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URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2

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Page 1: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

URBAN PLANNING 6SARAJEVO

Polić Ajdin

FRAME 2

Page 2: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

LOCATION - FRAME 2

PRIMARY CITY CENTER

SECUNDARY CITY CENTER

Page 3: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

IMPORTANCE OF THE LOCATION

location

Informalhousing

administration and living part

living and business part

industrialzone

Clearly needed cultural tampon zone for which is very important for the reconnection of different functions…

primarycenter

facultycampus

Page 4: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

LOCATION - FRAME 2

Train station

Avaz twist tower

USA Embassy

MuseumsParlament

Pedestrian zoneGrbavica I

Grbavica-Kovačići

Informal housing

Twin towers

Page 5: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

LOCATION - FRAME 2

Train station

Campus - Embassy

Vilsonovo-pedestrian

Museum - Shopping

Grbavica I

Grbavica - Kovačići

Informal housing

1

2

34

5

67

Page 6: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

1

SECTION

2 3 4 5 6 7

FLOW OF PERCEPTION

Page 7: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

LAYER 1

1

Marker:Train station

Space with good Potential…

concentration-disconnected-separated-with potential

How can we transform this space with good potential in order to make correspond with the rest of the frame?

Page 8: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

2

LAYER 2

Marker: US Embassy

Space with good potential

Unsafe-disconnected-isolation-separated

How did the location of the US Embassy effect the urban harmony of

the space?

How can we transform the existing walls of the embassy into better

pedestrian-public space?

Page 9: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

3

LAYER 3

Marker: Museum,Shopping

Space with good potential

Important layer for the rest of the frame-harmonious-belonging

In which way can we use the harmony of the layer for his further

development and positive effect for the rest of the frame?

Page 10: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

4

LAYER 4

Marker: Vilsonovo-pedestrian zone

Human scale-belonging-peaceful-harmonious link

In which way can we stress this positive space and implement it’s

feelings into the rest of the ambient?

Page 11: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

5

LAYER 5

Marker: Grbavica I

Not adapted to human scale-crowded

How does the pedestrian feel towards the inhuman scale and density of

buildings?

How can we link this space to the pedestrian zone of Vilsonovo in order to

decrease the tension of the inhuman scale?

Page 12: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

6

LAYER 6

Marker: Grbavica-Kovačići

Human scale-active streets-uncared space

How can we advance and transform this active zone into a link between the high structures of Grbavica and

informal housing?

Page 13: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

7

LAYER 7

Marker: informal housing

Dense space-uncared space-disconnected-bad and good qualities

What can we do to make the uncared and dense space more

comfortable and in which way can we link it into the rest of the

frame?

Page 14: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

MAIN QUESTION

RE-CONNECTION??

Page 15: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

LINK

RE-CONNECTION

Re-connection based on creation and enrichment of

public space for the pedestrian in order to create

a more comfortable space and feeling of belonging. Different parts should be used as branches for the reconnection of different functions of the frame.

Page 16: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

Macro location (functions)

School buildings

Living

Cultural parts

Administration buildings

Living-businessPrivate and handicraft stores

Focus points

Page 17: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

MACRO LOCATION

Traffic (communication)

Physical structures and focus points

Page 18: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

ANALASYS OF THE MACRO LOCATION

Page 19: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

DETECTION OF PROBLEMS

Page 20: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

ESTABLISMENT OF CONTINUITY

Page 21: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

MICRO LOCATION

REPOSE

MOVEMENT

MOVEMENT

MOVEMENT

MOVEMENT

MOVEMENT

REPOSE

REPOSE

REPOSE

REPOSE

Page 22: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

SQUARE OF THE TRAIN STATION

Page 23: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

HISTORY WALL

PAVING

Page 24: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

MUSEUM OF STREET ART

CREATIVITY

Stone-movementWood-calmness

Page 25: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

CULTURAL CENTER

FREEDOM

Page 26: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

MUTUALITY

SOLITUDE

Page 27: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

MUTUALITYSOLITUDE

Page 28: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

BENCH DESIGN

Page 29: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

FACADE

mutualitySquare of Grbavice I

creativityMuseum of street art

solitudebridge on Miljacka

cultural centerbuybook

studentcenter

memoryWall of history

intimacyOrganization of interspace

Page 30: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

CONTINUITY E-W

Continuity in the direction east-west in order to create a unique ambient with two dominant elements:

1. Public squares between large scale housing blocks of Grbavica where it is possible in the direction E-W

2. Stationary plates for the access towards the river; small island like structure beside the river Miljacka

Page 31: URBAN PLANNING 6 SARAJEVO Polić Ajdin FRAME 2. LOCATION - FRAME 2 PRIMARY CITY CENTER SECUNDARY CITY CENTER

Chelsea and Anthony

Regulation of the streetArtist housing and studio space