uic graduate portfolio

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JASON M MOULD University of Illinois at Chicago

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Student UIC Portfolio

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  • JASON M MOULDUniversity of Illinois at Chicago

  • Primitive Alterations:reinterpretations of existing foundations through tweaks, adaptations, and positive misreadings

    Glitched MatrixSpring 2011

    Penelope Dean / Andy Moddrell

    RumspringaFall 2012

    Sarah Dunn

    Book of BaysFall 2011

    Jimenez Lai

    Open InversionsSpring 2012

    Xavier Vendrell

    Primitive TwistFall 2010

    Paul Preissner / Laura Fehlberg

  • Glitched MatrixThe choices are usually open office, or the corridor office plan. However, with this project, a new type of office plan is created in which the corridor and the office become one system. Within a primitive grid, rooms and spaces are allowed to have their own persona and characteristics, and with a simple tweak of this gridded system, more variation occurs. This system is generated by a basic structural system of intersecting walls that form a three dimensional grid. By pinching these walls together, the spaces become less uniform in the horizontal condition, by having large spaces and small spaces all within the same system. Vertically, the walls are then twisted in order to diversify the spaces as they move upward, thus making every room within this system different from the next. The corridor is integrated within the office setting, and is defined by the furniture of each room. Wrapping this entire building is a semi-opaque skin that hides the activities that occur within the building, but hints at the at the grid organization. Cut outs within this skin expose rooms to the exterior so that each floor has outdoor space intermixed with each office plan. This new office plan brings circulation, program, and structure into a single coherent whole yet provides great difference and diversity.

  • grid pinch & twist insert & occupy

    FORM

    open office plan corridor office plan corridor-less office plan

    PROGRAM

    floor grid circulation volume program volumes

    DIFFERENTIATED SPACES

  • initial studies: tweaking identical spaces into differentiated ones

  • plans site - 3 : organizing circulation and interweaving program create difference

    elevations north and east

  • model uncovered: revealing the range of interior program volumes

  • plans 4 - roof : as the building moves up walls twist and rotate to accommodate program and to enhance variety

    elevations north and east

  • model covered: shadows hint at the form of the tweaked grid on the inside

  • plan 1: room organization creates personalities and contrasts between the programs within the same matrix

    section 1

  • close-ups: openings in the skin specializes and reveals the nature on the interior

  • plan 2: location of occupiable grid spaces were chosen to create a variety of room heights and allow sky lighting

    section 2

  • close-ups: the final design enables each room to be different from the next

  • Open InversionsOpen Inversions starts with the primitive concept of the townhouse and its semi-autonomous vertical lifestyle. The vertical arrangement of the townhouse tends to stratify the programs into discrete zones that become more closed the further they are from the street. This project embraces the stratification as a means to organize bands of lifestyle/living, but creates different forms of openings to facilitate a blend of outdoor functions. The 36 units aggregate around 4 courtyards which act as new semi-public fronts. On the lowest level, the units have a flexible live-work space that can expand directly onto the shared plaza. The next level is occupied by the typical living necessities which are fronted by terraces that overlook the common courtyard. Finally, the uppermost level is a place of rest, with semi-sheltered private spaces and open balconies. Through this mixing of indoor and outdoor, private and shared, a new type of lifestyle and community emerges. The system is introverted, creating opportunities for shared moments, yet still providing the flexibility for each unit to retain intimate spaces.

  • second floorenclosed private outdoorliving indoor

    third flooropen private outdoorresting indoor

    OUTDOOR LIVING

    unit core / circulation floor by floor programmatic distribution

    outdoor extensions / inversions

    VERTICAL LIVING

    unit aggregation facing courtyard bands of programmatic living final enclosure and wrapper

    INTROVERTED LIVING

    facadeopen or enclosed greenery

    first floorpublic outdoorworking indoor

  • ground floortenants can run business shops located at ground level and access their units via the hallway staircase

    public courtyard: tenants enter into a shared 9 unit courtyard or front yard

    ground interior: can be used for multiple types of indoor/ outdoor programs including working, recreation, or additional living

    core: acts a backbone to units allowing access and mechanical flow

    floor 1: creates opportunity for live/work

  • floors 2 and 3: four courtyards aggregate together to create a 36 unit complex with a communal internal atmosphere wrapped by private, individual outdoor and indoor moments

    west and south elevations: perforated skin allows seclusion from streetside while still allowing light into private spaces

  • site view: distinct separation from the buildings exterior world to its open internal world

  • interior views: (top) enclosed and private outdoor; (bottom) resting indoors

    section: each floor provides various indoor/outdoor lifestyles, with the most exposed program at the bottom and the most concealed at the top

  • interior views: (top) living indoors; (bottom) open and private outdoors

  • Unit Type A (8 units)1,200 sf

    Unit Type B (8 units)1,200 sf

    Unit Type C (12 units)700 sf

    Unit Type D (8 units)1,600 sf

    third floor second floor first floor (flex-space)

  • courtyard view: the collection of units create a community of living with collective moments and private pockets

  • RumspringaRumspringa is a point in a young Amish persons life where he makes the decision to either leave the Amish way, or become a full member of the community, contributing to its resources and taking advantage of the opportunities it offers. Looking at the primitive suburb, the majority of individual homes offer the same lifestyle and redundant resources, and yet there is no strong sense of neighborhood identity. In the Amish community, although families have their own separate homes or spaces, there is a strong community because they are linked together either architecturally, or by means of a shared resource. The Rumspringa neighborhood ties this resource-sharing technique with the desire to stay connected to generate a new, super-dense communal suburb that focuses on social hubs instead of personal space. Within the neighborhood, a range of lifestyles are accommodated, from condo-living with more traditional spatial arrangements to commune-living where everything becomes a shared resource. Here, programs required for living are pooled to create communal spaces with new social opportunities, and typical amenities expand to become autonomous luxuries.

  • AMISH ATTACHMENTS(top left to right) shift, hip, rotate, bridge

    AMISH CASE STUDYhouse is a mix of family units each with their own private sectors and shared collective spaces

  • speculation of amish extension in suburb: extensions link separate homes into shared moments and new common outdoor spaces

  • ORIGINsuburb is separate and private with clearly delineated boundaries

    LOCATE CONSISTENCIESgarage becomes a datum to link separate forms and frame exterior spaces

    INFILL GAPconnections thicken to delineate new social hubs

    LIFTform maintains isolation between hubs, while elevating to allow others to link together

  • sample view of new suburb: uses infrastructure of old while increasing density and opportunities for alternative lifestyles

    roof plan (left): courtyards enable a new social spot for homes allowing flexible programming and iconic form

    second floor (right): lifts allow for linking courtyards outside the system while enhancing interior qualities and lifestyles

  • ENTRYgarage become identifiable component of system establishing a consistent point of entry

    CONDO LIVINGmore traditional kind of living with minimum number of shared conditions

    SHARED CONDO LIVINGsingular resource to be accessible to four units, creating a micro-communal space

    COMMUNE LIVINGmultiple shared resources among a mass of people while retaining small personal spaces

  • entry garage way, consistent throughout new suburb

    condo living individual households with private lifestyles

    shared condo living the programmatic and physical link between multiple households

    commune livingfinal binding system which allows complete flow through network of the suburb

    ground floor: programs bleed together along single line of form

    intersection: shared moment of transition for both commune and condo citizens

    shared social hub: enhanced outdoor living for multiple households

    condo household: private household with access to rest of commune sections

    private hub: small personal space for those living in commune section

    [see section on following pages]

  • condo property: private spaces are clustered around entry, while open, shared forms overlook exterior courtyards

    section: system creates a continuity of living that can blend one lifestyle across many

    communal necessities: the required programs for living become pooled to create shared resources with new social opportunities

  • interior views: internal divisions created by walls and furniture facilitate access to shared resource

  • commune property: new programs infill shared communal spaces, giving inhabitants access to greater resources as well as social support of peers

  • interior views: commune space enables constant connectivity to other members of household via access to resources

  • intersection knot: typically private activities in the home take on social implications as the resource is opened to all in commune

    communal luxuries: pooling space creates opportunity for typical amenities to expand into autonomous luxuries and social opportunities

  • interior views: intersection allows for a visual barrier between condo and commune, while still physically allowing the two to come together

  • Primitive TwistThis project took concepts and ideas used in the duplication and modification of Peter Eisenmans House VI Drawings, and placed them into a new original project. Prior techniques were blended with the iconic pitched roof primitive house, in order to create a livable, recognizable, yet contemporary house. Once again using the multipurpose surface from the previous project, what may be acting as a roof in the front of the house ended up acting as a wall in the back. This enabled control of the technique by having more normal and recognizable surfaces at the ends, and placing the more intense moments of the curve in the middle. This technique created livable program spaces, and fluid movement in between.

  • original house VI drawings

  • altered house VI drawings

  • SPLIT

    TWIST

    OCCUPY

  • initial studies: creating space using single surfaces that can act as a floor and a wall

  • DUD

    1 33 47

    652

    DU

    U

    412 7

    8

    9

    11

    10

    13

    1 - Guest Bedroom2 - Master Bathroom3 - Master Bedroom4 - Outdoor 5 - Studio Bathroom

    6 - Studio Bedroom7 - Garage8 - Entry9 - Kitchen10 - Bathroom

    11 - Dining12 - Living13 - Studio Living

    plans: splitting allows for rooms to open up and also to be enclosed and separated from each other

  • views: (top) interior; (bottom) front exterior

  • 13

    4

    9

    13

    6

    12

    11

    1

    3

    4

    9

    13

    6

    12

    11

    1 - Guest Bedroom2 - Master Bathroom3 - Master Bedroom4 - Outdoor 5 - Studio Bathroom

    6 - Studio Bedroom7 - Garage8 - Entry9 - Kitchen10 - Bathroom

    11 - Dining12 - Living13 - Studio Living

    sections: twisting enables transition and vertical movement from one space to another

  • view: (top) back garage; (bottom) back exterior

  • Book of BaysThe interest with this project was based on using the typical facade and window organization of a building to create occupiable voids and develop new programmatic thresholds. This initial study began with evaluating a building not as a whole, but rather as thin bays of program laminated together. Within these bays a more normative slab program exists, but embedded within each bay are specialized programs that are represented by means of iconic shapes and figures. These icons allowed for an alternate use of form, and more importantly, a alternate way that program can occupy space. Each bay is simplified into specified yet specialized zones of program and by laminating them together, a new way of cross programming occurred. Rather then blending two contrasting programs together, a strong threshold is created in between separate atmospheres of space that are defined by form and function. However, even though this threshold is created, visual and physical connections occur through multiple bays of program allowing for occupants to be in one space, yet see through multiple others. This tower is a new reading on the layering transparency of a buildings facade, and enables difference as well as organization through the adaptation of the primitive box tower.

  • divide separate readjust and specialize

    BAYS

    occupy laminate embed

    ICON

    librarymuseum sports center

    VOID SEQUENCING

  • program shuffle: initial model realized possibilities of laminating two different programs and spaces together

    circulation void volumes final adaptation

  • SM

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    ML

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    LXL?

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    LXL

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    XL

    ML

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    ML

    XL

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    SM

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    ? ML

    XL

    LXL?

    LXL?

    XL

    SM

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    ML

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    SM

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    XL

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    ? ML

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    3RRO+DOO

    )DEULFDWLRQ/DE+HDOWK&HQWHU0DLO5RRP

    SHAPE LEGENDSCALE OF SHAPE

    SM small - medium

    ML

    medium - large

    LXLlarge - xlarge

    XLx-karge

    FORMAL ORGANIZATION

    single

    split

    visally divided

    physically divided

    SURFACE TYPE

    flat

    sloped

    mix

    ? odd

    SHAPE INTERACTION

    engulfed

    engulfes

    undecided

    PROGRAM LEGENDSCALE OF GATHERING

    small

    unintentional intentional

    large

    x-large

    TYPE OF INTERACTION

    no-way

    one-way

    two-way

    all-way

    ACTIVITY LEVEL

    frenetic

    consisitent

    fluctuating

    stasis

    DEPENDENCY

    autonomous

    compartmentsystem

    autonomouscompartments

    SCALE OF SPACE

    small

    medium

    large

    flat-vert flat-horiz sphere

    x-large

    flexible

    program and icon evaluation: match best fit program with icons and shapes

  • sections along bays: program and icons realized

  • plan: through lamination of bays, a new threshold occurs between two previously isolated programs

  • site model & plan

  • 33

    3

    YSIZEXSIZE

    YSIZEXSIZE

    cross-section: the threshold creates enhanced moments, and new spatial sequences as one travels against the bays

  • SECTION 1 -1SCALE 1 - 40

    3

    3

    3

    site model & section

  • YSIZEXSIZE

    YSIZEXSIZE

    MAM AND WOMAN

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    YSIZEXSIZE

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    bay section: icons give new form, generating the potential for alternate lifestyles and neighbors

  • exterior view & final bay volumes

  • zoom in cross-section

  • SCALE OFGATHERING

    SCALE OF SPACE

    DEPEN-DENCY

    TYPE OF INTERACTION

    ACTIVITY LEVEL

    SCALE OFGATHERING

    SCALE OF SPACE

    SHAPETYPE

    SCALEPOSSIBILITIES

    ?

    XL

    ML

    interior views: the linking of two voids create a threshold barrier of program

  • zoom in bay-section

  • SCALE OFGATHERING

    SCALE OF SPACE

    DEPEN-DENCY

    TYPE OF INTERACTION

    ACTIVITY LEVEL

    ML

    ML

    FORMALORDER

    SHAPEINTERACTION

    SURFACETYPE

    SCALEPOSSIBILITIES

    interior views: harvesting pre-made shapes as occupiable spaces

  • technical layer: within the details all characteristics come together to enhance the bays, icons, and void movements

  • SCALE OFGATHERING

    SCALE OF SPACE

    DEPEN-DENCY

    TYPE OF INTERACTION

    ACTIVITY LEVEL

    FORMALORDER

    SHAPEINTERACTION

    SURFACETYPE

    SCALEPOSSIBILITIES

    ? LXLM

    Linterior views: two contrasting environments laminated together

  • CONTACTemail: [email protected]

    web: jasonmmould.com