unit 3 - introduction to pre-visualisation

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    UNIVERSITY OF THE CREATIVE ARTS ROCHESTER - CG ARTS AND ANIMATION

    Unit 3: EnvironmentIntroduction to Pre-Visualization

    David John Vandepeer (Stitch)

    12/13/2011

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    December 13, 2011 [UNIT 3: ENVIRONMENT]

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    Camera Breakdown

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    Focal Depth Example

    Dolly Zoom Example

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    Aspect Ratios

    Usable Aspect Ratios

    Use in Film Star Trek Cinemascope 2.35

    Use in Games The Age of Cogman HD(16:9) 1.78

    Aspect Ratios are a finer way of explaining

    computer resolution. Each digital screen occupies a

    different number of pixels limiting resolution &

    therefore any work experienced through screens

    will differentiate substantially to one another.

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    Static Camera Blocking

    Full Shot Medium Full Shot Cowboy Shot Medium Shot

    Medium Close Shot Close Shot Wide Close Up Full Close Up

    Medium Close Up Extreme Close Up

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    Static Camera Blocking Shots to Avoid

    Amputated Knees

    Standing in a Hole

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    Distance & Intimacy

    The closer the camera the more intimate we are with character

    Q. Does the characters dialogue match the distance of the camera?

    Q. How well have we gotten to know the character?

    Jeff! Where are you??? Nows my chance

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    Distance & Intimacy (continued)

    As the dialogue progresses and becomes more intimate, so can the distance.

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    Distance & Intimacy (continued)

    The opposite isalso true. Starting close and pulling away causes emotional distance

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    Other Shots

    Point of View (POV)

    Object Shot

    The One Shot

    The Two Shot

    The Three Shot

    The Four Shot... and so on.

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    Camera Positions for Dialogue

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    Camera Positions for Dialogue (continued)

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    Camera Positions for Dialogue (continued)

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    Camera Positions for Dialogue (continued)

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    Camera Positions for Dialogue (continued)

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    Camera Positions for Dialogue (continued)

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    Camera Positions for Dialogue (continued)

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    Camera Positions for Dialogue (continued)

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    Camera Positions for Dialogue (continued)

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    Camera Positions for Dialogue (continued)

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    Intimacy Part 2 Eye line

    Disconnected

    50/50 Intimacy Intimate

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    Intimacy Part 2 Eye line (continued)

    Close Intimate

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    Jump Cuts

    Cutting at Similar Length Shot 1

    Cutting at Similar Length Shot 2

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    Jump Cuts (continued)

    Correct Method Contrasting Length Shot 1

    Correct Method Contrasting Length Shot 2

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    Jump Cuts on Angles

    Cutting on Angles Shot 1

    Cutting on Angles Shot 2

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    Jump Cuts on Angles (continued)

    Contrasting Angles Shot 1

    Contrasting Angles Shot 2

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    Camera Positions for Dialogue Part 2

    Three Person Scene Angle of Action

    Three Person Eye line Establishing Geography

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    A Three Person Conversation

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    A Three Person Conversation

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    A Three Person Conversation

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    A Three Person Conversation

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    A Three Person Conversation

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    A Three Person Conversation

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    A Three Person Conversation

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    A Three Person Conversation

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    A Three Person Conversation