this document is from the cornell university library's

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Guide to the Donald J. Grout, 1902- Papers , 1929-1980.

A. Klejment, 1976 Revised and Updated: M. Warren, 1982 E. Engst, 1982

1 ) NYCV84-A1217 :: TJ

F r o u t r D o n a l d J a r r 1902- gr a P a r e r s r 1929-1980 . 2 3 . 3 c u b i c f t . - g

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P r o f e s s o r o f M u s i c o l o s r , C o r n e l l U n i v e r s i t r , 1 9 4 5 - 1 9 7 0 . 0 Summary: I n c l u d e s r r o f e s s i o n a l c o r r e s p o n d e n c e u i t h W i l l i a m W . A u s t i n r Andpea

d e l l a C o r t e , A r c h i b a l d D a v i s o n r D . K e i t h F a l k n e r . S c o t t G o l d t h u a i t e r O t t o 5 K i n k e l d e r , R e r L o n g r e a r , A r t h u r H e n d e l r A . T i l l m a n M e r r i t t r R o h e r t U . N e l s o s r Nino P i r r o t t a r E d u a r d R e e s e r , W a l t e r Rubsamen, Leo S c h r a d e , D e n i s S t e v e n ; ? m

n O l i v e r S t r u n k r P e t e r Gram Swin9r R o b e r t Tangemanr F r e d e r i c T i l l o t s o n , Her l rga Woodwardr G I W a l l a c e Wooduor th r a n d C o l u m b i a U n i v e r s i t r P r e s s ; and a r r l i c a t g o n z and r e c o m s e r ~ d a t i o n s f o r g r a n t s a n d u n i v e r s i t y ~ o s i t i o n s . A l s o r P e r s o n a l c o r r e s r o n d e r l c e w i t h h i s P a r e n t s w h i l e s t u d r i n s i n E u r o p e a n d t c a c h i n s l a t M i A l . 5 C o l l e g e ( 1 9 3 3 - 1 9 3 6 ) and w i t h a f r i e n d a n d f o r m e r s t u d e n t , J o n a t h a n S c h i l l e r ( 1 9 4 3 7 1 9 6 3 ) ; w o r k s h e e t s , r h o t o s r a r h s a n d s a l l e r p r o o f s f o r HISTORY OF W E S T E ~ N MUSIC and h o t h e d i t i o n s o f A SHORT HISTORY OF T H E OPERA; n o t e s and n o t e b o o k on ' E a r l y O r ' e r a Cominue' ( c a . 1 9 3 6 - 1 9 4 1 ) ~ ' M o l i ' e r e ' s C o n , - e d i e - B a l l e t s ' ( c a . 1 9 7 - 1 9 4 2 1 , ' G h e r a r d i ' s M u s i c ' ( 1 9 3 9 ) ~ a n d ' P a r o d i e s i n O p ' e r a Comioue ' ( 1 9 3 9 ) ; +,is

l e c t u r e n o t e s ; m u s i c a l t a r e s ; a n d a n n o t a t e d P r o d r a m s .

i d i s s e r t a t i o n m a n u s c r i p t ( 1 9 3 9 ) ; a m a n u s c r i p t on West I n d i a n Music ( 1 9 4 2 ) ; 4

4

2 U

I n d e x e s : U n r u b l i s h e d g u i d e . n x D e s c r i b e d i n DOCUMENTATION NEWSLETTER, V a l . 11, No. 1, S r r i n g 1976. H < C i t e a s : D o n a l d J a r G r o u t . P a r e r ' s , # 1 4 \ 2 0 \ 9 9 8 . D e p a r t m e n t o f M a n u s c r i r t j l a n

U n i v e r s i t y A r c h i v e s , C o r n e l l U n i v e r s i t y L i b r a r i e s .

1. G r o u t , D o n a l d J a r . H i s t o r r o f w e s t e r , nnui ic . 2 . G r o u t . Dona ld J a r . Shof h i s t o r y o f t h e o p e r a . 3. A u s t i n , W i l l i a m W . 4 , D e l l a C o r t e r A n d r e a . 5 . D a v i o n r A r c h i b a l d . 6. F a l k n e r r D , K e i t h . 7 . G o l d t h w a i t e , S c o t t . 8 . K i n k e l d e ~ r O t t o . @ 9 + L o n s r e a r r Rey M . ( R e r M o r s a n ) , 1930- 1 0 . Mende l r h r t h u r r 1 9 3 5 - 11. M e r r i t t , @ ~ . T i l l m a n ( h r t h u r T i l l m a n ) . 1 2 . N e l s o n r R o b e r t U . 13. P i r r o t t a r Nino. 1 4 . R e e g e r . E d u a r d . 1 5 . Rubsamenr W a l t e r H . ( W a l t e r H o w a r d ) , 1 9 1 1 - 1 9 7 3 . 1 6 . S c h i l l e r r J o n a t h a n . 1 7 . S c h r a d e , Leor 1903-1964 . 1 8 . S t e v e n s , D e n i s , 1922- 1 9 . trunk$ W . O l i v e r ( W i l l i a m O l i v e r ) , 1901- 2 0 . S w i n g , F e t e r Gram. 2 1 . Tanslenanr R o b e r t . g 2 2 .

H T i l l o t s o n , F r e d e r i c k . 2 3 . Woodwardr H e n r y . 24 . Woodworth , G. W a l l a c e . 2 5 . 4 C o r n e l l U n i v e r s i t r . Music n e r t . 2 6 . C o r n e l l U n i v e r s i t r - - F a c u l t r . 27 . M u s i c - s I n s t r u c t i o n and s t u d y . 2 8 . O r e r a . 2 9 . O r e r a s . 3 0 . F h o t o ~ r i n t s . 31. M u s i c i a n s . 3 2 . h u t h o r s . 33. C o l l e g e t e a c h e r s .

RGPN: 1 4 \ ? 0 \ 9 9 8 TI I D : NYC1J84-A1217 C C : 9554 DCF : PROC: b 3

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Grout, Donald Jay, 1902- . Papers, 1929-1980; 20.1 cu. ft. Musician, author, Professor of Musicology, Cornell, 1945-1970.

Consist of professional correspondence pertaining to Grout's teaching career at Mills College, Harvard University, the University of Texas, and Cornell University; to his participation in international music organizations including the International Musicological Society (IMS), the International Music Librarians Association (IMLA), and the Reper- toire Internationale des Sources Musicales (RISM); correspondence with Columbia University Press about his publications; applications for grants; recommendations for his students; also personal correspondence with family and friends. Papers relating to Grout's books include correspondence, notes, worksheets, printer's copies and galleys for A Short History of Opera; correspondence, worksheets, revisions, printer's copy, notes for second and third editions and galleys for History of Western Music; correspondence, notes, librettos, scores, transparencies for scores, worksheets, and drafts for volumes in the series The Operas of Alessandro Scarlatti; and drafts of chapters for the Norton Historical Anthology of Music, edited by Claude V. Paliska. Other papers include lectures, articles, reviews, and papers written by Grout on music; programs and reviews of his lectures and concerts; collected programs; photographs, mainly used in Short History of Opera and The Operas of Alessandro Scarlatti; and wire and tape recordings.

Donald J. Grout Papers.

Major Correspondents

Gerald Abraham Putnam Aldrich Enzo Amorini Bruce Archibald William W. Austin Robert S. Baker John Dafinn Bergsaqel F r i ed r i ch Blume David Boyden Barry S. Brook Armen Carapetyan G i l b e r t Chase Gordon F e r r i s Crain Draqotin Cvetko Al ice and Archibald T. Davison Andrea Della C o r t i . E. W . Doty Edward E. Evans Joan and Keith D. Falconer M. Vladimir Fgdorov Kurt von Fischer F r i ed r i ch Gehmacher S c o t t Goldthwaite Robert Hall Graham Hood Hardie Harold Heckmann G. Henle Lloyd Hibberd John Hsu Helmut Hucke Karel Husa Alexander Wyatt King O t t o Kinkeldey John Kirkpat r ick John M. Kuypers Paul Henry Lanq Joan La Rue Eugene J. Leahy ~ e n g B . Lenaerts Zof ia Lissa Rey Morgan Lonqyear Rosamund Cohan McGuinness Anne Vera Mar ine l l i Arthur Mendel A. Tillman M e r r i t t Donald Mintz Erns t Mohr Robert U. Nelson

Claude P a l i s c a Robert Palmer Nino P i r r o t t a Gustave Reese Eduard Reeser Wolfgang Rehm Walter Rubsamen Harold Samuel Jonathan Wilbur S c h i l l e r Leo Schrade Boris Schwarz Murry Sed l in Howard E. Smither Denis W. Stevens Ol iver Strunk Pe te r G r a m Sevinq Robert Stone Tanqeman qandal l Thompson Freder ic T i l l o t s o n Yves Tinayre Harry L. Upperman Ursula and Ralph Vaughan W i l l i a m s /6~'; .. / A k ' + Ginny ana Charles G. Weeks 5 0 by,,;, S i r Jack Westrup i'iy?. p,L Wilfr id Williamson Walter Wiora Hellmuth C h r i s t i a n Wolff Henry Woodward G. Wallace Woodworth

14/20/998 page i

Donald J.Grout Papers.

Collection and Guide Organization

Series I: Correspondence

subseries 1: Correspondence (largely personal), 1929-1936, pri- marily related to Grout's early career in music, his doctoral research in Europe, and his teaching at Mills College.

subseries 2: Correspondence, 1940-1945, mainly related to Grout's career at Harvard and the University of Texas.

subseries 3: Correspondence, 1950-1967, related to Grout's career at Cornell.

subseries 4: Correspondence, 1942-1958, with Columbia University Press.

subseries 5: Correspondence with individuals, 1961-1980.

subseries 6: Correspondence, 1961-1974, related to International Musicological Society (1%) and International Music Librarians Association (IMLA).

subseries 7: Correspondence, 1970-1974, related to International Josquin Festival Conference.

subseries 8: Correspondence, 1958-1976, related to Repertoire Inter- national des Sources Musicales (RISM) (Inventory of Musical Sources).

subseries 9: Correspondence, 1966-1970, related to Utrecht (Insti- tute voor muziekwetenschap der rijksuniversiteit te Utrecht) (Institute of Musicology).

Series 11: Short History of Opera

subseries 1: Correspondence related to first and second editions.

subseries 2: Notes and other items related to opera, opera comique, the music of Gherardi, Moliere's comedie-ballets, vaudevilles, parodies, musical examples, and a manuscript copy of Grout's doctoral thesis on opera comique.

subseries 3: Work sheets for first edition. 1

subseries 4: Work sheetsfor second edition.

subseries 5: Printer's copy and marerial related to the publications.

subseries 6: Proofread copy with changes.

subseries 7: Partial printed copy of revised edition.

14/20/998 page ii


Collection and Guide Organization


subseries 8: Galleys.

subseries 9: Bibliography cards.

Series 111: History of Western Music

subseries 1: Work sheets.

subseries 2: Partial copy with revision tabs.

subseries 3: Printer's copy.

subseries 4: Miscellaneous examples of music systems, etc.

subseries 5: Multilith copy.

subseries 6: Material related to the second (1973) and third (1980) editions, including notes, opinions, and comments.


Series IV: The Operas of Alessandro Scarlatti

subseries 1: Unpublished manuscripts, scores, and notes.

subseries 2: Eraclea: Vol. I of The Operas of Alessandro Scarlatti.

subseries 3: Marco Attilio Regolo: Vol. I1 of The Operas of Alessandro Scarlatti.

subseries 4: Griselda: Vol. I11 of The Operas of Alessandro Scarlatti.

subseries 5: The Faithful Princess: Vol. IV of The Operas of Alessandro Scarlatti.

subseries 6: Massimo Pupieno: Vol. V of The Operas of Alessandro Scarlatti.

subseries 7: La caduta de'Decemviri: Vol. VI of The Operas of Alessandro Scarlatti.

subseries 8: Other material related to all volumes of The Operas of Alessandro Scarlatti.

subseries 9: Introduction to the Operas of Alessandro Scarlatti.

subseries 10: Berkeley Lectures: The Operas of Alessandro Scarlatti, 1977-1978.

14/20/998 page iii


Col lec t ion and Guide Organization

S e r i e s V: Reviews, a r t i c l e s , l e c t u r e s , and papers

S e r i e s V I : Norton H i s t o r i c a l Anthology of Music (NOHAM), ed i t ed by Claude V. Pa l i ska .

S e r i e s V I I : Photographs

subse r i e s 1: Shor t History of Opera.

subser ies 2: S c a r l a t t i operas.

subser ies 3: Other photographs.

S e r i e s V I I I : Col lec ted concer t and opera programs.

Se r i e s I X : Wire and tape recordings ( w r . and t r . )

S e r i e s X : Ph.D. Dis se r t a t ion , "The Origins of the Opera Comique" (photocopy)


series I: Correspondence

subseries 1: Correspondence (largely personal) , 1929-1936, pri- marily related to Grout's early career in music, his doctoral research in Europe, and his teaching at Mills College.

Box Folder Description

1 1 December 1929-December 1933. 2 January-July 1934. 3 August-December 1934. 4 January-December 1935. 5 January-October 1936.

subseries 2: Correspondence, 1940-1945, mainly related to Grout's career at Harvard and the University of Texas.

1940. 1941. 1942. January-February 1943. March-May 1943. June-December 1943. January-April 1944. May-June 1944. July-August 1944. September 1944, undated 1944, 1945, undated.

subseries 3: Correspondence, 1950-1967, related to Grout's career at Cornell.

A, 1954-1957. A, 1958-1959. A, 1960. A, 1961-1967. B, 1953-1957. B, 1958-1959. B, 1960-1961. B, 1962-1964. B, 1965-1967. C, 1953-1958. C, 1961-1962. C, 1963-1967. Davision, 1961-1964. Davison (articles). D, 1962-1967. D, 1959-1961. D, 1963-1965.

Donald J. Grout Papers .

S e r i e s I

s u b s e r i e s 3

Box Folder -

F, 1963-1967. G , 1953-1957. G , 1 9 5 8 - 1 9 e 7E) G , 1964-1968. H , 1953-1956. H , 1957-1959. H , 1960-1963. H , 1964-1967. I , 1955-1964. J , 1953-1965. K, 1951-1958. K , 1959-1962. K , 1963-1967. Longyear. L, 1953-1957. L, 1958-1960. L, 1961-1962.


Series I

subseries 4:

Box Folder -

subseries 5:

subseries 6:

Correspondence, 1942-1958, with Columbia University Press.

Description

Correspondence with individuals, 1961-1980

B miscellaneous, 1966-1976. Blume, Friedrich, 1964-March 1964 (mostly RISM). Blume, April-December 1964. Blume, 1965-1966. Blume, 1967-1968. Blume, 1969-1972. Blume, 1973-1976 (also Mrs. Christel ~lume). Brook, Barry S., 1965-1967 (RILM). Chase, Gilbert, 1963-1967 (RISM). Crain, Gordon Ferris, 1973-1974. Cvetko, Draqotin, 1965-1967. Evans, Edward G., Jr., 1967-1968. Fedorov, M. Vladimir, 1961-1970. Fischer, Kurt von, 1961-1970 (IMS). Gehmacher, Friedrich, 1970-1975 (Mozart Foundation). Henle, G., 1969-1974 (in re Martin Bente). H s D . , 5 8 ' 4 , , q 5 3

Hucke, Helmut, 1968. Lenaerts, ~ e n g B. , 1967-1974. Lissa, Zofia 1967-1979. Lonqyear, Rey Morgan 1967-1971. Lonqyear 1972-1975. Lonqyear 1976-1977. Mohr, Ernst 1967-1973. Mozarteum I 1966-1972. Mozarteum I1 1973-1975. Rollin, Robert Leon 1971. Sedlin, Murry 1966-1970. Strunk, Oliver 1967-1980. Tanqeman, Oliver 1967-1980. Tinayre, Yves 1968-1976. Westrup, Jack 1968-1975. Wiora, Walter Festschrift 1965-1967. Woodward, Henry 1975.

Correspondence, 1961-1974, related to International Musicoloqical society (INS) and International Music Librarians Association (IMLA).

A.I.B.M. ( ~ ~ s ~ ~ i a t i ~ n , I n t e r n a t i ~ n a l e de Bibliotheques Musicales) 1961. USSR 1961. Foundations (general information) 1961-62.


Series I

subseries 6

Box Folder - Description

Acta. General memoranda, committee lists, statutes 1961-1965. Mohr 1961-1963. Mohr 1964-1969. Martha Baird Rockefeller Fund for Music, Inc. 1962. Vaughan, Denis 1962-1965. Gulbenkian Foundation, Inc. 1962-1967. DDR (Deutsche Demokratische Republic) 1964. Vogl-Garrett Request 1965. Communiques and circular letters 1965-1969. Ljubljana 1967. Dr. M. Burckhardt, treasurer 1967. Mailing March 24, 1967. Mailing May 30, 1967. Address list 1966-1967. Miscellaneous correspondence 1967. Basel (IMS Directorium) 1969. Minutes and miscellaneous 1972-1974.

subseries 7: Correspondence, 1970-1974, related to International Josquin Festival Conference

1 December 1969 - May 1970. 2 June - December 1970. 3 January - April 1971. 4 May - June 1971. 5 July - October 1971. 6 1971-1974 Expenses and accounts. 7 1971-1974 Expenses and accounts.

subseries 8: Correspondence, 1958-1976, related to Repertoire Inter- national des Sources Musicales (RISM) (Inventory of Musical Sources)

8 Ford Foundation (closed file of early correspondence before September 1962) 1962.

9 Ford Foundation September - August 1962-1964. 10 Ford Foundation September - August 1962-1964. ll; : Ford Foundafion 1965. 12- Ford ~oundation 1966 - February 1969. 13 RISM 1965-1976. 14 RISM 1977-1978.

10 1 Foundations, 1969, 1958, 1959 2 1970-1971. 3 1972. 4 1973. 5 1974-1976. 6 1975.


Series I

subseries 9: Correspondence 1966-1970, related to Utrecht (Insti- tute voor muziekwetenschap der rijksuniversiteit te Utrecht) (Institute of Musicology).

Box Folder - - Description


subseries 1: Correspondence related to first and second editions.

January - May 1943. June - December 1943. 1944. 1945. 1946-1947. 1947-1948. 1959-1961. 1960-1963.

11 1 1962-1963. 2 1963. 3 1963. 4 Reviews.

subseries 2: Notes and other items related to opera, opera comique, the music of Gherardi, Moliere's comedie-ballets, vaudevilles, parodies, musical examples, and a manuscript copy of Grout's doctoral thesis on opera comique.

notebook: Music 33 opera comique. notebook: Opera comique. notebook: Origins of opera comique. notebook: Music 33 opera comique. notebook: Vaudevilles and parodies. notebook: Origins of opera comique - abstract of thesis. notebook: The Fair Theatres. notebook: Italian comedies. notebook: The Vaudeville. notes on the Music in the Gherardi Plays. thesis manuscript 1939. notes on early opera comique 1936-1941. notes on Moliere's comedie-ballets 1937-1942. two loose sheets of paper: opera comique, LC Card numbers. notes with music examples. list of parodies in early opera comique 1939 Supplement I. Gherardi music Supplement 11.

Donald J. Grout

Series I1

subseries 2

Box Folder -

subseries 3:

subseries 4:

Papers.

Description

notebook on opera, Strasbourg 1933. notebook on opera, Strasbourg 1933. typed bibliography.

bibliography cards

Work sheets for first edition.

work copies of music. work copies of music. work copies of music. work copies of music. Chapters 1-8. Chapters 9-13. Chapters 14 and 15. Chapters 16-19. Chapters 20-23. Chapters 24-26. Chapters 27 and 28. Biblioqraphy 652-750. Biblioqraphy 751-850. Biblioqraphy 851-end. Music examples 1-15. Music examples 16-31. Music examples 32-54. Music examples 55-70. Music examples 71-90. Music examples 91-105. Music examples 106-127.

Work sheets for second edition.

paqes 1-47. paqes 48-83. pages 84-105. paqes 106-132. paqes 133-164. pages 165-207. pages 208-246. pages 247-274. pages 275-323.

pages 324-356. paqes 357-407. paqes 408-452.


Series I1

subseries 4


pages 463-496. pages 499-536. Chapter 26. Chapter 27. Instructions. Extra proposed pages 1-47. Notes on twentieth century opera. Notes on twentieth century opera. Notes on operas heard May-August 1960. Miscellaneous notes. Permission data. Old and revised examples; translations of new examples. Sources of new music examples.

subseries 5: Printer's copy and material related to the publications.

Chapters 1-4. Chapters 5-8. Chapters 9-12. Chapters 13-14. Chapters 15-16. Chapters 17-18. Chapters 19-20. Chapters 22-23. Chapters 24-25. Chapter 26. Chapter 27; prefaces to first and second editions. Music examples 5135-5180. Music examples 5181-5220. Music examples 5221-5260. Music examples 5261-5295. List of photographs from Metropolitan Museum.

subseries 6: Proofread copy with changes.

New examples; data sheets. Part I, chapter 1. Part I, chapter 2. Part I, chapter 3. Part I, chapter 4, retyped. Part I, chapter 4, rejected pages. Part 11, chapter 5, changes. Part 11, chapter 6, changes. Part 11, chapter 7, changes. Part 11, chapter 8.


S e r i e s I1

subse r i e s 6

Box Folder - Descr ip t ion

P a r t 11 , chapter 9, changes. P a r t 11, chapter 10, changes. P a r t 11, chapter 11, changes. P a r t 11, chapter 12. P a r t 111, chapter 13. P a r t 111, chapter 14. P a r t 111, chapter 15. P a r t 111, chapter 16. P a r t 111, chapter 17. P a r t I V , chapter 18. P a r t IV, chapter 19. P a r t I V , chapter 20. P a r t I V , chapter 21. P a r t I V , chapter 22. P a r t I V , chapter 23. P a r t I V , chapter 24. P a r t I V , chapter 25. P a r t V , chap te r 26. P a r t V, chapter 27. Preface. L i s t of abbrev ia t ions .

subse r i e s 7: P a r t i a l p r i n t e d copy of r ev i sed e d i t i o n .

32 P a r t 11. 3 3 p a r t 111. 34 p a r t IV. 3 5 P a r t V. 36 Bibliography. 37 Bibl iographies and t r a n s l i t e r a t i o n c h a r t s .

subse r i e s 8 : Galleys.

26 Galleys.

subse r i e s 9: Bibliography ca rds .

27, 28 Bibliography ca rds .

S e r i e s 111: 'History of Western Music

subse r i e s 1: Work shee t s .

14 37 General notes . 38 In t roduct ion . 39 Chapter 1.

Donald J . Grout Papers.

Se r i e s I11

subser ies 1

BOX Folder -

1 4 4 0 4 1 42 43 44 4 5 46 47 48 49 50 51 52 53 54

Descript ion

Carbon copy, chapter I with co r rec t ions and comments. Chapter 11. Chapter 11. Chapter 111. Chapter 111, carbon copy. Chapter I V .

Chapter I V .

Chapter I V , carbon copy. Chapter V. Chapter V.

Chapter V I .

Chapter V I I . Chapter V I I I . Chapter V I I I , carbon copy. Chapter I X .

Chapter I X , carbon copy. Chapter X , a l l copies. Chapter X I . Chapter X I . Chapter X I I . Chapter XII , carbon copy. Chapter X I I I . Chapter X I I I , carbon copy. Chapter X I V .

Chapter X I V . 1870-1918 o u t l i n e and summaries. 1870-1918 composer l i s t i n g . Chapter XV, notes . Chapter XV, carbon copy. Example list. I l l u s t r a t i o n mater ia l . Abbreviation and s t y l e ma te r i a l . Appendix and g lossary .

subse r i e s 2: P a r t i a l copy with r ev i s ion t a b s .

C h a p t q 11. Chapter 111. 8 '

Chapter I V .

Chapter I V . chapter V.

Chapter V I .

Chapter V I .

Chapter V I .

Chapter I X .

14/20/998 page 10


Series I11

subseries 2


15 28 Chapter X. 29 Chapter XI, footnotes. 30 Miscellaneous. 31 Miscellaneous. 3 2 Miscellaneous. 33 Miscellaneous.

subseries 3: Printer's copy.

3 4 Charts. 3 5 Pages 1-70. 36 Pages 71-155. 37 Pages 156-220. 38 Pages 221-305.

Pages 306-380. Pages 381-460. Pages 461-530. Pages 531-600. Pages 601-670. Pages 671-740. Pages 741-810. Pages 811-881. Pages 882-950. Pages 951-1030. Pages 1031-1100. Pages 1101-1170. Pages 1171-1250. Pages 1251-1300. Pages 1301-end.

subseries 4: Miscellaneous examples of music systems, etc.

Miscellaneous examples of music systems. Miscellaneous examples of music systems (mss.). Miscellaneous examples of music systems, chapter, outlines. Chapter XIV proofread by Paul H. Lang. List of contents and~illustrations, preface. Chronology. Illustrations and captions, layout and promotional material. revj.e~s. Index. Index (carbon copy) .

14/20/998 page 11


Series I11

subseries 5: Multilith copy.


Chapter V. Chapter VI. Chapter VII. Chapter IX. Chapter X. Chapter XI. Chapter XI. Chapter XV.

subseries 6: Material related to the second (1973) and third (1980) editions, including notes, opinions, and comments.

Charts (planned for first edition). Comments and suggestions 1963-1964. Notes and articles 1965-1971. Notes, articles, drafts, comments, suggestions 1967-1972. Notes and articles 1968-1970. Notes and articles 1969-1971. Miscellaneous material 1970. Notes, articles, comments, suggestions 1970-1971. Notes, comments, suggestions, drafts 1970-1972. Notes and articles 1970-1972. Notes, comments, suggestions 1970-1972. Notes and drafts 1970-1972. "Miscellaneous leftovers - begun 1960" 1971. Polish Music 1971. Notes and drafts 1971-1972. Comments and articles 1972. Notes and revisions 1972. Notes and articles 1973. Opinions and comments 1973. Opinions and comments 1973-1974. Opinions and comments, index 1974. Corrections and suggestions received 1961-1971 1975 Revisions divided into folders. List of scores and recording 1978. for "The Music Review" 1975. Notes, drafts and other material 1978. Longyear's annotations 1977-1978. Facenda 1978. Worksheets 1977-1979. Notes and comments 1976-1978. After Webern (chapter XX) 1972. Comments on last edition undated.

14/20/998 page 12


Series I11


Box Folder Description -

29 Printers' proofs.

30 Grout's page and first set.

3 1 Editorial: ~rontispiece-XIII.

3 2 Editorial: XIV-Index.

3 3 Editorial.

34 Miscellaneous galleys.

3 5 Miscellaneous,galleys, unbound copy (corrected)

36 Illustrations and photos, numbered illustrations, music.

3 7 Chapters I-VI.

38 Chapters VII-XII. .

3 9 Chapters XIII-end.

40 1-3 Page proofs. 4, 5 Annotated volume 1960 edition.

4 1 1-4 Page proofs.

42 1, 2 Page proofs. 3-5 Galleys.

Series IV: The Operas of Alessandro Scarlatti

subseries 1: Unpublished manuscripts, scores, and notes.

LaRosmene notes from D. Moroney (also Mitridate) 1976. Tigrane material. Tigrane atto primo (Sinfonia-scene vii photocopies). Tigrane ~ t t o primo (scene viii-end photocopies). Tigrane atto secondo (scene i-xii photocopies). Tigrane atto secondo (scene xiii-end photocopies). Tigrane atto terzo (scene i-xi photocopies). Tigrane atto terzo (scene xii-finale photocopies). Tigrane - photocopy of partial mss. score. I1 Trionfo dell'onore 1977 translated by Vanni Bartolozzie. Trionfo dell'onore - microprint beginning of Act I11 (Napoli 1718). Tutto il male (portion of Act I).

14/20/998 page 13


Series IV

subseries 2: Eraclea: Vol. I of The Operas of Alessandro Scarlatti.

Box Folder -

18 13

Description

Programms, synopsis, timings sent to Royal College of Music 1970. Act I (before intermission) vocal score. Act I1 (omissions) vocal score. Act I11 (after intermission) vocal score. Sinfonia Act I score. Act I1 score. Act I11 score. Critical notes Act I. Critical notes Act 11. Critical notes Act 111. Libretto prepared by Edward Swenson April 1968. Completely edited Libretto (Napoli 1700). Introduction, style sheet. Miscellaneous leftovers. Eraclea at Cornell 1970. Papers for Z. Lissa Festschrift May 1971 (not yet published as far as I know - April 1977).

19 1, 2 Transparencies for orchestral scores by Gaynor Grey Jones '69.

Violins, Act I (12 score copies). Violins, Act I1 (12 score copies) Violins, Act I11 (8 score copies)

2 1 Violins, Act I11 (4 score copies). Basses, Act I, 11, I11 (7 copies each). Flutes (2 copies). Oboes (2 copies). Trumpets (2 copies).

subseries 3: Marco Attilio Regolo: Vol. I1 of The Operas of Alessandro Scarlatti.

2 2 1 Partial score (photo copies).

subseries 4: Griselda: Vol. I11 of The Operas of Alessandro Scarlatti.

2 Notes, tables, etc.; also, notes from British Museum on other score 1956-1968.

3 Zeno's Griselda June 1967. 4 Index of Paris mss. 1967. 5 Worksheets Introduction 1967. 6 Lines of L (not set to music, or at least not crossed

out in A. 1967). 7 Notes for libretto art,icle 1967.

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Series IV

subseries 4


Notes for articles, etc. 1967-1970. Early notes 1967-1970 Documents from Mrs Kirkendale Nov. 1969. Paper: "Original Version of Griselda" carbon and mss. (Oct. 1970). Correspondence related to Scarlatti article for Westrup volume 1970-1974. Appendix - final version Jan. 1974. First drafts-superseded Feb. 1974. Carbons, etc. of final versions Feb. 1974. Miscellaneous notes Jan.-Feb. 1974. Appendix first draft. Incipits of arias-by computer. Version for Berkeley 1976. Notes. Music examples. . Critical notes. Libretto and some appendix. Act I text. Act I1 text. Act I11 text. Act I music. Act I1 music. Appendix. Editor's mss. score, introduction to page 132. Editor's mss. score, paqe 133-271. Editor's mss. score, page 272-407. Editor's mss. score, paqe 408-547. Galley.

subseries 5: The Faithful Princess: Vol. IV of The Operas of Alessandro Scarlatti.

Mss. score through paqe 102. Mss. score pages 103-215. Mss. score pages 216-end. Libretto 5116 Naples 1710 (photocopy). Introduction notes1974. Proofs and mss. critical notes. Mss. libretto. Corrections. Libretto gaI7.eys. Introduction mss. and carbon. Miscellaneous material (notes, suggestions). Table and summary of contents.

L P ' Two sets galley scores.

14/20/998 page 15

Donald J. Grout Papers

Series IV

subseries 6: Massimo Pupieno: Vol. V of The Operas of Alessandro Scarlatti.


2 3 13 Score (photocopy). 14 Score (photocopy) . 15 Contents, introduction, libretto translations, critical

notes. 16 Introduction, contents, footnotes (photocopies). 17 Critical notes (photocopies). 18 Miscellaneous.

subseries 7: La caduta delDecemviri: Vol. VI of The Operas of Alessandro Scarlatti.

19 Suggestions to Ms. Williams for La Caduta.

subseries 8: Other material related to all volumes of The Operas of Alessandro Scarlatti.

2 0 Scarlatti Opera Editions, style sheet 1970 and 1974 revision.

21 Scarlatti materials received from Joe Kerman 1978.

subseries 9: Introduction to the Operas of Alessandro Scarlatti.

Chapter 1-111. Chapter IV-VI, Epilogue. Discarded music examples 1977. "Not going to be used" 1978. Index. Title pages, footnotes. Chapter 11. Chapter 111. Chapter IV. Chapter V. Chapter VI.

subseries 10: Berkeley Lectures: The Operas of Alessandro Scarlatti, 1977-1978.

Berkeley Lectures - Memoranda. Berkeley I 1975. Berkeley Lectures - Chapter I. Berkeley I1 1975. Berkeley notes, mostly for I1 1975. Berkeley IIIA and 111. Notes for lecture 111. Berkeley IV.

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Series IV

subseries 10

BOX Folder - Description

2 4 9 Berkeley V. 10 Berkeley VI. 11 Berkeley VI notes. 12 Berkeley memorabilia 1975-1976.

Series V: Reviews, articles, lectures, and papers.

Early Romantic Music and Opera, Texas, 1944. The University and the Art of Music, Columbia, 1954. Is Music a Universal Language?, Sweet Briar, 1958. The Irrational in 19th Century Music, Baltimore, 1959. Chorus in Early Opera, Royal College of Music, 1960. Verdi's Aida, Cornell, 1962. Structure and Style in "St. Matthew Passion," Wooster, 1963. Spontaneity and Adaptation in the History of Music, 1963. Oliver Strunk Festschrift ms., written 1965, publ. 1968. Strunkschrift outline and notes, 1965. Music and History, Phi Beta Kappa, 1965 (1972-1973). College Music Association - transcript of remarks, New Orleans, 1966. Friedrich Blume, Die evangelische Kirchenmusik, review of second edition, 1966. Symbol and Sound in Music, Portugal, 1966. Music History and Musical Reality, 1966-1972. Fidelio, 1967. Kinkeldey, Necrology, 1967. Music 481 1968. Review of Oxford History of Music Vol. IV, 1968. Early 19th Century Music (Music 681), 1968. Notes - Rolland's Histoire de l'Opera en Europe, 1969. "St. John's Passion," program notes, 1969. Editing Early Italian Opera, with some notes on Scarlatti's Eraclea, 1969 (essay for Miss Reynolds). Mozart in the History of Opera, 1968-1970. Some Aspects of American Music from the Beginning to 1915, 1966. Programs, broadsides and notices.

- - 2 5 -q-4. Grove-MacMillan, in relation to the 6th edition of Grove's

Dictionary of Music and Musicians 1969-1975. 5 Handel and the Opera Series review 1970. 6 Music 681-682 musicoloqy seminar 1963. . . 7 Don Giovanni 1970. 8 Don Giovanni Williams College, 1971. 9 Graham Hardie thesis 1971-1972.

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Series V


Kirkendale: Antonio Caldara: La Vita, review for AMS 1972. Opera in the 20th Century, London, 1972. Performance in the Classical Period by Edward S. Derr, AMS annual meeting 1974. Corelli e stradella from C. Gianturco - c. late 1975. Symposium paper Berlin, 1976. Peabody Conservatory, Elliot Galkin (also, Baltimore Symphony Orchestra) 1977. Alessandro Scarlatti and the dratmna per musica. Notes: Voyage Musical autour des Pay-Bas (tour of Dutch organs) 1960. Miscellaneous notes and articles. Miscellaneous notes and articles. Mss. scores Aiace - atto primo by Gasparini (transcription). Mss. scores + - atto second0 by Lonati (transcription). Mss. scores Aiace - atto terzo by Gasparini (seminar transcription) 1966. Bibliography cards.

Series VI: Norton Historical Anthology of Music (NOHAM, edited by Claude V. Paliska.

25 2 3 First draft. Revised edition 3 of History of Western Music 1979. Contents. Music examples. List #4. Plain chant mass. Medieval. Renaissance. Baroque. Classic. Modern. Add to Renaissance. Add to Baroque. Add to Baroque.

Series VII: Photographs

subseries 1: Short History of Opera.

4 4 1 Photographs of stage setting. 2 Negatives of folder 1. 3 Photographs of illustrations for revised edition. 4 Negatives of folder 3. 5 Negatives of folder 3. 6 Photographs from Paris-conservatoire 1961.

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page 18


series VII

subseries 1

BOX Folder Description -

Photographs from Paris Bibliotheque National July 1961. Photographs from Theatre-Museum Munchen Jan. 1961. Mademoiselle Boshot - Bibliotheque de llOpera. % Photographs from baroque sketches in the Drottningholm

n

Theatre Museum. T1 'd

Photographs from Vienna (postcards) 1961. 21 Film from Vienna 1961. m Photographs from Vienna 1961. c Photographs from Prof. Hellmuth Christian Wolff. E Letters in relation to folder 14. Postcards, booklets from Drottningholmsteatesn.

,$ 8 H

Slides from Drottningholmsteatern. r3

Photographs from Munich Teatermuseurn 1961. *

Negatives with note. w II

Photographs with letter from Vienna 1961. n

Chaliapian as Boris. Portraits of 18th-19th Century opera composers.

3 rn

Photographs from Dr. Heinz Becker. .

Negatives of 18th-19th Century opera composers. Film from Dr. Heinz Becker. Ei m

subseries 2: Scarlatti operas. - 26 Alessandro Scarlatti: An Introduction to His Operas. 2 7 Uno Sposalizio (Griselda di Boccaccio) photograph.

z 28 Tracings and photographs of watermarks in Griselda.

8 H ::

subseries 3: Other photographs. z . .

29 Arcangelus Corellius - photograph and negative. 30 Slides for lecture: Symbol and Soung in Music (see 24-26).

; T1

3 1 Maps of the Netherlands Dec. 1960 (see g 32 Negative of an opera theatre.

H

Series VIII: Collected concert and opera programs.

Programs, 1933. Five programs marked form Fred Petty. seven programs marked "gift" or "not seen." One program, Warsaw, Poland. Five programs, Netherlands. m o programs, United States. One program, Salzburg Festspiele, 1960.

14/20/998 page 19


-Series VIII

45 8 Four programs, Bavarian Opera Company. - 9 Eight programs, Koln Opera Company, 1 museum booklet. 10 One program, Hamburg. 11 Twelve programs from Stuttgart opera companies. 12 Two programs, Dusseldorf. 13 One program, Frankford am Main

Series IX: Wire and tape recordings ( w r . and tr.)

47 tr. wr. w r . tr. tr . tr. tr. tr.

Schumann - Piano Quartet in Eb Major, Op. 44 1950. Rehearsal of Bach works. Rehearsal of chorus a cappella. Music for Archne, Richard Grayson 1964. Hodograph I, Earle Brown 1959. Illustrations - 20th century opera (leftovers) 1963. Mozart - Don Giovanni 1970. Some Aspects of Auerican Music from the Beginning to 1915, Lecture, 1966.

Series X: Ph.D. Dissertation

Series VII

subseries 1

"The Origins of the Opera Comique" (photocopy) 1939, 2 bd. vols.

4 9 1 Photographs with notes: Vestale. 2 Photographs of illustrations.

subseries 2

3 Plan de Naples. 4 Ballet Comique de la Reine Plates and Music

Series V

5 Vienna 1951. (mss. music) 6 ~a Messe de Nostre Dame and other mss. music 7 Music 301 ~xamination 1949, 1951 8 Mss. music notebook 9 Music 229 music mss. 10 Music 301 27 Jan 1954 Music mss. 11 La Musica di Andrea Della Corte

Mnald J. Grout Papers.

series V

Box Folder Description

Music 33 The Opera-Comique pages 1-97 (unumbered) 1964 Music 33 The Opera-Comique pages 98-230 Music 220 (301) Finals 1947, 1948, 1954 Music notes 1947 Samples of Transcription (seminar to illustrate principles of editing) 1949-1950 Class notes for Opera Course (S-131 "Drama and Music in Opera") Harvard Summer 1955 Music 302, 303, 304, 100 1953-1958 Music 376 Music 110, 303, 304 1958 Lecture Notes Part I c. 1962-1965 Lecture Notes Part I1 c . 1962-1965 Lecture Notes Part I11 . 1962-1965 Lecture Notes Part IV - c. 1962-1962 Music 684 1964-1965 Music 483 Abstracts of dissertations, books, etc. Ambros V 1950 Bach Chorale Index by Warren E. Traub Besseler, The Burgundian Epoch Barbara Lee (and others) France (and other) Gafurius, De harmonica Josquin Josquin de Prez Memoranda, worksheets (from Summer 1949) Josquin Some Observations on the Harmonic Practice of Josquin de Prez 1949 Notes on masses Discourse on Measured Music Memoranda and Proposals for Editorial Practice (seminar) 1949-1950 "Missarum" Musical scales E. V. Huntington Musical Style of Lully Music Mss. - various masses Notes for 16th century book Problem in Editing Early 16th Century Music 1950

16th century theorists 16th century plainsong Mss. and Prints seen in Italian libraries Oct. 1951 Vol. XI, Mss and Prints seen in Italian libraries Vienna 1951 Wagner notes Miscellaneous

M. Warren 12-86