the tempest playbill, 2013

7/27/2019 The Tempest Playbill, 2013

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648 South Main Street

Greenvilles Historic West End

864.232.8999

Corner of Main & Broad

Heart of Downtown Greenville

864.546.3535


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A Note From The Executive & Artistic Director

Happy 40thAnniversary Season to Te Warehouse Teatre. It is a great pleasureto be at the helm of Te Warehouse Teatre during this exciting time. We haveaccomplished so much over the course of the last 40 years and there would be no wayfor me to thank everyone who has had a part in the rich community that we have built,but together we have created a theatre of which Greenville is proud.

Tis year we look back at all of our success but we also look forward to the next40 years, and I am happy to lay out the business model that will launch us into thefuture! Its a business model built for longevity, addresses all mission directives andwill provide the highest professional and artistic quality theatre possible. It has threeintegral parts that could stand on their own but together create a unique businessmodel for a small market professional theatre.

During our 2015-2016 season well kick off our new Warehouse Teatre Conservatory,a tuition based 40+ week program drawing from the most talented early careertheatre professionals from across the state and nation. It bridges the gap between theeducational and the professional world. oo many young theatre artists receive little tono training about the business of their discipline; we will fill that gap and prepare themfor their first professional move.

In fact, well provide their first professional move. Our touring program grows everyyear and will reach throughout South Carolina and the near reaches of North Carolinaand Georgia. Te tours not only further the reach of our educational programmingbut will also hire the graduates of our conservatory the season after they graduate. ell

your representatives: we are creating an educational program that provably leadsto tax paying jobs in the field, in the state!

If excellent professional preparation, networking while working with our guest artistson the Main Stage and then a job when they graduate are not carrots enough to ensurewe attract the best, brightest we have something else. In 1989 Te Warehouse Teatrebecame the first professional theatre in South Carolina when it entered into a SmallProfessional Teatre agreement with Actors Equity Association. Tis year we haveonce again entered into a Small Professional Teatre agreement with Actors EquityAssociation. Tis agreement helps us increase the professional and artistic quality ofwhat you see at Te Warehouse but it also, and almost more importantly, will allow usto offer to our Conservatory students measurable movement towards the professionalcredentials they wish to acquire.

Well still be doing all of the other programs that you have come to know and love,a vibrant summer season with Te Distracted Globe and our Upstate ShakespeareFestival; our exciting and impactful educational programming including Tis WoodenO, Te Healthy Living Program; our Community Engagement activities which includeour alk Backs, Pre-Show alks, and our Warehouse Teatre Forums and more.

Te Warehouse is your Intense Intimate and Unexpected alternative for theatre of thehighest quality! Tank you for being a part of our world and we hope youll be a bigpart of the next 40!

Tank you for coming to Te Teatre. Without you, wed be an empty room.


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Mailing address: Website address:Te Warehouse Teatre www.warehousetheatre.com37 Augusta St. Email:Greenville, SC 29601 [email protected]: Latecomers will be seated at the discretion of management and in seats thatavoid disrupting other patrons and the performance. Refunds are not available except in

the case of performance cancellation. If you cannot attend, we can accept your unusedticket as a donation. Please return your ticket to the box office to obtain a tax receipt.

Smoking: Smoking is NO PERMIED anywhere in the building. Tose who mustsmoke should do so on the public sidewalk away from the building, so as not to botherother patrons. Please do not smoke just outside the doors as the smoke drifts back inside;instead, go to the end of the ramp to the patio area.

Cameras and recording devices: It is ILLEGAL to record a performance, with anymedia, in whole or in part. If you record a performance in whole or in part we will ask

you to stop recording during the live performance. You will be embarrassed.Te videotaping or other video or audio recording of this production is strictly prohibited.

Cell Phones, Beepers & Alarm Watches: Please turn them off BEFORE the performancebegins. Please do not use the vibrate option but, instead, turn them completely off.

Lost and Found: Found items should be given to the House Manager. Queries regardinglost items may be made by calling 235-6948.

Recycling & rash: Please help us keep the theatre clean by discarding trash in the lobbytrash cans or by handing it to us for recycling. Tank you!

Your Image: Attendance at Te Warehouse Teatre is your tacit permission for us to useyour still image for marketing and/or fundraising purposes. Attendance at Te WarehouseTeatre is your tacit permission for us to use your moving image and recorded commentsfor marketing and/or fundraising purposes.

Attending Te Teatre:

When coming to the theatre, at Te Warehouse or anywhere else, you are takingpart in a 2500+ year old tradition that engages you with the community in which

you live. With this in mind, please be courteous to the other audience members.You are part of their experience and they are part of yours.

Watching a play requires you to think. Enjoy yourself with your brain ON. You cantgo back if you miss something this is live and in the flesh.

Tere are many different types and styles of plays. We offer you the opportunity toattend a pre-show talk before our Sunday matinees which will put the play you areabout to watch into context, and we also have information about our productionavailable to you in our lower lobby, but do your own homework. You will enjoy theexperience more if you do a little bit of research into the play and the playwright.

Te Internet is your friend!

Dont be afraid to laugh...there are laughs even in tragedies. Go ahead...its ok!

The Warehouse Theatre is sponsored in part by a grantfrom the Metropolitan Arts Council, which receivesfunding from the City of Greenville, SEW Eurodrive, BMWManufacturing Company, LLC, Michelin North America,Inc., and the South Carolina Arts Commission with sup-port from the National Endowment for the Arts.


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Production Crew

Director Robert RichmondAsst. Director Anne romsnessSet Design Shannon RobertCo-Designer, Scenery Henry WilkinsonSound Design/Projections Kevin Frazier

Costume Design J. Teresa BuschProps Master Morgan BlaichLighting Design ony PennaStage Manager Katie Halstensgardechnical Director John KeenanOriginal Music Braxton Ballew, Sarah BlackProduction Manager Bill Munoz

Dramaturg Elisa M. GoldenCrew Henry Wilkinson, Erika Whatley, Alex Brady,

David Ryder, Andrew Cogswell, Christian Oehring

Cast

Prospero/Caliban Richard WillisMiranda/Ariel Stevie KeeseAlonzo Michael Hart

Gonzalo Jason AdkinsAntonio Chris EvansSebastian J. Edwin TomasFerdinand Justin Walkerrinculo imothy GilesStephano Matthew Merritt

Actors Equity Association (AEA) was founded in 1913 asthe first of the American actor unions. Equitys mission isto advance, promote and foster the art of live theatre as anessential component of our society. oday, Equity representsmore than 40,000 actors, singers, dancers and stage managersworking in hundreds of theatres across the United States. Equitymembers are dedicated to working in the theatre as a profession,upholding the highest artistic standards.

Equity negotiates wages and working conditions and provides awide range of benefits including health and pension plans for itsmembers. Trough its agreement with Equity, this theatre hascommitted to the fair treatment of the actors and stage managersemployed in this production.

AEA is a member of the AFL-CIO and is affiliated with FIA, an international organization ofperforming arts unions. For more information, visit www.actorsequity.org.


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ATTORNEYS AND COUNSELORS AT LAW

Boyd B. (Nick) Nicholson, Managing Director

ONE North Main Street, 2nd Floor

Greenville, SC 29601

864.240.3200

[email protected]

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TRANSFORMING

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Haynsworth Sinkler Boyd, P.A.

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Special Thanks

Clemson University Performing ArtsDepartment

South Carolina Governors School

for the Arts & HumanitiesPaul Feraldi

Productions Unlimited

Wesleys Water World

Matt Leckenbusch

Clemson University

Justin Neil Ames

Jayce romsness

Staff

Executive/Artistic DirectorPaul Savas

Director of Development

Katie Leckenbusch

Director of EducationAnne Kelly romsness

Associate Artistic DirectorShannon Robert

Production Manager

Bill Munozechnical Director

John F. Keenan

Box Office/House ManagerAndy Croston

Administrative AssistantJaime Keegstra


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The Medici Society

Your gift to Te Medici Society, Te Warehouse Teatres annual fund, is analtruistic act which supports our annual operations. Te Medici Family of15th century Florence was largely responsible for the flowering of arts during

the height of Florentine and European Renaissance. Te Medicis gave amplepatronage to the arts and literature in order to encourage a prosperous city.

When you give to Te Medici Society, you join a rich history of giving to thearts which was born in ancient Greece, revived through the Medicis, and isours to perfect.

For more information please contact:

Katie LeckenbuschDirector of [email protected]

Chairmans Circle ($10,000+)Lobby space donated to a charity of your choice for a reception(some restrictions apply).

Producers Circle ($7,500 - $9,999)(20) ickets: Pick a show, or shows, invite your friends OR WH will donatetickets in your name to the charity of your choice.

Directors Circle ($5,000 - $7,499)Invitation for (2) to WH Gala. January 26, 2013.

Playwrights Circle ($2,500 - $4,999)Reserved seating for you and a guest for the whole season!(reservations required)

Grand Benefactors ($1,000 - $2,499)Invitation to a design presentation and rehearsal of your choice.

Benefactors ($500 - $999)Invitation for (2) to Te Warehouse 4th of July Party.

Patrons ($250 - $499)Invitation to Teatre Appreciation Events.Please check the website for dates and topics!

Partners ($100 $249)Recognition in the 2012-2013 season playbill and WH website.


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Generous Support FromBank of AmericaTe Derrick Family FoundationElbert W. Rogers Foundation

Te Graham FoundationTe Metropolitan Arts CouncilJean . and Heyward G. Pelham

FoundationTe Ronald McDonald House Charities

of the CarolinasTe Shubert FoundationSouth Carolina Arts Commission

Te F.W. Symmes FoundationTe D Charitable Foundation

Chairmans Circle $10,000+BMW Manufacturing Co., LLCEthel and John Piperom and Debra StrangeJackie and John Warner

Mimi Wyche and Davis EnloeProducers Circle ($7,500-$9,999)Wyche, P.A.

Directors Circle ($5,000-$7,499)AnonymousCurrent ools, Inc.Danielle Fontaine and Bill McLendon

Greenville Hospital System ChildrensHospital

Beth and Chip LeeNorthwestern Mutual, GreenvilleCrissy and George F. Maynard, IIISusan and Russell Stall

Playwrights Circle ($2,500-4,999)Susan and Steve BichelClaire and Joe BlakeBon Secours St. Francis Health SystemElliott Davis, LLCDesign Strategies, LLCDon Faircloth and Mark BlonsteinHaynsworth Sinkler Boyd, P.A.Marsha and Wallace Lightsey

Ruth and John MansurePriester FoundationShannon Robert and Paul SavasRogers Financial Group (Jeanette and

Jon Rogers)Sharon and Adrian SteinmannVidiStar, LLCBianca and Craig WalkerHarry Wilkinson and Cecily Mango

Grand Benefactors ($1,000-$2,499)

Helen and Neil Ames

Linda ArcherElizabeth Barwick and Roy S. FluhrerMary BiebelKen BetschSue and Jim BurfordCertusBankAnn and Mike ChengrianAmy and Mark Clary

Cutler Computers, Linda and JerryCutlerKathi and Joel DanielHarriet and Jerry DempseyDiane and Chip EganAndrew ElashFrances and David G. EllisonIngrid and Rick ErwinExxonMobil FoundationJack Ashton and John FaganLara and Eric FarnsworthSarah and George FletcherSharron and Norman GlickmanChristine and Eric HarrellTe Hasert Memorial rustBev and Bob HowardAndrea and Carson Johnson

Steve JohnsonMary and Jeff LawsonDavid E. Maguire Foundation, Inc.Basia and Paul McHughBeth and Scott McMillanHeidie and Keith Millereri and Jorge PenaGinger and Brian Phillips

The Medici Society Listing reflects gifts received prior to October 1, 2013


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Kay and Monte HartGary Hester Interiorsrude Heller and FamilyBlake Kingsbury

BJ and Don KoonceBrock and Staci KoonceAlice and Jerry LenzBilly LongDolly and Louis PardiDiane PerlmutterHeather and John PetrusickPiedmont Arthritis Clinic

Nicole and revor ReamSherm RoundsvilleRosenfeld EinsteinDavid RyderGlenn SawickiBob and Pat ShufeldtDiane Smock and Brad WycheGraham and Greta Somerville

Diana and Mike StaffordSydney and Ed aylorJill and Lou ValesHarriet and Philip Van HaleTea and Ruud VeltmanSteve VonFangeKelly WallaceAlex and Philip Whitley

Jeanette and Craig WilcoxWade WilsonLorraine and Robert Wooten

Patrons ($250-$499)Melinda AudMaegan and Tomas AzarAnn Bible and om BatsonSigne and Ron Cann

Mark CernigliaJP Morgan Chase BankDavid and Carolyn ChildsBillie Cleveland and Carroll RushingWade Cleveland and ravis SewardStanley CroweEileen Culbreth

Jane and Donald PilzerSue PriesterTe Honorable Richard C. RileyShirley Sarlin

Judson SuberSuperCutsEmilie and Nick TeodoreD Bank, N.A.Dr. om and Lucy illerKelli and John ripoliLiz and Fabian UnterzaucherEllen and Alan Weinberg

Bobbi and Bill WhelessMarsha and Knox WhiteSusie and Andrew WhiteBeverly and James S. WhittenMaxim WilliamsC. Tomas Wyche

Benefactors ($500-$999)

ADG Preferred Payroll, Inc.Michael AllardPaul C. Aughtry, IIIDan Belbey and om DonnellyJoseph BlalockLaura BlumeAnne and John CrabtreeCrawford Strategy, LLCJudith L. CoeMary Anne and Bob CooperFannie I. CromwellJane DavenportKathleen DavisPat DilgerRosa EisenstadtJ. Michael EvansKeller and David Freeman

Mary and Caleb FreemanMark FernandezNita FinleyPatricia and William FullerDonna and Steve GraddickSusie and Jim GrowNancy and Bruce Halverson



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Betty FarrDr. Jerry and Natalina FerlautoDavid and Jackie FirstenbergBelinda and Gary Gerrack

Julie and Berry Garretterry and Mark GordonGreenville Army Navy Store, Jeff ZaglinLaura and Jim GossettNicolette and Allen GrumbinePriscilla and Johnny HaginsMarcy and Dexter HagyFrank B. Halter

Kathryn and Geoffrey HardawayGeorgia and Darrell HarrisonPriscilla and Knox HaynsworthAnna Kate and Hayne HippJamie and Henry HorowitzJean and Ken JohnsonEugene JohnsonKen and Jean Johnson

Mary and Ellis JohnstonMr. and Mrs. Hurdle LeaFred LeffertHelen B. MaishGenevieve and Basil ManlyMcCallum Sweeney Consulting, INCStan and Cindy McCallumSarah and im McHenrySandy and om MillsElinor and John MioduskiMary Louise MimsSue and Brian OnkenWilliam H. OrdersWilliam PageAnne ParkerMargaret Ellis PearceC. Niles Ray

Donna Reiss and Arthur YoungAmy and Martial RobichaudLucy and Roger RollinMichelle and Michael ShainMinor and Hal ShawChristian and David SimsCarol and James Smeaton

Delores and Barney SmithElizabeth P. StallNancy B. StantonCindy and Stan Starnes

Carolyn G. StirmLubov and Edvard chivzhelSherri and Chuck immonsJo and Harry UsseryDiana and Greg ValenteLeslie and Eddie VannMarilyn Vanvick and Bill PageJudy and Eric Verhoeven

Eleanor and Irv WellingJeannette Wilcox

Partners ($100-$249)Steve AcresRobin and Michael Aleksinasraysie AmickKaren and Ralph Baehrim BaidenDonnie and Ed BarnesDorothy BelingDeborah BellBernice BloomPat and David BorensteinAndrea and omas BurrissRobert CancelliereCapehart Dentistry

Sapho and Mark CharneyKenneth ChristyAlice and John ClaggettPeggy and Roger ClinkscalesKerstin and Adrian CravenHarry CurtisSusan and Mark CyrElizabeth Daly-Korybski

James DavisPeggy and Steve DavisDebbie DaileySteve and Peggy DavisDebby and Joe DeRosaDoug DormanGladys DykeSally and John Eastman



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Thank you to all of our donors! Please let us know if you find an error in

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Dot and Alan ElmoreCarol EstepValerie and imothy EstesIldiko and Rich EverlyAlice Anne and Ben FarleyCaroline and Gina FratturoRebecca and Tomas FaulknerPamela FjeldElizabeth FoxworthKathryn FreedmanIrene and Lee FriedmanWilliam Garren

Pat GarrettAnnette GarverPaul GilbertHeather HaleyDavid HamesMireille and Viktor HanuskaJoe HaynesRichard Heusel

Elizabeth HicksCarol and Walter HintonStephen HumphreySue and Sam InmanGeorge Micheal JamraDon KambCherie KeeseVickie Kroeger

Sandra LambersonLinda and Harry LawDiane L. LawrenceLinda and Howard LevyHeather LyndonGlenda ManwaringSharon and Charles MartinDr. and Mrs. Fleming MattoxJackson and Pamela McCarterMcPhail Animal HospitalWilliam MebaneLaura MillerLynda MorrisonMary Lee and Warren Mowry

Bob and Valerie MullerLaura and Miles NasonBarbara and James NealRaja NeuhausGrady PattersonSally and Peter PotoskyMary PrincipeJohn reedSusan and im ReedJ SaadSandra SandersonHarvey Sanders

Pat ScalesSusan SchneckenbergDavid . ScottGail and Bruce SchoonmakerSteven ShrumJohn SissonDonna SmithAllison Steadman

Maris and Neil SteinbergWilliam Stephensonod appertCheri and Dennis esolowskiJoni and Larry Tompsonracy iddyFrankie and Monty uckerValda and Donald Vandersloot

William VolzLeigh WalkerWest End SpiritsShelby and Michael WirtPhyllis WilkesBarbara and Don WilloughbyCharles Wofford & Nancy B. TomasDr. and Mrs. Richard Zander


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Playwright Biography

William Shakespearewas born to John Shakespeare and mother Mary Arden sometime in late April 1564 in Stratford-upon-Avon. Tere is no record of his birth, buthis baptism was recorded by the church, thus his birthday is assumed to be the 23 ofApril. His father was a prominent and prosperous alderman in the town of Stratford-

upon-Avon, and was later granted a coat of arms by the College of Heralds. All that isknown of Shakespeares youth is that he presumably attended the Stratford GrammarSchool, and did not proceed to Oxford or Cambridge. Te next record we have of himis his marriage to Anne Hathaway in 1582. Te next year she bore a daughter for him,Susanna, followed by the twins Judith and Hamnet two years later. His son, Hamnet,died at age eleven from unknown causes.

Seven years later Shakespeare is recognized as an actor, poet and playwright, when arival playwright, Robert Greene, refers to him as an upstart crow inA Groatsworthof Wit. A few years later he joined up with one of the most successful acting troupes in

London: Te Lord Chamberlains Men. When, in 1599, the troupe lost the lease of thetheatre where they performed, (appropriately called Te Teatre) they were wealthyenough to build their own theatre across the Tames, south of London, which theycalled Te Globe. Te new theatre opened in July of 1599, built from the timbersof Te Teatre, with the motto otus mundus agit histrionem (A whole world ofplayers). When James I came to the throne (1603) the troupe was designated by thenew king as the Kings Men (or Kings Company). Te Letters Patent of the companyspecifically charged Shakespeare and eight others freely to use and exercise the artand faculty of playing Comedies, ragedies, Histories, Interludes, Morals, Pastorals,

stage plays ... as well for recreation of our loving subjects as for our solace andpleasure. During his lifetime Shakespeare wrote a total of seventeen comedies, tenhistories and ten tragedies. He also wrotefive long narrative poems and one hundredand fifty-four shorter poems known as TeSonnets.

Shakespeare entertained the king and thepeople for another ten years until June 19,1613, when a canon fired from the roof of

the theatre for a gala performance ofHenryVIIIset fire to the thatch roof and burned thetheatre to the ground. Te audience ignoredthe smoke from the roof at first, being tooabsorbed in the play, until the walls caughtfire. Amazingly there were no casualties, andthe next spring the company had the theatrenew builded in a far fairer manner thanbefore. Although Shakespeare invested in

the rebuilding, he retired from the stage tothe Great House of New Place in Stratfordthat he had purchased in 1597, where hecontinued to write until his death in 1616.William Shakespeare died on his fifty-secondbirthday, and was buried from the Church ofthe Holy rinity, the same church where hehad been baptized and on the same date,April 26.

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Spelunking Shakespeares Cave

Shakespeare based his final play of 1611, Te empest, in part on the 1609 shipwreckof Sir George Somers vessel, the Sea Venture which, during a hurricane, ran agroundon the island of Bermuda. Somers is said to have discovered a cave in Hamilton Parishthat was formally known as Island Cave and later dubbed Prosperos Cave, in honor ofShakespeares protagonist. A bust of the Bard is set in the rock near the entrance tothe cave.

Aside from the plays geological and historical background, one could explore thephilosophical allusion to Platos Allegory of the Cave. In his classic work from the

Republic, Plato recounts Socrates fictional dialogue concerning the meaning of justiceand the establishment of the best regime. Plato reveals the cave as a metaphor for thehuman condition where man cannot decipher between reality and the appearanceof things, in the form of shadows that seem real. In Te empest, Prospero tellsFerdinand, If you be pleasd, retire into my cell, /and there repose. [IV.i.] Tephilosopher in Platos classic work must enter the cave in order to see the error of hisways. Similarly, Shakespeare introduces Prospero as a philosopher who dwells in acave and eventually comes to see the truth. Te cell is the cave---a dark, dank innersanctum---where Prosperos artificial light, his plethora of knowledge and books, castsa shadow of reality on his captives, primarily his slave, Caliban. He attempts to bringCaliban out of his cave and teach him truth. Yet Caliban remains unruly, especiallyevidenced by his attempted rape of Miranda. When Prospero finally drowns his book

at the end of Act V, his magical light is extinguished.

Harold Bloom, in his book Shakespeare:Te Invention of the Human, asserts thatProsperos prenuptial monologue, We aresuch stuff/As dreams are made on, and ourlittle life/Is rounded with a sleep [IV.i.],shows a powerful wizard [as] a nihilist . .. whose project of necessity must end inhis despair. Having emerged from his cell,Prospero can finally see the truth and thereality before him. Both the philosopher,Prospero, and his reluctant pupil, Caliban,are enlightened by plays end---freedfrom their respective mental and physicalshackles. As playgoers, we are called on toenter Shakespeares fictional cave, where

it is our job to spelunk the stalagmites ofliterary genius in search of our own truth.

Elisa M. Golden

Dramaturg


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The Tempest

Avenue Q

$10 Off Admission and a free drink 7 pm refreshments, 8pm Show

October 24th

December 12th

Season Tickets

A season subscription gives the flexibility to choose from ANY Main Stageperformance that fits your schedule. For example: you can use one ticket on each ofour Main Stage shows or- attend a single show and treat 6 of your friends!

Please call the box office, 864.235.6948, 11:00am-4:00pm uesday-Friday, or visit ourwebsite for more information. www.warehousetheatre.com

13-14 Adult Season Subscription $195.007 flexible tickets to use how you like for mainstage shows in the 2013-2014 season

13-14 Adult Season Subscription with Reserved Seats $230.007 flexible tickets to use how you like for mainstage shows in the 2013-2014 seasonTis Subscription includes Reserved Seats for the season! ell us where you like to sit

and well have your name on the seat for you when you arrive.

13-14 Loyalty Discount (Renewals only) $175.007 flexible tickets to use how you like for mainstage shows in the 2013-2014 season.

13-14 Loyalty Discount with Reserved Seats $210.007 flexible tickets to use how you like for mainstage shows in the 2013-2014 seasonTis Subscription includes Reserved Seats for the season!


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Richard Willis (Prospero/Caliban)trained at RADA. He has worked in theatresaround the world since the age of six. Recent roles include Malvolio in welfth Nightand Chorus inHenry V at the Folger Teatre in Washington DC; Te Father in Te

Railway Children in oronto; Kemp inVigil for Te Sudbury Teatre Centre; andHenry Higgins inMy Fair Ladyfor SONC. V includesDr. Who, Law & Order,

Flashpoint, Lost Girl, and Nikita.www.richardwillis.org

Stevie Keese (Miranda/Ariel)is a sophomore at Wade Hampton and the Fine ArtsCenter (voice). She has also had the pleasure of working around the upstate at varioustheaters. Stevie was last seen at the Warehouse inA Little Night Music(Fredrika). Shewould like to thank her friends and family for all of their constant love and support.And she sends a special thank you to Robert and Anne for this incredible opportunity.

Michael Hart (Alonzo)was last seen at WH as Capulet inRomeo and Juliet.Previously he has been the Narrator in Te Rocky Horror Show, Gratiano inMerchantof Venice, Shoeless Joe in Something More Tan A Gameand various roles in

Metamorphoses.

Jason Adkins (Gonzalo)is appearing in his fifth mainstage production at TeWarehouse Teatre. He was previously seen as ybalt inRomeo and Juliet, theturkey guy inNovember, Lysander inA Midsummer Nights Dream, and Michael inScrewtape. He teaches acting and other various classes in the theatre departments of

both Clemson University and Furman University. He received his MFA in Acting fromthe University of Southern Mississippi in 2009.

Christopher M. Evans (Antonio)is eager to return to Te Warehouse Teatres stagethis season. Recent roles of Christophers include Claudius in the Upstate ShakespeareFestivalsHamletand Friar Lawrence inRomeo and Juliethere at the Warehouse inMarch. Christopher would like to thank his family and friends for not trying toohard to talk him out of being an actor, and especially his beautiful wife, Susan, for herenduring love and support.

J. Edwin Tomas (Sebastian)is making his debut at Te Warehouse Teatre. In 2011,he premiered his solo Butoh performance White Light at the Philly Fringe Festival.His favorite role is the Policeman in Maureen Huskeys adaptation of Jean GenetsSplendids, having been revolutionized by the production. Last winter he played Betty/Edward in Te Moving Art Collectives production of Cloud 9in Lige, Belgium.Joseph holds a BFA from CalArts. www.josephedwinthomas.com.

Justin Walker (Ferdinand)is excited to be a part of Te Warehouse Teatres

40th

Season. He was last seen onstage at WH as Kenny inLaughter on the 23rd Floor.Regional credits include: Arkansas Repertory Teatre, TeatreSquared, SerenbePlayhouse, Te Step 1 Teatre, Bright Star ouring Teatre, Centre Stage Teatre,Te Distracted Globe, and South Carolina Childrens Teatre. Justin holds an MFA inActing from the University of Arkansas.

imothy Giles (rinculo)is very happy to be appearing in his first production withTe Warehouse Teatre. He was most recently seen as Rooster inAnnie(SCC) andwill be appearing as Brutus in Te Warehouses upcoming educational production

ofJulius Caesar. He served as resident composer for the Apothecary Teatre

Whos W ho


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Whos W ho

Company in New York, and appeared in numerous shows and readings in New Yorkand New Jersey. raining: Rutgers University, BFA.

Matthew Merritt (Stephano)Credits include Riff Raff in TeRockyHorrorShow,

Cabaret,Metamorphoses(WH),Psycho Beach Party(Te Distracted Globe), Phineasin the short-filmEmmeline Muffet Gives Up Her uffet (Lune Bateaux Productions),BusStopand TeLastNightofBallyhoo(Centre Stage),HenryIV:Part1(UpstateShakespeare Festival), Cabaret(Spartanburg Little Teatre) andLamplightandShadow, (WHs Educational ouring Program). Matthew received his BA in TeatreArts from Palm Beach Atlantic University.

Robert Richmond (Director)is an Associate Professor on the Teatre & DanceDepartment at USC and serves as the Head of Undergraduate Studies and

Performance. Robert is originally from Hastings, England, and studied at the RoyalScottish Conservatoire. Prior to coming to USC he spent fourteen years as theAssociate Artistic Director of the Aquila Teatre Company in New York and duringthat time he directed productions that toured across the US, Off Broadway andEurope. Robert is known for his mission to reinvigorate theatre with imagination,innovation and relevance. He is passionate about developing theatre into an art formthat will sustain and transform the 21st Century, revitalizing audiences, and rewardingthem for their patronage. His most recent achievements include:Dreadful Sorry, a

short narrative film which was completed and premiered at the New Nickelodeonand about to play at the Orlando Film Festival this October. ShakespearesHenryV at the Folger Teatre in Washington,DC in February 2013, which is the highestgrossing Folger production to date, andwelfth Night at the Folger last April. Lastsummer Robert was commissioned by theFolger Shakespeare Library to develop fiveShakespeares plays into audio recordings.Tese Folger Audio Editions are the first fullydramatized unabridged recordings that havebeen created by American artists, and willbe distributed online to a global audience,and will be published in conjunction withthe online release of the text of the FolgerShakespeare Librarys seminal editions ofthe plays. A new App is being developed as

an interactive tool for studying ShakespeareandRomeo & Juliet, A Midsummer Nights

Dream, Hamlet, Macbeth, and Othello will bepublished this fall.

305 Rutherford Road

Greenville, SC 29609-4657

(864) 370-4787


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Anne Kelly romsness (Assistant Director), serves as Education Director for TeWarehouse Teatre. She will appear on stage later this season inAugust Osage CountyandAngels in America: A Gay Fantasia on National Temes. Many thanks to Robertfor the opportunity to be a part of this production.

Shannon Robert (Set Designer)See Artists in Residence Bios

Henry Wilkinson (Co-Designer, Scenery)is proud to have helped give physicalform to so magical and so mysterious a vision. Since receiving his education inarchitecture and philosophy, Henry has served as assistant to the theatres technicaldirector, helping to construct all of last seasons sets and working extensively behindthe scenes for every production. Onstage, he was fortunate enough to appear in TeWarehouse TeatresRomeo & Juliet. Over the summer, Henry traveled west to work

as a carpenter for the Utah Shakespeare Festival, building the sets forKing John,LovesLabours Lost, and Te empest. Upon returning to Greenville, he worked as GLOWsassistant stage manager, assistant technical director, and master carpenter for theirproductions of Te Pirates of Penzance andJesus Christ Superstar. Henry is glad to beback at Te Warehouse, honing his craft with Shannon.

Kevin Frazier (Sound Design/Projections)is pleased to be working again with theWarehouse Teatre. As a Sound Designer, hes spent the last 3 years in residencewith the Peterborough Players, where he won a New Hampshire Teatre Award for

his work on Measure for Measure. His work has also been heard at 7 Stages andSynchronicity in Atlanta and at the Warehouse Teatre. He received his MFA fromVirginia ech. Many thanks to God, his family and the Warehouse Teatre for theirlove and support. www.kevinfrazier.net

J. Teresa Bush (Costume Designer)is elated to be a part of her second productionwith WH and to be embraced once more by the good people of Greenville. Recentcredits includeFlyby Ricardo Khan at Cincinnati Playhouse in the Park (AssociateCostume Designer to oni-Leslie James), Te Music Manat Virginia Repertory

Teatre, andRomeo and Julietat WH. Teresa has worked with such companiesas Williamstown Teatre Festival (Costume Shop Manager 2012), Teatre IVand Barkesdale Teatres (RCC Outstanding Costume Design Award 2011), St.Louis Repertory Teatre, Dolly Parton Entertainment, among others. Educationalcredits include Graduate Assistantship with Centre College and Visiting AssistantProfessorship at Sewanee: the University of the South. Teresa earned her MFA inCostume Design from Virginia Commonwealth University.

Morgan Blaich (Props Designer)grew her theatre roots in Greenville SC where

she attended the Fine Arts Center and worked at Te Warehouse Teatre as atech apprentice. During the years in between then and now, she acquired a BA inscenography and studio art while working as a freelance technician in theatres fromSanta Fe Opera in NM to Off Broadway in SoHo. She has been employed by somemajor festivals including NYC Fashion Week, the Spoleto Festival USA in Charlestonand Bard Summerscape Festival in NY. She now works as the Production Manager forthe Governors School for the Arts and is excited to be working with WH again!

ony Pennas (Lighting Designer)See Artists in Residence Bios

Whos W ho


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Katie Halstensgard (Stage Manager)graduated with a BA in Teatre from WinthropUniversity, where her experiences include directing wo Roomsand performing inworks such as Godspelland On the Verge. Since graduating from Winthrop, she hastaught theatre at Berea High, where she has directed multiple productions, including

I Never Saw Another Butterfly, Step on a Crack, andAntigone. She most recentlyappeared onstage in Easley Foothills Playhouses production of See How Tey Run.

John Keenan (echnical Director)has worked as a echnical Director, ScenicDesigner, and Lighting Designer in Dallas, Louisiana, Oklahoma, California, andSouth Carolina. Originally from ravelers Rest, he recently returned to SC fromCalifornia, where he served as the echnical Director and Lighting Designer for TeCalifornia Teatre Center, a theatre for youth in Sunnyvale. While in CA, John alsoworked as a Lighting and Scenic Designer for City Lights Teatre Company in SanJose and for Monta Vista High School in Cupertino. John received his BachelorsDegree in Mass Communication and Teatre from Lander University and his Masters

Degree in echnical Direction/ Design for the Stage from Louisiana ech. He is anexperienced actor combatant, and has served as a fight director and choreographer formany shows.

Braxton Ballew and Sarah Black (Original Music)have been composing andperforming music together as Valentine Wolfe since 2006. Recently, their music washeard as part of Furman Universitys production of Te Winters ale, Te DistractedGlobes production of welfth Night, and Te Warehouse Teatres production of

Merchant of Venice.Both hold graduate degrees from the University of Georgia,

where they studied electronic composition with Dr. Leonard V. Ball. In addition, Sarahcompleted her Masters degree in composition studying with Dr. Adrian P. Childs. Shecurrently studies voice with Lisa Barksdale from Furman University. Braxton holdsa DMA in Double Bass Performance and has studied with Milton Masciadri, AlbertLaszlo, and James Barket. He is the Education Director of the Greenville SymphonyOrchestra and a member of the double bass section.

Bill Munoz (Production Manager) Bill is elated to be a part of WH! Hisprofessional career spans over 24 years. Beginning at Flat Rock Playhouse, (25 seasons,

production manager for 12) and working in theatres in the southeast, he has workedas an Actor, Stage Manager, and Fight Choreographer as well. Favorite roles include,Richard et all inLove Child, MacDuff inMacbeth, Marc inArt, Passpartout inAroundthe World in 80 Days, and One-Man Shows:Fully CommittedandMambo Mouth.Fight Choreography credits include,Peter Pan, Tree Musketeers, Miracle Worker,

August Osage County, aming of the Shrew, MacBeth, Lion, Witch and the Wardrobe,andRomeo and Juliet.Bill resides in Hendersonville, NC, with lovely wife anddaughter.

Elisa M. Golden (Dramaturg)See Artists in Residence Bios


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Artists in Residence

Tony Penna - Lighting Designer in Residenceony Pennas lighting credits at Te Warehouse include Te Rocky Horror Show,Whos Afraid of Virginia Woolf?,Amadeus, Te 13th of Paris, Te Diary of Anne Frank,ruand opdog/Underdog. Other regional theatre credits include Centre Stage SC,

Cincinnati Playhouse, Huntington Teatre Company, Berkshire Teatre Festival andfour seasons as resident lighting designer at Actors Teatre of Louisville. Mr. Penna isa member of United Scenic Artists, the theatre faculty at Clemson University, and theresident design staffs of Te Warehouse Teatre, South Carolina Repertory Companyand the Eleventh Hour Teatre Company in New York.

Shannon Robert - Set Designer in ResidenceShannonreceived an M.F.A. in scene design from FSU and studied design at theMoscow Art Teatre Conservatory. A painter, designer, and teacher, she was Directorof Teatre at William Carey University. She has designed internationally for venues in

Edinburgh, Nairobi, Bratislava and Moscow. She worked with KCACF as Region IVdesign chair and vice chair and served on the board of SEC. Shannon managed TeSpoon Group Productions in NJ/NY and worked on the Broadway productions of TeGrinch, Grease, Xanadu, Legally Blonde, Inherit the Wind, Te Pirate Queen, Coram

Boy, Jersey Boys, Spamalot, Hairspray andTe Color Purple.Shannon is a member ofthe Clemson University Faculty.

Elisa Golden - Dramaturg in ResidenceElisa is a native New Jerseyan, attended Kean University and graduated with a B.A.in Visual Arts. She moved to Greenville in 1990 and received a masters degree

in Education from Furman University. Elisa continues to pursue her art (mostlywatercolor and drawing) and has entered a number of juried shows in the area. Herlove of literature and theater brought her to Te Warehouse Teatre in 1999. She iscurrently in her twelfth season as resident dramaturg. Elisa is often asked, What is adramaturg? She replies, A dramaturg, or literary manager, is like an anthropologistdigging, assessing and categorizing these rare theatrical artifacts known as plays.

Jayce T. Tromsness - Playwright in ResidenceA native of acoma, Washington, Jayce is a director and playwright. He earned a BAin theatre from Western Washington University and received minor degrees in art

history and linguistics. He moved to South Carolina to attend USC, where he earnedhis MFA in acting. Jayce has been a staff and company member of rustus Teatre inColumbia, as well as resident voice coach for the SC Shakespeare Festival, Sewanee:Te University of the South and Te Warehouse Teatre. He was an associateprofessor of theatre at USC, and Midlands echnical College. At USC he beganwriting plays for young audiences as well as one-act plays for rustus Teatre. Hisplays have been produced by USC, USC Aiken, rustus Teatre, Te South CarolinaChildrens Teatre, Te Pennsylvania Shakespeare Festival, Easley Foothills Playhouse,Te Warehouse Teatre and Te Distracted Globe. He is currently a faculty memberof the drama department at the South Carolina Governors School for the Arts and

Humanities.Kendra Johnson - Costume Designer in ResidenceKendra Johnson is the resident costume designer at Te Warehouse Teatre and anassociate professor of theatre specializing in costume design at Clemson University.Laughter on the 23rd Floor marks her ninth season as a costume designer for TeWarehouse Teatre. Her work at Te Warehouse Teatre includedA Little Night

Music,Eurydice,Elephant Man,A Lesson Before Dying,Macbeth,Reckless, and TeSubject Was Roses.


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Hardcover books Hardware store gift cards Plywood, 2- and 1-by lumber Masonite Crescent wrenches Office supplies Printer paper 8.5x11 & 11x17 New Saw blades Cabaret tables Paint - especially flat black Post-It Notes Desk and floor lamps

Electrical & plumbing services

Wishlist

Guest Artist housing A soundproofed roof Antique furniture Unique clothing in good shape Plastic storage bins Paper towels and toilet paper Laundry detergent & cleaners Liquid hand soap Computers with at least Intel Core

Duo processors iPads, iPod ouches, iPhones Grounded extension cords

ool and Hardware Storage

Te Warehouse Teatre appreciates all of our donors we could not do it withoutyou!

When the urge strikes to bring goods for donation (such as furniture, books,paint,clothing) please give us a call. Due to storage limitations and restrictions we cannotaccept ALL donations of goods. o save you valuable time and effort please call thetheatre to speak with our echnical Director or Director of Development regarding

your donation.


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Education at The Warehouse Theatre

Education plays an important role in Te Warehouse Teatres service to thecommunity, and it is endlessly inspiring to work for an organization with leaders whoencourage exploration of the educational potential in every aspect of our operations.Valuing education, living in the questions, nurturing mentoring relationships - all of

these attributes make for a vibrant organization - flexible and viable - an organizationwith an outward focus towards contributing to the community in as many ways aspossible.

In 2012-13, Warehouse Teatre teaching artists worked with over 3000 students, inover 40 schools, and over 120 classrooms in the upstate (and one in the midlands, aswell!). WH touring productions reached an audience of 3200 students and teachers.Community engagement events accompanied each mainstage - and with the ForumSeries alone, we welcomed just over 270 people - from students to senior citizens- to

the theatre to discuss issues of importance to our community. WH continues toserve as a resource for theatre practitioners, and our 2nd annual Shakespeare BootCamp brought 43 actors together - from high schoolers to veteran professionals tolearn more about communicating the works of the worlds most renowned playwright.We partnered with community organizations such as Bridges to a Brighter Futureand the Sterling Community Center, and with programs such as Greenville HealthSystems New Impact, using theatrical techniques and experiential learning toencourage youth to explore issues of concern to them and to envision solutions.

It was a busy year, and we are proud of our work, and thankful for those who haveinvested in education at WH and have helped us build dynamic and relevantprogramming which contributes to community dialogue, supports teachers in theirclassrooms, raises the bar of artistic excellence for local actors, and encourages

young people to develop their imaginations, critical thinking skills, and collaborativecapacities.

Tis year, with such a rich range of plays commemorating our 40th season, we are

challenging ourselves to deepen our commitment to our educational mission - toreach out to more schools and organizations, to widen our reach with touringproductions, to provide ongoing opportunities for theatre practitioners to hone theirskills, and to encourage meaningful dialogue around complex issues.Education as a lifelong pursuit, as a transformative force, rather than a fixed goal,frames our mission at Te Warehouse Teatre. We hope you will take the opportunityto experience the questions with us! Visit the education section of our website forupdates on programs for students, educators, AND community members. Please feel

free to contact me with questions or for more information!

Anne romsnessEducation [email protected]


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Because of generous grants from Te Metropolitan ArtsCouncil, Te South Carolina Arts Commission and Te WachoviaFoundation, Te Warehouse Teatre proudly supplies its audiencewith assistive listening devices free of charge. If you would like touse a device please return to the box office and check one out. Justleave your ID and listen to theatre afresh! We have hearing aid loop

devices, ear buds and headphones! We give you a choice so you canbe comfortable!

Mission Statement

Te Warehouse Teatre is a professionallive theatre dedicated to theatre as aserious art form; to high-quality, diverseand challenging productions; to trainingtheatre professionals; to communityoutreach; and to student education.

Te Warehouse Teatre chooses playsthat stretch the imagination of Upstate audiences, energize and excite the communitywith Intense, Intimate and Unexpected performances that explore and celebratethe complexities of our time. Te Warehouse Teatre does this to encourage anadventurousness of spirit, and to develop a hunger for the visceral impact of theatre, inthe mind, heart, and soul.


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From corsets to cloaks,

collars to caps,The Warehouse Theatreconstructs its costumes

with fabric from

Mansure &

Company

864.282.1900

fine fabrics and trims


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presented by

Upstate Shakespeare Festival

Te Upstate Shakespeare Festival is a thriving part of TeWarehouse Teatres summer programming and communityoutreach. USF presents the magic of Shakespeare and otherclassic plays to the Upstate community in an outdoor setting.Using actors from all around the Upstate community,USF presents entertaining, inclusive, and family-friendlyproductions that enhance Greenvilles calling card as a summerdestination.

Making their home at Te Warehouse Teatre, TeDistracted Globe works with Te Warehouse topresent entertaining and affordable productions ofclassic comedies and comedy improv, workshopsand other community-oriented programs, seekingto renew the vital connection between a theatre and

its community. DG presents at least one play duringthe summer programming. During the regular season, you can catch a DG performanceof improv comedy after the main stage show on select nights of the run.

Resident Companies of

The Warehou se Theatres Su mmer Seas on

We Proudly Support the Warehouse Teatre


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200 East Broad Street Greenville, SC 29601

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Board of Directors

Officers

Presidentom Strange Senior Director R&D, St. Jude Medical

Vice President

Maxim Williams Director of Community Relationship Building, Bon Secours St. Francis

reasurerSusan Bichel Health Care Consultant

SecretaryIngrid Erwin Attorney

Member-at-LargeRuth Mansure Owner, Mansure & Company

Immediate Past PresidentBianca Walker Prg. Manager, Global Visitors Center, Furman

Board Members

Linda Archer Controller, BMW Manufacturing CompanyRandy Bell Senior VP, Bank of ravelers RestMary Biebel Owner, Biebel Carolina SalonsClaire Blake Community VolunteerLaura Blume Creative Director, Crawford StrategyCharles Brewer Operations Manager, Te Poinsett ClubDonnell Drummond Branch Manager, CertusBANKStinson Ferguson Associate, Haynsworth Sinkler Boyd, P.A.Roy Fluhrer Director, Te Fine Arts CenterNorman Glickman Attorney and Counselor of LawWallace Lightsey Associate and Member, Wyche, PAGeorge Maynard VP, Greenville Health System

Scott McMillan Owner, F. Scott McMillan Design, LLCHeidie Miller Community Volunteereri Pena Artist & Development ConsultantDiane Perlmutter Non-Profit Organization Management ProfessionalJohn Petrusick Vice President, Commercial Portfolio Manager, D BankJon Rogers Owner, Rogers Financial Group, LLCKen Rogers Chairman, Department of Psychiatry, Greenville Health SystemGlenn Sawicki Owner, Saffrons Sidewalk Cafe and Te Cafe at CMUEric Schmid Shareholder, Elliott Davis, LLC

David Sims Director of Arts, Christ Church Episcopal SchoolRussell Stall Executive Director, Greenville ForwardFabian Unterzaucher General Manager & Partner at Te Westin Poinsett HotelPat Victory Owner, enth Planet AdvertisingJackie Warner Community VolunteerAlan Weinberg Community VolunteerMarsha White Independent Hospitality ProfessionalSusie White Managing Member, Susie White Consulting, LLC

Jim Whitten VP Operations, Fluor Corporation (Retired)


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1974-75 J. Lake Williams, Jr.1975-76 Jourdan Jones Newton1976-77 Aubrey Bowie1977-78 om Brodnax1978-79 Keller Freeman1979-80 Bill Wheless1980-81 Jane Mattson1981-82 Don Koonce1982-83 Brad Wyche1983-84 John Huebner1984-85 George Corell1985-86 Rita McKinney1986-87 George Fletcher1987-88 Nancy Muller1988-89 Bob Cooper1989-90 om Bruce1990-91 Rob Wagner

1991-92 Jackie Warner

Past Presidents

1992-93 Karen Lawton, BondIsaacson, Warren Mowry

1993-94 Warren Mowry1994-95 Jan Bruning1995-96 Susan Reynolds1996-98 Brad Parham1998-99 BJ Koonce1999-00 Brad Parham2000-01 Kelle Corvin2001-02 Bill Pelham2002-03 Sherm Rounsville2003-04 ami McKnew2004-05 John Rose2005-07 Wade Cleveland2007-09 ravis Seward2009-11 Nicole Pascoe-Ream2011-13 Bianca Walker

Pomp & Circumstancenew play by Randall David Cook

November 13-23

These Shining Livesby Melanie Marnich

February 12-22

The Imaginary Invalidby Moliere

April 2-12

Wednesdays - Saturdays at 8:00Sunday matinees at 3:00

Box Office (864) 294-2125 /furmantheatre @FurmanTheatre

2013-2014 SEASON

The Winters Tale 2013

Photo by Jeremy Fleming


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2013 Bank of America CorporationSPN-108-AD | ARX2N275

When community members speak about supporting thearts, we respond to their call for making the possibleactual. Valuing artistic diversity within ourneighborhoods helps to unite communities, creatingshared experiences and inspiring excellence.

Bank of America is proud to support the WarehouseTheatre for their leadership in creating a successful

forum for artistic expression.

Visit us at bankofamerica.com

When the community works together, thecommunity works.


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Enjoy the show!

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the tempest playbill, 2013

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