unexpected outcomes camera play
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hand written effect typographyTRANSCRIPT
Front cover
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‘We have all found something beautiful or intruiging by chance’-anna gerber
‘The photograph becomes ‘surprising’ when we do not know why it has been taken’ -roland barthes
‘The photograph becomes ‘surprising’ when we do not know why it has been taken’ -roland barthes
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Unexpected outcomes is a project exploring the unintentional and chance
outcomes that film photography can offer. In order to unleash the possibilities
one must take themselves out of the process, stop focussing on composure
and actual outcome and allow the camera to work in a playful experimental
way. The project consisted of many different experiments, in total twenty films
were used which allowed me to collate a substantial amount of material and
to investigate many different and unexpected outcomes which one may come
across when photographing in such a mindset. This project aimed to explored
and highlight the ways in which chance can effect a process in a beneficial way.
It aims to open up our minds to something fresh, new and creative and
show the viewer something they are not use to. This project consisted of
photographs created from the process of chance which lead to outcomes of
an unexpected nature. This project aimed to embrace all different outcomes
regardless of how in focus or damaged they were, I wanted to show that
unpredictability and the unexpected, we can create when we work in such
a way as to take ourselves out of a process, can offer much more dynamic,
interesting and alternative results than if always try to control the process.
Rather than planning something let the possibilities of chance work to your
advantage, embrace the unknown welcome mistakes.
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If we choose to use a film camera in a playful and experimental way, rather
than one frame per shoot, we can explore many different converging lines
within images. We encounter an element of surprise, the unexpected.
Unaware of what may happen and what result will come of it, this
adventurous approach allows you to capture photographs of what isn’t
actually there. This allows photographs to work much like our memory,
melting and converging lines of images together allowing for a tangible
image and a moving memory captured in one photograph.
We can explore chance by being creative with the negative itself before
development by investigating the chemical reactions that occur when
the film reacts with different types of substances and heat. Of course
you choose the effect which is applied and the time it is left to effect the
negative but inevitably you are out of the actual process as you cannot
really control exactly how it effects it. You are unaware of what has
happened to the film until it is developed.
Take yourself out of the process, stop thinking too much about what
you are taking a picture of and just shoot, see what happens. Inevitably
you do control the process to some extent but by not thinking too much
about the composure of the image can open up what you can achieve, it
explores possibilities of the unexpected and welcomes chance, mistakes
and accidents. This can end up working to your advantage, answers and
potential can be found in something you didn’t mean to create.
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‘We have all found something beautiful or intruiging by chance’-anna gerber
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‘We have all found something beautiful or intruiging by chance’-anna gerber
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‘We have all found something beautiful or intruiging by chance’-anna gerber
‘The photograph becomes ‘surprising’ when we do not know why it has been taken’ -roland barthes
‘The photograph becomes ‘surprising’ when we do not know why it has been taken’ -roland barthes
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