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REBIRTH OF GREEK/ROMAN ACHIEVEMENTS The Renaissance (1350 - 1600)

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Page 1: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

REBIRTH OF GREEK/ROMAN ACHIEVEMENTS

The Renaissance (1350 - 1600)

Page 2: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

CHARACTERISTICS OF THE RENAISSANCE

1. Emphasis on Classical Greek and Roman Learning

6. Vernacular was used in place of Latin

5. Emphasis on Individual Happiness

4. A Belief in Progress through Learning

3. Less Fear of the Unknown

2. Spirit of Experimentation

Page 3: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

THE RENAISSANCE BEGAN IN ITALY, WHY?

1. Location of the old Roman Empire

2. Italy grew rich from Trade $$$

3. Urban society of independent city-states

4. Competition among city-states led to great

achievements

LEADING CITY-STATES:

Venice, Genoa, Milan, Pisa, Mantua…

FLORENCE!!!

Page 4: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

FLORENCE – THE LEADING CITY-STATE

The Medici Family Controlled Florence, they

made their Fortune in Banking

Lorenzo “The Magnificent” was the most

Famous of the Medici Family

1. Rule Florence as a Dictator

2. Was a Patron of the Arts

Those who taught that people could lead full rich lives on Earth

HUMANISTS

Page 5: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

HUMANISTS

Francesco Petrarch

(1304 - 1374)

- First “Renaissance Man"

- Copied Old Greek and Roman Manuscripts into the Vernacular

- Earliest Original Works: Love Poetry

- Wrote Letters to the Dead (Famous Greeks and Romans)

- Admired Nature for its Beauty

- Believed in Progress through Learning

Page 6: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

HUMANISTS

Baldassare Castiglione

(1478-1529)

- Wrote that the Ideal

Renaissance Man

should have a Broad

Education in many

Different Areas

Page 7: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

HUMANISTS

Niccolo Machiavelli

(1469 - 1527)

- Wrote The Prince

- Quotes:

1. "Better to be

feared than loved"

2. "Might makes

right"

3. "The ends justify

the means"

Page 8: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

RENAISSANCE ART

Techniques:

1. Shading (Light and Dark)

2. Rules of Perspective (Parallel Lines, Vanishing

Points to add Depth and Dimension)

3. Oil Paints (Vibrant Colors, Canvas, and Framing)

4. Less Emphasis on Religious Themes

Page 9: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

RENAISSANCE ART

Filippo Bruenelleschi

- Most Highly Regarded

Architect of his Time

- Designed

"The Duomo"

in Florence

Page 10: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

GREAT ITALIAN ARTISTS

1. Donatello: Free-standing Sculpture, 'David‘ Bronze, 4-foot tall

2. Leonardo da Vinci: Painted the "Mona Lisa" and "The Last Supper“

3. Michelangelo: Greatest Sculptor Ever, Sculpted "The Pieta," "David" (13.5-feet high), and "Moses;" Painted the Ceiling of the Sistene Chapel

4. Raphael Santi: was called the "Perfect Painter," School of Athens”, “The Madonna”: Any Painting of Mary Holding Baby Jesus

Page 11: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

Donatello’s David

Free Standing Sculpture

Page 12: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

Leonardo da Vinci’s

MONA LISA

Page 13: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

Da Vinci’s Last Supper

Page 14: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

Michelangelo’s

The Pieta

Page 15: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

Michelangelo’s

David

Page 16: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

Michelangelo’s

Sistine Chapel

Page 17: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

Michelangelo’s Sistine Chapel (Creation)

Page 18: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

Raphael’s The School of Athens

Page 19: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

GREAT NORTHERN EUROPEAN RENAISSANCE ARTISTS

1. Rembrandt

Famous for Self-portraits and Use of

Shading

2. Bruegel

Famous for Paintings of Peasants

Page 20: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

Rembrandt’s The Night Watch

Page 21: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

Bruegel’s Peasant Wedding

Page 22: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

Bruegel’s Dance

Page 23: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

GREAT RENAISSANCE WRITERS

Miguel Cervantes (Spain): Don Quixote - Mocked

Medieval Ideas of Chivalry

Page 24: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

GREAT RENAISSANCE WRITERS

William Shakespeare (England): Wrote Plays

Based on Greek/Roman Legends

Page 25: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

GREAT RENAISSANCE WRITERS

Sir Thomas More (England): Utopia - Ideal

Perfect Place Where Everyone is Equal

Page 26: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

GREAT RENAISSANCE WRITERS

Erasmus (Netherlands): The Praise of Folly -

Criticized the Clergy and corrupt church practices

Page 27: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

OTHER RENAISSANCE ACHIEVEMENTS

Johann Guttenberg

- Perfected the

Printing Press with

Movable Type in 1455

- Ideas Spread More

Rapidly

- Literacy Rates

Dramatically Increase

Page 28: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

CHANGES

During the Renaissance, Farmers began

expanding the types of food, meat, fruits, and

dairy products

Page 29: The Renaissance (1350 - 1600) · RENAISSANCE ART Techniques: 1. Shading (Light and Dark) 2. Rules of Perspective (Parallel Lines, Vanishing Points to add Depth and Dimension) 3. Oil

OTHER RENAISSANCE ACHIEVEMENTS

Nicolaus Copernicus

- Heliocentric View

of the Universe

- Started the

Scientific

Revolution