the @zibapdx #service design publication on the service economy is free to download!
TRANSCRIPT
1Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
NEVER ENLARGE THE ZIBA LOGO. ALWAYS REDUCE.
Exaggerated ink traps were added to prevent ink buildup inside corners. Trapping always needs to be done in relation to the intended size of the typeface. If it is enlarged to display size, the ink traps become glaringly obvious. Ink trapped artwork can aid in vinyl sign cutting appearance.
DESIGN FOR THE SERVICE ECONOMYStories and observations from the
service renaissance
2Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
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Point of ViewsThe Portfolio in Your Pocket, Cale Thompson
Redesigning the American Wedding, Joo Young Oh
Welcome to the Front Line, Steve Lee
The Steam Method of Digital Service Design, Todd Greco
The Auto Dealer is Right to Fear Tesla, But Not [Just] Because They’re Electric
Nest and the Umami of User Experience Design, Paul O’Connor
Customer Service That’s True to Your Brand, Mattias Segerholt
Making More Meaning: The New Service Economy, Cale Thompson
Exciting DevelopmentsStore Your Snowboard in the Cloud, Cale Thompson
India’s Ancient, Durable Model for Grocery Retail, Carl Alviani
TABLE OF CONTENTS
Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine 3
Despite services now accounting for over 80% of America’s GDP, we still don’t have a precise and commonly agreed upon definition of what they are or how to go about designing them. We are constantly bombarded with examples of successful service companies—we can’t go a day without reading something about Uber —but are hard pressed to define exactly what makes them a service. Regardless of industry, service offerings can include digital and interactive elements, environmental and visual components, new products and technology, as well as new staff roles and training procedures. Most often, a custom blend of several of these touchpoints and techniques is what’s called for.
Every year Ziba takes on more and more projects that fall into this hard-to-describe category of services—and this can lead to difficult conversations. When our clients expect a physical product or a piece of technology, but the best solution is a service, we have to do more than just explain our approach. We have to shift their mindset to one of experience delivery, not widget production. And this is not restricted to design, it encompasses the impact it will have on the organization and on the fundamentals of the business. We’ve put together a primer for such conversations that also chronicles what’s working and what’s not in new and recent service offerings.
The following articles–some written by Ziba staff and others collected from around the web—focus on the role of design in the service economy. Because the service economy is so large, the subject matter of these pieces ranges widely, from rethinking postage to understanding the Nest, to name just two. We hope this collection expands your thinking about how design can make services work better, both for the brands and for the customers whose experiences are at stake.
DESIGN FOR THE SERVICE ECONOMY
4Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
THE PORTFOLIO IN YOUR POCKETWhat the contents of a wallet or purse can teach
you about the service economy.
By Cale Thompson Creative Director
5Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
Ask most folks what their favorite service is and you’ll
get a blank stare. But services are all around you, they
always have been, and the current growth of the service
economy means they’re becoming a bigger part of
our lives every day. An easy way to put this into personal
terms is by opening your purse or wallet.
Start by pulling everything out—cards, receipts, and
whatever else you find—and laying it on a table. It’s likely
that the majority of the receipts will be service-related,
and the majority of those cards are there to connect you
to service providers. It’s just how we live today.
Once you’ve laid your cards out, arrange them in order
of preference, putting your favorite on the right and
your least favorite on the left. For me, the one on the
right is my USAA card. Not only does this financial- and
insurance-services company offer a comprehensive
suite of products, but they continually evolve the way
they deliver those services. They were the first to let
you deposit checks by taking a photo with your phone,
and recently linked my phone to my account with a
PIN, so I could avoid the security questions that are
usually required with every phone call. At the left end
of the spectrum is my rewards credit card that gives
me miles for purchases. I still haven’t figured out how
to redeem them in a useful way, and when I do it’s
never easy.
Up until recently, this kind of failing could be let go with
a shrug, but as the tools of service design become more
flexible and powerful, it increasingly signals a potentially
fatal flaw. Today we demand that effective service-based
businesses always look for opportunities to give you
more, without demanding additional effort. As for the
ineffective ones — how long before someone steps in
to take their place? People know what they want, and
their wallets talk.
For most of us, a wallet is a kind of personal service
portfolio, and examining it reveals the bonds we’ve
formed, with industries ranging from health, fitness,
entertainment and hospitality to finance, insurance,
education and transportation. Each card helps us access
a service, and reinforces the bond we have with the
organization behind it— some recent, some decades old.
PHOTO (CC) via Flickr user Allie Verbovetskya
6Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
They’re all quite happy to have earned a place in our
wallets; in fact, they’re fighting to stay as close to us
as they can.
It’s working. Despite my attempts to downsize, my
wallet is still crammed, not with cash, but with credit
cards, membership cards, loyalty cards and gift cards,
along with tickets to an upcoming show. In an effort
to simplify, I keep my prescription, health, dental and
library cards at home, yet my wallet continues to swell
as my personal service portfolio evolves. My second car,
for instance, has been replaced by a service, represented
by a Car2Go membership card. When I lived in a bigger
city with better transit (and worse bike infrastructure), I
had a public transport card that served a similar function.
Today, products are being replaced by services right
before our eyes. As technology frees us from old
constraints, and we slowly let go of the idea that an
outcome must be tied to a physical object, we’re
encountering an entirely new array of delivery models,
often far more responsive to our needs. And this
transformation is nowhere near over. New businesses and
organizations are born everyday, looking beyond decades
of established practice for how solutions are delivered,
and inspired by the actual needs of consumers, as well as
the potential of new and improving technologies.
But if everything we’re now reading about wallets is
true, it won’t be long before I’ll throw mine out altogether,
in favor of a smartphone or other connected device.
So as a follow-up exercise, take a quick look at the
services you can access on your smartphone using an
app (I counted 38). How many industry sectors are
represented? Which are your favorites, and why? Is it
what they offer that excites you, the experience they
PHOTO (CC) via Flickr user Jessica C
7Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
Cale Thompson is a creative director at Ziba, providing relevant and compelling insights
that inspire, inform and affect innovative products and services. Cale works with multi-
disciplinary teams to generate insights about behavioral patterns and cultural trends, and
works collaboratively with clients to solve design problems in new ways. He has led
service design and innovation projects at Engine, a design and innovation firm in London;
and also lead a Microsoft research fellowship in East Africa designing solutions to help
scale microfinance. Cale is a graduate of Rhode Island School of Design and The Delft
University of Technology in The Netherlands. Follow him on Twitter @caleryder
CREATIVE DIRECTOR
CALE THOMPSON
deliver, or a combination of the two? And how many
have already replaced even the thin plastic card that once
occupied your wallet?
It’s a strange paradox that the ubiquity and ease that
makes services so valuable also makes them forgettable.
Even when it fills a deep necessity, a well-designed
service is by definition intangible. You don’t hold services
in your hand, and you may interact with them for only
minutes, or even seconds, at a time. This is what makes
the wallet exercise so useful, and so important.
But it also presents a challenge. When we’ve detached
the service we’re paying for from the object or place that
delivers it (a car, a theater, a doctor’s office), customers
become far more attuned to the experience than to the
medium. If businesses don’t want their card or app to
end up at the wrong end of the spectrum, they’d be wise
to shift their focus to the end experience as well.
PHOTO (CC) via Cale Thompson
8Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
REDESIGNING THE AMERICAN WEDDINGThe conventional wedding experience doesn’t fit modern American values and lifestyles. How can we use service
design to reimagine it?
By Joo Young Oh Consumer Insights Analyst
9Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
In one way or another, each wedding had been redesigned to actively challenge basic assumptions about formality, attire, activities or vows, often
at the cost of great effort and frustration.
In the summer of 2014, as one after another of my 30-
and 40-something friends decided it was finally time, I
found myself invited to four very different weddings. One
was a 30 minute City Hall ceremony in New York City,
followed by a casual lunch. Another took place during
an outdoor gathering of Burning Man enthusiasts on the
Oregon coast, and included a smoked lamb feast and
a silent disco. Another was held in the groom’s parents’
backyard, and had all the trappings of a classic American
small town wedding—except that the best man was
a woman in a tuxedo. In fact, of all the weddings I’ve
attended over the past few years, not one was purely
“conventional.”
From a designer’s perspective, this is a good indication that
the American wedding is a service experience that’s failed
to adapt to the needs of its audience. The convention
of marriage already faces challenges in the US: not
from external forces, but from shifting perspectives
among marriage-aged Americans. According to a 2010
Pew Research study, only 51% of US adults are married
today, down from 72% in 1960. Yet despite this decline,
young adults still value social rituals—especially those,
like marriage, that reinforce and celebrate personal
relationships. For today’s increasingly mobile, career-
minded, urban couples, finding a partner with whom
they can build a life is still a powerful experience, and
the ensuing union is well worth celebrating. The
traditional family-directed church wedding, though,
makes assumptions about social and economic
circumstances that are often no longer true.
PHOTO (CC) Joo Young Oh
10Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
HERE ARE A FEW WAYS WE COULD SAVE THE MODERN WEDDING.
with the logistics that have always made weddings such a
chore—seating, feeding, entertaining and accommodating
dozens or hundreds of people—plus the fact that our
communities today are more widespread than ever, both
in location and in social norms. Today, it’s not unusual to
have friends and family scattered across the planet, from
conservative, meat-and-potatoes rural grandparents to a
vegan photographer cousin who lives in Berlin.
For most of us, this is a once (maybe twice) in a
lifetime event, that we quickly learn to plan and execute,
then forget.
Approaching this as a service design problem means
examining the entire journey taken by the “customer”
(in this case, the couple and their guests), identifying
failings or friction points, and looking to parallel services
for ways to improve. All of them draw on familiar, existing
activities from other fields, and have broader implications
for the design of social rituals —especially those that bring
together large, diverse groups of people.
CROWDSOURCE THE PARTY.For many couples, the best part of the wedding is that
the maddening preparation is over. They must contend
11Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
Crowdsourcing is already a powerful tool for channeling
a community’s resources and experience to help small
groups with specific needs. What if there was a Yelp-
like digital service to help couples choose venues and
wedding-related services? What if an entire wedding
could be crowdsourced, with a platform that invites
guests to contribute time, money or resources to make
it happen? This could be broader than just turning
the reception dinner into a potluck. A well-designed,
How might engaged couples benefit from the knowledge of friends and family who’ve already gone through it?
wedding-specific organizational platform could ensure
that no detail is overlooked, help assign tasks to those
able to complete them, and ultimately result in a ritual
with real significance. For today’s cash-strapped but
enthusiastically DIY young adults, a guest’s offering of
food, music, logistical planning or plain old manual labor
could bring far more meaning to the event than a gift-
wrapped blender.
PHOTOS (CC) via Flickr user Theo
12Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
TURN THE CEREMONY INTO A JOURNEY.Once upon a time, most of the family and friends who
might attend our wedding lived in the same town.
Today, they could be anywhere. When our social links
depend more on email, Facebook and Skype chats
than in-person visits, does a wedding ceremony that
expects people to travel from all over the country (or
world) still make sense?
Many couples already hold multiple wedding celebrations
Stopping in several cities that have personal meaning for the couple, or provide easy access for friends and family, makes it easy to turn the wedding celebration
into a series of smaller events with the opportunity for real quality time.
in multiple cities, to better accommodate their far-flung
communities; what if this was formalized? Imagine
replacing the wedding ceremony with a “wedding trip”
that has the couple traveling like a rock band on tour.
An online platform could help the couple and guests
plan an optimal itinerary, and invite friends and family to
contribute a portion of what they would have spent on
travel, to offset the couple’s expenses.
PHOTO (CC) via Flickr user Vademecum
13Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
USE TECHNOLOGY TO BRIDGE THE DISTANCE.Given their mobility and technical savvy, it’s no surprise
that many young couples have tried using video
chat technology to include distant friends and family
in their wedding ceremonies —but the results are
often disappointing. Issues of bandwidth, resolution,
layout and sound quality are already issues with live
video chat; combine these with the normal pressure and
confusion of a big wedding, and you have a recipe for
anxiety and distraction.
One potential solution could be a national or international
chain of restaurants or event venues with dedicated
rooms specifically for long distance, big screen video
chat. At an agreed time, wedding guests in multiple
cities could meet at their local location of the chain, and
enjoy a meal and celebration while interacting with
the bride, groom and other guests at the main location.
While less immersive than attending the ceremony in
person, this could be an opportunity to share an
experience with loved ones who might not otherwise
be able to attend —or who might have felt obligated
to, despite being unable to afford it, or uncomfortable
traveling so far.
PHOTO (CC) via Flickr user Christopher Lance
14Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
“I would never go to a wedding alone. I tried it once, for an old college friend, but I barely knew anyone and spent the entire weekend having short, awkward
conversations…”
PROVIDE MORE STRUCTURED, NON-VERBAL INTERACTION.Perhaps you’ve attended a wedding where you knew
nobody, as a favor to your partner, or even braved one
alone. The short interactions and forced significance of
the wedding event can sometimes make them as stressful
as the after-party at a professional conference. How
might we design a wedding that minimizes superficial talk,
and replaces it with something more meaningful —even
a chance at genuine connection?
One of the weddings I attended last summer was
followed by a reception that centered on a contra dance:
a traditional group dance led by a caller, who sang out
instructions to participants. The simple moves, high
energy music and frequently shifting partners made
it easy for attendees young and old to quickly get
acquainted, introduce themselves and then carry on with
the dance. In contrast to the more common American
ritual of the wedding DJ and the awkwardly empty dance
floor, it was an inclusive experience with a low bar to
entry, and a communal opportunity to learn something
new. By the end of the evening, every single member
of the party was dancing, new acquaintances became
friends, and a potentially daunting social situation
became a genuine celebration.
PHOTO (CC) via Flickr user Mike Weissberger
15Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
WHAT OTHER ACTIVITIES MIGHT A MULTI-GENERATIONAL CROWD BE INTERESTED IN LEARNING TOGETHER?Any sort of structured group dance could work, but so could learning a song together, or working together on a group garden or building project.
These solutions only deal with the wedding ceremony, of course, but a service
design approach could potentially make the institution of marriage itself more
responsive, and more resilient.
- What if couples had the option of taking marriage vows for a finite period of
time, rather than exclusively for the rest of their lives?
- What if relationship coaching became an expected and welcome part of the
engagement process, and regular check-ins with a couples counselor were as
expected as visits to the doctor?
- What if we acknowledged that more than 50% of marriages eventually end,
and took steps to invest the divorce process with meaning and ritual as well?
Individually, any one of these efforts could ease some of the anxiety that
permeates modern marriage, and make it more relevant for today’s socially
engaged but tradition-wary young couples. Taken together, though, they
could start us down a road toward transformation. Social institutions like
marriage have always evolved along with the needs of society —all they
need today is a push, to help them transform as fast as our world is.
As a Senior Consumer Insights Analyst, JooYoung Oh provides consumer insights that
lead to innovative design strategies. She accomplishes this by identifying patterns and
insights, and translating those insights into actionable frameworks for concept generation.
JooYoung balances intuition and information by approaching each project challenge with
quick hypothesis and rigorous data analysis. She shares her knowledge of participatory
design methods through speaking engagements at design conferences and universities.
Prior to joining Ziba, she worked for Lextant and had her own consulting business, where
she led programs to gain consumer understanding for Fortune 500 companies; past
and current clients include Samsung, Intel, Procter & Gamble, REI, United Health Group,
LGFCU, and Picture the Homeless. JooYoung earned her MFA in Industrial Design from
Savanna College of Art and Design, and BFA in Ceramic Arts at Ewha Women’s University.
CONSUMER INSIGHTS ANALYST
JOOYOUNG OH
16Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
WELCOME TO THE FRONT LINEYour couriers, nurses and call center staff know more
about customer service than you do.
By Steve Lee Service Designer
17Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
She may be the teacher who stayed late because a
student needed help. He could be the clothes store
worker who called six different branches to secure the
sweater you had your heart set on. The banking clerk
who said “leave it with me—I’ll get this prioritized and
call you when it’s done.” The nurse who broke hospital
rules to take your friend undergoing physical therapy to
the playground, to speed her recovery.
Sometimes the bar for service experiences can be set
so low that a simple common-sense action or gesture
from staff can leave us open-mouthed, and rushing to
the management or to Yelp to recommend them for
promotion. These professionals are the connectors of
departments, the cutters of red tape, and the empathic,
human interface to systems that can seem rigid and
coldly logical.
The nuanced decisions and subjective judgement calls
made by front line staff rarely make it into company
or government policy. But their observations of how
the principles in the handbook translate into service
outcomes is invaluable. Front line employees, in fact,
are often the richest possible source of insight about
customer needs and how to meet them. Here are four
principles for discovering and acting on them.
SEE WHAT THEY SEE.One of the greatest privileges I have as a design
consultant is spending time with the people who will
benefit from the services and products we design.
We shadow them through airports, interview them in
hospital waiting rooms and conduct activities in their
homes. Our clients are eager to hear from the hearts and
minds they want to connect to, and see what insights
emerge about what concerns or drives them.
But we only spend a couple of weeks in the field on any
given project. Front line staff may not have the same
tools or focused time as researchers do, but they spend
all day, everyday with the end users. They see patterns
over weeks, months and years. They observe where
customers get lost and decide to opt out. They see the
grey areas, and they see when and why the rules need
to be broken. Before making any major decisions about
changes to your service offering or policy, make time to
see the current situation through their eyes.
PHOTO (CC) via Flickr user Christiana Care
18Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
MEASURE THE TRUE OUTCOME.It has been said that the British National Health Service
runs on goodwill: take away the extra mile that its
nurses, doctors and administrators put in every day,
and the system could collapse overnight. The American
department store Nordstrom is often referenced for
the mythologies it creates around customer service, like
employees who march to the far end of a snow-covered
parking lot to bring a customer’s car to the front door.
By strict accounting, all of this activity sounds terribly
inefficient. What about pushing retail staff to close a
sale in under three minutes? Or a thirty second limit
to phone enquiries at a bank? How about a five-point
communications plan for police officers to succinctly
break bad news to bereaved relatives? Front line staff
often function well and provide memorable experiences
despite such metrics. They see how new initiatives,
efficiency measures and changes to staff and environment
can have unexpected impact on the ground.
As an organization, it’s important to ask yourself what the
real goal is. Identify the experiences you want to create,
and how you want users to feel afterwards. Repeatedly
ask if changes you make to processes, roles and services
are connecting your users to the outcome you want to
provide, or simply obstructing it. Often, you’ll find that
your staff are the ones best able to provide an answer,
rooted in real-world experience. They want to see
their customers again, they want to solve problems,
and ultimately, they want to feel like they are making
a difference. In the process they may create lifelong
converts. They’re the ones to ask about how efficiency
can be married with efficacy.
PHOTO (CC) State Farm via Flickr
19Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
DON’T KILL IT WITH RULES.Enable staff to do the right thing. If you ever worked in a
front line service role, whether as a career move or a job
while back in school, you’re familiar with the cringeworthy
training videos and handbooks, the development journals
and the terrible backronyms.
Delivering effective and desirable service experiences
is about flexibility, not rules; autonomy not automation.
Hire well, trust their judgement and arm them with the
tools and principles to act in their customers’ best
interests. Give them license to surprise and delight. We
all enjoy doing the right thing, and the more often
we’re able to, the more loyal we tend to be. Properly
empowered front-line employees may eventually move
up the ladder, taking their experience with them, and
amplifying its effect.
LET THEM INFORM THE CUSTOMER EXPERIENCE.By involving front line staff in the innovation process,
you gain access to a different set of concerns, solutions
and selection criteria, which often leads to ideas that
are more relevant and more appropriate. You get to
tease out the wealth of insights and observations they
possess. You hear new information about their roles,
insights about the shifts they have observed in consumer
expectations, and the key characteristics of successful
and unsuccessful changes.
Your staff, in turn, gain a sense of ownership of those
ideas, which tends to increase acceptance and adoption.
In almost every case, building up new service ideas from
the grassroots makes for more robust outcomes, not just
in the services you decide to implement, but in the ability
(and willingness) of your front line to make it work.
Steve Lee brings more than ten years’ experience to his role as Senior Service Designer
at Ziba. He engages with complex systemic and organizational problems in holistic, human
ways. Steve has worked for clients including United Health Group and FedEx, and holds
a design degree from Goldsmiths College, at the University of London.
SERVICE DESIGNER
STEVE LEE
20Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
THE STEAM METHOD OF DIGITAL SERVICE DESIGN
Learning about service environments from video gaming’s premier online marketplace.
By Todd Greco Interaction Design Director
21Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
When folks talk about the business of video games
these days, they frequently focus on the battle Microsoft,
Sony, and Nintendo are fighting for supremacy over the
living room. Consoles are a commodity, and their seven
year life-cycle makes it easy to design large experiences
against. That said, quite a lot can happen in seven years,
but any real innovation is on the software side of the
house, while the hardware stays locked in time.
As a technologist (and gamer), the real action I see is
in the PC (as opposed to console) gaming space. It’s
here that hardware gets updated yearly, and innovations
like 4k displays and user-created mods can really
supercharge the gaming experience. Interestingly
though, the real innovation in the PC space hasn’t been
the march towards new hardware or the ability for users
to create new experiences with modified game code,
but rather a change in the service side. Steam is a digital
platform that moved PC gaming from boxed products to
downloadable games, in a way that changed how PC (i.e.
Windows, Mac and Linux) gamers purchased them.
Much has been written about this, but the basic idea
is simple: I can go to Best Buy, buy a boxed version of
Skyrim, and install it onto my computer. In the process,
I get a serial code that I enter in order to complete the
installation. If I get a new computer, or want to install my
new game on a new platform (I use a Windows machine
at home for games, and travel with a Mac laptop for
work), I’m out of luck — the license for that boxed product
allows a single install on a single machine. If I want to
reinstall, I need to dig out the DVD and have at it. The
onus is on me to track the DVD and the installs for every
game I purchase.
PHOTO (CC) Borderlands 2, by Gearbox Software
22Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
Steam changed all of that. Now, I log into a single
application and purchase games through that. If I log onto
a different computer, I can see all the games I own at a
glance, and download them to that machine too. Many
also save status, so I can, for example, leave off a game
of Civilization at home, and pick it up again on my Mac in
a hotel room while on the road.
What makes this magical is that there’s a single place
for all of my games. Much like iTunes on the music
side, Valve (the makers of Steam) have created an
ecosystem that’s hard to beat, and continually create
new innovations, like the ability to stream games
between machines so you don’t have to reinstall them.
This helps them stay ahead of their competitors.
Of course, other publishers see this user base and want
in on this action. Sadly, they’ve all done so by creating
their own walled gardens (which is, to be honest, what
Steam did). So now, if I want to play Battlefield 4 (an
Electronic Arts title), I have to install their proprietary
marketplace called Origin, and launch it from there.
Some publishers try to have it both ways: Far Cry 3 is
a game you can buy via Steam, but it installs another
service called uPlay at the same time. Launching the
game from Steam pops up uPlay (which replicates
Steam’s experience) and then requires that you log in
again to play your game. All of this stems from the game’s
Canadian publisher Ubisoft, and their desire to prevent
Valve from getting credit for the game.
In the physical world, it would be as if these publishers all
had game boxes at Best Buy, which could be purchased
at full price ($60)…but you had to go to another store
down the street to actually pick up the DVD.
And that’s the problem right there. Steam came out
first, and so holds the lion’s share of my games. Every
other service that comes out afterwards will only have a
few of them, and will annoy me more than anything else.
PHOTO (CC) Screenshot from the Steam user interface.
23Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
Todd Greco is the Interaction Design Director at Ziba. Bridging the traditional gap
between developer and designer, he leads cross-disciplinary teams in the creation of
software and physical interfaces for global clients including FedEx, Intel, Samsung,
adidas and Technicolor. With more than 19 years of experience, Todd is well-versed
in design research and experience prototyping; prior to joining Ziba, he worked
with Adobe to develop Creative Suite 1-4, and helped design and implement the
iShares investment service for Barclays. He has also run his own design studio,
and taught digital design at Portland State University for nearly 10 years. Follow him
on Twitter and Medium at @mrballistic.
INTERACTION DESIGN DIRECTOR
TODD GRECO
Steam set a standard, both with flash sales (“Skyrim only
$9.00 for the next 24 hours!”), and its multiple-publisher
philosophy. The single publisher-driven ones, like Origin
and uPlay, are pretenders to the throne. I use them, but
only because I’m forced to.
What can we take away from this? First, that Openness
is key, at least as it relates to allowing other publishers
into your ecosystem. It worked for iTunes (imagine a
music store that only sold tracks from Sony), and it works
for Valve. Second, you’ll win more people over by thinking
with a user focus than a lawyer/publisher one.
Most of all, though, being first and being good can make
it impossible for even deep pockets to overtake you. No
matter how much EA and Ubisoft dump into their digital
products, they have a steep uphill battle to win the hearts
and minds of gamers. As a consumer, I’m betting against
them, and hoping they eventually merge their libraries into
my Steam one.
PHOTO (CC) Screenshot from the Origin user interface.
24Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
THE AUTO DEALER IS RIGHT TO FEAR TESLA, BUT NOT [JUST] BECAUSE THEY’RE ELECTRIC.Changing culture before someone else does it for you.
I’m writing this from the lobby of the service center at
the dealership where just a few weeks ago I picked up
a new Jeep. Since this is an article on the auto industry
you probably can guess comes next: New vehicle, issue
nearly from the start and they expect me to pay for it.
Now don’t get me wrong, in the 3 weeks I’ve had it,
my Jeep has been great car in general and I made the
very conscious choice to sacrifice a few MPG to have
the fun of a 4x4 when buying it. But the reason my next
car will likely be a Tesla is not [just] because they’re a
different type of car, but because they’re a type of different
experience, an experience that would not have my day
start with a dealer telling me to pay to fix a car with their
plates still on it…
View the entire article on medium.com.
PHOTO (CC) via Flickr user Don McCullough
25Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
NEST AND THE UMAMI OF USER EXPERIENCE DESIGN
Good service experience, like great cuisine, is made from ingredients we already have.
By Paul O’Connor Executive Creative Director
26Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
If recent news is any indication, 2014 is shaping up to
be an exceptional year for users of smart products
and the services they deliver. Since being purchased by
Google, Nest has wasted no time developing the next
round of devices that will revolutionize your home (and
the ways they can collect data about it), and dozens
of other companies are following suit. We now have an
array of smart locks, smart sprinkler systems and smart
kind of pro-active sensing and customizability that made
Nest a smash hit. Apple is working with designers from
Nike’s Fuelband team to develop a smart watch that
people will actually wear. And cloud-based services like
Evernote, Dropbox and Google Drive are integrating
their mobile and web offerings so seamlessly that you
may never have to sync anything again.
The common thread running through these developments
isn’t exactly advanced technology — the hardware and
software that make them possible have been around for
years, in fact. What connects them is a more nuanced
and rigorous approach to experience design. Companies,
and the designers they employ, are finally getting serious
about interface and integration, and explicitly focusing on
user behavior instead of feature sets and aesthetics. As
a creative director who’s dealt with these issues for years,
I want shout, “It’s about time!” But it also raises some
interesting questions: Why now? And how did we get to
this point?
The best explanation is that the current revolution in UX
is a response to consumers’ shifting priorities. Average
purchasers of smart devices and digital services have
ceased being satisfied with new functions that are poorly
delivered in a pretty package — we’ve developed a taste
for accessibility and sensible workflow, and we’re not
going back. Blame Nest or Apple if you want, but the
story of a better alternative ratcheting up the bar for an
entire category is not new. Look, for example, at what’s
PHOTO (CC) via Flickr user Gregory P. Smith
27Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
happened in the way we eat and talk about food over
the past few years.
A NEW TASTE THAT’S BEEN AROUND FOREVER.Umami, the Japanese word for the mysterious “fifth
taste”, shows up on the menus of countless restaurants
these days, and in the Food & Wine sections of
newspapers around the world. But “umami” is actually
a much more straightforward concept than its exotic
name and newfound popularity might suggest. Just
as our tongues have receptors for various sugars,
and register their presence as “sweet”, they’re also
sensitive to a class of compounds called glutamates,
found in everything from seaweed to anchovies to a well-
seared steak. The sensations they produce are not
new—humans have hungered for these rich, savory
flavors since prehistory—but our understanding of
where they come from has altered the way we cook.
In a similar way, the widespread demand for better user
experience isn’t because of a recently realized need,
nor are designers employing some magical combination
of skills and technologies to address it. We’ve always
valued coherence and thoughtfulness in the products
we use, whether it takes the form of a nicely weighted
hammer, or a logically laid-out car dashboard. The
difference today, in both cuisine and user experience,
is that our expectations have evolved, and we finally
have the vocabulary to describe them.
The real lesson of the “umami revolution” is that you
don’t need a new ingredient or even a new technique
to improve an experience. The LA-based chain Umami
Burger has been capitalizing on this culinary trend
for a few years now, but the ingredients in its signature
burger—shiitake mushrooms, roasted tomatoes,
Parmesan cheese, caramelized onions—have been
around for centuries or longer. Even the “umami bomb”
dishes created in some high-end restaurants are just
intentional combinations of existing glutamate-and
nucleotide-rich foods. Chefs (and savvy home cooks) are
taking advantage of an improved understanding of
what underlies the experience, and not just going off in
search of new flavors.
PHOTO (CC) via Flickr user Joselu Blanco
28Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
THE INGREDIENTS ARE ALREADY THERE.The relationship that talented designers have with user
experience is a lot like that. The individual components
that make a Nest Thermostat delightful to use are familiar,
but combined in a way that maximizes accessibility and
personalization. The same goes for all of those digital
services, that succeed not because of a new technology,
but the intentional application of existing ones. The
“umami” of good user experience is not embodied in
a single feature or aesthetic flourish, but in a quality
shared by its details: a context-sensitive menu; a physical
design that suggests how to use something unfamiliar;
an interface that provides clear feedback to every
user action.
This is a big part of why good user experience can be
more elusive for established companies than small
startups. For the former, there’s a long history of relying
on new features for competitive advantage, and of
viewing “design” as a purely visual tool — just as fine
dining was once defined by exotic ingredients and
beautiful presentation, rather than technique. When I
say, “It’s about time,” I’m echoing an understanding
that permeates design-driven startups, who’ve come
to realize that consumer tastes have been evolving for
decades, and that the ingredients are already in front of
us. A company clinging to the notion that new features
are what sell and design is all about presentation risks
looking like a fussy 1970s steakhouse in modern day
Manhattan: bland, failing and out of touch.
Paul O’Connor is executive creative director at Ziba, working across various industries
including consumer electronics, consumer packaged goods, healthcare and education.
Paul’s previous clients include TDK Life on Record, Lexmark, Logitech, Nike, Sirius XM,
Procter & Gamble and Wrigley. He earned a Bachelor of Fine Art degree in Industrial Design
with honors from the University of Illinois at Champaign–Urbana and spent a year abroad
at the University of Northumbria, Newcastle, England.
EXECUTIVE CREATIVE DIRECTOR
PAUL O’CONNOR
In addition to its radically redesigned interface, much of the appeal of the
Nest Thermostat comes from a simplified, common-sense installation process.
The Original Burgerparmesan crisp, shiitake mushrooms,roasted tomatoes, caramelized onions,
house ketchup
PHOTO (CC) via Umami.com PHOTO (CC) via Flickr user Gregory P. Smith
29Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
EXCEPTIONAL SERVICE IS NO LONGER ENOUGH
By Mattias Segerholt Brand Discipline Director
Customer service that’s true to your brand is what resonates with today’s savvy consumers.
30Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
New Seasons does not judge you.
At this beloved Portland-based supermarket, most of
the produce—arguably the finest available outside of a
farmers market—is organic. Much of the beef comes from
grass-fed cows, and the seafood display gives details
on how and where every item was caught. The beer and
wine selection skews heavily toward Pacific Northwest
producers, and includes plenty of organic options. But
head one aisle over and you’ll find Skippy peanut butter,
Oreos, Coca-Cola and other familiar products of mass-
market America. And most important, you’ll find staff
who are equally enthusiastic about all of it.
This is not by accident. New Seasons is a business
defined by an unwavering set of values since its first store
opened in 1999, and everyone knows it. Founder Stan
Amy describes the store’s philosophy as “interdependent
prosperity”: the idea that monoculture is no more
sustainable for a business than it is for a garden, and
a diversity of options is ultimately healthier. In terms of
service, this translates into stores and staff that value
informed choice above all else. New Seasons is famous
not only for transparency in labeling (indicating, in some
cases, the exact farm that grew those tomatoes), but staff
who can rattle off that information on the spot. They’re
also exceptional at forging customer relationships based
on that knowledge, and the interest they share in food.
Historically, “good service” has been a matter of diligence:
if the store is laid out sensibly, returns are easy, and
staff are required to go the extra mile, then service will
be good. But increasingly these attributes are par for
the course. Heightened competition, and customers who
know all about those competitors, have raised the bar
for service across the board. Today, the real differentiator
is not “good service” but “true service”—a customer
experience that reflects the brand philosophy of the
company behind it.
In many ways, this is nothing new. Before the megamart
came along, we bought fruit from the fruit seller, meat
from the butcher, and bread from the baker. Each of
these sellers were passionate, informed professionals
who wouldn’t hesitate to tell you what they thought about
everything they sold, and relished the chance to steer you
toward the right purchase. It was great service because it
reflected the beliefs of the business.
PHOTO (CC) via New Seasons
31Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
Somewhere along the line, this connection between
purpose and action got lost. The butcher, baker and
fruit seller got consumed by the supermarket, the
supermarket grew, and the companies that owned them
expanded and merged. The purpose-driven customer
relationship was replaced by an efficiency-driven one, and
“good service” in most supermarkets today boils down
to fast checkout. These days, the quality of the service
experience is primarily determined by how quickly it’s over.
A handful of retailers have successfully pushed
against this trend, in the supermarket business and
elsewhere. Nordstrom, the legendary department store,
trains its associates to “use good judgement in all
situations,” fostering a service culture of attention
and responsiveness. The Apple Store encourages
customers to touch and interact with technology, and
deploys a legion of casual/smart employees to make
discovery and purchase miraculously low-friction. Even
Whole Foods’ abundant, slightly paternalistic shopping
experience reflects a philosophy of high expectations
and high ideals. Each company has a legion of loyal
customers, who come back repeatedly not just for the
products, but for the ability to interact with a brand that
aligns with their own philosophy.
The key to getting “true service” right—and the imperative
for customer-facing business of all types—is to be as
transparent as possible about your values, and to never
stop seeking new ways to convey them to the customer.
For New Seasons, this can be felt the moment you walk
into one of their stores. The signage, the labeling, the
diversity of products, and the knowledgeable, engaging
staff are all expressions of a coherent philosophy. It’s a
philosophy that resonates particularly well with shoppers
in the greater Portland area, but the underlying idea,
that behavior should reflect ideals, is nearly universal.
That idea is both simple and revolutionary. It asks that
companies make introspection a foundational part
of their service design process, analyzing what makes
them unique from other companies, and especially
their competitors, before deciding what kind of good
service makes the most sense. For some brands, it
will be curt, efficient and thoroughly competent. For
others, it will mean bending over backward to listen
to every word the customer says, and acting as an
empathetic host. These, and many other approaches,
all have the potential to be great service. The trick for
brands today is to decide which kind of “great” is
right for them.
Mattias Segerholt is the Brand Discipline Director at Ziba. His holistic approach to brand
building has uncovered the relevant aspects of brands for clients such as Sharp, CitiBank,
New Seasons Market, and long-time Ziba client Procter & Gamble, ensuring that
subsequent design efforts are not only relevant to the customer, but consistent with the
brand’s promise. Before joining Ziba, Mattias was a Creative Director at Wieden+Kennedy,
where he led teams that provided brand-integrated product considerations for
Starbucks, and a roadmap for Target’s next generation of retail concept stores. Mattias
has an MFA from Rhode Island School of Design, and a BA in Graphic Design and BA in
International Studies from Oregon State University.
BRAND DISCIPLINE DIRECTOR
MATTIAS SEGERHOLT
32Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
THE NEW SERVICE ECONOMY: BETTER > MORE
By Cale Thompson Creative Director
Making meaning for users takes more than an abundance of options and features.
33Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
Every business wants to mean more. Whether your
organization is a young startup or well-established,
deeper engagement—designer-speak for ‘making more
meaning for users’—is crucial. The way to get deeper
isn’t necessarily with more, though… more offerings,
more technology, more messaging. There’s too much
already. The way forward is better. But improving
relationships with your customers isn’t easy, and there’s
no shortage of businesses vying for time and attention.
Committed engagement is hard to achieve, and so
is improved overall experience. But that’s exactly what
organizations need in order to deliver great services and
ultimately mean more.
Today many of us have more relationships than ever
before, but whether they’re with friends or business
contacts, few are as deep as we’d like. When it comes
to service providers, we already know how we want
our experience to be: we learned it from our barbers,
hairstylists, doctors, postal workers, teachers and any
number of other service professionals. These tended to
be one-on-one relationships, with consistent attention
applied over time that deepened and enriched our
exchange. Lately, new businesses focused on getting
back to better relationships through more personalized
or specialized “service” (sometimes shrouded in the guise
of its sexier sibling, “sharing”) seem to be everywhere.
Lyft and Airbnb are a long way from the people who take
care of our hair, though. Let’s take a look at how our
economy got here.
BEHIND THE “NEW” SERVICE ECONOMY The service revolution is actually older than most people
know. The idea of monetizing services rather than
simply selling products has been driving big business-
to-business offerings for over a generation. See the
ongoing success of Rolls Royce in selling the service
of propulsion, rather than jet engines: the 100+ year-
old internal combustion specialist leveraged its existing
relationships with airlines and turned their hardware
business into a service offering, which made more
financial sense for everyone involved.
Then came the consumer wave, with startups like Netflix
and Uber. These companies help people get new
value from existing, often underutilized assets. Second
generation service economy players like Car2Go are
actually creating new value, not just maximizing
PHOTO (CC) via CitiBike Press Kit
34Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
existing potential. That’s where our fondly remembered
barber comes into this: all these developments point
to big opportunities for other sectors to forge higher
quality relationships with customers through new or
improved services.
GETTING TO BETTER, DEEPER RELATIONSHIPS Scratch the surface, and you’ll see that most of the
revenue of the new service economy now comes from
monetizing the relationships between people. eBay
made it possible transactionally, by letting us sell things
to people anywhere easily; PayPal and Square continue
to push the boundaries of digital payment. Uber and
Airbnb have made multi-billion dollar business models out
of turning our neighbors into livery drivers and hoteliers.
The sharing economy’s not just for big-ticket items, like
transportation and housing, either: Pley applies Netflix’s
subscription model to Lego blocks, while Lacquerous
does the same for high-end nail polish.
The service economy revolution isn’t done, not by a
long shot. Most of the big players thus far have created
new connective tissue, putting people and existing
assets together in new ways using technology that’s only
lately gotten ubiquitous. There’s more work to do, and
much of it will be hard. David Gray writes in Everything is
A Service, “Unlike products, services are often designed
or modified as they are delivered; they are co-created with
customers; and service providers must often respond
in real time to customer desires and preferences. Services
are contextual—where, when and how they are delivered
can make a big difference. They may require specialized
knowledge or skills. The value of a service comes through
the interactions: it’s not the end product that matters,
so much as the experience.” Not just any experiences,
though: better experiences.
Cale Thompson is a creative director at Ziba, providing relevant and compelling insights
that inspire, inform and affect innovative products and services. Cale works with multi-
disciplinary teams to generate insights about behavioral patterns and cultural trends, and
works collaboratively with clients to solve design problems in new ways. He has led
service design and innovation projects at Engine, a design and innovation firm in London;
and also lead a Microsoft research fellowship in East Africa designing solutions to help
scale microfinance. Cale is a graduate of Rhode Island School of Design and The Delft
University of Technology in The Netherlands. Follow him on Twitter @caleryder
CREATIVE DIRECTOR
CALE THOMPSON
35Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
STORE YOUR SNOWBOARD IN THE CLOUD
Spotted by Cale ThompsonCreative Director
36Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
Take a necessary but not particularly fun task, update
it with better UX and a flexible usage model, and you have
Zipcar, Uber, eBay or dozens of other wonders of the
modern service economy. It’s completely unsurprising,
then, that two different services would pop up almost
simultaneously to fix the way we store our excess stuff—
a huge chore that becomes even more irritating in the
dense, transit-dependent cities where it’s most needed.
MakeSpace and CityStash both promise to store your
belongings without you ever having to leave your house,
and both cater to urbanites: MakeSpace in NYC,
CityStash in San Francisco and DC. They also employ
very similar service structures. Create an account, and a
stack of plastic bins arrives at your front door. Once filled,
sealed and picked up, the bins are stored away at an
undisclosed location for a monthly fee, to be redelivered
(for a fee) upon request.
PHOTO (CC) via Citystash.com PHOTO (CC) via Makespace.com
At first blush, it might seem like an uphill battle to
convince customers to leave their possessions in an
unknown place, but the past few years have created
plenty of precedent: young city dwellers are already
comfortable staying in someone else’s house (Airbnb)
or driving someone else’s car (RelayRides), so this
level of digitally-enabled trust isn’t so far-fetched. And
in fact, both MakeSpace and CityStash make good
use of the idea of “cloud storage” for physical stuff in
their marketing messages.
Learn more about these services here:
MakeSpace
CityStash
37Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
INDIA’S ANCIENT, DURABLE MODEL FOR GROCERY RETAIL
Spotted by Carl AlvianiEditor
38Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine
India is modernizing at breakneck pace in many ways, yet
its citizens—even affluent ones–still overwhelmingly prefer
to buy groceries from traditional markets and independent
vendors rather than supermarkets.
As a recent Economist article points out, it’s not from
lack of options. Indian supermarket chains like Reliance
Fresh, Big Bazaar and Spencer’s operate hundreds of
stores throughout the country, but despite offering great
selection, air-conditioned comfort and slightly lower
prices, still account for only 2% of the nation’s food and
grocery sales.
The elusive advantage that traditional markets hold
appears to be service-based. Independent sellers
pick through produce to make sure it’s of consistently
high quality, adjust their inventory to fit the seasons
and holidays, and form relationships with customers
and their families. They’re also nearby, which is a real
advantage in areas with crowded roads and struggling
transportation infrastructure.
The lesson may simply be that one size does not fit
all. Conventional wisdom has long held that as countries
modernize and grow more affluent, they demand the
kinds of services rich countries already enjoy. It may turn
out that a wealthier India doesn’t resemble England,
America or Malaysia at all in its service preferences—it
resembles a wealthier India.
A long way from the supermarket, at The Economist.
PHOTO (CC) via economist.com
Ziba Design | 2015 | Excerpts from Ziba’s Flipboard Magazine 39
WHAT’S THE FUTURE OF THE SERVICE ECONOMY?
Whatever the future of service holds, it’s safe to assume technology will both shape and support it. So far, technology has contributed greatly to delivering improved service experiences, but it has also created disappointment for customers. In fact, when it comes to seamlessly integrating technology—making gadgets and apps support person-to-person interactions, or improve experience long term—brands are just getting started. Thoughtful technology integration stands to be a win-win proposition: better for businesses and their consumers.
As companies shift toward this digital future, we’ll see more holistic brand experiences emerge. Consider what has happened at Nordstrom. Historically, the retailer has delivered service according to one rule for staff members: use best judgement in all situations. Lately, though, those clerks and stockers have been armed with mobile checkout capabilities (thanks, Apple!), and the archaic POS registers have been replaced by friendlier, interactive tablet alternatives. As the tools of delivering service changed, so too did Nordstrom’s. In the process of updating their strategy, they selectively integrated aspects of interaction and product design.
Recently at Ziba, we faced a related challenge: How do you use service fundamentals and technology to shift the chore of shopping for new glasses into a delightful experience? We worked with our partners at Luxottica to find the answer. The result was an integrated, in-store brand experience called the In.Sight Center. Ziba’s service-driven retail model informed every aspect of the experience, including the thoughtful integration of technology that proved equally valuable for staff and customers.
More and more often, brands call for comprehensive strategies like this—complex, but seamless for end users. And as our world becomes increasingly complicated, so too will brands’ problems —and our solutions.