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Susie Lee, Mark Schnitzer p.1 UNIT CURRICULUM PLANNING GRID University of Illinois at Urbana-Champaign Unit BIG IDEA Theme: Inside Out – Identity and Society Art Grade Levels: 6-8, High School UNIT Objective(s): To work with my students and have them learn explore their own societies in which they are a part of. Reflect on self identity, self service, and self contribution. Discover art that communicates and presents themselves to others in a professional manner. Discuss art of community and how they can change and influence not only their communities, but their effects on the larger world. Activities: Critical examination of society, community, media, global issues Viewing of dozens of example images of paintings, drawings, computer art, and works of various artists Discussions on topics that reflect on self identity, contribution to society, and self representation Sketching activities to prep their art project production Sharing ideas and thoughts through classroom collaboration Learning many new techniques and tricks Participating in a class critique reflecting on their own creations Production: Creation of several sketches and rough drafts Creation of a final self representing logo Creation of a self made business card incorporating logo, design, color, and layout Using materials such as watercolors, book art materials, Adobe Photoshop, and the internet Selection of the way their projects are distributed and exhibited Week/Project Objectives Themes Dialogue Artists/Resources Procedure Materials Week 1 - Students will - Logo collagraph - What is a logo? - Non-objective art - Sketch 5 - Sketchbook

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Page 1: UNIT CURRICULUM PLANNING GRID University of Illinois at ...artplans.weebly.com/uploads/5/4/3/6/5436943/insideoutgrid.pdf · Susie Lee, Mark Schnitzer p.1 UNIT CURRICULUM PLANNING

Susie Lee, Mark Schnitzer p.1

UNIT CURRICULUM PLANNING GRID University of I l l ino is at Urbana-Champaign

Unit BIG IDEA Theme: Inside Out – Identity and Society Art Grade Levels: 6-8, High School

UNIT Objective(s): To work with my students and have them learn explore their own societies in which they are a part of. Reflect on self

identity, self service, and self contribution. Discover art that communicates and presents themselves to others in a professional manner. Discuss art of community and how they can change and influence not only their communities, but their effects on the larger world.

Activities:

• Critical examination of society, community, media, global issues • Viewing of dozens of example images of paintings, drawings, computer art, and works of various artists • Discussions on topics that reflect on self identity, contribution to society, and self representation • Sketching activities to prep their art project production • Sharing ideas and thoughts through classroom collaboration • Learning many new techniques and tricks • Participating in a class critique reflecting on their own creations

Production: • Creation of several sketches and rough drafts • Creation of a final self representing logo • Creation of a self made business card incorporating logo, design, color, and layout • Using materials such as watercolors, book art materials, Adobe Photoshop, and the internet • Selection of the way their projects are distributed and exhibited

Week/Project

Objectives Themes Dialogue Artists/Resources Procedure Materials

Week 1 - Students will - Logo collagraph - What is a logo? - Non-objective art - Sketch 5 - Sketchbook

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Logo Design

create a triptych of 1 creative name initial logo in 3 varying styles: 1.) Relief prints 2.) Colored Pencils 3.) Watercolor

prints - Initials - Relief Prints - Non Objective Shapes - Printmaking - Craftsmanship - Graphic design

- What is the main purpose of a logo? - Where do we see logos? - What letters make up my initials? - How can I arrange these letters (realistic or abstract) into a visually interesting formation? -How is visual culture used to describe imagery?

- Abstract art - Henri Matisse - Robert Indiana - Milton Glaser -Byzantine -Gothic

different logo designs using initials. - Choose one and include a focal point, a variety of size, shapes, lines - Trace onto block with pencil and then Sharpie - Carve out negative space - Print 5 multi-colored prints - Choose 1 for final triptych

- Pencil/eraser - Dark construction paper - Printmaking ink (assorted colors and white) - Styrofoam or Linoleum blocks - Black Sharpies - Carving tools - Plexiglas - Brayers - Newspaper

Week 2 Logo Design 2

- Students will finish the remaining logo designs and explore the different mediums.

-Organic and Geometric shapes - Colored pencil contour line and shading - Color theory - Watercolor techniques - Craftsmanship - Positive and negative space - Emphasis - Space - Line - Value - Juxtaposition

- How have they evolved? - What makes a good quality logo? - Traits of a good eye-catching logo - What techniques are best for this project? -How is marketing success achieved through imagery?

- Logo designs of gas stations, religion, heraldic designs, company - Web designs - Packaging and labeling - Non-objective art - Abstract art - Henri Matisse - Robert Indiana - Milton Glaser -Byzantine -Gothic

- Choose the final logo design and create 5 sketches that tweak or alter it a bit - Go over design with teacher - Use colored pencils and create a second logo print - Use watercolor prints and create the final 3rd logo print

Sketchbook - Pencil/eraser - Dark construction paper - Cardstock paper - Black Sharpies - Colored pencils - Watercolors - Paint brushes - Water cups - Paper towels - Newspaper

Week/Project

Objectives Themes Dialogue Artists/Resources Procedure Materials

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Week 3 Digital Imaging – Poster Designs

- Students will discuss local community, national, and global issues. They will then pick one issue & create a Photoshop document collage that sends a message about the issue.

- Adobe Photoshop - Collage - Composition - Design - Shape - Texture - Emphasis - Color Theory -Positive/Negative space - Invert - Filters - Exposure - Contrast - Blur/burn tools - Lasso tool - Computer key shortcuts

- Do you watch the news at home? - What are some news stories or issues going on right now? - How do posters or collages impact the audience? - How can we send a message through images alone? - How can we use editing programs to render images?

- Georges Braque - Pablo Picasso - Kara Walker - Jim Dine - Peter Blake - Juan Gris - Man Ray

- Write out a list of 4-5 major issues that are important to you. - Research images, do drawings, and make jpeg files you want to use - Start a collage on a meaningful poster. (No text) - Render images, use filters, and create an eye catching, strong collage poster that speaks!

- Images found online - Magazines - Newspapers - Internet - Tape - Paper & pencil - Computers - Blank CDs - Photoshop - Drawing tablet

Week 4 Digital Imaging – Business Cards

- Students will use their previous made logo designs and generate a business card including a unique layout, student, school, and other information.

- Adobe Photoshop - Layout - Composition - Design - Line - Emphasis - Color Theory - Text - Font - Invert - Filters - Exposure - Contrast - Burn/Dodge tools - Lasso tool - Computer key shortcuts

- Have you ever used a business card? - What is the purpose of one? - How can you represent yourself professionally through cards? - What are high quality design traits of business cards? -Use of repetitious patterns?

- Georges Braque - Pablo Picasso - Kara Walker - Jim Dine - Peter Blake - Juan Gris - Man Ray - Advertising companies - Chicago firms

- View and discuss business card designs - Brainstorm own business card ideas and text then sketch out 5 possible designs and colors - Use Photoshop document to create an impactful card that you can use - Print out enough copies to trade with entire class - Class critique

- Images found online - Magazines - Newspapers - Internet - Tape - Paper & pencil - Computers - Blank CDs - Photoshop - Drawing tablet

Week/Project

Objectives Themes Dialogue Artists/Resources Procedure Materials

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Week 5 Tunnel Book Brochures

- Students will discuss their society and write about their ideal town to live in. They will research and prepare several in depth paragraphs about their society’s: politics, schools, population, news, environment, and other areas. - They will collect images for their tunnel brochures and design a layout

- Brochure - Community - Society - Village, town, city - Tunnel books -

- What is the purpose of a brochure? - What is your ideal living community? - How can brochures attract people to a place or event?

- Henri Rousseau - Joan Sommers - Jean Kropper - Thames Tunnel - Colette Copeland

- Class research and discussion about our village and community - Brainstorm our ideal living place - Write and edit several sections of text for our brochures - Sketch out 4-5 layout designs - Start accordion side and construct tunnel books and add text & images

- Construction paper - Cardstock - Scissors - Glue - Pencil & eraser - Bone folder - X-acto knives - Cutting mat - Collage material - Computer - Printer - Markers, colored pencils, paints - Sharpie markers - Ziplock bags

Week 6 Tunnel Book Brochures 2

- Once they have brainstormed brochure ideas and collected images, students will start constructing the tunnel book and adding images and text - Students may embellish their brochures further - Class discussion about community

- Tunnel books - Altered book art - Collage - 3-D Perspective - Shadow boxes - Text - Font - Space

- What qualities make a good brochure? - What images tie along with your idea of an ideal community?

- Carol Barton - Roberta Lavadour - Edward Gorey -

- Review of tunnel book project - Students will spend most of the time developing a tunnel book brochure of their ideal community - Edit, embellish, and use lots of colors and contrast - Class critique

- Construction paper - Cardstock - Scissors - Glue - Pencil & eraser - Bone folder - X-acto knives - Cutting mat - Collage material - Computer - Printer - Markers, colored pencils, paints - Sharpie markers - Ziplock bags

Week/Project

Objectives Themes Dialogue Artists/Resources Procedure Materials

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Week 7 Perspective Fantasy Drawings

- To learn about basic differences in perspective and where they are applied. - Discussion of perspective and proportion.

- Line - Perspective - Depth - Color - Transition - Scale - Proportion - Illusion - Fantasy - Precision

- Ask if anyone has any experience using perspective. - How do we show scale and proportion? - What examples have you seen? - How can we create visually interesting contrasts by placing certain images in different areas?

- Frank Lloyd Wright - Frank Gehry - Prairie style - Illusion drawings

- Class will use two point, three point and aeriel perspective to portray a scene of somewhere in their town/city. - Class will incorporate an oversized fantasy creature or object within the perspective scene. - Fill with color

- Large white paper - Ruler - Eraser - Pencil - Colored pencils - Watercolor - Perspective images and examples - Internet and printer

Week 8 Perspective Fantasy Drawings 2

- To increase knowledge of perspective. - Draw a known location and incorporate depth. – Know which situations call for certain forms of perspective. - Once they have drawn a perspective scene, they will incorporate the fantasy aspect of the drawing by adding oversized objects/creatures.

- Line - Perspective - Depth - Color - Transition - Scale - Proportion - Color Theory - Illusion - Fantasy - Craftsmanship - Shading - Contrast

- Continue asking for examples. - How do we improve upon images to show detail and depth? - What are some good quality shading techniques? - How can we show even more depth using colored pencils? - How does the final object placement show interest?

- Frank Lloyd Wright - Frank Gehry - Prairie style - Illusion drawings

- Continue the practice of leaning perspective. - Class will incorporate an oversized fantasy creature or object within the perspective scene. - Incorporate colored pencils for leaning depth.

- Large white paper - Ruler - Eraser - Pencil - Colored pencils - Watercolor - Perspective images and examples - Internet and printer

Week/Project

Objectives Themes Dialogue Artists/Resources Procedure Materials

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Week 9 Contour Hand Gesture Drawings with Text

- Understand the importance of learning the outline of objects as opposed to its contents. - Practice free-flowing lines with one single stroke. - Create a drawing based on contour lines, sign language, and text.

-Outline -Free-flowing lines -Line -Contour -Collage -Text - Sign Language - Font - Craftsmanship - Gesture - Color Theory

-Discuss techniques and strategies to draw objects without looking at the paper. -How do students use techniques to drawing in this method? - Discuss sign language and gestures.

- Pablo Picasso’s early line drawings -

- Students will draw their hands without looking at the paper to learn the importance of the contour & edges. - Choose 2-3 letters in sign language and complete hand gesture drawings - Incorporate line drawings and text to form a visually interesting collage. - Choose wise color combinations.

- Bristol paper - Eraser - Pencil - Brown bags - Sign language guide or book - Colored pencils - sharpie marker - Computer - Ruler