The Questand

The Hero’s Journey

The Questand

The Hero’s Journey

ARCHETYPE: ARCHETYPE: A UNIVERSAL SYMBOLA UNIVERSAL SYMBOL

ARCHETYPE: ARCHETYPE:

A pattern or A pattern or prototype, such as prototype, such as a type of story, a type of story, character, or character, or common theme common theme that is repeated in that is repeated in literature and literature and reflective of the reflective of the human experience.human experience.

THE QUEST / HERO’S

JOURNEY is one of the oldest story archetypes on the

planet.

Some say it is older than the Pyramids…

And Stonehenge…And Stonehenge…

And even cave drawings.And even cave drawings.

The QuestThe

Quest

THE QUEST: Literature based on a journey, a road of trials in which a hero hears a call and leaves his home—alone or in the company of others—to search out a treasure. Along the way he undergoes trials, receives aid, fights enemies and may even die, and, if he succeeds in attaining the treasure sought, may change who and what he is, as well as the community he returns to.

THE QUEST has appeared in cultures throughout history. . .

Gilgamesh Ancient Mesopotamia

18th Century BC

Homer’s Odyssey

Ancient Greece 8th Century BC

Virgil’s Aeneid Ancient Rome

29-19 BC

THE QUEST

Chretian de Troyes’ “The Story of the Holy Grail”

from PercevalLate 12th Century

The Arthurian LegendsLe Morte de ArthurSir Thomas Mallory

1470

THE HOLY GRAIL

Monty Python and the Holy GrailThe Bridge of Death

PERCEVAL AND THE FISHER KING

PARSIFAL’S ENCOUNTER WITH THE FISHER KINGBY FERDINAND PILOTY

Chrétien de Troyes' Perceval Continuation of Perceval The Vulgate Cycle Malory's Morte D’arthur (King Pellam)T. S. Eliot's The Waste LandWolfram von Eschenbach’s Parzival (Anfortas the Grail King)Wagner’s Parsifal

http://www.lib.rochester.edu/camelot/Fisherking/fkessay.htm

The Fisher King“The Red Knight”

THE FISHER KING

TrailerParry tells the story of “The Fisher King”

THE QUES

T

Don QuixoteMiguel

de Cervantes1605-1615

The Canterbury TalesGeoffrey ChaucerLate 14th Century

Gulliver’s Travels

Jonathan Swift1726

Dante’s Inferno

1308-1321

THE QUEST

The Catcherin the Rye

J.D. Salinger1951

Jane Eyre, 1847Charlotte Bronte

CandideVoltaire

1759

Song of SolomonToni Morrison

1977

THE: QUESTMYTHIC RETELLINGS

Kafka on the ShoreHaruki Murakami

2002

Oedipus RexSophocles

429 BC

+2,400 years

WNB: How does the quest motif shed light on Their Eyes Were Watching God?

•What is the physical journey? Where is Janie going?•What is the apparent purpose of the quest—the “holy grail?”•What initiates the quest?•What is the real reason for Janie’s quest?•What are the obstacles and challenges?•How is her quest structured?•How does she know when the quest is completed?•How does the quest archetype echo and add layers of meaning to the novel?

The Hero’s Journey

The Hero’s Journey

Carl JungCarl JungCollaborator and Collaborator and friend of Freudfriend of Freud

Collective Collective unconscious unconscious = = inherited fantasy lifeinherited fantasy life

ArchetypesArchetypes = basic = basic components of human components of human psychic naturepsychic nature

The The herohero = an = an important archetypeimportant archetype

Just as the human body Just as the human body shows a shows a common common

anatomyanatomy over and above over and above all racial differencesall racial differences, so, , so,

too, the human psyche too, the human psyche possesses a possesses a common common

substratumsubstratum transcending transcending all differences in all differences in cultureculture

and and consciousnessconsciousness..

Just as the human body Just as the human body shows a shows a common common

anatomyanatomy over and above over and above all racial differencesall racial differences, so, , so,

too, the human psyche too, the human psyche possesses a possesses a common common

substratumsubstratum transcending transcending all differences in all differences in cultureculture

and and consciousnessconsciousness..

Carl JungCarl Jung1875 – 1961

Swiss psychologist/ psychiatrist

I have called this I have called this substratum the substratum the

collective collective unconsciousunconscious, … , … [which] is … the [which] is … the brain structure brain structure

irrespective of irrespective of all racial all racial

differencesdifferences..

I have called this I have called this substratum the substratum the

collective collective unconsciousunconscious, … , … [which] is … the [which] is … the brain structure brain structure

irrespective of irrespective of all racial all racial

differencesdifferences..

• American mythologist, American mythologist, writer and lecturer, writer and lecturer, best known for his best known for his work in comparative work in comparative mythology and mythology and comparative religion. comparative religion.

• His work is vast, His work is vast, covering many covering many aspects of the human aspects of the human experience. experience.

• He is best known for He is best known for his definition of a his definition of a HERO.HERO.

JOSEPHJOSEPH CAMPBELLCAMPBELL (1904 – 1987) (1904 – 1987)

““FOLLOFOLLOW W

YOURYOUR BLISS.”BLISS.”

ORIGIN of ARCHETYPESORIGIN of ARCHETYPES

Joseph Campbell recounts a curious Joseph Campbell recounts a curious phenomenon of animal behavior. phenomenon of animal behavior. Newly hatched chickens, bits of egg-Newly hatched chickens, bits of egg-shells still clinging to their tails, will shells still clinging to their tails, will dart for cover when a hawk flies dart for cover when a hawk flies overhead: yet they remain unaffected overhead: yet they remain unaffected by other birds. Furthermore, a by other birds. Furthermore, a wooden model of a hawk, drawn wooden model of a hawk, drawn forward along a wire above their forward along a wire above their coop, will send them scurrying (if the coop, will send them scurrying (if the model is pulled backward, however, model is pulled backward, however, there is no response). "Whence," there is no response). "Whence," Campbell asks, "this abrupt seizure Campbell asks, "this abrupt seizure by an image to which there is no by an image to which there is no counterpart in the chicken's world? counterpart in the chicken's world? Living gulls and ducks, herons and Living gulls and ducks, herons and pigeons, leave it cold, but the pigeons, leave it cold, but the work of work of art strikes some very deep chord!"art strikes some very deep chord!"

In his book, The Hero with a Thousand Faces, Joseph Campbell asserted that all storytelling follows the ancient patterns of myth, and that all stories use elements of the Hero’s Journey.

THE THE MONOMYMONOMY

THTH.

Christopher Vogler, a Hollywood filmmaker, was inspired by Joseph Campbell’s idea of the Monomyth . In his book The Writer’s Journey, he demonstrates how writers can apply this ancient mythic structure to modern film.

First Major Section of the Cycle

Departure

First Major Section of the Cycle

Departure

Stage 1: Call to AdventureStage 1: Call to AdventureA character exists in an A character exists in an ordinary worldordinary world

A A heraldherald or or announcerannouncer appears and indicates to appears and indicates to the hero that his life is about to (or at least has the the hero that his life is about to (or at least has the potential) changepotential) change

The call promises The call promises both treasure and dangerboth treasure and danger..

The call requires The call requires traveltravel to a distant land, forest, to a distant land, forest, or kingdom somewhere underground, beneath the or kingdom somewhere underground, beneath the waves, above the sky, on a secret island, atop a waves, above the sky, on a secret island, atop a lofty mountain—even into a profound dream state. lofty mountain—even into a profound dream state. The hero must leave the ordinary world. The hero must leave the ordinary world.

Odysseus is called to

fight the Trojan War

Pinocchio wants to become a

real boy.

Dorothy wants to

leaveKansas.

The call [is] a … moment, of The call [is] a … moment, of spiritual passagespiritual passage, which, when , which, when complete, amounts to complete, amounts to a dying a dying

and birthand birth. The familiar life . The familiar life horizon has been outgrown; the horizon has been outgrown; the

old concepts, ideals, and old concepts, ideals, and emotional patterns emotional patterns no longer no longer

fitfit; the time for the ; the time for the passing of a passing of a thresholdthreshold is at hand. is at hand.

The call [is] a … moment, of The call [is] a … moment, of spiritual passagespiritual passage, which, when , which, when complete, amounts to complete, amounts to a dying a dying

and birthand birth. The familiar life . The familiar life horizon has been outgrown; the horizon has been outgrown; the

old concepts, ideals, and old concepts, ideals, and emotional patterns emotional patterns no longer no longer

fitfit; the time for the ; the time for the passing of a passing of a thresholdthreshold is at hand. is at hand.

Campbell says this about the Campbell says this about the Call Call to Adventureto Adventure::Campbell says this about the Campbell says this about the Call Call to Adventureto Adventure::

Stage 2: Refusal of the CallStage 2: Refusal of the CallStage 2: Refusal of the CallStage 2: Refusal of the CallAlmost all heroes Almost all heroes at firstat first refuse the adventure. refuse the adventure.

The consequences of finally The consequences of finally acceptingaccepting the call: the call:The person gains The person gains self-awarenessself-awareness and and controlcontrol..

The consequences of always The consequences of always refusingrefusing the call: the call:According to Campbell, the person’s “According to Campbell, the person’s “flowering worldflowering world becomes a becomes a wastelandwasteland of dry stones and his life feels of dry stones and his life feels meaninglessmeaningless.”.”

Dorothy runs back to the farm and Auntie Em. A storm is brewing.

Luke Skywalker doesn’t have time for the adventure - he has to help his Uncle Owen on the moisture farm.

Campbell says this about the Campbell says this about the Refusal of the CallRefusal of the Call::Campbell says this about the Campbell says this about the Refusal of the CallRefusal of the Call::

The The refusalrefusal is is essentially a essentially a

refusal to refusal to give upgive up what one takes to what one takes to

be be one’s own one’s own interestinterest..

The The refusalrefusal is is essentially a essentially a

refusal to refusal to give upgive up what one takes to what one takes to

be be one’s own one’s own interestinterest..

Stage 3: Stage 3: Supernatural Supernatural Aid (Meeting Aid (Meeting the Mentor)the Mentor)

Stage 3: Stage 3: Supernatural Supernatural Aid (Meeting Aid (Meeting the Mentor)the Mentor)

Usually [but not Usually [but not always] always] masculinemasculine in formin formTypically a wizard, Typically a wizard, hermit, shepherd, or hermit, shepherd, or smith—someone smith—someone peripheral peripheral to the to the communitycommunitySupplies the Supplies the amuletsamulets and and adviceadvice that the hero that the hero will require to beginwill require to begin

The rubyslippers

Luke receives his light saber from Obi-Wan Kenobi.

Campbell says this about the Campbell says this about the Mentor Mentor and the Supernatural Aidand the Supernatural Aid::Campbell says this about the Campbell says this about the Mentor Mentor and the Supernatural Aidand the Supernatural Aid::

For those who have For those who have notnot refused the call, the refused the call, the first first encounterencounter … is with a … is with a protective figureprotective figure … …

who provides the who provides the adventurer with adventurer with amuletsamulets

against the against the dragon dragon forcesforces he is about to he is about to

pass.pass.

For those who have For those who have notnot refused the call, the refused the call, the first first encounterencounter … is with a … is with a protective figureprotective figure … …

who provides the who provides the adventurer with adventurer with amuletsamulets

against the against the dragon dragon forcesforces he is about to he is about to

pass.pass.

The hero leaves the old world behind and enters the new.

Stage 4: Stage 4: Crossing the Crossing the

First First Threshold Threshold

Luke Skywalker leaves his home on Tatooine.

Dorothy is carried away to Oz by the tornado, and she begins her journey on the Yellow Brick Road.

Campbell says this about Campbell says this about Crossing the First ThresholdCrossing the First Threshold::Campbell says this about Campbell says this about Crossing the First ThresholdCrossing the First Threshold::

The hero goes forward The hero goes forward in his adventure until he in his adventure until he

comes to … the comes to … the entrance zone of entrance zone of magnified power.magnified power.

Beyond … is Beyond … is darknessdarkness, , the the unknownunknown, and , and

dangerdanger..

The hero goes forward The hero goes forward in his adventure until he in his adventure until he

comes to … the comes to … the entrance zone of entrance zone of magnified power.magnified power.

Beyond … is Beyond … is darknessdarkness, , the the unknownunknown, and , and

dangerdanger..

Stage 5: The Stage 5: The Belly of the Belly of the

WhaleWhale

Stage 5: The Stage 5: The Belly of the Belly of the

WhaleWhale

The The bellybelly = the = the adventure, where the adventure, where the rules are rules are differentdifferent..

The hero is to be The hero is to be born againborn again, undergo , undergo a a metamorphosismetamorphosis, , shed his old character shed his old character for a for a new onenew one..

Like Jonah and Pinocchio, the hero experiences the “dark night of the soul” and must face his faults and the truth.

For some, the Belly of the Whale experience is a situation in which the hero feels trapped.

Luke Skywalker trains with Yoda

in a whale-like house.

Luke, Han, and Leia are trapped in the Death Star Garbage Compactor.

Second Major Section of the Second Major Section of the CycleCycle

InitiationInitiation

Second Major Section of the Second Major Section of the CycleCycle

InitiationInitiation

Stage 6: The Stage 6: The Road of TrialsRoad of TrialsStage 6: The Stage 6: The Road of TrialsRoad of TrialsThe hero must prove The hero must prove that he is worthy of that he is worthy of the quest.the quest.This stage is This stage is PREPARATION or PREPARATION or TRANING for the TRANING for the final challenge.final challenge.Dragons must be Dragons must be slain, victories won, slain, victories won, barriers passed, barriers passed, ecstasies ecstasies experienced, etc.--experienced, etc.--usually in series of usually in series of threesthrees..

A series of tests, tasks, or ordeals (often in sets of three) that the hero must undergo to begin the transformation.

In The Wizard of Oz, Dorothy must first navigate the dangers of the Yellow Brick Road before she can get to her ultimate goal.

Campbell says this about the Campbell says this about the Road Road of Trialsof Trials::Campbell says this about the Campbell says this about the Road Road of Trialsof Trials::

Once having Once having traversed the traversed the threshold, the threshold, the hero … must hero … must survivesurvive a a

succession of succession of trialstrials..

Once having Once having traversed the traversed the threshold, the threshold, the hero … must hero … must survivesurvive a a

succession of succession of trialstrials..

Stage 7: Stage 7: Meeting withMeeting with the Goddess the Goddess

Stage 7: Stage 7: Meeting withMeeting with the Goddess the GoddessUsually depicted Usually depicted youngyoung and/or and/or beautifulbeautifulTeaches the hero an Teaches the hero an important lessonimportant lesson..Does not have to be a Does not have to be a goddessgoddess [such as the [such as the Greek Athena or the Greek Athena or the Egyptian Isis]. Any Egyptian Isis]. Any strong strong femalefemale or or feminine forcefeminine force meets the requirements for meets the requirements for this stage.this stage.It could also be some kind of It could also be some kind of self-discovery.self-discovery.

A wise or magical

woman gives guidance or

advice to the hero.

Stage 8: Woman Stage 8: Woman as Temptressas Temptress

Stage 8: Woman Stage 8: Woman as Temptressas Temptress

Woman is the metaphor Woman is the metaphor for the for the physicalphysical or or material temptationsmaterial temptations of life.of life.A temptation tries to lead A temptation tries to lead the hero the hero offoff his path of his path of adventure.adventure.The “woman” can be a The “woman” can be a femalefemale, a , a strong strong feminine forcefeminine force, or a , or a temptationtemptation representing representing lustlust, , comfortcomfort, and/or , and/or lack of lack of spiritualityspirituality..

Someone or something tempts the hero to leave the “true path” to his goal. Luke is tempted by the Dark

Side of the Force; Frodo is tempted to keep the ring for himself; Circe

the witch tries to keep Odysseus on her island.

Not even monastery walls, … Not even monastery walls, … not even the remoteness of not even the remoteness of

the desert, can defend the desert, can defend against against female presencesfemale presences; ;

for as long as the [hero’s] for as long as the [hero’s] flesh clings to his bones and flesh clings to his bones and pulses warm, the pulses warm, the images of images of

lifelife are alert to are alert to stormstorm his his mindmind..

Not even monastery walls, … Not even monastery walls, … not even the remoteness of not even the remoteness of

the desert, can defend the desert, can defend against against female presencesfemale presences; ;

for as long as the [hero’s] for as long as the [hero’s] flesh clings to his bones and flesh clings to his bones and pulses warm, the pulses warm, the images of images of

lifelife are alert to are alert to stormstorm his his mindmind..

Campbell says this about the Campbell says this about the Woman as TemptressWoman as Temptress::Campbell says this about the Campbell says this about the Woman as TemptressWoman as Temptress::

Stage 9:Stage 9:Atonement with the Atonement with the

FatherFather

Stage 9:Stage 9:Atonement with the Atonement with the

FatherFatherAtonement = Atonement = atat ++ oneone + + mentmentThe hero encounters his The hero encounters his biologicalbiological father, a father, a father father figurefigure, a , a strong male strong male presencepresence, or someone or , or someone or something with something with incredible incredible powerpower..At first, the “father” At first, the “father” represents what the hero represents what the hero despisesdespises or or disagreesdisagrees with.with.The hero is killed during the The hero is killed during the encounter--either encounter--either literallyliterally or or symbolicallysymbolically--so that a --so that a new selfnew self can come into can come into being.being.

I am a Jedi, like my father

before me!

Dorothy faces the Great Oz!

There is a new There is a new element of element of rivalryrivalry in the picture: the in the picture: the sonson against the against the

fatherfather for for masterymastery of the of the

universeuniverse..

There is a new There is a new element of element of rivalryrivalry in the picture: the in the picture: the sonson against the against the

fatherfather for for masterymastery of the of the

universeuniverse..

Campbell says this about the Campbell says this about the Atonement with the FatherAtonement with the Father::Campbell says this about the Campbell says this about the Atonement with the FatherAtonement with the Father::

Stage 10: Stage 10: ApotheosisApotheosis

Exaltation of divine rank Exaltation of divine rank or stature. The hero or stature. The hero recognizes his/her true recognizes his/her true identity - that spark of identity - that spark of divinity within. The hero divinity within. The hero becomes “godlike” by becomes “godlike” by performing a miracle or performing a miracle or accomplishing accomplishing something no one something no one thought possible. thought possible.

Stage 10: Stage 10: ApotheosisApotheosis

Exaltation of divine rank Exaltation of divine rank or stature. The hero or stature. The hero recognizes his/her true recognizes his/her true identity - that spark of identity - that spark of divinity within. The hero divinity within. The hero becomes “godlike” by becomes “godlike” by performing a miracle or performing a miracle or accomplishing accomplishing something no one something no one thought possible. thought possible.

May May the the FORCE FORCE be with be with you!you!

Dorothy melts the Wicked

Witch and the guards bow to

Dorothy.

Stage 11:The Ultimate

Boon

Stage 11:The Ultimate

Boon

All previous steps have All previous steps have preparedprepared and and purifiedpurified the hero for the boon.the hero for the boon.A A difficult taskdifficult task is is accomplished with accomplished with great easegreat ease..The boon is sometimes The boon is sometimes the the goalgoal of the of the adventure--a magical adventure--a magical elixir, the holy grail, a elixir, the holy grail, a golden fleece.golden fleece.There is a There is a catharsiscatharsis– – the hero comes close to the hero comes close to death.death.

Dorothy returns to Emerald City with the witch’s

broom.

Luke destroys the Death Star.

Third Major Section of the Third Major Section of the CycleCycle

R e t u r nR e t u r n

Third Major Section of the Third Major Section of the CycleCycle

R e t u r nR e t u r n

Stage 12: The Stage 12: The Refusal of the Refusal of the

ReturnReturn

Stage 12: The Stage 12: The Refusal of the Refusal of the

ReturnReturn

The Hero has The Hero has proven that he is proven that he is a a new personnew personThe Adventure is The Adventure is over.over.How could How could anyone go back anyone go back to life the way it to life the way it was?was?A period of A period of indecision.indecision.

The hero wonders if it’s possible to return to the old life now that so much has changed.

The Great Oz flies away alone in the hot air balloon, so Dorothy loses hope that she will get home.

The hero-quest The hero-quest requires that the requires that the hero hero returnreturn. The . The responsibility has responsibility has been been frequently frequently

refusedrefused..

The hero-quest The hero-quest requires that the requires that the hero hero returnreturn. The . The responsibility has responsibility has been been frequently frequently

refusedrefused..

Campbell says this about Stage 12, Campbell says this about Stage 12, the the Refusal of the ReturnRefusal of the Return::Campbell says this about Stage 12, Campbell says this about Stage 12, the the Refusal of the ReturnRefusal of the Return::

Stage 13: The Stage 13: The Magic FlightMagic Flight

Stage 13: The Stage 13: The Magic FlightMagic Flight

• After you’ve stolen After you’ve stolen the golden idol, how the golden idol, how do you get out of the do you get out of the crumbling temple (or crumbling temple (or exploding space exploding space ship, etc)?ship, etc)?

• The first dangerous The first dangerous steps of the journey steps of the journey are often retraced in are often retraced in rapid fashion.rapid fashion.

• We know the battle We know the battle has been won, but has been won, but we need to see the we need to see the loose ends tied up.loose ends tied up.

Stage 14: Stage 14: Rescue From Rescue From

WithoutWithout

Stage 14: Stage 14: Rescue From Rescue From

WithoutWithout

• After the Magic After the Magic Flight, the hero is Flight, the hero is often left wounded, often left wounded, or dangling on the or dangling on the edge of a cliff.edge of a cliff.

• He may need help He may need help returning to the returning to the ordinary world.ordinary world.

• An ALLIE or An ALLIE or MENTOR or even a MENTOR or even a bad guy turned bad guy turned good often brings good often brings the hero out of the hero out of danger.danger.

But you’ve But you’ve always had thealways had the

power topower togo home!go home!

Glinda the Good Witch reminds Dorothy of the ruby red slippers.

The The final stagefinal stage of [the of [the hero’s] adventure is hero’s] adventure is supportedsupported by all the by all the

powers of his powers of his supernatural patron … supernatural patron … or or complicatedcomplicated by … by … magical obstruction.magical obstruction.

The The final stagefinal stage of [the of [the hero’s] adventure is hero’s] adventure is supportedsupported by all the by all the

powers of his powers of his supernatural patron … supernatural patron … or or complicatedcomplicated by … by … magical obstruction.magical obstruction.

Campbell says this about Stage Campbell says this about Stage 13, 13, Magical FlightMagical Flight::Campbell says this about Stage Campbell says this about Stage 13, 13, Magical FlightMagical Flight::

The world may have to come and get him.

Society is jealous of those

who remain away from it, and will come

knocking at the door.

The world may have to come and get him.

Society is jealous of those

who remain away from it, and will come

knocking at the door.

Campbell says this about Stage 14, Campbell says this about Stage 14, Rescue from WithoutRescue from Without::Campbell says this about Stage 14, Campbell says this about Stage 14, Rescue from WithoutRescue from Without::

• The hero steps out The hero steps out of his active role.of his active role.

• He either finds He either finds himself back in the himself back in the old Ordinary World, old Ordinary World, or in a new, or in a new, balanced world that balanced world that his quest has his quest has createdcreated

Stage 15: Stage 15: Crossing the Crossing the

Return Return ThresholdThreshold

Stage 15: Stage 15: Crossing the Crossing the

Return Return ThresholdThreshold

Dorothy finds her power to return to Kansas on her own by wishing for home.

He [must] re-enter … He [must] re-enter … where men who are where men who are fractionsfractions imagine imagine themselves to be themselves to be

completecomplete..

He [must] re-enter … He [must] re-enter … where men who are where men who are fractionsfractions imagine imagine themselves to be themselves to be

completecomplete..

Campbell says this about Campbell says this about Crossing Crossing the Return Thresholdthe Return Threshold::Campbell says this about Campbell says this about Crossing Crossing the Return Thresholdthe Return Threshold::

Stage 16: Stage 16: Master of the Master of the Two WorldsTwo Worlds

Stage 16: Stage 16: Master of the Master of the Two WorldsTwo Worlds

• Every story has an Every story has an external conflict external conflict (to find the Holy (to find the Holy Grail, to rescue the Grail, to rescue the maiden) and an maiden) and an internal conflict internal conflict (to become worthy, (to become worthy, to gain confidence)to gain confidence)

• The Master of Two The Master of Two worlds is when we worlds is when we have evidence that have evidence that the hero has solved the hero has solved both conflictsboth conflicts

Stage 17: The Stage 17: The Freedom to LiveFreedom to LiveStage 17: The Stage 17: The

Freedom to LiveFreedom to Live

• You know the You know the feeling at the end of feeling at the end of the movie where the movie where you just know that you just know that everything will be everything will be alright, even if the alright, even if the future is uncertain? future is uncertain? THAT is the THAT is the FREEDOM TO LIVEFREEDOM TO LIVE

Dorothy returns to Kansas and is welcomed by all her family.

“There’s no place like home”

Powerful in Powerful in insightinsight, calm and , calm and free in free in actionaction, … the hero is , … the hero is the conscious vehicle of the the conscious vehicle of the

terrible, wonderful Law of the terrible, wonderful Law of the Universe, whether his work Universe, whether his work be that of be that of butcherbutcher, , jockeyjockey, ,

or or kingking..

Powerful in Powerful in insightinsight, calm and , calm and free in free in actionaction, … the hero is , … the hero is the conscious vehicle of the the conscious vehicle of the

terrible, wonderful Law of the terrible, wonderful Law of the Universe, whether his work Universe, whether his work be that of be that of butcherbutcher, , jockeyjockey, ,

or or kingking..

Campbell says this about Stage Campbell says this about Stage 16,16, Master of Two WorldsMaster of Two Worlds::Campbell says this about Stage Campbell says this about Stage 16,16, Master of Two WorldsMaster of Two Worlds::

Freedom to Freedom to pass pass backback and and forthforth across across

the world the world division … is division … is the the talenttalent of of the the mastermaster..

Freedom to Freedom to pass pass backback and and forthforth across across

the world the world division … is division … is the the talenttalent of of the the mastermaster..

Campbell says this about Stage 17, Campbell says this about Stage 17, Freedom to LiveFreedom to Live::Campbell says this about Stage 17, Campbell says this about Stage 17, Freedom to LiveFreedom to Live::