using musical information music 253/cs 275a 1b stanford university

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Using Musical Information Music 253/CS 275A 1B Stanford University

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Page 1: Using Musical Information Music 253/CS 275A 1B Stanford University

Using Musical Information

Music 253/CS 275A 1B

Stanford University

Page 2: Using Musical Information Music 253/CS 275A 1B Stanford University

CS 275A/Music 253 2013 Eleanor Selfridge-Field 2

1. Classifying Data Domains

Visual domain scores, parts

Aural domain performances, recordings

Logical domain analytical data sets

Cognitive/perceptual domain how we hear/understand music

Page 3: Using Musical Information Music 253/CS 275A 1B Stanford University

CS 275A/Music 253 2013 Eleanor Selfridge-Field 3

2. Granularity of information Data for interchange Data for classification

Data for feature analysisData for form analysis

Page 4: Using Musical Information Music 253/CS 275A 1B Stanford University

CS 275A/Music 253 2013 Eleanor Selfridge-Field 4

3. Information for comparison

Identity #1:

The atmospheric nitrogen map of the US

Identity #2:

The ground nitrogen map of the US

Entity: the US

Background=US Background=US

Page 5: Using Musical Information Music 253/CS 275A 1B Stanford University

CS 275A/Music 253 2013 Eleanor Selfridge-Field 5

4. Musical features of one note

Violin

Page 6: Using Musical Information Music 253/CS 275A 1B Stanford University

CS 275A/Music 253 2013 Eleanor Selfridge-Field 6

4. Musical features of one note

Violin

Cognitive filter to discover one note

Page 7: Using Musical Information Music 253/CS 275A 1B Stanford University

CS 275A/Music 253 2013 Eleanor Selfridge-Field 7

4. Musical features of one note

clefmeter

pitch

duration

Violin

timbre

double bar

Contextual information (notation)

Contextual information (sound)

pitch

duration

Page 8: Using Musical Information Music 253/CS 275A 1B Stanford University

CS 275A/Music 253 2013 Eleanor Selfridge-Field 8

5. Musical features by domain

Articulation

Dynamics, Gesture

Page 9: Using Musical Information Music 253/CS 275A 1B Stanford University

CS 275A/Music 253 2013 Eleanor Selfridge-Field 9

5. Domain conflicts (symbols vs sound)

Articulation

Dynamics, Gesture

Page 10: Using Musical Information Music 253/CS 275A 1B Stanford University

CS 275A/Music 253 2013 Eleanor Selfridge-Field 10

6. Data beyond time (Beyond MIDI #2)

Time-stealing “durations”

ArpeggiosGrace notes (single, multiple)

Staccatos

Page 11: Using Musical Information Music 253/CS 275A 1B Stanford University

CS 275A/Music 253 2013 Eleanor Selfridge-Field 11

7. Score organization Types 1a, 1b (Beyond MIDI #1)

Score-major systems

Part- major systems

Page-traversal dilemmas

Page 12: Using Musical Information Music 253/CS 275A 1B Stanford University

CS 275A/Music 253 2013 Eleanor Selfridge-Field 12

7. Score organizationType 2 (Beyond MIDI #2)

The “grand staff”

The grand staff as a single instrument

Page 13: Using Musical Information Music 253/CS 275A 1B Stanford University

8. Sound features not in notation

Sound decayhttp://www.youtube.com/watch?v=WdGQulTuwiQ [from Stephen Malinowski’s Music Animation Machine]

CS 275A/Music 253 2013 Eleanor Selfridge-Field 13

Page 14: Using Musical Information Music 253/CS 275A 1B Stanford University

CS 275A/Music 253 2013 Eleanor Selfridge-Field 14

9. The GUIDO NoteServer (ASCII input)

1. Sound

2. Symbol

3. Stored data

http://www.noteserver.org/Find method for entering: pitch, inflection, octave

Developed by Holger Hoos et al at the Fraunhofer Institut, Darmstadt, 2000-04]

Page 15: Using Musical Information Music 253/CS 275A 1B Stanford University

CS 275A/Music 253 2013 Eleanor Selfridge-Field 15

Guido: input Feature definition and grouping

Pitch (key no.)

Note duration

Note prolongation

Octave number

Pitch inflection

Data representation stored

"FrereJacques"

60 7248

Page 16: Using Musical Information Music 253/CS 275A 1B Stanford University

CS 275A/Music 253 2013 Eleanor Selfridge-Field 16

Guido: input Feature definition and grouping

Pitch (key no.)

Note duration

Note prolongation

Octave number

Pitch inflection

Data representation stored

"FrereJacques"

60 7248

MIDI “pitch” anchor