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    Ref: Monochrome n Colour Television by R.R. Gulati (2nd Edition Revised Version)

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    Ref: Monochrome n Colour Television by R.R. Gulati (2nd Edition Revised Version)

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    Grassmans law

    Tristimulus values of Spectral Colours

    25.5 Luminance, hue and saturation

    Luminance/brightness

    Hue

    Saturation

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    Ref: Monochrome n Colour Television by R.R. Gulati (2nd Edition Revised Version)

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    Ref: Monochrome n Colour Television by R.R. Gulati (2nd Edition Revised Version)

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    Ref: Monochrome n Colour Television by R.R. Gulati (2nd Edition Revised Version)

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    Ref: Monochrome n Colour Television by R.R. Gulati (2nd Edition Revised Version)

    Colour Plate 3: Variation in colour on the surface of the chromaticity diagram

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    25.6 Colour Television Camera

    Ref: Monochrome n Colour Television by R.R. Gulati (2nd Edition Revised Version)

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    Fig 25.5 shows a simple block schematic of a colour TV camera

    It essentially consists ofthree camera tubes

    Each tube receives selectively filtered primary colours

    Each tube develops a signal voltage proportional to the respective colourintensity received by it

    Light from the scene is processed by the objective lens system

    The image formed by the lens is split into three images by means of glassprisms

    These prisms are designed as diachroic mirrors A diachroic mirror passes one wavelength and rejects other wavelengths

    (colours of light)

    Thus red, green, and blue colour images are formed

    The rays from each of the light splitters also pass through colour filterscalled trimming filters

    These filters provide highly precise primary colour images converted intovideo signals by image-orthicon or vidicon camera tubes

    Thus the three colour signals Red (R), Green (G) and Blue (B) signal aregenerated

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    Simultaneous scanning of the three camera tubes is accomplished by a masterdeflection oscillator and sync generator which drives all the three tubes

    The three video signals produced by the camera represent three primaries of thecolour diagram

    By selective use of these signals, all colours in the visible spectrum can bereproduced on the screen of a special (colour) picture tube

    Colour Signal Generation

    At any instant during the scanning process the transmitted signal must

    indicate the proportions of red, green and blue lights present in the elementbeing scanned

    To fulfil the requirements of compatibility, the luminance signal whichrepresents the brightness of the elements being scanned must also begenerated and transmitted along with the colour signals

    Figure 25.5 illustrates the method of generating these signals The camera output voltages are labelled as VR, VG and VBbut generally

    the prefix V is omitted and only the symbols R, G, and B are used torepresent these voltages.

    With the specified source of white light the three cameras are adjusted togive equal output voltage

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    Gamma Correction

    To compensate for the non-linearity of the system including TV camera andpicture tubes, a correction is applied to the voltages produced by the three

    camera tubes

    The output voltages are then referred to as R, Gand B

    However, in our discussion we will ignore such a distinction and use thesame symbols i.e., R, G and B to represent gamma corrected outputvoltages

    The camera outputs corresponding to maximum intensity (100%) ofstandard white light to be handled are assumed adjusted at an arbitraryvalue of one volt

    Then on grey shades, i.e., on white of lesser brightness, R, G and B voltagewill remain equal but at amplitude less than one volt

    25.7 The luminance signal To generate the monochrome or brightness signal that represents the

    luminance of the scene, the three camera outputs are added through aresistance matrix (see Fig. 25.5) in the proportion of 0.3, 0.59 and 0.11 ofR, G and Brespectively

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    This is because with white light which contains the three primary colours inthe above ratio, the camera outputs were adjusted to give equal voltages

    The signal voltage developed across the common resistance RC represents

    thebrightness of the scene and is referred to asYsignal

    Therefore, Y = 0.3 R + 0.59 G + 0.11 BColour Voltage Ampli tudes

    Figure 25.6 (a) illustrates the nature of output from the three cameras whena horizontal line across a picture having vertical bars of red, green and blue

    colours is scanned At any one instant only, one camera delivers output voltage corresponding

    to the colour being scanned

    In Fig. 25.6 (b) dif ferent valuesof red colour voltage are illustrated.

    Here the red pinkand pale pink which are different shades of red havedecreasing values of colour intensity

    Therefore the corresponding output voltages have decreasing amplitudes

    Thus R, G or B voltageindicates information of the specific colour whiletheir relative amplitudes depend on the level of saturation of that colour

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    Ref: Monochrome n Colour Television by R.R. Gulati (2nd Edition Revised Version)

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    Next, scanning a picture that has yellow and white bars besides the three

    pure colour bars

    The voltages of the three camera outputs are drawn below the colour bar

    pattern in Fig. 25.7

    The values shown for yellow is an example of a complementary colour

    Since yellow includes red and green, video voltage is produced for both

    these primary colours Since there is no blue in yellow, the blue camera output voltage is at zero

    for the yellow bar

    The white bar at the right includes all the three primary colours

    So all the three cameras develop output voltage when this bar is scanned

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    Ref: Monochrome n Colour Television by R.R. Gulati (2nd Edition Revised Version)

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    Y Signal Amplitude

    As already stated, the Y signal contains brightness variations of the

    picture information

    Formed by adding the three camera outputs in the ratio, Y = 0.3 R + 0.59 G+ 0.11 B

    These percentages correspond to the relative brightness of the three primary

    colours

    So, a scene reproduced in black and white by the Ysignallooks the same

    as when it is televised in monochrome Figure 25.8 illustrates how the Y signal voltage is formed from the

    specified proportions of R, G, and B voltagesfor the colour bar pattern

    The addition, as already explained is carried out (see Fig. 25.5) by the

    resistance matrix

    Note that, the Y signal forwhite has the maximum amplitude (1.0 or100%) because it includes R, G and B

    For the other bars the magnitude of Y decreases or changes in accordance

    with the colour or colours that form the bars (colour plate 5)

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    All the voltage values can be calculated as illustrated by the writeup below

    Fig. 25.8

    If only this Ysignalis used to reproduce thepattern

    It will appear as monochrome bars shading-off from white at the left togrey in the centre and black at the right

    These values correspond to the staircase pattern ofY voltage shown in the

    figure

    Note the progressive decrease in voltage for the relative brightness of the

    various colour bars

    Production of Colour Diff erence Voltages

    The Y signal is modulated and transmitted as is done in a monochrome

    television system

    Instead of trasmitting all the three colour signals separately , the red and

    blue camera outputs are combined with the Y signal to obtain the colour

    dif ference signals

    Colour difference voltages are derived by subtracting the luminance

    voltage from the colour voltages

    Only (R

    Y) and (B

    Y)

    are produced

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    It is only necessary to transmittwo of the three colour difference signals

    since the third may be derived from the other two

    The reason for not choosing (G Y) for transmission and how the green

    signal is recovered are explainedin a later section of this chapter

    The circuit of Fig. 25.5 is reproduced in Fig. 25.9 to explain the generationof (BY) and (RY) voltages

    The voltage VYas obtained from the resistance matrix is low because RCis

    chosen to be small to avoid crosstalk

    Hence it is amplified before itleaves the camera subchassis

    Also the amplified Y signal is invertedto obtainYas the output

    This is passed on to the two adder circuits

    One adder circuit adds the red camera output to Y to obtain the (RY)

    signal

    Similarly, the second addercombinesthe blue camera output to

    Y and

    delivers(BY) Signal. This is illustrated in F ig. 25.9

    The differencesignals thus obtained bear information both about the hue

    and saturation of different colours

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    Ref: Monochrome n Colour Television by R.R. Gulati (2nd Edition Revised Version)

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    Compatibi l i ty Considerations

    The colour difference signals equal zero when white or grey shades arebeing transmitted

    This is illustrated by two examples:

    (a) On peak whites let R = G = B = 1 volt

    Then, Y = 0.59G + 0.3R + 0.11B = 0.59 + 0.3 + 0.11 = 1 (volt)

    (R Y) = 1 1 = 0 volt and (B Y) = 1 1 = 0 volt

    (b) On any grey shade let R = G = B = v volts (v < 1)

    Then Y = 0.59v + 0.3v + 0.11v = v

    (R Y) = v v = 0 volt and (B Y) = v v = 0 volt

    Thus the colour difference signals during the white or grey content of acolour scene during the monochrome transmission completely disappear

    This is an aid to compatibility in colour TV systems