unit 3 - introduction to pre-visualisation
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UNIVERSITY OF THE CREATIVE ARTS ROCHESTER - CG ARTS AND ANIMATION
Unit 3: EnvironmentIntroduction to Pre-Visualization
David John Vandepeer (Stitch)
12/13/2011
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Camera Breakdown
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Focal Depth Example
Dolly Zoom Example
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Aspect Ratios
Usable Aspect Ratios
Use in Film Star Trek Cinemascope 2.35
Use in Games The Age of Cogman HD(16:9) 1.78
Aspect Ratios are a finer way of explaining
computer resolution. Each digital screen occupies a
different number of pixels limiting resolution &
therefore any work experienced through screens
will differentiate substantially to one another.
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Static Camera Blocking
Full Shot Medium Full Shot Cowboy Shot Medium Shot
Medium Close Shot Close Shot Wide Close Up Full Close Up
Medium Close Up Extreme Close Up
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Static Camera Blocking Shots to Avoid
Amputated Knees
Standing in a Hole
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Distance & Intimacy
The closer the camera the more intimate we are with character
Q. Does the characters dialogue match the distance of the camera?
Q. How well have we gotten to know the character?
Jeff! Where are you??? Nows my chance
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Distance & Intimacy (continued)
As the dialogue progresses and becomes more intimate, so can the distance.
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Distance & Intimacy (continued)
The opposite isalso true. Starting close and pulling away causes emotional distance
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Other Shots
Point of View (POV)
Object Shot
The One Shot
The Two Shot
The Three Shot
The Four Shot... and so on.
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Camera Positions for Dialogue
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Camera Positions for Dialogue (continued)
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Camera Positions for Dialogue (continued)
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Camera Positions for Dialogue (continued)
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Camera Positions for Dialogue (continued)
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Camera Positions for Dialogue (continued)
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Camera Positions for Dialogue (continued)
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Camera Positions for Dialogue (continued)
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Camera Positions for Dialogue (continued)
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Camera Positions for Dialogue (continued)
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Intimacy Part 2 Eye line
Disconnected
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Intimacy Part 2 Eye line (continued)
Close Intimate
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Jump Cuts
Cutting at Similar Length Shot 1
Cutting at Similar Length Shot 2
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Jump Cuts (continued)
Correct Method Contrasting Length Shot 1
Correct Method Contrasting Length Shot 2
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Jump Cuts on Angles
Cutting on Angles Shot 1
Cutting on Angles Shot 2
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Jump Cuts on Angles (continued)
Contrasting Angles Shot 1
Contrasting Angles Shot 2
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Camera Positions for Dialogue Part 2
Three Person Scene Angle of Action
Three Person Eye line Establishing Geography
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A Three Person Conversation
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A Three Person Conversation
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A Three Person Conversation
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A Three Person Conversation
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A Three Person Conversation
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A Three Person Conversation
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A Three Person Conversation
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A Three Person Conversation
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A Three Person Conversation