUSTRALIA, MELANESIA, MICRONESIA, POLYNESIA

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THE ART OF MELANESIA

• Islands include New Guinea, New Ireland, and New Britain.

• The Lapita culture appeared ca. 4000. Their ceramics shaped the art of Melanesia into the modern era.

• Decoration created with concentric circles, spirals, triangles. Sometimes are abstracted people, animals, and landscapes. Many works are symmetrical. Pottery Fragment, 1000 B.C.

Solomon Islands, Reef Islands

Nenumbo site, Lapita culture

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LAPITA CERAMICS

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PAPUA NEW GUINEA: CEREMONIAL HOUSES IN THE SEPIK RIVER AREA

• Farmers must be initiated into farming cults.

• Ceremonial house contains images of the ancestors that embody their spirits.

• Young farmers are taught the importance of the ceremonial objects and learn respect for them. Photo of a ceremonial house of the

Abelam tribe by Rita Willaert, taken in

2009.

Page 6: THE PACIFIC ISLANDS - arthistorywithivy.weebly.comarthistorywithivy.weebly.com/uploads/1/1/7/4/11745370/lecture_06b_micro.pdf · PAPUA NEW GUINEA: CEREMONIAL HOUSES IN THE SEPIK RIVER

Interior of a Ceremonial house of the Abelman People.

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Page 8: THE PACIFIC ISLANDS - arthistorywithivy.weebly.comarthistorywithivy.weebly.com/uploads/1/1/7/4/11745370/lecture_06b_micro.pdf · PAPUA NEW GUINEA: CEREMONIAL HOUSES IN THE SEPIK RIVER

IRIAN JAYA: THE ASMAT

• The Asmat people practiced headhunting and cannibalism to ensure fertility of the crops.

• Unfortunately this meant that some young boys ended up decapitated at the hands of hunters. The Bisj Mbu ceremony avenged the death and appeased the dead man’s/boy’s soul.

• Bisj poles today honor the dead as headhunting is no longer practiced.

Bis Pole, late 1950s

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Page 10: THE PACIFIC ISLANDS - arthistorywithivy.weebly.comarthistorywithivy.weebly.com/uploads/1/1/7/4/11745370/lecture_06b_micro.pdf · PAPUA NEW GUINEA: CEREMONIAL HOUSES IN THE SEPIK RIVER

NEW IRELAND: MALAGAN CULTURE

• Malanggan: a series of carved poles, figures, boats, and drums created to honor the dead and send them on to the afterlife.

• The objects and the rites performed for the dead put on display outside of a ceremonial house.

• Sculpture known for mixing together several species of animals and humans into one work; the wood is brightly painted.

Traditional Malanggan Masks

worn at a festival in 2009.

Page 11: THE PACIFIC ISLANDS - arthistorywithivy.weebly.comarthistorywithivy.weebly.com/uploads/1/1/7/4/11745370/lecture_06b_micro.pdf · PAPUA NEW GUINEA: CEREMONIAL HOUSES IN THE SEPIK RIVER

Masks from the Malagan Culture of New Ireland at the British Museum

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MALANGGAN DISPLAY AT THE FIELD

• Ceremonial

houses

covered in

palm leaves

which were

removed at

the end of

the ceremony

to reveal the

statues.

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Horn-billed bird

Human head and body

Croton-leaf decoration

on torso

Parrot fish

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AFTER THIS LECTURE YOU SHOULD

BE ABLE TO…

• See how the formal elements found in Lapita culture

are repeated in Melanesian art to the present.

• Identify the uses of ceremonial centers of the Asmat

and New Ireland people .

• Discuss the types of media used.

• Identify how the concept of mana is expressed in

Melanesian works.