2018–19 Season

UniversityOrchestra

Marzio Conti, Conductor

Musical Arts CenterWednesday | October 24 | 8 p.m.

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Two Hundred Third Program of the 2018-19 Season

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University OrchestraMarzio Conti, Conductor

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Prelude to Act I of Die Meistersinger von Nürnberg (1868) . . . . . . . . . . . . . . . . . . . . . . Richard Wagner (1813-1883)

Suite from Billy the Kid (1940) . . . . . . . . . . . . . . . . . . . . Aaron Copland Introduction: The Open Prairie (1900-1990) Street in a Frontier Town Mexican Dance and Finale Prairie Night (Card Game) Gun Battle Celebration (After Billy’s Capture) Billy’s Death The Open Prairie Again

Intermission

Symphony No . 1 in C Major, Op . 21 (1799-1800) . . . . . . . . . . . . . . . . . . . . . . . . Ludwig van Beethoven Adagio molto – Allegro con brio (1770-1827) Andante cantabile con moto Menuetto: Allegro molto e vivace Finale: Adagio – Allegro molto e vivace

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Musical Arts Center Wednesday Evening October Twenty-Fourth Eight O’Clock

Music director of the Oviedo Philharmonic (OFIL) from 2011 to 2017, Marzio Conti earned recognition and the acclaim of audiences and critics for his achievements in guiding the growth of the orchestra to new artistic heights, notably with OFIL’s recordings of the complete symphonic works of Saint-Saëns for Warner Classics . Conti has earned numerous awards and has been named a juror for the arts prize of the prestigious Premios

Asturias . Among his generation’s leading exponents of the flute, Conti performed with major orchestras and made numerous recordings through the mid-1990s, after which he devoted himself to conducting . A student of Piero Bellugi, Conti quickly received engagements as a permanent director of various Italian and foreign orchestras . He conducts both opera and the symphonic repertoire, and collaborates with leading international dance companies, as well as major soloists . Conti has appeared as a guest conductor thoughout Europe at such notable venues as the Rome Opera, Theater Dortmund, and London’s Wigmore Hall . He has conducted numerous orchestras, including Orchestra Haydn, Orquesta de la Comunidad de Madrid, Brandenburger Symphoniker, Korean National Symphony Orchestra, and Haifa Symphony Orchestra (Israel), to name a few . He has collaborated with a host of soloists, including Barbara Hendricks, Bryn Terfel, Misha Maisky, Midori, Lin Harrell, Sabine Meyer, and Jean-Pierre Rampal . Through recordings, broadcast media, and live performance, Conti has worked to develop the profile and quality of a number of institutions . Before his work with OFIL, he was principal conductor at the Istituzione Sinfonica Abruzzese (1998-2002), music director of the Philharmonic Orchestra of Turin (2001-04), music director of the Teatro di Tradizione per l’Opera Italiana of Chieti (2003-08), and artistic director of the Orchestra Sinfonica di Sanremo (2004-10) . When he stepped down as OFIL’s music director, the city of Oviedo awarded Conti the Gold Medal of the Auditorium Prince Felipe in recognition of his extraordinary contributions . Since 2014, he has collaborated as guest conductor and visiting professor with the Indiana University Jacobs School of Music .

WARREQUIEMOratorio Chorus & Philharmonic OrchestraBetsy Burleigh, conductor

Benjamin Britten

SUNDAY, NOV. 11 • 3 PMMusical Arts Center

$10 Regular, $5 Jacobs Students/Faculty/Staff

University Orchestra

Violin IJonathan YiEunji KimBoYu LiAnnamaria VasmatzidisPrice SukhiaEnna LeeSarah SlateKyung Min YooIsaiah ButlerViktor KuruMaria SandersonNahye LeeJunshi YangSamuel Choi

Violin IIByron LaingSelena JanzenNathan GreenwoodRobert WilsonDaniel AllenEunbee LeeOmer SalomonCorey ChungGeorgia SlojkowskiKathryn LamMcKoy Crawford

ViolaMary ChangWilfred FarquharsonPok Yin YungLawson LongJonathan BurnsAnna MachTyler BrugmannTison SavageCarl QuestadLin Wang

CelloCrystal KimJoseph RubanoBianca WalkerChristopher SantosYoung Young WangBenjamin RiekeRobin ShinXiyan LiuDustin DuFault

BassJohn ShankDylan StroudJohn WoodwardCameron IngramLauren WashElan Simon

FluteClara LoischAshley Chen, PiccoloHyeyeon Kim, Piccolo

OboeKeslie PharisYing Jiang

ClarinetMax O’MaryFiona Ryan

BassoonJonah AndreattaLauren Hallonquist

HornRobert FoxJoel RodebackEmily FarmerJenna MontesKarli Farrell

TrumpetClark HuntBenjamin SebastianBethany Vaughan

TromboneThomas NeideckerNoah Marietta-PerezWilliam Clark, Bass

TubaMalcolm Kellett-Cooke

TimpaniAustin Cantrell

PercussionCaleb PoseyTimothy YapYuesen YangDenton Sutherlin

HarpCarolyn AndersonGinevra Bridges

PianoMatthew Reichenberger

Orchestra ManagerKathryn ChamberlainLawson Long, Asst.

Orchestra Set-UpLawson LongAnna MachRobert FoxBethany VaughanJonah Andreatta

LibrarianCynthia Stacy

I N D I A N A U N I V E R S I T Y J A C O B S S C H O O L O F M U S I C

Fall 2018 Orchestra EventsSeptemberWed C������ O��������, 8pm MAC5 Thomas Wilkins, conductor Norman Krieger, piano soloist Rossini: Overture to “La gazza ladra” Bernstein: The Age of Anxiety (Symphony No. 2) Respighi: Fontane di Roma

Sat C������ O�������� �� I�����������,8 7pm Hilbert Circle Theatre Reprise of September 5 performance

Wed C������ O��������, 8pm Auer12 Alexander Kerr, leader J. Haydn: Symphony No. 80 in D Minor, Hob.I:80 Puccini: Crisantemi Tchaikovsky: Serenade in C Major, Op. 48

Sun S������� O��������, 3pm MAC16 Arthur Fagen, conductor Mendelssohn: Symphony No. 5 in D Major, Op. 107 (“Reformati on”) Brahms: Academic Festi val Overture, Op. 80 Ives: The Unanswered Questi on, S.50

Wed U��������� O��������, 8pm MAC19 David Neely, conductor J. Haydn: Symphony No. 88 in G Major, Hob.I:88 Smetana: ‘Vlatva (The Moldau)’ from “Má vlast” Rimsky-Korsakov: Suite from “The Tale of Tsar Saltan,” Op. 57

Thu SCI 2018 Student Na� onal Conference – 27 Concert I. N�� M���� E�������, 8pm Auer David Dzubay, director; Roger Roe, English horn; R. Kent Cook, prepared piano Peck: Vinyl (2017) Giang: reeling (2017) Santos: through thoughts of a diff erent kind (2018) Luhmann: ergo (2018, premiere) Stang: Second’s the Best (2018, premiere)

Sun C������ O��������, 3pm MAC30 David Neely, conductor Bri� en: Sea Interludes from “Peter Grimes,” Op. 33a Holst: The Planets, Op. 32

OctoberWed P����������� O��������, 8pm MAC17 Thomas Wilkins, conductor Glinka: Kamarinskaya Shostakovich: Symphony No. 10 in E Minor, Op. 93

Wed U��������� O��������, 8pm MAC24 Marzio Con� , conductor Wagner: Prelude to Act I of “Die Meistersinger von Nürnberg” Copland: Suite from “Billy the Kid” Beethoven: Symphony No. 1 in C Major, Op. 21

Thu N�� M���� E������� – Halloween25 Concert, 8pm Auer David Dzubay, director Robert Paterson, alumnus guest composer Paterson: Closet Full of Demons (2001) Paterson: Ghost Theater (2013) Gruber: Frankenstein!! (1977)

Fri C��������� O��������, 8pm Auer26 David Jang, conductor Dvořák: Carnival Overture, Op. 92 Mahler: ‘Adagiett o’ from “Symphony No. 5” Gershwin: An American in Paris

Wed C������ O��������, 8pm MAC31 Angel Gil-Ordóñez, conductor Falla: Selecti ons from “El amor brujo” Bri� en: Variati ons on a Theme of Frank Bridge, Op. 10 W. A. Mozart: Symphony No. 34 in C Major, K.338

NovemberWed S������� O��������, 3pm MAC7 Stama� a Karampini, conductor Young Sun Choi, piano soloist Tchaikovsky: Romeo and Juliet Weber: Konzertstück in F Minor, Op. 79 Prokofi ev: Selecti ons from “Suites No. 1 and 2 from ‘Romeo and Juliet,’” Opp. 64bis/ter

Fri C��������� O��������, 8pm Auer9 Pablo Devigo, conductor Tchaikovsky: Symphony No. 5 in E Minor, Op. 64

Sun WAR REQUIEM by Benjamin Bri� en11 O������� C����� ��� P����������� O��������, 3pm MAC Betsy Burleigh, conductor

Thu STAR-CROSS’D LOVERS (Romeo & Juliet) – 29 A Shakespearean Music Drama (2008/18) by Don Freund N�� M���� E������� ��� I����������� O����, 8pm Auer Hall Don Freund, director

DecemberSun A��-C����� O��������2 David Jang, conductor, 8:30pm Recital Hall

Wed C������ O�������� – “New Voices”5 Competi ti on Winners, 8pm MAC David Dzubay, conductor Lang Chen: This Ain’t Chopin (2018) Yi-De Chen: The Rosy Clouds and the Smile (2018) John William Griffi th II: Gezellig (2017) Liam Ramsey-White: Scylla and Charybdis (2018) Erik Q Ransom: Surging Faradism (2018) William Trachsel: These Lines, Unseen (2018)