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TRANSCRIPT
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Ref: Monochrome n Colour Television by R.R. Gulati (2nd Edition Revised Version)
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Ref: Monochrome n Colour Television by R.R. Gulati (2nd Edition Revised Version)
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Grassmans law
Tristimulus values of Spectral Colours
25.5 Luminance, hue and saturation
Luminance/brightness
Hue
Saturation
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Ref: Monochrome n Colour Television by R.R. Gulati (2nd Edition Revised Version)
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Ref: Monochrome n Colour Television by R.R. Gulati (2nd Edition Revised Version)
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Ref: Monochrome n Colour Television by R.R. Gulati (2nd Edition Revised Version)
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Ref: Monochrome n Colour Television by R.R. Gulati (2nd Edition Revised Version)
Colour Plate 3: Variation in colour on the surface of the chromaticity diagram
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25.6 Colour Television Camera
Ref: Monochrome n Colour Television by R.R. Gulati (2nd Edition Revised Version)
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Fig 25.5 shows a simple block schematic of a colour TV camera
It essentially consists ofthree camera tubes
Each tube receives selectively filtered primary colours
Each tube develops a signal voltage proportional to the respective colourintensity received by it
Light from the scene is processed by the objective lens system
The image formed by the lens is split into three images by means of glassprisms
These prisms are designed as diachroic mirrors A diachroic mirror passes one wavelength and rejects other wavelengths
(colours of light)
Thus red, green, and blue colour images are formed
The rays from each of the light splitters also pass through colour filterscalled trimming filters
These filters provide highly precise primary colour images converted intovideo signals by image-orthicon or vidicon camera tubes
Thus the three colour signals Red (R), Green (G) and Blue (B) signal aregenerated
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Simultaneous scanning of the three camera tubes is accomplished by a masterdeflection oscillator and sync generator which drives all the three tubes
The three video signals produced by the camera represent three primaries of thecolour diagram
By selective use of these signals, all colours in the visible spectrum can bereproduced on the screen of a special (colour) picture tube
Colour Signal Generation
At any instant during the scanning process the transmitted signal must
indicate the proportions of red, green and blue lights present in the elementbeing scanned
To fulfil the requirements of compatibility, the luminance signal whichrepresents the brightness of the elements being scanned must also begenerated and transmitted along with the colour signals
Figure 25.5 illustrates the method of generating these signals The camera output voltages are labelled as VR, VG and VBbut generally
the prefix V is omitted and only the symbols R, G, and B are used torepresent these voltages.
With the specified source of white light the three cameras are adjusted togive equal output voltage
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Gamma Correction
To compensate for the non-linearity of the system including TV camera andpicture tubes, a correction is applied to the voltages produced by the three
camera tubes
The output voltages are then referred to as R, Gand B
However, in our discussion we will ignore such a distinction and use thesame symbols i.e., R, G and B to represent gamma corrected outputvoltages
The camera outputs corresponding to maximum intensity (100%) ofstandard white light to be handled are assumed adjusted at an arbitraryvalue of one volt
Then on grey shades, i.e., on white of lesser brightness, R, G and B voltagewill remain equal but at amplitude less than one volt
25.7 The luminance signal To generate the monochrome or brightness signal that represents the
luminance of the scene, the three camera outputs are added through aresistance matrix (see Fig. 25.5) in the proportion of 0.3, 0.59 and 0.11 ofR, G and Brespectively
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This is because with white light which contains the three primary colours inthe above ratio, the camera outputs were adjusted to give equal voltages
The signal voltage developed across the common resistance RC represents
thebrightness of the scene and is referred to asYsignal
Therefore, Y = 0.3 R + 0.59 G + 0.11 BColour Voltage Ampli tudes
Figure 25.6 (a) illustrates the nature of output from the three cameras whena horizontal line across a picture having vertical bars of red, green and blue
colours is scanned At any one instant only, one camera delivers output voltage corresponding
to the colour being scanned
In Fig. 25.6 (b) dif ferent valuesof red colour voltage are illustrated.
Here the red pinkand pale pink which are different shades of red havedecreasing values of colour intensity
Therefore the corresponding output voltages have decreasing amplitudes
Thus R, G or B voltageindicates information of the specific colour whiletheir relative amplitudes depend on the level of saturation of that colour
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Ref: Monochrome n Colour Television by R.R. Gulati (2nd Edition Revised Version)
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Next, scanning a picture that has yellow and white bars besides the three
pure colour bars
The voltages of the three camera outputs are drawn below the colour bar
pattern in Fig. 25.7
The values shown for yellow is an example of a complementary colour
Since yellow includes red and green, video voltage is produced for both
these primary colours Since there is no blue in yellow, the blue camera output voltage is at zero
for the yellow bar
The white bar at the right includes all the three primary colours
So all the three cameras develop output voltage when this bar is scanned
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Y Signal Amplitude
As already stated, the Y signal contains brightness variations of the
picture information
Formed by adding the three camera outputs in the ratio, Y = 0.3 R + 0.59 G+ 0.11 B
These percentages correspond to the relative brightness of the three primary
colours
So, a scene reproduced in black and white by the Ysignallooks the same
as when it is televised in monochrome Figure 25.8 illustrates how the Y signal voltage is formed from the
specified proportions of R, G, and B voltagesfor the colour bar pattern
The addition, as already explained is carried out (see Fig. 25.5) by the
resistance matrix
Note that, the Y signal forwhite has the maximum amplitude (1.0 or100%) because it includes R, G and B
For the other bars the magnitude of Y decreases or changes in accordance
with the colour or colours that form the bars (colour plate 5)
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All the voltage values can be calculated as illustrated by the writeup below
Fig. 25.8
If only this Ysignalis used to reproduce thepattern
It will appear as monochrome bars shading-off from white at the left togrey in the centre and black at the right
These values correspond to the staircase pattern ofY voltage shown in the
figure
Note the progressive decrease in voltage for the relative brightness of the
various colour bars
Production of Colour Diff erence Voltages
The Y signal is modulated and transmitted as is done in a monochrome
television system
Instead of trasmitting all the three colour signals separately , the red and
blue camera outputs are combined with the Y signal to obtain the colour
dif ference signals
Colour difference voltages are derived by subtracting the luminance
voltage from the colour voltages
Only (R
Y) and (B
Y)
are produced
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It is only necessary to transmittwo of the three colour difference signals
since the third may be derived from the other two
The reason for not choosing (G Y) for transmission and how the green
signal is recovered are explainedin a later section of this chapter
The circuit of Fig. 25.5 is reproduced in Fig. 25.9 to explain the generationof (BY) and (RY) voltages
The voltage VYas obtained from the resistance matrix is low because RCis
chosen to be small to avoid crosstalk
Hence it is amplified before itleaves the camera subchassis
Also the amplified Y signal is invertedto obtainYas the output
This is passed on to the two adder circuits
One adder circuit adds the red camera output to Y to obtain the (RY)
signal
Similarly, the second addercombinesthe blue camera output to
Y and
delivers(BY) Signal. This is illustrated in F ig. 25.9
The differencesignals thus obtained bear information both about the hue
and saturation of different colours
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Ref: Monochrome n Colour Television by R.R. Gulati (2nd Edition Revised Version)
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Compatibi l i ty Considerations
The colour difference signals equal zero when white or grey shades arebeing transmitted
This is illustrated by two examples:
(a) On peak whites let R = G = B = 1 volt
Then, Y = 0.59G + 0.3R + 0.11B = 0.59 + 0.3 + 0.11 = 1 (volt)
(R Y) = 1 1 = 0 volt and (B Y) = 1 1 = 0 volt
(b) On any grey shade let R = G = B = v volts (v < 1)
Then Y = 0.59v + 0.3v + 0.11v = v
(R Y) = v v = 0 volt and (B Y) = v v = 0 volt
Thus the colour difference signals during the white or grey content of acolour scene during the monochrome transmission completely disappear
This is an aid to compatibility in colour TV systems