1
Toshio Matsumoto Filmography Non-Profit Organization Postwar Japan Moving Image Archive | PJMIA (Release date: Jul 26, 2019) NPO 2019 7 26
This Matsumoto’s filmography is a compilation of information on 83 works that he participated in the director, 9 works that he participated in the screenplay (including collaboration) and 3 works that he participated in the assistant director or second-unit director. This filmography was created with reference to “Kawasaki City Museum Cinematheque News (Kawasaki City Museum. Oct, 2006)”. We added found information from primary source and interview with artist for this filmography. The rules of description are as follows. 1: Clarification of the basic information. (Title | Date | Event title and venue) 2: Clarification of the format. (Film gauge or video type and aspect ratio; Presence or absence of color; Presence or absence of sound; Run time) 3: Clarification of the used medium. (For example, expanded cinema, installation and performance) 4: Clarification of the production staff. When there are sponsor company and production company, we listed on the first line. Basically, the production staff was listed in this order; Planner, Producer, Screenplay, Director, Cinematographer, Gaffer, Production Designer, Editor, Music Composer, Audio Engineer, Others, Production Coordinator, Assistant, Actor and Narrator, etc. Attached square bracket on the actor's name indicate name of the role.
83 9 B 3
2006 10 1 2 3 4
2
1: Participated in the director
1_1. Bicycle in Dream | 1_2. Caisson | 1_3. Growing Power | 1_4. Japan Atomic Energy Research Institute Part 2 | 1_5. Children Calling Spring | 1_6. Japan-U.S. Security Treaty | 1_7. 300 Tons Trailer | 300 1_8. Document of a Long White Line | 1_9. The Weavers of Nishijin | 1_10. Chronicle of a Black Long Shadow | 1_11. I’m Nylon | 1_12. The Song of Stone | 1_13. Lie and Truth When Seen from Back… | 1_14. Harumi Pier Warehouse | 1_15. Mihama Nuclear Power Plant Part 1 | 1_16. Mothers | 1_17. 12 Methods for Beautiful Skin | 1_18. A Tale of Two Cities Tokyo and Matsue | 1_19. Magnetic Scramble | 1_20. For the Damaged Right Eye | 1_21. Projection for Icon | 1_22. Ecstasis | 1_23. Funeral Parade of Roses | 1_24. Shadow | 1_25. Space Projection Ako | 1_26. Demons | 1_27. Metastasis | 1_28. Autonomy | 1_29. Expansion | 1_30. Community Life: Pasadena Heights | 1_31. War of Sixteen | 1_32. Mona Lisa | 1_33. Multiple Video Mona Lisa | 1_34. Fly | 1_35. A Town of Meeting: Aggregation, Pasadena Heights | 1_36. Andy Warhol: Re-reproduction | 1_37. Morning Dew | 1_38. Total Theatre Aoi no Ue | 1_39. Everything Visible is Empty | 1_40. Phantom | 1_41. A Girl |
3
1_42. Atman | 1_43. Murder Cataloge | 1_44. Kite | 1_45. Uterus | 1_46. Cybernet | 1_47. Blackhole | 1_48. Enigma | 1_49. Kendaraan Rakyat Colt T120 | 1_50. Hands | 1_51. Illumination | 1_52. Double | 1_53. Aquarium | 1_54. Whitehole | 1_55. Cosmic Relation | 1_56. Ki or Breathing | Ki or Breathing 1_57. Kimoto | 1_58. Connection | 1_59. Relation | 1_60. Ema | 1_61. Shift | 1_62. Kumadori | 1_63. Formation | 1_64. Delay Exposure | 1_65. Wave | 1_66. EE Control | EE 1_67. Multi Connection | 1_68. Sway | 1_69. Vibration | 1_70. Articulation | 1_71. Spreading Computer World | 1_72. 1986 Summer | 1986 1_73. Engram | 1_74. Globe Screen | 1_75. Dogra Magra | 1_76. Luminous Globe | 1_77. Trauma | 1_78. U-Land Story | 1_79. Old/New | Old/New 1_80. A Trap of Narratology | 1_81. Dissimulation | 1_82. The Story is Created in This Way |
1_83. Toro Axe Part 1, Part 2, Part 3 | 1 2 3
4
2_1: Participated in the screenplay (including collaboration)
2_1_1. The Catch | 2_1_2. Aluminum Uncle | 2_1_3. Lens and Precision Machine | 2_1_4. Nichire a la carte | 2_1_5. Cana Lock |
2_2: Participated in the screenplay (Television program)
2_2_1. Night Full of Wounds | 2_2_2. Closed Morning | 2_2_3. Memory | 2_2_4. Between Insanity and Sanity |
3: Participated in the assistant director or second-unit director B
3_1. Rice Blast | 3_2. Spread One’s Wings in Nature | 3_3. Transporting the Olympic |
5
1_1.
Format: 35 mm standard; Color; Sound; 12 min Sponsor: Nippon Jitensha Kogyokai Production: Shinriken Eiga Planner: Kazuyoshi Endo Producer: Toshi Nakazaki Screenplay and Director: Masao Yabe, Genichiro Higuchi, Toshio Matsumoto Cinematographer: Shuzaburo Araki, Tokuo Fukui, Yoshikazu Kagawa, Yuzo Yatsuyanagi Gaffer: Heiji Kuwana Production Designer: Shozo Kitadai, Katsuhiro Yamaguchi Film Editor: Toshizo Wada Music Composer: Toshiro Mayuzumi, Toru Takemitsu Audio Engineer: Yoshizo Tanaka Special Effects: Eiji Tsuburaya Production Coordinator: Ichiro Itoga
1956 5
35mm 12
1_2.
Caisson (Mammoth Senkan) | Apr or May, 1957 (Completion date)
Format: 16 mm standard; BW; Sound; 20 min 50 sec Sponsor: Obayashi Corporation Production: Shinriken Eiga Screenplay and Director: Toshio Matsumoto Cinematographer: Jun Takano
1957 4 5
16mm 20 50
6
1_3.
Growing Power (Nobiyuku Chikara) | Oct, 1958 (Completion date)
Format: 35 mm standard; Color; Sound; 20 min Sponsor: Kyushu Electric Power Co., Inc. Production: Shinriken Eiga Producer: Seiji Koyama Screenplay: Yoshinori Furukawa Director: Toshio Matsumoto Cinematographer: Ryuichi Uemura
1958 10
35mm 20
1_4.
Japan Atomic Energy Research Institute Part 2: JRR-2 (Nippon Genshiryoku Kenkyusho Dainibu: JRR-2) | Nov, 1960 (Completion date. Matsumoto participated in film
production until end of 1958.) Format: 35 mm standard; Color; Sound; 28 min 50 sec Sponsor: Japan Atomic Energy Research Institute Collaborator: Mitsubishi Atomic Power Industries, Inc., Shimizu Corporation, Kajima Corporation Production: Shinriken Eiga Producer: Seiji Koyama Screenplay: Toshio Matsumoto Director: Katsuya Irie (Former director: Toru Haramoto, Mitsuo Kishi, Toshio Matsumoto) Cinematographer: Hiroshi Nakano
JRR-2 1960 11 1958
35mm 28 50
1_5.
Children Calling Spring: Career Path Guidance for Students, Future Prospects (Haru o Yobu Kora: Shinroshido Series Tembohen) | May, 1959 (Completion date)
Format: 16 mm standard; BW; Sound; 21 min Supervisor: Nippon Sinrosido Kyokai
7
1959 5
16mm 21
1_6.
Japan-U.S. Security Treaty (Anpo Joyaku) | Aug, 1959 (Completion date)
Format: 16 mm standard; BW; Sound; 17 min 50 sec Production: General Council of Trade Unions of Japan Screenplay: Hiroshi Sekine, Toshio Matsumoto Director and Film Editor: Toshio Matsumoto Music Composer: Kazuo Okada Audio Engineer: Matsuo Ono
1959 8
16mm 17 50
1_7.
300 Tons Trailer | Dec, 1959 (Completion date)
Format: 35 mm standard; Color; Sound; 25 min 50 sec Sponsor: Nippon Express Co., Ltd. Production: Unyu Shinbun Producer: Choji Yoshida, Hisasi Saito Screenplay: Shinkichi Noda Director: Toshio Matsumoto Cinematographer: Ryuichi Uemura Gaffer: Kazuo Takahashi Music Composer: Hiroshi Nakamura Audio Engineer: Tsunezaburo Kanaya
8
300 1959 12
35mm 25 50
1_8.
Document of a Long White Line (Shiroi Nagai Sen no Kiroku) | Apr, 1960 (Completion
date) Format: 35 mm cinema-scope; Color; Sound; 13 min 30 sec Sponsor: Kansai Electric Power Co., Inc. Production: Nippon Eiga Shinsha Planner: Yonosuke Mizushima Producer: Tokio Kurokawa Screenplay, Director and Production Designer: Toshio Matsumoto Cinematographer: Toshio Sekiguchi, Takehiko Sakazaki Gaffer: Hideyuki Hayashi Music Composer: Joji Yuasa Audio Engineer: Masao Kunishima Special Effects: Eiji Tsuburaya Production Coordinator: Isao Tsuji Assistant Director: Junko Yamaguchi Camera Operator: Yushin Nomura, Mochio Goto
1960 4
35mm 13 30
1_9.
Format: 35 mm standard; BW; Sound; 25 min 10 sec
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Production: Kyoto Kirokueiga o Miru Kai, Nishijin Seisaku Jikkoiinkai Producer: Eiichi Asai Screenplay: Hiroshi Sekine, Toshio Matsumoto Director: Toshio Matsumoto Cinematographer: Yoshio Miyajima Gaffer: Kazuyoshi Fujiki Film Editor: Miyuri Miyamori, Fusako Shuzui Music Composer: Akira Miyoshi Audio Engineer: Mikio Katayama, Isamu Katto Assistant Director: Ko Hiro Camera Operator: Ryuichi Uemura, Michio Yoshie Noh: Hideo Kanze Narrator: Takeshi Kusaka
1961 6
35mm 25 10
1_10.
Chronicle of a Black Long Shadow (Kuroi Nagai Kage no Kiroku) | Apr 8, 1962 (Radio
broadcasting date) Format: Radio program; 28 min 30 sec Production: Tokyo Broadcasting System, Inc. Screenplay: Toshio Matsumoto Music Composer: Toru Takemitsu Audio Engineer: Tokyo Radio Kokadan Actor: Mari Yoshimura [Woman], Asao Sano [Man], Akira Nishimura [Gen], Ryusuke Shiomi [Drunken person], Shingo Kanemoto [Young man], Keita Nishi [Elderly man], Gekidan Bunkaza Musical Performance: Tokyo Radio Ensemble
1962 4 8
28 30
10
1_11.
I’m Nylon (Watashi ha Nylon) | Sep, 1962 (Completion date)
Format: 35 mm cinema-scope; Color; Sound; 26 min 40 sec Sponsor: Toyo Rayon Co., Ltd. Production: Nippon Sangyoeiga Center Producer: Hiroshige Tashiro, Masami Shiohama Screenplay and Director: Toshio Matsumoto Cinematographer: Seiichi Kizuka Gaffer: Ryoji Asami Production Designer: Katsuhiro Yamaguchi, Kiyoshi Takagi Film Editor: Fusako Shuzui Music Composer: Joji Yuasa Audio Engineer: Ichiro Kato Actor: Kinji Omino [Man], Tamami Hojo [Woman]
1962 9
35mm 26 40
1_12.
The Song of Stone (Ishi no Uta) | Feb 28, 1963 (Television broadcasting date)
Format: 16 mm standard; BW; Sound; 24 min 30 sec Production: Tokyo Broadcasting System, Inc., Tokyo Television Eiga Screenplay, Director and Film Editor: Toshio Matsumoto Music Composer: Kuniharu Akiyama Audio Engineer: Junosuke Okuyama Photographer: Y. Ernest Satow Word: Masayuki Nagare
1963 2 28
16mm 24 30 Y. Ernest Satow
11
1_13.
Lie and Truth When Seen from Back…: Two or Three Acts with Choral Intermission (Uso mo Honto mo Ura kara Mireba: Gasshokyoku Fu Makumageki Tsuki Nimaku mataha Sammaku) | from Apr 7 through Apr 13, 1964 (Premiere date) | “Gekidan
Seihai The 13th Performance” at Haiyuza Theater Format: Theatrical performance Original Story: “Ciascuno a Suo Modo” Luigi Pirandello Adaptation and Director: Toshio Matsumoto Director of Audiography: Toshi Ichiyanagi Audio Engineer: Junosuke Okuyama Gaffer: Sadahiko Tachiki Production Designer: Setsu Asakura Stage Management: Akira Kawashima Assistant Director: Shigeru Shiota, Michiko Sato, Akemi Horie Assistant Stage Management: Takuya Sugiyama Actor: Eiji Okada [Junzo Tsuno], Yukio Ninagawa [Kunio Imaizumi], Isao Kimura [Junpei Sugiyama], Chisako Hara [Keiko Sonogiwa]
2 3 1964 4 7 13 13
Luigi Pirandello
1_14.
Harumi Pier Warehouse (Harumi Futo Soko) | Aug, 1965 (Completion date)
Format: 16 mm standard; Color; Sound; 33 min 10 sec Sponsor: Nippon Express Co., Ltd. Production: Yuso Keizai Shinbun Producer: Ryo Kodaira Screenplay and Director: Toshio Matsumoto Cinematographer: Akira Takada Gaffer: Takao Suzuka Film Editor: Toshie Iwasa Music Composer: Joji Yuasa Narrator: Hosei Komatsu
1965 8
12
16mm 33 10
1_15.
Mihama Nuclear Power Plant Part 1: Preparation for Construction (Mihama Genshiryoku Hatsudensho Daiichibu: Kensetsu Jumbi Hen) | Sep, 1966 (Completion
date) Format: 35 mm standard; Color; Sound; 28 min 20 sec Sponsor: Kansai Electric Power Co., Inc. Production: Mainichi Broadcasting System, Inc., Nichiei Kagaku Eiga Producer: Keiichi Katada, Tomejiro Hashimoto Screenplay and Director: Toshio Matsumoto Cinematographer: Tomio Takayama Gaffer: Tadakazu Suzuki Music Composer: Michio Mamiya Narrator: Akira Takashima
1966 9
35mm 28 20
1_16.
Mothers (Haha Tachi) | May, 1967 (Completion date)
Format: 35 mm standard; Color; Sound; 37 min 50 sec (Principal part: 36 min 20 sec) Sponsor: Prima Meat Packers, Ltd. Production: Dentsu Inc., Fuji Productin Producer: Mitsuru Kudo Screenplay and Director: Toshio Matsumoto Cinematographer: Tatsuo Suzuki Music Composer: Joji Yuasa Audio Engineer: Mikio Katayama Poem: Shuji Terayama Narrator: Kyoko Kishida
13
1967 5
35mm 37 50 36 20
1_17.
12 Methods for Beautiful Skin (Suhadabi no Tame no Junisho) | Jul, 1967 (Completion
date) Format: 35 mm standard; Color; Sound; 25 min Sponsor: Takeda Pharmaceutical Company Ltd. Production: Nichiei Kagaku Eiga Producer: Keiichi Katada Screenplay: Tomoko Fujiwara Director: Toshio Matsumoto Cinematographer: Tomio Takayama Music Composer: Shunichi Takeda Actor: Wakako Sakai [Woman]
1967 7
35mm 25
1_18.
A Tale of Two Cities Tokyo and Matsue (Nito Monogatari: Hitotsu no Hikari o Mitsumete) | Feb, 1968 (Completion date)
Format: 16 mm standard; Color; Sound; 27 min 10 sec Sponsor: Japan External Trade Organization Production: Nichiei Kagaku Eiga Director: Toshio Matsumoto
1968 2
16mm 27 10
14
1_19.
Format: 1/2-inch VTR; BW; Sound; Performance Medium: CRT video monitor, 1/2-inch VTR playback equipment and electromagnetic coil Producer, Screenplay, Director and Equipment Operator: Toshio Matsumoto
1968 LSD
1/2 VTR CRT 1/2 VTR
1_20.
For the Damaged Right Eye (Tsuburekakatta Migime no Tame ni) | Apr 15, 1968
(Premiere date) | “*expose’68 Nanika Ittekure Ima Sagasu” at Sogetsu Hall Format: 16 mm standard (triple multi-projection); BW/Color; Sound; 12 min 10 sec Medium: Three 16 mm projectors and magnesium flash powder Producer: Mitsuru Kudo Screenplay, Director and Film Editor: Toshio Matsumoto Cinematographer: Tatsuo Suzuki Music Composer: Kuniharu Akiyama
1968 4 15 *expose’68
16mm 3 12 10 16mm 3
1_21.
Projection for Icon (Icon no Tame no Projection) | Feb 5, 1969 (Premiere date) | “Cross
Talk Intermedia” at Yoyogi National Gymnasium Format: 16 mm standard (quintuple multi-projection) and overhead projector (double multi-projection); Color; Sound; 12 min 45 sec Medium: Five 16 mm projectors, two overhead projectors, lighting equipment and twenty balloons Visual Director: Toshio Matsumoto Music Composer: Joji Yuasa Audio Engineer: Junosuke Okuyama Gaffer: Naoji Imai Production Designer (Balloon Screen): Ushio Shinohara, Kenji Misawa
15
196925
16mm 5 2 12 45 16mm 5 2 20
1_22.
Format: 16 mm standard; BW; Sound; 11 min 10 sec Production: Matsumoto Production Producer, Screenplay, Director, Film Editor and Music Composer: Toshio Matsumoto Cinematographer: Tatsuo Suzuki Actor: Peter [Eddie], Toyosaburo Uchiyama [Guevara]
1969 3
16mm 11 10
1_23.
Funeral Parade of Roses (Bara no Soretsu) | Apr, 1969 (Completion date) | Sep 13, 1969
(Premiere date) Format: 35 mm standard; BW; Sound; 104 min 19 sec Production: Matsumoto Production, Art Theatre Guild Producer: Mitsuru Kudo Screenplay and Director: Toshio Matsumoto Cinematographer: Tatsuo Suzuki Gaffer: Shigeo Kume Production Designer: Setsu Asakura Film Editor: Toshie Iwasa Music Composer: Joji Yuasa Audio Engineer: Mikio Katayama
16
Still Photographer: Tadashi Endo Production Coordinator: Keiko Machida Assistant Director: Ken Uesugi, Kunio Kurita, Akio Okumura, Masataka Hara (Masato Hara) Camera Operator: Toshihiko Sato, Hatsuo Nakamura, Isamu Osada Lighting Technician: Eiichi Nakamura, Hutoshi Uesugi Assistant Production Designer: Hirohisa Yamazaki Actor: Peter [Eddie], Osamu Ogasawara [Leda], Yoshimi Jo [Jimmy], Koichi Nakamura [Juju], Saako Ota [Marie], Flamenco Umeji [Grego], Taro Manji [Nora], Toyosaburo Uchiyama [Guevara], Mikio Shibayama [Philosopher], Wataru Hikonagi [Sabu], Sumi Gomibuchi [Piro], Chieko Kobayashi [Okei], Yo Sato [Radon], Keiichi Takenaga [Semushi], Mamoru Hirata, Nagatoshi Sakamoto, Kazuhiko Kura, Akira Hanaue, Takashi Tabata, Yutaka Oyama, Kenji Kodama, Yukimasa Natori, Yukio Ninagawa, Yoshihiro Nakadai, Haruhiko Saito, Koji Iwabuchi, Ryu Umishika, Yuka Kurenai, Keiko Sato, Toshiro Ishii, Miyoko Shoji, Don Madrid [Tony], Zero Jigen Shokai, Emiko Azuma [Eddie’s mother], Hosei Komatsu [Lover], Yoshio Tsuchiya [Gonda], Shotaro Akiyama, Kiyoshi Awazu, Tatsuo Ikeda, Toyoko Iwasaki, Kazuo Eda, Takeshi Kojima, Masahiro Shinoda, Yosuke Taga, Toshiya Fujita, Jiro Yagi, Nagaharu Yodogawa
1969 4 1969 9 13
35mm 104 19 Don Madrid
1_24.
Shadow | from May 10 through May 30, 1969 (Premiere date) | “The 9th Contemporary Art Exhibition
of Japan” at Tokyo Metropolitan Art Museum Format: Installation with rotating light Medium: Lighting equipment and rotary apparatus Installation: Toshio Matsumoto
1969 5 10 30 9

17
1_25.
Space Projection Ako [Textiles Pavilion] | from Mar 14 through Sep 13, 1970 (Premiere date)
| Osaka Expo’70 Format: 35 mm standard (decuple multi-projection) and filmstrip (octuple multi-projection); Color; Sound; 15 min 23 sec Medium: Ten 35 mm projectors, eight filmstrip projectors, lighting equipment and the dome-shaped screen with statues Sponsor: Expo Textiles Association Production: Kyowa Advertising Co., Ltd. General Producer: Mitsuru Kudo General Director: Toshio Matsumoto Director of Photography: Tatsuo Suzuki Filmstrip Photographer: Tadashi Endo Director of Audiography: Kuniharu Akiyama Music Composer: Joji Yuasa Audio Engineer: Hiroshi Shiotani Lighting Director: Naoji Imai Art Director: Tadanori Yokoo Interior Design Director: Shigeo Fukuda, Kuniomi Uematsu, Masunobu Yoshimura, Simon Yotsuya Actor: Shikiko Matsuoka [Ako] There is a document film made by Matsumoto. (Format: 16 mm standard; Color; Sound; 15 min 23 sec)
1970 3 14 9 13
35mm 10 8 15 23 35mm 10 8 16mm 15 23
1_26.
Demons (Shura) | Feb, 1971 (Completion date) | Feb 13, 1971 (Premiere date)
Format: 35 mm standard; BW/Color; Sound; 133 min 45 sec Production: Matsumoto Production, Art Theatre Guild Original Story: “Kamikakete Sango Taisetsu” Tsuruya Nanboku IV, Shuji Ishizawa Producer, Screenplay and Director: Toshio Matsumoto Cinematographer: Tatsuo Suzuki
18
Gaffer: Yoshio Unno Production Designer: Setsu Asakura Film Editor: Toshie Iwasa Jiuta: Fumikazu Nishimatsu Audio Engineer: Mutsutoshi Ota Still Photographer: Hiroshi Hayashi Assistant Producer: Takashi Miyagawa First Assistant Director: Toshio Furukawa Second Assistant Director: Michihiko Miwa Camera Operator: Toshihiko Sato, Hatsuo Nakamura, Makoto Mizoguchi Lighting Technician: Yasumaro Fujino, Norio Tamaru, Kiyohiko Moriya Assistant Production Designer: Saburo Abe Assistant Film Editor: Norimasa Watanabe Assistant Audio Engineer: Minoru Yasukawa Actor: Katsuo Nakamura [Gengobei], Juro Kara [Sangoro], Yasuko Sanjo [Koman], Masao Imafuku [Hachiuemon], Kappei Matsumoto [Ryoshin], Tamotsu Tamura [Yasuke], Hideo Kanze [Takubei], Shinshi Amano [Inosuke], Hatsuo Yamatani [Chohachi], Yusuke Minami [Kankuro], Takashi Ebata [Torazo], Atsuko Kawaguchi [Kikuno]
1971 2 1971 2 13
35mm 133 45
1_27.
Metastasis (Shinchintaisha) | Oct or Nov, 1971 (Completion date)
Format: 16 mm standard; Color; Sound; 8 min 20 sec Sponsor: Toto Kiki Ltd. Production: Total Media Development Institute Co., Ltd. Planner: Noboru Kawazoe, Kiyonori Kikutake, Kiyoshi Awazu, Toyojiro Hatano Producer: Haruyoshi Kinoshita Screenplay, Director and Electro Color Process Operation: Toshio Matsumoto Cinematographer: Akichika Sugiyama Film Editor: Toshie Iwasa Music Composer: Toshi Ichiyanagi
19
1971 10 11
16mm 8 20
1_28.
Format: 16 mm standard; Color; Sound; 11 min 50 sec Production: Matsumoto Production Producer, Screenplay, Director and Electro Color Process Operation: Toshio Matsumoto Cinematographer: Akichika Sugiyama Film Editor: Toshie Iwasa Music Composer: Joji Yuasa Audio Engineer: Mikio Katayama
1972 2
16mm 11 50
1_29.
Format: 16 mm standard; Color; Sound; 14 min 10 sec Production: Matsumoto Production Producer, Screenplay, Director and Electro Color Process Operation: Toshio Matsumoto Cinematographer: Tatsuo Suzuki, Akichika Sugiyama Film Editor: Toshie Iwasa Music Composer: Toshi Ichiyanagi Audio Engineer: Junosuke Okuyama Actor: Peter, Toyosaburo Uchiyama, Shikiko Matsuoka
1972 2
16mm 14 10
20

1_30.
Format: 35 mm standard; Color; Sound; 12 min 20 sec Supervisor: K.Kikutake Architects Sponsor: Daito Richland Production: Riken Eiga Screenplay and Director: Toshio Matsumoto Cinematographer: Moto Okochi, Tsuyoshi Horie Music Composer: Toshi Ichiyanagi Actor: Kiyonori Kikutake, Akira Takashima
1972
35mm 12 20
1_31.
War of Sixteen (Jurokusai no Senso) | Oct, 1973 (Completion date) | Aug 19, 1976 (Premiere
date) Format: 35 mm cinema-scope; Color; Sound; 92 min 10 sec Production: Sun Office Planner: Toyoji Tuji,Yoshitaka Iino, Keiki Ishii Producer: Takuji Yamaguchi, Mitsunari Omura Screenplay: Masahiro Yamada, Toshio Matsumoto Director: Toshio Matsumoto Cinematographer: Takayo Oshikiri Gaffer: Mitsuo Kume Production Designer: Kazumasa Otani Film Editor: Keiichi Okiura Music Composer: Itsuro Shimoda Audio Engineer: Hideo Nishizaki Still Photographer: Shigeki Yoshimura Production Coordinator: Toshihiro Okada Assistant Director: Michihiko Miwa Camera Operator: Kikumatsu Soda, Bunich Fukumoto
21
Lighting Technician: Yoshio Fujie Actor: Kumiko Akiyoshi [Azuna Hanishina and Mizue Arinaga], Itsuro Shimoda [Jin Arinaga], Casey Takamine [Yoshio Okaji], Takamaru Sasaki [Kozaburo Hanishina], Rokko Toura [Teacher], Tenpei Jitsukawa, Masumi Otoguro, Hideaki Ohara, Michiko Saga [Yasuko Hanishina]
1973 10 1976 8 19
35mm 92 10
1_32.
Format: 16 mm standard; Color; Sound; 3 min Production: Matsumoto Production Producer, Screenplay, Director and Music Composer: Toshio Matsumoto Cinematographer (Footage): Tatsuo Suzuki, Akichika Sugiyama, Hironari Ishii Film Editor: Toshie Iwasa Audio Engineer: Matsuo Ono Scanimate Operation: Toshio Matsumoto, Toyo Genzosyo Corp.
1973 12
16mm 3
1_33.
Multiple Video Mona Lisa (Multi Video no Tame no Mona Lisa) | from Mar 20
through Apr 29, 1974 (Premiere date) | “Xerox Knowledge-in” at Ginza Sony Building Format: U-matic VTR (ten multi-display); Color; Sound; Endless Medium: Ten 20-inch CRT video monitors and two U-matic VTR playback equipments Installation: Toshio Matsumoto
1974 3 20 4 29 Xerox Knowledge-in
22
U-matic VTR10 20 CRT 10 U-matic VTR 2
1_34.
Format: 16 mm standard; Color; Sound; 8 min 50 sec Production: Matsumoto Production Producer, Screenplay, Director, Music Composer and Electro Color Process Operation: Toshio Matsumoto Cinematographer: Akichika Sugiyama, Hironari Ishii Film Editor: Toshie Iwasa Audio Engineer: Matsuo Ono
1974 3
16mm 8 50
1_35.
A Town of Meeting: Aggregation, Pasadena Heights (Deai no Machi: Shugotai, Pasadena Heights) | Aug, 1974 (Completion date)
Format: 16 mm standard; Color; Sound; 18 min 50 sec Supervisor: K.Kikutake Architects Sponsor: Daito Richland Production: Matsumoto Production Producer and Director: Toshio Matsumoto Screenplay: Toshio Matsumoto, Tsuyoshi Koga Cinematographer: Hironari Ishii Film Editor: Toshie Iwasa Music Composer: Toshi Ichiyanagi Assistant Director: Tsuyoshi Koga Actor: Kiyonori Kikutake
1974 8
16mm 18 50
23

1_36.
Andy Warhol: Re-reproduction (Andy Warhol: Fuku Fukusei) | Nov, 1974 (Completion
date) Format: 16 mm standard; Color; Sound; 23 min Production: Matsumoto Production Producer, Screenplay, Director and Dynamic Frame Operation: Toshio Matsumoto Cinematographer: Akichika Sugiyama Film Editor: Toshie Iwasa Music Composer: Joji Yuasa Audio Engineer: Mikio Katayama Actor: Andy Warhol
1974 11
16mm 23 Andy Warhol
1_37.
Morning Dew (Asatsuyu) | Nov 26, 1974 (Premiere date) | Akasaka American Center
Format: Filmstrip (quadruple multi-projection) and 16 mm standard (single projection); Color; Sound; About 70 min Medium: Eight filmstrip projectors (four pairs), 16 mm projector, lighting equipment and mixed chorus Poem: Thomas Fitzsimons Director and Music Planner: Toshi Ichiyanagi Visual Director: Toshio Matsumoto Musical Performance: Fumiko Takemae (Soprano), Durley Baker (Alto), Katsumi Niwa (Tenor), Muneo Okawa (Baritone), Thomas Fitzsimons (Bass)
1974 11 26
4 16mm 1 70 8 4 16mm 1 Thomas Fitzsimons Durley Baker
24
1_38.
Total Theatre Aoi no Ue | Apr 25, 1975 (Premiere date) | “The 3rd Runa Festival” at Ashiya
Municipal Grand Hall (Luna Hall) Format: Filmstrip (triple multi-projection) and 16 mm standard (triple multi-projection); Color; Sound; About 70 min Medium: Six filmstrip projectors (three pairs), three 16 mm projectors, lighting equipment and noh Original Story: “Aoi no Ue” Omi Sarugaku, Zeami Visual Director: Toshio Matsumoto Music Composer: Toshi Ichiyanagi Gaffer: Sadahiko Tachiki Noh: Hisao Kanze, Hideo Kanze, Masakuni Asami
1975 4 25 3
316mm3 70 6 3 16mm 3
1_39.
Everything Visible is Empty (Shiki Soku Ze Ku) | Apr, 1975 (Completion date)
Format: 16 mm standard; Color; Sound; 7 min 50 sec Production: Matsumoto Production Producer, Screenplay and Director: Toshio Matsumoto Cinematographer: Yoshiyuki Tsuji, Toyomichi Kurita, Mikio Yano, Yoshio Unno Film Editor: Toshie Iwasa Music Composer: Toshi Ichiyanagi Audio Engineer: Isamu Katto, Matsuo Ono
1975 4
16mm 7 50
25
1_40.
Phantom (Gemmo) | Jun, 1975 (Completion date)
Format: 16 mm standard; Color; Sound; 10 min Production: Matsumoto Production Producer, Screenplay and Director: Toshio Matsumoto Cinematographer: Akichika Sugiyama, Katsuhiko Kakihara Film Editor: Toshie Iwasa Music Composer: Jo Kondo Audio Engineer: Matsuo Ono Optical Effects: Takashi Yamada Actor: Naka Fuyuki [Red-haired woman], Budhadeb Chaudhuri [Yoga master], Shizue Sakurai [Naked woman]
1975 6
16mm 10 Budhadeb Chaudhuri
1_41.
A Girl (Seijo) | Jun, 1975 (Completion date)
Format: 16 mm standard; Color; Sound; 28 min 30 sec Production: Matsumoto Production Producer, Screenplay and Director: Toshio Matsumoto Cinematographer: Akichika Sugiyama Film Editor: Toshie Iwasa Music Composer: Toshi Ichiyanagi Audio Engineer: Matsuo Ono Optical Effects: Takashi Yamada Actor: Naka Fuyuki [Woman]
1975 6
16mm 28 30
26
1_42.
Atman | Jul, 1975 (Completion date)
Format: 16 mm standard; Color; Sound; 11 min 50 sec Production: Matsumoto Production Producer, Screenplay and Director: Toshio Matsumoto Cinematographer: Hiroshi Yamazaki, Kenji Takama Film Editor: Toshie Iwasa Music Composer: Toshi Ichiyanagi Audio Engineer: Matsuo Ono
1975 7
16mm 11 50
1_43.
Murder Cataloge (Satsujin Cataloge) | Dec, 1975 (Completion date)
Format: 1/2-inch VTR; BW; Sound; 20 min Producer, Screenplay and Director: Toshio Matsumoto Cinematographer: Tadashi Endo
1975 12
1/2 VTR 20
1_44.
Kite (Tako) | Jun, 1976 (Completion date)
Format: 16 mm standard; Color; Sound; 28 min 30 sec Supervisor: Nippon Tako no Kai Compilation of Historical Materials: Tadao Saito Sponsor: Japan Foundation Production: Toho Ad. Center Producer: Teruji Shibata Screenplay and Director: Toshio Matsumoto Cinematographer: Takayo Oshikiri Gaffer: Bunichi Fukumoto Film Editor: Toshie Iwasa Music Selection: Yasuo Fukazawa
27
1976 6
16mm 28 30
1_45.
Uterus (Shikyu) | Oct 23, 1976 (Premiere date) | “The 9th Exhibition of Contemporary Art:
Expression in Film & Laser’76” at KBS Laserium Center Format: Filmstrip (triple multi-projection) and 16 mm standard (single projection); Color; Sound; About 7 min Medium: Six filmstrip projectors (three pairs) and 16 mm projector Visual Director: Toshio Matsumoto Music Composer (Sound Material): Joji Yuasa
1976 10 23 9 ’76KBS
3 16mm 1 7 6 3 16mm 1
1_46.
Format: 35 mm standard; Color; Sound; 15 min Sponsor: Cybernet Production: Tokyo Techart Screenplay and Director: Toshio Matsumoto Cinematographer: Akichika Sugiyama
1976
35mm 15
28
1_47.
Format: 16 mm standard; Color; Sound; 3 min 10 sec Production: Matsumoto Production Producer, Screenplay, Director and Cinematographer: Toshio Matsumoto Music Composer: Toshi Ichiyanagi
1977 4
16mm 3 10
1_48.
Format: 16 mm standard; Color; Sound; 3 min 20 sec Production: Matsumoto Production Producer, Screenplay, Director, Cinematographer, Production Designer and Music Composer: Toshio Matsumoto Scanimate Operation: Toyo Genzosyo Corp.
1978
16mm 3 20
1_49.
Kendaraan Rakyat Colt T120 (Minshu no Ashi Colt) | 1979 (Completion date)
Format: 16 mm standard; Color; Sound; 27 min 40 sec Sponsor: Krama Yudha Tiga Berlian Motors Production: Toei CM Screenplay and Director: Toshio Matsumoto Cinematographer: Yoshihiro Kurahashi
1979
16mm 27 40 CM
29
1_50.
Hands (Te) | Aug 12, 1979 (Premiere date) | Ikebukuro Seibu Department Stores event space
Format: Real-time video signal; Color; Sound; Performance (8 min 30 sec) Medium: Special Effect Generator 1310, video cameras (unknown quantity) and CRT video monitor Producer, Screenplay, Director and Special Effect Generator 1310 Operation: Toshio Matsumoto
1979 8 12
8 30 Special Effect Generator 1310CRT
1_51.
Illumination | Aug 12, 1979 (Premiere date) | Ikebukuro Seibu Department Stores event space
Format: Real-time video signal; Color; Sound; Performance (7 min) Medium: Special Effect Generator 1310, flashing lamps, video cameras (unknown quantity) and CRT video monitor Producer, Screenplay, Director and Special Effect Generator 1310 Operation: Toshio Matsumoto
1979 8 12
7 Special Effect Generator 1310CRT
1_52.
Double (Nijuzo) | Aug 12, 1979 (Premiere date) | Ikebukuro Seibu Department Stores event space
Format: Real-time video signal; Color; Sound; Performance (9 min 10 sec) Medium: Special Effect Generator 1310, lamp, two video cameras and CRT video monitor Producer, Screenplay, Director and Special Effect Generator 1310 Operation: Toshio Matsumoto Performance: Kumiko Sejima (first time), Midori Mori (second time)
1979 8 12
9 10 Special Effect Generator 1310 2 CRT
30
1_53.
Aquarium (Suizokukan) | Oct 20, 1979 (Television broadcasting date)
Format: Real-time video signal (three multi-display); Color; Silent; Endless Medium: Goldfishes, water tank, three video cameras and three 3-inch CRT video monitors Installation: Toshio Matsumoto
1979 10 20
3 3 3 CRT 3
1_54.
Format: 16 mm standard; Color; Sound; 6 min 20 sec Production: Matsumoto Production Producer, Screenplay, Director, Cinematographer and Production Designer: Toshio Matsumoto Video Editor: Junosuke Okuyama Music Composer: Joji Yuasa Scanimate Operation: Toyo Genzosyo Corp.
1979 12
16mm 6 20
1_55.
Cosmic Relation | Jun, 1980 (Premiere date) | nac Image Technology Showroom
Format: 16 mm standard (triple multi-projection); Color; Sound; Endless Medium: The Triple Travelling Screen System and three 16 mm projectors Installation: Toshio Matsumoto, nac Image Technology Inc.
1980 6
16mm 3 Triple Travelling Screen System16mm 3
31
1_56.
Format: 16 mm standard; Color; Sound; 29 min Production: Committee for the Year 2001, Shibata Film Promotion, Cinema Tokyo Producer: Teruji Shibata, Arata Isozaki Screenplay and Director: Toshio Matsumoto Cinematographer: Akichika Sugiyama Music Composer: Toru Takemitsu Scanimate Operation: Toyo Genzosyo Corp. Optical Effects: Takashi Yamada Dance: Hiroko Horiuchi Musical Performance: Hideo Kanze (Nogaku), Katsuya Yokoyama (Shakuhachi)
Ki or Breathing 1980 9
16mm 29 2001
1_57.
Kimoto | 1980 (Completion date)
Format: 16 mm standard; Color; Sound; 30 min 10 sec Sponsor: Japan Sake and Shochu Makers Association Production: Gakken Creative Producer: Yuji Ishizaki Screenplay and Director: Toshio Matsumoto Cinematographer: Akichika Sugiyama Music Composer: Sound Craft Narrator: Kiyoshi Kobayashi
1980
16mm 30 10
1_58.
Format: 16 mm standard; Color; Sound; 9 min 10 sec
32
1981
16mm 9 10
1_59.
Relation (Kankei) | May, 1982 (Completion date)
Format: 16 mm standard; Color; Sound; 8 min Producer, Screenplay and Director: Toshio Matsumoto Cinematographer: Toshio Matsumoto, Shinsuke Ina Video Editor: Junosuke Okuyama Music Composer: Yosuke Inagaki (Takashi Inagaki)
1982 5
16mm 8
1_60.
Format: 16 mm standard; Color; Sound; 30 min Supervisor: Kaoru Hiromoto, Hiromi Iwai Sponsor: Nippon Minzoku Eizo Kirokueiga no Kai Production: Shibata Film Promotion Producer: Teruji Shibata Screenplay and Director: Toshio Matsumoto Cinematographer: Akichika Sugiyama Music Selection: Yasuo Fukazawa Narrator: Tatsuya Jo
1982 9
16mm 30
33
1_61.
Shift (Danso) | 1982 (Completion date)
Format: 16 mm standard; Color; Sound; 8 min 40 sec Producer, Screenplay and Director: Toshio Matsumoto Cinematographer: Toshio Matsumoto, Shinsuke Ina Video Editor: Junosuke Okuyama Music Composer: Yosuke Inagaki (Takashi Inagaki)
1982
16mm 8 40
1_62.
Format: 16 mm standard; Color; Sound; 30 min Production: Katsujindo Cinema Planner: Toshiro Morita Producer: Teruji Shibata Director and Film Editor: Toshio Matsumoto Cinematographer: Akichika Sugiyama Music Selection: Yasuo Fukazawa Audio Engineer: Isamu Katto Still Photographer: Toshiro Morita Actor: Ichimura Uzaemon XVII
1983
16mm 30
1_63.
Formation (Keisei) | Oct, 1983 (Completion date)
Format: 16 mm standard; Color; Sound; 9 min 10 sec Producer, Screenplay, Director and Music Composer: Toshio Matsumoto Cinematographer: Akichika Sugiyama Video Editor: Junosuke Okuyama Actor: Ichimura Uzaemon XVII
34
1983 10
16mm 9 10
1_64.
Delay Exposure | 1984 (Completion date)
Format: 8 mm (18 fps); Color; Sound; 3 min 10 sec Producer, Screenplay, Director and Cinematographer: Toshio Matsumoto
1984
8mm18fps 3 10
1_65.
Wave | Nov, 1984 (Completion date)
Format: 16 mm standard; Color; Sound; 5 min 50 sec Producer, Screenplay, Director, Cinematographer and Music Composer: Toshio Matsumoto Optical Effects: Takashi Yamada
1984 11
16mm 5 50
1_66.
EE Control | 1985 (Completion date)
Format: 8 mm (24 fps); Color; Sound; 3 min 20 sec Producer, Screenplay, Director and Cinematographer: Toshio Matsumoto
EE 1985
8mm24fps 3 20
35
1_67.
Multi Connection | May 19, 1985 (Premiere date) | “The 5th Congress of Japanese Association for
Semiotic Studies” at Nara Women's University Format: VTR (four multi-display) and 16 mm standard (single projection); Color; Sound; Endless Medium: Four CRT video monitors, VTR playback equipment and 16 mm projector Installation: Toshio Matsumoto
1985 5 19 5
VTR4 16mm 1 CRT 4 VTR 16mm
1_68.
Sway (Yuragi) | 1985 (Completion date)
Format: 16 mm standard; Color; Sound; 7 min 50 sec Producer, Screenplay, Director and Cinematographer: Toshio Matsumoto Music Composer: Takashi Inagaki
1985
16mm 7 50
1_69.
Vibration | 1986 (Completion date)
Format: 8 mm (18 fps); Color; Sound; 3 min 10 sec Producer, Screenplay, Director and Cinematographer: Toshio Matsumoto
1986
8mm18fps 3 10
1_70.
Articulation (Bunsetsu) | from Jul 31 through Aug 12, 1986 (Premiere date) | “High Technology &
Art 1986” at Nagoya Matsuzakaya Format: Real-time video signal (four multi-display) and VHS VTR (two multi-display); Color; Sound; Endless
36
Medium: Six CRT video monitors, VHS VTR playback equipment and video camera Installation: Toshio Matsumoto
1986 7 31 8 12
1986 4 VHS VTR2 CRT 6 VHS VTR
1_71.
Spreading Computer World (Hirogaru Computer no Sekai) | Jul, 1986 (completion date)
Format: 1-inch VTR; Color; Sound; 19 min Sponsor: IBM Japan, Ltd. Production: TBS Eigasha Producer: Shozo Yamashita Screenplay and Director: Toshio Matsumoto Cinematographer: Eiichiro Nakamura Music Composer: Jun Eto Audio Engineer: Masahide Tanahara Narrator: Mugihito Amachi
1986 7
1 VTR 19 IBMTBS
1_72.
1986 Summer (1986 Natsu) | 1986 (Matsumoto stopped producing this film in the summer of
1986.) Format: 16 mm standard; Color; Silent; 3 min Producer, Screenplay, Director and Cinematographer: Toshio Matsumoto
1986 1986 1986
16mm 3
37
1_73.
Format: 16mm standard; Color; Sound; 11min50sec Producer, Screenplay, Director and Cinematographer: Toshio Matsumoto Music Composer: Takashi Inagaki Actor: Toshio Matsumoto, Mari Terashima [Student]
1987
16mm 11 50
1_74.
Globe Screen | from Nov 6 through Nov 12, 1987 (Premiere date) | “International Textile Fair'87
Kyoto” at Kyoto International Conference Center Format: VTR; Color; Sound; Endless Medium: The Fiber Optic Globe Screen, video projector and VTR playback equipment Screen Development: Toray Industries Inc. (Optic Fiber Marketing Department) Video Production: Kyoto College of Art Image Art Film and VideoToshio Matsumoto
1987 11 6 12 ’87
VTR VTR
1_75.
Dogra Magra | Nov, 1987 (Completion date) | Oct 15, 1988 (Premiere date)
Format: 35 mm vista-vision; Color; Sound; 109 min Production: Katsujindo Cinema, Toshikan Co Ltd. Original Story: “Dogra Magra” Kyusaku Yumeno Producer: Shuji Shibata, Kazuo Shimizu Screenplay: Toshio Matsumoto, Atsushi Yamatoya Director: Toshio Matsumoto Cinematographer: Tatsuo Suzuki Second-unit Cinematographer: Ryoji Shigeta Gaffer: Yoshio Unno Production Designer: Takeo Kimura, Iwao Saito Film Editor: Hiroshi Yoshida
38
Music Composer: Haruna Miyake Audio Engineer: Shinpei Kikuchi Still Photographer: Kou Inose Doll Production: Hiroshi Hori Production Coordinator: Tadahiko Nagata First Assistant Director: Nori Sasaki Second Assistant Director: Kazuhiko Fukami, Senga Miyagi, Jun Ueda Camera Operator: Kozo Shibasaki, Makoto Onodera, Yuji Imai Lighting Technician: Yuji Watanabe, Takayuki Saegusa, Kazuhiko Tawarayama, Minoru Kawai, Naoyuki Ikenouchi Assistant Production Designer: Koji Fujiki, Makoto Nakayama Assistant Film Editor: Hirohide Abe Assistant Audio Engineer: Makoto Tokunaga, Hideo Takeichi, Tomiyasu Arai Actor: Yoji Matsuda [Ichiro Kure], Shijaku Katsura II [Dr. Masaki], Hideo Murota [Dr. Wakabayashi], Eri Misawa [Moyoko Kure], Reo Morimoto [Journalist], Jun Haichi [Sengoro], Kaori Kobayashi [Chiyoko Kure], Haruhito Kitami [Janitor], Mari Tsujii [Elderly woman], Toto Kitamura [Chief nurse], Daisuke Iijima [Inspector Tani], Ika Hachiro [Patient: Soldier], Franken Akasaka [Patient: Sumo wrestler], Kazuhide Nagae [Patient: Tall man], Orisa Miyazaki [Patient: Girl], Katsu Kanai [Patient: Farmer], Atsushi Yamatoya [Patient: Elderly man], Katsue Tomiyama [Patient: Queen], Saeko Kimura [Patient: Pavlova], Mari Terashima [Patient: Lunatic woman], Hiroshi Hori [Doll], Mujaku Katsura [Court staff], Miki Kumagaya [Beautiful woman], Norimasa Miyagi [Mysterious person], Shinobu Okawa [Body], Takayuki Sorita [Ichiro Kure (Childhood)], Fumio Watanabe [Police chief], Kyoko Enami [Yayoko Kure]
1987 11 1988 10 15
35mm 109 B
39
1_76.
Luminous Globe | from Jul 22 through Aug 27, 1989 (Premiere date) | “The 4th Contemporary Art
Festival; Moving Images Now” at The Museum of Modern Art, Toyama Format: U-matic VTR; Color; Sound; Endless Medium: The Fiber Optic Globe Screen, LDC panel, cyclic screen, video projector and U-matic VTR playback equipment Screen Development: Toray Industries Inc. (Optic Fiber Marketing Department) Installation: Toshio Matsumoto
1989 7 22 8 27 4
U-matic VTR U-matic VTR
1_77.
Trauma | 1989 (Completion date)
Format: VHS VTR; Color; Sound; 18 min 10 sec Producer, Screenplay, Director and Cinematographer: Toshio Matsumoto Actor: Toshio Matsumoto
1989
VHS VTR 18 10
1_78.
U-Land Story (U-Land Densetsu) | Jan, 1990 (Premiere date) | “Hikari to Oto to Mizu no
Festival” at Kochi Jibasan Center Format: Theatrical performance (with double multi-projection by VTR, 72 min) Producer: Toshiaki Urakawa, Takashi Oura, Kyoji Nagano Screenplay and Director: Toshio Matsumoto Music Composer: Takashi Inagaki Theme Song: Shang Shang Typhoon Audio Engineer: Chikara Sudo, Terutake Fujiwara Gaffer: Shiro Yabe, Noriyoshi Mimoto Production Designer: Yuji Ueda, Masanobu Soga Acting Coach: Tetsuo Takeichi
40
Ballet Coach: Chikako Tatewaki Stage Management: Saburo Arata Video Production: Hitomi Yamakita, Eiji Kawauchi Drawing: Tokiko Kano Laser: Masami Koyama Special Effects: Masao Okada U-Land Operation: Atsushi Ono Stage Construction: Terutake Fujiwara Actor: Yasuaki Tokuhiro [Yukio], Fujio Tokita [Elderly man], Ren Osugi [Doctor], Tatewaki Ballet Studio [Ballet dancers], Yusuhara Kichijoji Jimoto Hozonkai [Neri], Gohokuson Tsuganotani Jimoto Hozonkai [Shishimai]
1990 1 6
VTR 2 72
1_79.
Old/New (Kehai) | 1990 (Completion date)
Format: VHS VTR; Color; Sound; 19 min 30 sec Producer, Screenplay, Director and Cinematographer: Toshio Matsumoto Actor: Toshio Matsumoto
Old/New 1990
VHS VTR 19 30
1_80.
A Trap of Narratology (Narratology no Wana) | from Apr 14 through May 9, 1992 (Premiere
Date) | Kyoto Ufer! Gallery Format: VHS VTR (twenty-three multi-display and single projection); Color; Sound; Endress Medium: Statue, sand, white line, video camera, rotating platform, video projector, 60-inch CRT video monitor, 34-inch CRT video monitor, 29-inch CRT video monitor, six 27-inch CRT video monitors, six 21- inch CRT video monitors, two 13-inch CRT video monitors, six LDC panels and twelve VHS VTR playback equipments Installation: Toshio Matsumoto
41
1992 4 14 5 9 Ufer! Gallery
VHS VTR23 1 60 CRT 34 CRT 29 CRT 27 CRT 6 21 CRT 6 13 CRT 2 LCD 6 VHS VTR 12
1_81.
Dissimulation (Giso) | 1992 (Completion date)
Format: VHS VTR; Color; Sound; 20 min 50 sec Producer, Screenplay, Director and Cinematographer: Toshio Matsumoto Music Composer: Shigenobu Nakamura Actor: Toshio Matsumoto
1992
VHS VTR 20 50
1_82.
The Story is Created in This Way (Monogatari ha Kakushite Tsukurareru) | from
Sep 16 through Nov 26, 2006 (Premiere date) | “Memai no Sochi; Matsumoto Toshio o Meguru Intermedia no Komyaku” at Kawasaki City Museum Format: VTR (double multi-projection and six multi-display); Color; Sound; Endress Medium: Sand, white line, two video projectors, six CRT video monitors and VTR playback equipment (unknown quantity) Installation: Toshio Matsumoto
2006 9 16 11 26
VTR2 6 2 CRT 6 VTR
42
1_83.
Toro Axe Part 1: Seeing (Toro no Ono Daiichibu: Miru to Iu Koto) | 2009 (Completion
date) Format: DVD (LB); Color; Sound; 94 min 50 sec
Toro Axe Part 2: Pilgrimage into the Memory (Toro no Ono Dainibu: Kioku Junrei) | 2011 (Completion date)
Format: DVD (LB); Color; Sound; 52 min 20 sec
Toro Axe Part 3: All Things Change (Toro no Ono Daisambu: Bansho Mujo) |
2012 (Completion date) Format: DVD (LB); Color; Sound; 35 min 6 sec Sponsor and Production: Sano Gallery Producer: Masumi Sano Planner and Director: Toshio Matsumoto Part 1 Participating Artists: Itaru Kato (Blinder in Winter), Shiho Kano (Dahlia), Shinjiro Maeda (Constellation), Kanako Inagaki (October), Kunitoshi Okuno (mirror of air), Hiroyuki Oki (dead-seeing VISION/CONTROL) Part 2 Participating Artists: Kanako Inagaki, Shiho Kano, Kunitoshi Okuno, Hiroyuki Oki, Tsuyoshi Ozawa Part 3 Participating Artists: Tanotaiga, Kanako Inagaki, Hiroyuki Oki, Kunitoshi Okuno, Kotaro Tanaka
1 Seeing 2009
DVDLB 94 50
2 2011
DVDLB 52 20
3 2012
DVDLB 35 6 1 2 3
43
2_1_1.
The Catch (Shiiku) | Nov 22, 1961 (Premiere date)
Format: 35mm cinema-scope; BW; Sound; 105 min 10 sec Production: Palace Film Production Original Story: “Shiiku” Kenzaburo Oe Producer: Saburo Tajima, Masayuki Nakajima Produce Collaborator: Hiroshi Sano Screenplay: Tsutomu Tamura Screenplay Collaborator: Toshiro Ishido, Toshio Matsumoto, Shomei Tomatsu Director: Nagisa Oshima Cinematographer: Yoshiji Tonegawa Gaffer: Yokichi Hishinuma Production Designer: Itsuro Hirata Film Editor: Miyuri Miyamori Music Composer: Riichiro Manabe Audio Engineer: Michio Okazaki Design: Kiyoshi Awazu Production Coordinator: Hideo Kishida Assistant Director: Hiromi Yanagida Actor: Rentaro Mikuni [Kazumasa Takano], Akiko Koyama [Hiroko Ishii], Yoko Mihara [Sachiko Tsukada], Masako Nakamura [Hisako Takano], Teruko Kishi [Masu Tsukada], Sadako Sawamura [Katsu Takano], Kyu Sazanka [Denmatsu Tsukada], Jun Hamamura [Aki-san], Rokko Toura [Village office staff], Ton Shimada [Kadoya], Yoshi Kato [Yoichi Kokubo], Norikazu Takeda [Jisaku], Hisashi Imahashi [Hunter], Shiro Aikawa [Toshikichi], Toshiro Ishido [Jiro Kokubo], Nobuko Maki [Lunatic woman], Eiko Oshima [Mikiko], Hosei Komatsu [Senior policeman], Hisao Irizumi [Hachiro Kokubo], Shigeyuki Makie [Osamu], Masaomi Kyosu [Takashi], Kyoko Uehara [Yuriko], Itsuko Uehara [Momoko], Shoji Kurosaka [Haruo], Hiroshi Tanino, Tsuyoshi Yamada, Haruo Suzuki, Hideo Suzuki, Choji Nakajima, Shin Katsuragi, Akira Mochizuki, Hugh Hurd [Black soldier]
1961 11 22
35mm 105 10

44
Hugh Hurd
2_1_2.
Aluminum Uncle (Arumi Ojisan) | Aug, 1962 (Completion date)
Format: 35 mm standard; Color; Sound; 25 min Sponsor: Sumitomo Light Metal Industries, Ltd. Production: Nippon Eiga Shinsha, Haiyuza Theatre Company Producer: Shokichi Aoki, Masayuki Sato Screenplay: Toshio Matsumoto, Mitsuyuki Kumagaya (Sampei Kasu) Director: Chiaki Nagano Cinematographer: Koichiro Maruko Gaffer: Shigeo Kume Production Designer: Tatsuo Ikeda Music Composer: Osamu Shimizu Audio Engineer: Koji Suda Actor: Tomoo Nagai [Uncle], Junichi Kondo [Boy], Momoko Kawauchi [Mother]
1962 8
35mm 25
2_1_3.
Lens and Precision Machine (Lens to Seimitsu Kikai) | Aug, 1962 (Completion date)
Format: 16mm standard; Color; Sound; 25 min Sponsor: Tokyo Kogaku Kikai Production: Toyo Eiga Seisakusho Producer: Itaru Takahara, Ken Yamaguchi Screenplay: Toshio Matsumoto Director: Shoko Nishimoto
1962 8
16mm 25
45
2_1_4.
Format: 35mm standard; Color; Sound; 29 min Sponsor: Nippon Rayon Production: Dentsu Eigasha Producer: Eiichi Asai Screenplay: Toshio Matsumoto, Ai Asai, Shinkichi Noda Director: Shinkichi Noda Cinematographer: Ryuichi Uemura Gaffer: Takao Suzuka Production Designer: Totetsu Hirakawa Costume Design: Nippon Rayon Animation: P-production Music Composer: Yuji Takahashi Narrator: Yosuke Kondo
1963 9
35mm 29 P
2_1_5.
Cana Lock: Shipyard of the Ocean (Cana Lock: Taiyo no Zosensho) | 1970
(Completion date) Format: 16mm standard; Color; Sound; 34 min Sponsor: Nippon Kokan Production: Nippon Sangyo Eiga Center Producer: Yasuharu Hori Screenplay: Toshio Matsumoto Director: Masuichi Iizuka Cinematographer: Shota Tokita, Noriyuki Ohashi Music Composer: Taichiro Kosugi
1970
16mm 34
46
2_2_1.
Night Full of Wounds (Kizudarake no Yoru: Junai Series) | Dec 26, 1962 (Television
broadcasting date) Format: Television program; BW; Sound; 30 min Production: Tokyo Broadcasting System, Inc. Screenplay: Toshio Matsumoto Director: Yoshihiko Muraki Technical Director: Etsuya Okamoto Actor: Yoshiko Hiromura [Reiko Nozawa], Kazuko Yoshiyuki [Takako Morikawa], Masakane Yonekura [Toru Shimizu], Isao Naito [Jiro Hamada]
1962 12 26
30
2_2_2.
Closed Morning: “Mother” Episode 211 (Tozasareta Asa: Okasan Dainihyakujuichiwa) | Feb 7, 1963 (Television broadcasting date)
Format: Television program; BW; Sound; 30 min Production: Tokyo Broadcasting System, Inc. Screenplay: Toshio Matsumoto Director: Tadashi Mafune (Tei Mafune) Technical Director: Tadashi Hosi Actor: Yuko Mochizuki [Kane], Katsutoshi Atarashi [Kenji], Tamiko Nukamura (Tokie Hidari) [Kuniko], Norikazu Takeda [Shusaku], Akio Miyabe [Kiichi], Nobuko Maki [Lunatic woman]
211 1963 2 7
30
47
2_2_3.
Memory (Omoide: Junai Series) | Jul 17, 1963 (Television broadcasting date)
Format: Television program; BW; Sound; 30 min Production: Tokyo Broadcasting System, Inc. Screenplay: Toshio Matsumoto Director: Yoshihiko Muraki Technical Director: Etsuya Okamoto Actor: Sumio Takatsu [Joto], Chisako Hara [Ayako and Misako], Masatoshi Murakami [Kawai]
1963 7 17
30
2_2_4.
Between Insanity and Sanity: “Challenge the Unknown” Episode 9 (Ijo to Seijo no Aida: Michi heno Chosen Daikyukai) | Sep 13, 1964 (Television broadcasting date)
Format: Television program; BW; Sound; 45 min Production: Tokyo 12 Channel Production Kyoikubu Screenplay: Toshio Matsumoto Actor: Hiroshi Utena (Psychiatrist. Department of Psychiatry and Neuroscience, Gunma University)
9 1964 9 13
45 12 |
48
3. Participated in the assistant director or second-unit director B
3_1.
Format: 35 mm standard; Color; Sound; 15 min Sponsor: Hokko Chemical Industry Production: Shinriken Eiga Screenplay and Director: Toshiharu Shimosaka Cinematographer: Tokuo Fukui Assistant Director: Toshio Matsumoto
1956 12
35mm 15
3_2.
Spread One's Wings in Nature (Daishizen ni Habataku) | May 5, 1958 (Premiere date)
Format: 35 mm standard; Color; Sound; 93 min Production: Shinriken Eiga Planner: Kazuyoshi Endo Executive Producer: Toshi Nakazaki Producer: Seiji Koyama Screenplay: Yoshinori Furukawa Director: Masato Koga Cinematographer: Fujio Hogari, Kiyoshi Tukahara, Kiyoshi Nanata, Tadashi Inaba, Shoji Nakayama Assistant Director: Toshio Matsumoto Narrator: Musei Tokugawa
1958 5 5
35mm 93
49
3_3.
Transporting the Olympic (Olympic o Hakobu) | Dec, 1964 (Completion date)
Format: 16 mm standard; Color; Sound; 40 min 45 sec Sponsor: Nippon Express Co., Ltd. Production: Yuso Keizai Shinbun Producer: Ryo Kodaira Screenplay and Director: Shinkichi Noda Second-unit Director: Toshio Matsumoto Cinematographer: Kazuhiko Shimizu, Akira Takada, Motomitsu Inaba Gaffer: Takao Suzuga, Kenichi Isohata Film Editor: Toshie Iwasa Music Composer: Michio Mamiya Production Coordinator: Yoshiaki Mitsui Assistant Director: Shigeru Suematsu, Hirokazu Ariga Camera Operator: Hironari Ishii, Osamu Fujikawa Narrator: Akira Takashima
1964 12