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DOCUMENT RESUME ED 067. 864 EM 010 312 TITLE Producing Instructional Media: The Overhead Projector and Copy Machines. INSTITUTION Los Angeles City Schools, Calif. Div. of Career and Continuing Education. PUB DATE 72 NOTE 25p. EDRS PRICE MF-$0.65 HC-$3.29 DESCRIPTORS Audiovisual Aids; Guides; *Overhead Projectors; *Production Techniques; Projection Equipment; Reprography; *Teacher Developed Materials; *Transparencies ABSTRACT Production of transparencies on an overhead projector can be very helpful in improving instruction..Tecbniques for producing transparencies either by hand or on a copy machine are covered visually in this handbook. Advantages of overhead projection are2 listed first; then the operation, cleaning, and maintenance of overhead projectors are covered. The remainder of the handbook consists of illustrations and simple, detailed instructions for producing transparencies. (Author/RH)

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Page 1: TITLE Producing Instructional Media: The Overhead Projector … · 2013-12-24 · DOCUMENT RESUME. ED 067. 864. EM 010 312. TITLE Producing Instructional Media: The Overhead Projector

DOCUMENT RESUME

ED 067. 864 EM 010 312

TITLE Producing Instructional Media: The Overhead Projectorand Copy Machines.

INSTITUTION Los Angeles City Schools, Calif. Div. of Career andContinuing Education.

PUB DATE 72NOTE 25p.

EDRS PRICE MF-$0.65 HC-$3.29DESCRIPTORS Audiovisual Aids; Guides; *Overhead Projectors;

*Production Techniques; Projection Equipment;Reprography; *Teacher Developed Materials;*Transparencies

ABSTRACTProduction of transparencies on an overhead projector

can be very helpful in improving instruction..Tecbniques forproducing transparencies either by hand or on a copy machine arecovered visually in this handbook. Advantages of overhead projectionare2 listed first; then the operation, cleaning, and maintenance ofoverhead projectors are covered. The remainder of the handbookconsists of illustrations and simple, detailed instructions forproducing transparencies. (Author/RH)

Page 2: TITLE Producing Instructional Media: The Overhead Projector … · 2013-12-24 · DOCUMENT RESUME. ED 067. 864. EM 010 312. TITLE Producing Instructional Media: The Overhead Projector

Career and Conuinuiug bducatiuu

CurriCulum Office

Lou Angeles Unified School District

P. 0. Box 3307

Los Angeles, California 90051.

EXPERIMENTAL

PRODUCING INSTRUCTIONAL MED 1 A :

FILMED FROM BEST AVAILABLE COPY

THE OVERHEAD PROJECTOR

AND

COPY MACHINES

DIVISION OF CAREER AND CONTINUING EDUCATIONLos Angeles City Schools

1972

Lu

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U.S. DEPARTMENTOF HEALTH.EDUCATION & WELFAREOFFICE OF EDUCATION

THIS DDCUMENTHAS BEEN REPRO-DUCED EXACTLY AS RECEIVED FROM

THE PERSON OR ORGANIZATIONORIG-INATING IT. POINTS OF VIEW OR OFIN-'IONS STATED DO NOT NECESSARILY

REPRESENT OFFICIALOFFICE OF EDU-CATION POSITION OR POLICY.

PRODUCING INSTRUCTIONAL MED I A:

THE OVERHEAD PROJECTORAND

COPY MACHINES

LOS ANGELES CITY SCHOOLSDIVISION OF CAREER AND CONTINUING EDUCATION

1972

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r

1

/

APPROVED:

ABRAM FRIEDMANAssistant SuperintendentDivision of Career and Continuing Education

24

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It is hoped that Producing Instructional Media: The Copy Machine andOverhead Projector will assist career and continuing education teachersin the development of creative transparencies that will increase theeffectiveness of instruction.

Projection of transparencies on an overhead projector can be very help-ful in strengthening instruction. Techniques for producing transparencieseither by hand or on a copy machine are covered visually in this Handbook.An overhead projector is one of the most simple types of audio-visualequipment to operate, and its utilization has been facilitated through thedevelopment of a light-weight classroom model and by the ease withwhich dry copy transparencies can be prepared. Other advantages ofthe overhead projector as an instructional tool are described elsewherein this publication.

Should you have suggestions for the improvement of the Handbook orquestions, please communicate with the Continuing Education CurriculumOffice at 687-4708. Mr. John Sansam is the Instructional Media Specialist.

I

ABRAM FRIEDMANAssistant SuperintendentDivision of Career and

Continuing Education

iii

A13

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ACKNOWLEDGMENTS

With particular appreciation, the Division of Career and Continuing Educationacknowledges the contributions of staff members who have prepared thisHandbook. The material and illustrations initially were developed for anE. S. E. A. Title I workshop by Mr. Ron Kindig, Instructional Media Coor-dinator, West Valley Occupational Center, and by Mrs. Jeanne Lehr,Illustrator, Reading Task Force. The workshop was conducted under theleadership of Mr. Ralph Kennedy, Instructional Media Specialist, MobileInstructional Media Service.

Additions to and revisions of the contents were subsequently made by Mr.Kennedy, while the illustrations excerpted from Instructional Media Equip-ment and Procedures (Publication No. SFP-2--7--70) were prepared byMrs. Susie McSweeney, Illustrator, Instructional Media Center, San FernandoSenior High School. This edition was revised and edited by Mr. Kindig andillustrated by Mr. Alden Milmet, Illustrator, Instructional Media ResourceLaboratory, West Valley Occupational Center.

Gratitude is also expressed to Mr. John Sansam, Specialist, InstructionalMedia, Division of Career and Continuing Education, for his suggestionsand for coordination of the printing and distribution of the Handbook. Itwas reproduced by the Printing Department, West Valley OccupationalCenter, to which the staff also wishes to convey appreciation.

LOIS HOTCHKISSChairmanContinuing Education Curriculum

Council

GEORGE KAWAMURACoordinatorCareer and Continuing Curriculum

iv

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CONTENTS

FOREWORD iii

ACKNOWLEDGMENTS iv

ADVANTAGES OF OVERHEAD PROJECTION 1

THE OVERHEAD PROJECTOR 2

HOW TO OPERATE THE OVERHEAD PROJECTOR 3

SCREEN PLACEMENT 4

CLEANING THE OVERHEAD PROJECTOR 5

CHANGING LAMPS 6

OVERHEAD TRANSPARENCY GUIDELINES 7

PRODUCING ORIGINALS ( MASTERS) 8

MAKING A TRANSPARENCY 9

MOUNTING TRANSPARENCIES 10

ARRANGING OVERLAYS: USING DISC LOSURE MASKS 11

SAMPLE BASE TRANSPARENCY 12

SAMPLE OVERLAY 13

MATERIALS FOR OVERHEAD PROJECTION 14

CONSIDERATIONS FOR SELECTING OVERHEAD TRANSPARENCIES . 15

USING THE THERMOFAX SECRETARY COPY MACHINE 16

USING THE ADDO-FAX COPY MACHINE 17

MAKING THERMAL SPIRIT, MASTERS ON THE COPY MACHINE . . . 18

MAKING A THERMAL SPIRIT MASTER 19

MAKING A BUFF COPY 20

LAMINATING 21

4

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rww---'-------IDVANTAGES OF OVERHEAD PROJECTION

It's easy and effective

Materials are inexpensive and quicklyprepared

Current illustrations can be used(newspapers, etc.)

Teacher and student can prepare andpresent material

User faces the viewer for communication

Image is bright and visible in alighted room

Revelation techniques control attention

Overlays build concepts

Color adds emphasis

5

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THE OVERHEAD PROJECTOR.

TEACHERFACES

CLASS

EASY

TO

SEE

INTERESTIS

GOOD

MATERIALSEASY TO MAKE

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,/

HOW TO OPERATE THE OVERHEAD PROJECTOR

1. POSITION TRANSPARENCY 2. TURN ON PROJECTOR

3. ADJUST MIRROR 4. ADJUST FOCUS

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1. TEACHER STANDING

SCREEN PLACEMENT

SCREEN HIGH ENOUGHTO ALLOW UNOBSTRUCTEDVISION

2. TEACHER SEATED

4

3. CORNER OF ROOM

BRACKETS,EXTENSIONSTK . #15390

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CLEANING

/CLEAN LENSES

AND STAGE

N

USE

DAMPCLOTH

CAUTION

DO NOT MOVE PROJECTOR IF IT IS HOT!

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CHANGING LAMPS(Pull Out Plug!)

FOR THIS BULB

04:=1>eksmasK)=r=

I. OPEN DOOR

2. PULL DOWN PANEL

FOR THIS BULB

I. OPEN DOOR

2. LIFT UP WIRE LOOP

FOR THIS BULB

I. OPEN DOOR

2. PUSH METAL TAB

WIRE LOOP

Check Your Projector Bulb-Order Replacements

6

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OVERHEAD TRANSPARENCY

GUIDELINES

Horizontal format offers better

viewing area

Lettering should be at least

3/16" high

Inside edge of the transparency frame

or mount

Material should not crowd borders

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PRODUCING DRIGINALS (MASTERS)

FOR USE IN HEAT TRANSFER COPY MACHINES

TH

ES

E W

ILL

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MAK I NG A TRANSPARENCY

1. PLACE ORIGINAL AND FILM

IN CARRIER

2. RUN THROUGH "SECRETARY"

COPY MACHINE AT WHITE SETTING

OR-

MAKING

R-

SILK SCREENCARRIER

, NOTCHED CORNER* UPPER RIGHT

FILM

ORIGINAL

2. RUN THROUGH "ADDO-FAX" COPY

MACHINE AT NUMBER 1 SETTING

139

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MOUNTING TRANSPARENCIES

Hinging Overlays

Base Transparency

1. ATTACH MASKING.TAPE HINGES

2. STAPLE HINGESTO FRAME

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ARRANG 1 NG OVERLAYS

US I NG 0 I SCLOSURE MASKS

1. SLIDING

11

15

2. AREA

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WAITRESS CHECK LIST

,.

SA

MP

LE B

AS

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RA

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PA

RE

NC

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Simple

make-up

Clean

collar

No

gaudy

jewelry

Clean

uniform,

no rips

Apron clean,

well

pressed,

neatly tied

Slip concealed

Shoes

well-polished

Hair

brushed

carefully

Net

worn

Buttons

sewn on

Hands

clean

Nails

manicured

Skirt

wrinkle-free

Stockings

wrinkle-free

SAM

PLE

OV

ER

LA

Y

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MATERIALS FOR OVERHEAD PROJECTION

*CELLULOSE ACETATE(CLEAR, BLUE, GREEN, RED, YELLOW)

*SEE SUPPLY LIST14

IS

*PEN, WICK (WATER SOLUBLE,DESIGNED FOR OVERHEADPROJECTION, IN COLORS)

PLASTIC INSTRUMENTS

MOVABLE OBJECTS

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CONSIDERATIONS FOR SELECTING OVERHEAD TRANSPARENCIES

By Eugene H. WhiteDirector of Audio-Visual ServicesLos Angeles City Schools

In evaluating commercial overhead transparencies for classroom use, certaincriteria are worthy of consideration before a selection is made.

1. Does the content have a direct relationship to curricular need?2. Are the concepts visualized and verbalized in a manner which will

communicate with the intended pupil-audience's maturity and abilitylevels?

3. Does the material perform a task which cannot easily be performed bythe teacher through other media?

4. If color is used, does it add measurably to conceptualization orwould communication be just as effective in monochrome?

5. What evidence is there that the content is accurate and wellresearched?

6. Is the print in a horizontal mode on the transparency wheneverpossible?

7. What consideration has been given to the size and type face of thetext in relation to average pupil distance from the viewing screen?

8. Are abbreviations minimized or avoided?9. Are captions and labels simple and brief?

10. Are illustrations used in place of text whenever possible?11. Does a single transparency try to do too much without the employment

of overlays to build concepts a step at a time?12. Is the format designed to encourage teacher and pupil participation

in concept building by allowing for such techniques of usage aspointing, underlining, circling with colors, revealing a line or asegment at a time, adding overlays, or writing directly on the acetateto expand ideas?

In establishing specific criteria for the evaluation and selection of overheadtransparencies for classroom use, determine from the beginning to acceptnothing less than the best. Product has already been created in sufficientquantity from a variety of educationally-oriented producers to precludeacceptance of any item merely because "nothing better is available."

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USING THE THERMOFAX SECRETARYCOPY MACHINE

WHITE-TRANSPARENCIES

I. SET DIAL FOR TYPE OF MATERIAL

2. FEED IN MATERIAL (USE CARRIER)NO STAPLES OR PAPER CLIPS

Cleaning (ONCE A WEEK)

I. OPEN COVER

2. PUSH IN STIFF CARD JUST ENOUGHTO TURN ON. SWITCH

3. USE BELT CLEANER AND PADTO CLEAN BELT

16

BROWN-BUFF PAPER

GREEN-SPIRIT MASTERS

20

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USING THE ADDO-FAX COPY MACHINE

1. SET DIAL FOR TYPE OF MATERIAL

2. TURN ON MACHINE

3. FEED IN MATERIAL(USE CARRIER)NO STAPLES,PAPER CLIPS,ETC.

4. LET MACHINE COOL BEFORE TURNING OFF

Clean i ng (ONCE A WEEK)

1. REMOVE COVER

2. CLEAN ROLLER WITHBELT CLEANER

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MAKING THERMAL SPIRIT MASTERSON THE COPY MACHINE

Material to be copied must not be thicker than a double folded sheet inorder to pass through the copy machine.

Original must have a high carbon content.

Blue ink will not reproduce. Many work books, etc. are pur-posely printed this way to prevent reproduction. However,electrostatic copies ( Xerox, etc.) of these materials will re-produce.

Ball point pen will not reproduce, except for pens specificallydesigned for reproduction; however, a photocopy can be madeas above.

Felt tipped pens generally will not reproduce.

Some things that will reproduce:

Typewritten copy-preferably on softer paper such as dittomachine paper.

Newspaper and magazine copy.

Mimeo copy.

Drawings, etc. done with India ink.

Lead pencil ( No. 2 or softer) -- get good solid lines.

Note: Thermal masters will not faithfully reproduce photographs.They drop out all halftones (shades of gray) and print onlythose areas that are solid black.

Some time savers:

Diagrams, etc. that won't reproduce can be traced with Indiaink (or pencil) and the tracing converted to a thermal master.

When you type material for reproduction, DON'T use the standardspirit master. Instead, type your material on plain white dittopaper with a backing sheet and a well-inked ribbon. Unlimitedthermal masters can be made from your original as long as theinformation is up to date (you need never type or draw it again).

18

22

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MAKING A THERMAL SPIRIT MASTER

1. THE SPIRIT MASTER UNIT-4*-- SPIRIT MASTER (THIN)

-4-- PACKING SHEET (REMOVE BEFOREUSING)

2. ALWAYS USE MYLAR (PLASTIC) CARRIER

MYLARCARRIER

THERMOFAXSETTING

GREEN

19

23

CARBON

YOUR ORIGINAL

BACKING SHEET (IF INCLUDED-SHOULD BE THICKER THAN SPIRITMASTER AND/OR COLORED)

SPIRIT MASTER

(PACKING SHEET REMOVED)

CARBON

YOUR ORIGINAL

BACKING SHEET

ADDO-FAXSETTING

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MAKING A BUFF COPY

SILK SCREEN CARRIER

BUFF PAPER(BROWN SIDE UP)

3M

"SECRETARY"

BROWN

20

24

ADDO-FAX

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LAMINATING(USING THERMO-FAX TYPE 707

LAMINATING FILM)

MAKE A SET OF:GRAY MASKING PAPER(ROUGH SIDE DOWN)

FILM (ROUGH SIDETO ORIGINAL)

LAMINATING CARD

2. SET COPY MACHINE AT DARKEST (SLOWEST)SETTING

3. INSERT SET INTO MACHINE, GRAY PAPERON TOP ( NO CARRIER)

4. -LAM I NATE REVERSE SIDE I N SAME WAY