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SELECTED WORKS THOMAS KURIAN

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Selected Works from Thomas Kurian's Portfolio

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SELECTED WORKS

THOMAS KURIAN

TABLE OF CONTENTS

WRITER’S STUDIO

AUBURN CAFE

OPELIKA BOOKSTORE FACADE

NATURAL HISTORY MUSEUM

PERSPECTIVAL DRAWINGS

LE PIAGGE A PONTE ALL’INDIANO

CHICAGO CHILDREN’S HOSPITAL

RURAL STUDIO

LITTLE SUGAR RIVER FARM

MATERIALS & METHODS 1

THE AMERICAN SCHOOL

SUMMER DESIGN

STUDIO DESIGN

DESIGN + BUILD

GRAPHIC DESIGN

3 33

39

43

45

4

7

9

12

15

22

SUMMER DESIGN

WRITER’S STUDIO

PLAN

SOUTHEAST PERSPECTIVE

NORTHWEST PERSPECTIVE

SUMMER OPTION 2008

A WRITER’S STUDIO LOCATED ON A POND WITHIN THE AUBURN CAMPUS.

3

AUBURN CAFE

SUMMER OPTION 2008

A DAYTIME CAFE / NIGHTTIME LOUNGE OCCUPYING A VACANT PARKING LOT ON COLLEGE ST. IN AUBURN, ALABAMA.

Ground Floor

East Elevation North Elevation

SUMMER DESIGNSUMMER DESIGN

2nd Floor

N-S section E-W section

STUDIO DESIGN

OPELIKA BOOKSTORE FACADEFALL 2009

A FACADE RENOVATION PROJECT FOR A BOOKSTORE LOCATED ALONG THE HISTORIC RAILROAD TRACKS RUNNING THROUGH DOWNTOWN OPELIKA, ALABAMA.

7

South 8th Street Elevation Northwestern Perspective

OPELIKA BOOKSTORE FACADESTUDIO DESIGN

South 8th Street Elevation Facade Section

NATURAL HISTORY MUSEUM

SPRING 2009

This proposal lies along the Alabama-Coosa river in Montgomery, Ala-bama. The 200,000 square foot program includes a gallery space, lecture hall, classrooms, offi ce space, gift shop, resturant and aquarium. The design includes the extension of the existing riverwalk to engage visitors with the building and contains two entrances from the riverwalk.

9

NATURAL HISTORY MUSEUM

Ground Floor

2nd Floor Model Aerial

Site Plan

STUDIO DESIGN

NATU

RAL H

ISTO

RY M

USEU

M

11

Northern Perspective

Western Perspective

PERSPECTIVAL DRAWINGS

SPRING 2009

Different modes of representationare used to explore the connection between a 20’x20’x25’ room connecting 5’ up to a 40’x10’ space for observing a garden beyond.

PERSPECTIVAL DESIGNSTUDIO DESIGN

PERS

PECT

IVAL

DES

IGN

13

Perspective 1 Perspective 2

PERSPECTIVAL DESIGNSTUDIO DESIGN

Perspective 1 Shade & Shadow Perspective 2 Rendering

LE PIAGGE A PONTE ALL’INDIANO

AERIAL PLAN

EXISTING BUILDINGS

EXISTING ROADS

Spring 2010

Upon arrival in fl orence italy for a study abroad studio, our studio quickly focused on the disparities of public housing.

A particular area recently evaluated by the city of fl orence is the piagge. This is an area where the disconnect between the working, middle, and upper class is apparent and problematic .

To understand the dynamics of the piagge our studio studied the mas-ter planning of several european cities and focused on the masterplan of giancarlo de carlo for the piagge area.

His main ideas were to horizontally unify the separate areas through his “fuso longitudinale”, acheive vertical integration with specifi c cul-tural poles, and to create a public “beach” along the river arno.

Our studio worked in teams to analyze the benefi ts and faults of the de carlo masterplan and to revitalize distinct poles that he identifi ed.

Our group focused on the redevelopment of the urban space surrounding the indiano bridge with a mixed-use facility and a pubilc park.15

LE PIAGGE A PONTE ALL’INDIANOSTUDIO DESIGN

Site Section

LE P

IAGG

E A

PONT

E AL

L’IND

IANO

HOUSING SPORTS

GROVERECREATION

SWIMMING

RECREATION

Park Functions

17

LE PIAGGE: PARK

LE PIAGGE A PONTE ALL’INDIANO

Park Plans

STUDIO DESIGN

LE P

IAGG

E A

PONT

E AL

L’IND

IANO

Ground Plan

Section AA

Section BB

3rd Floor

2nd Floor

1st Floor

19

LE PIAGGE: HOUSING & COMMERCIAL

Form Model

LE PIAGGE A PONTE ALL’INDIANO

Solar Plan

Roof Plan

Section CC

Section DD

Courtyard Perspective

STUDIO DESIGN

LE P

IAGG

E A

PONT

E AL

L’IND

IANO

Family Apartments

Family Unit 1

Single Unit Double Unit

Family Unit 2

Social Housing & Co-Housing

21

CHICAGO CHILDREN’S HOSPITALFall 2010

The modern social movement that we witness on a day to day ba-sis has greatly increased the inter-dependence within society. The extent of this interdependence has spread to many professions, with the architect always maintaining one of the closest involve-ment in shaping the modern world. In approaching the design of a hospital, the accountability of the architect reaches far beyond the appeal of their buildings. The hospital is a chance for the architect to play a role just as important as a doctor’s in the healing process.In designing this hospital, the responsibility given to me was to create an environment that would be well suited for the care of children.

Sited in a medical complex, the goal of this project is to not only fi t into the urban context of the Streeterville medical center but to also fi t into a child’s vision. While speaking medically, the building should also read as a comforting place where children can forget the fear they face on a daily basis. The relationship between these qualities has laid the foundation for my design. The use of effi cient layouts serves as an aid to the staff, while also creating momentous spaces for patients and parents in the sky lobby and each individual room. Looking over Seneca Park and onto Lake Michigan, The Chicago Avenue Children’s stands as a shelter, an escape, and most importantly as a Children’s Hospital.

CHICAGO CHILDREN’S HOSPITALSTUDIO DESIGN

CHIC

AGO

CHILD

REN’

S HO

SPITA

L

North Perspective

23

CHICAGO CHILDREN’S HOSPITAL

Service

Patient Room

Family Room

Nurse’s Station

Vertical Circulation

Public Space

Garden Space

Outdoor Space

Waiting Space

Outdoor Space

Vertical Circulation

Service

Gift Shop/Retail Space

Cafeteria

RehabilitationRoom

RehabilitationRoom

RehabilitationRoom

RehabilitationRoom

Ambulance Bay

Loading Bay

Vertical Circulation

Service

Main Reception

Cafe

Emergency Reception

Patient Floor Plan

Sky Lobby Plan

Ground Floor Plan

STUDIO DESIGN

CHIC

AGO

CHILD

REN’

S HO

SPITA

L

Northeast Perspective

25

CHICAGO CHILDREN’S HOSPITAL

lobby

surgery fl oors

mechanical

sky lobby

patient fl oors

staff offi cesmechanicalhelipad

Section Perspective

structural

fl oor plates mechanical

vertical circulation egress

STUDIO DESIGN

27

CHIC

AGO

CHILD

REN’

S HO

SPITA

L

Sky Lobby View

Patient Room Patient Floor Section

CHICAGO CHILDREN’S HOSPITALSTUDIO DESIGN

Northeast Perspective Southeastern Perspective

CHIC

AGO

CHILD

REN’

S HO

SPITA

L

section model

29

Section Model Perspective 1

Section Model Perspective 2

CHICAGO CHILDREN’S HOSPITALSTUDIO DESIGN

Section Model Detail Perspective

DESIGN + BUILD

RURAL STUDIO

Fall 2009

Auburn University’s Rural Studio program offers students a unique opportunity to design and build their work. The typical semester at the Rural Studio for underclassmen includes the designing and construction of a house for an impoverished community member.

During my semester at the Rural Studio my colleagues and I were charged with designing a kitchen expansion for the Morrisette house at the Rural Studio main offi ce. Additionally we formu-lated a master plan for future expansion of the Morrisette gardens.

The new vision of the Rural Studio to develop an ethic of thinking more holistically about how we live, what we eat, what we make, and the waste we produce can be showcased in the third-year kitchen project.

33

In order to develop a successful expansion strategy for the Mor-risette Kitchen, our team worked together to research and present information about the Morrisette campus, kitchen case studies, and many other resources.

Site Evolution Site surveying and site analysis.

Client Interviews and Group Presentations.

Case studies of commercialkitchens in the surrounding areas.

RURAL STUDIODESIGN + BUILD

During charettes we designed collectively through model building and sketching at the Red Barn. After several plausible iterations, a fi nal model for a detached kitchen that would be a continuation of the current kitchen’s roof was collectively chosen.

This design would allow the vernacular of the existing Morrisette House to be uncompromised while allowing the kitchen to be easily heated and cooled.

RURA

L STU

DIO

35

Design Development

Final Model

RURAL STUDIO

Cladding Studies Section Model

Interior Perspective

DESIGN + BUILD

RURA

L STU

DIO

37

Framing

Cladding Palettes Completed Interior

Pre-Cladding

With the help of the Rural Studio staff, third party engineering sup-port, and countless others, our team was able to construct founda-tions, level the Great Hall (pictured), and construct the framework of the Morrisette Kitchen Expansion (pictured). The work completed by this group was continued by the following semester’s team and the project is still continuing to expand.

RURAL STUDIODESIGN + BUILD

LITTLE SUGAR RIVER FARM

Summer 2010

Located outside of Monticello, Wisconsin, Little Sugar River Farm is an organic farm sponsered by Worldwide Opportunies on Organic Farms. Along with a class-mate, I lived and worked on this organic for 3 weeks.

During my time there I gained knowledge on the patterns and diffi culties of organic farming.

In addition to farmwork, we also completed small scale design-build projects.

Not pictured work includes drainage design, soil grading, and the design and construction of garbage organizing/collector system consisting of four 4’x4’ bins with latched doors and lids.

Our main task was to create an outdoor shower for the owner of the farm. Using only scrap wood and other leftover material, this shower was designed and built over the course of three days. The total construction cost was $5.

39

LITTLE SUGAR RIVER FARMDESIGN + BUILD

Completed Shower Exploded Axon

GRAPHIC DESIGN

MATERIALS & METHODS 1

Spring 2009

Taught by professor Robert Faust, this class sought to introduce artchitec-ture students to the reality of the built world. These drawings were assigned to display the artistic nature of the different textures found in and outside of buildings.

43

Kunsthaus Bregenz Lead Drawing

MATERIALS & METHODS 1

Storer House Lead Drawing

GRAPHIC DESIGN

THE AMERICAN SCHOOLFall 2010

Taught by professor Robert Faust, the American School aims to de-velop compositional skills through the analysis of work by architects, artists, graphic designers, and in-dustrial designers of the early 20th century.

45

Louis Sullivan Lead Drawing

THE AMERICAN SCHOOL

Original PrismaColor Series

GRAPHIC DESIGN

47

THE AMERICAN SCHOOL

Development Series Lead Drawings

GRAPHIC DESIGN

SCHOOL OF ARCHITECTURE