VENICE63VENICE

PEGGY GUGGENHEIM COLLECTION

VENICE DIRECTOR’S REPORT 65

For the Peggy Guggenheim Collection, the year 2008 fell into two halves. For almost six months the temporary exhibition galleries closed for a radical renovation. The museum now has spaces that are larger, lighter, and meet accessibility requirements. This has put behind us another important (and necessary) phase in our

progress toward the full expansion, conversion, and renewal of the museum on the site of Palazzo Venier dei Leoni.

The second half of the year saw a return to intensive exhibition making; at the end of May a small exhibition opened in the Galleria Gottardo, Lugano, of Peggy Guggenheim’s ethnic art collection. This was the fi rst time this little-known segment of the collection, withdrawn from public view in 1983 and conserved in storage since that date, had been celebrated in this way, with a scholarly catalogue of its own. Late in June the Peggy Guggenheim Collection hosted painting and sculpture from the Addison Gallery of American Art; in September it gave its traditional support to the U.S. Pavilion of the Venice Architecture Biennale; in early November an exhibition of the Venetian collector, dealer, and publisher Carlo Cardazzo opened, while the ethnic art collection moved from Lugano to the Fondazione Mazzotta, Milan. The end of November saw the opening of the second of our trilogy of exhibitions for the town of Vercelli in Piedmont.

Visitor numbers at the Peggy Guggenheim Collection in the fi rst half of the year remained as strong as they had been in 2007, a record year. But from June onwards attendance began to slip, in response to a general drop in Venetian tourism, months before the crisis on Wall Street that led to the credit crunch. We attributed this to the strong euro, which was deterring travelers to continental Europe as a whole. As of writing this letter, the downward trend has deepened, causing us to cut back on budgeted admissions incomes, to be cautious about expenses, and to refl ect on the perhaps excessive susceptibility of the museum’s fi nances to tourism. Nevertheless the year closed on an optimistic note with the gift of a major painting by Mario Sironi, reminding us of one of the strengths of the Peggy Guggenheim Collection—its permanent and growing collection of great modern art.

Philip Rylands

Director, Peggy Guggenheim Collection

VENICE

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EXHIBITIONS

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EXHIBITIONS

VENICE EXHIBITIONS

OPPOSITE Ethnopassion: Peggy Guggenheim’s Ethnic Art Collection RIGHT Coming of Age: American Art, 1850s to 1950s BELOW Carlo Cardazzo: A New Vision for Art

The programs of the Peggy Guggenheim Collection are made possible by the Peggy Guggenheim Collection Advisory Board and Intrapresæ Collezione Guggenheim. Institutional Patrons: Banca del Gottardo, Regione del Veneto.

Rosso: The Transient Form

September 22, 2007–January 6, 2008Curated by Dr. Paola Mola, and Dr. Fabio Vittucci. Organized by the Peggy Guggenheim Collection with Museo and Archivio Medardo Rosso, Barzio. Catalogue.

Coming of Age: American Art, 1850s to 1950s

June 28–October 12, 2008Curated by William Agee, Evelyn Kranes Kossak Professor of Art History at Hunter College, City University of New York, and Susan Faxon, Associate Director and Curator of Art before 1950 at the Addison Gallery of American Art. Organized by the American Federation of Arts, New York, and the Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts. The exhibition was made possible, in part, by the Crosby Kemper Foundation and by Frank B. Bennett and William D. Cohan, with additional support from the Philip and Janice Levin Foundation Fund for Collection-Based Exhibitions at the American Federation of Arts. Catalogue.

Carlo Cardazzo: A New Vision for Art

November 1, 2008–March 1, 2009Curated by Luca Massimo Barbero, Associate Curator of the Peggy Guggenheim Collection. Organized by the Peggy Guggenheim Collection. Catalogue.

EXHIBITIONS ORGANIZED FOR PRESENTATION AT OTHER VENUES

Peggy Guggenheim e l’immaginario surreale

November 10, 2007–March 16, 2008Arca, ex Chiesa di San Marco, VercelliCurated by Luca Massimo Barbero, Associate Curator of the Peggy Guggenheim Collection. Organized by the Peggy Guggenheim Collection with the Piedmont Region and the city of Vercelli. Catalogue.

Ethnopassion: Peggy Guggenheim’s Ethnic Art Collection

May 28–August 23, 2008Lugano, Galleria GottardoCurated by Franco Rogantini, Director of the Galleria Gottardo, Lugano, and Philip Rylands, Director of the Peggy Guggenheim Collection. Organized by the Peggy Guggenheim Collection with the Galleria Gottardo in Lugano. Traveled to Fondazione Antonio Mazzotta, Milan, November 13, 2008–February 22, 2009. Catalogue.

Peggy Guggenheim and the New American Painting

November 21, 2008–March 1, 2009Arca, ex Chiesa di San Marco, VercelliCurated by Luca Massimo Barbero, Associate Curator of the Peggy Guggenheim Collection. Organized by the Peggy Guggenheim Collection with the Piedmont Region and the city of Vercelli. Catalogue.

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PUBLICATIONS ACQUISITIONS

VENICE PUBLICATIONS VENICE ACQUISITIONS

Carlo Cardazzo: A New Vision for Art

Exh. cat. Essays and texts by Luca Massimo Barbero, Giorgia Bertolino, Giovanni Bianchi, Paolo Campiglio, Enrico Crispolti, Massimo De Sabbata, Alessandro Del Puppo, Claudia Gian Ferrari, Orietta Lanzarini, Dino Marangon, Giorgio Mastinu, Milena Milani, Carlo Montanaro, Francesca Pola, Valerio Rivosecchi, Sileno Salvagnini, Toni Toniato, and Margit Zuckriegl. 432 pages with 338 illustrations.

Coming of Age: American Art, 1850s to 1950s

Exh. cat. Essays and texts by William C. Agee and Susan C. Faxon. Italian edition: Skira with Yale University Press and the Peggy Guggenheim Collection. English edition: Yale University Press with the American Federation of Arts. 136 pages with 84 illustrations.

Ethnopassion: Peggy Guggenheim’s Ethnic Art

Collection

Exh. cat. Texts by Alessia Borellini, Francesco Paolo Campione, and Giulio Zaccarelli. Copublished with Mazzotta. 200 pages with 81 illustrations. Bilingual English and Italian edition.

Peggy Guggenheim e la nuova pittura

Americana

Exh. cat. Essays and texts by Luca Massimo Barbero, Francesca Pola, Philip Rylands, and Valentina Sonzogni. Copublished with Giunti. 206 pages with 130 illustrations.

Peggy Guggenheim e l’immaginario surreale

Exh. cat. Essays and texts by Luca Massimo Barbero, Francesca Pola, Philip Rylands, and Werner Spies. Copublished with Giunti. 224 pages with 120 illustrations.

Rosso: The Transient Form

Exh. cat. Essays and texts by Paola Mola and Fabio Vittucci. Copublished with Skira. 188 pages and 74 illustrations. English and Italian editions.

Marcel Jean

Profi le of Memory (Profi le de la Mémoire), 1935–42Portfolio of 36 etchings and engravings, 56.9 x 39.1 cm each, edition 5/90Solomon R. Guggenheim FoundationGift, Lynven Inc. 2008.61

Mario Sironi

The Cyclist (Il ciclista), 1916Oil on canvas, 96 x 71 cmSolomon R. Guggenheim FoundationGift, Giovanni and Lilian Pandini, Bergamo 2008.62

FROM TOP Jean Marcel, Profi le of Memory (Profi le de la Mémoire), 1935–42. Portfolio of 36 etchings and engravings, 56.9 x 39.1 cm each, edition 5/90. Solomon R. Guggenheim Foundation. Gift, Lynven Inc. 2008.61 BELOW Mario Sironi, The Cyclist (Il ciclista), 1916. Oil on canvas, 96 x 71 cm. Solomon R. Guggenheim Foundation. Gift, Giovanni and Lilian Pandini, Bergamo 2008.62

VENICE LOANS & TRANSFERS

LOANS & TRANSFERS

71VENICE EDUCATION

EDUCATION

CLOCKWISE FROM TOP Arshile Gorky, Untitled, Summer 1944. Oil on canvas, 167 x 178.2 cm. Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice 76.2553.152; Anni Albers, From the East, 1963. Textile, cotton, and plastic, 63.5 x 41.4 cm. Solomon R. Guggenheim Foundation, Gift, The Josef and Anni Albers Foundation, Connecticut in honor of Philip Rylands 99.5259; Giorgio Morandi, Bottles and Fruit Bowl (Bottiglie e fruttiera), 1916 . Oil on canvas, 60 x 54 cm. Gianni Mattioli Collection, long-term loan to the Peggy Guggenheim Collection, Venice

Works from the Solomon R. Guggenheim Foundation were sent to the

following institutions:

Arca, ex Chiesa di San Marco, VercelliCentre Georges Pompidou, Musée National d’ Art Moderne, ParisFelix-Nussbaum-Haus, Osnabrück, GermanyFondation Beyeler, BaselFondazione Antonio Mazzotta, MilanFondazione Giorgio Cini, Venice Galleria Gottardo, LuganoGuggenheim Museum Bilbao The Jewish Museum, New YorkKunsthaus Zürich The Louisiana Museum of Modern Art, Humlebaek, Denmark The Menil Collection, HoustonThe Metropolitan Museum of Art, New YorkMuseo d’Arte Moderna e Contemporanea di Trento e RoveretoMuseo della Scultura Contemporanea, Matera, ItalySolomon R. Guggenheim Museum, New YorkStädtische Galerie im Lenbachhaus, MünchenThyssen-Bornemisza, Madrid

For Visitors

Presentations

Two daily presentations on the life of Peggy Guggenheim and the history of her collection, two daily short talks and focused presentations on specifi c art movements and artists in the collection, and one daily half-hour talk either on the 60th Anniversary of the Peggy Guggenheim Collection in Venice or on the current exhibition.

Free Venetian Week, November 15–21

Free entrance week for all Venetian visitors off ers free tours on selected topics: Peggy Guggenheim and Veneto artists; Peggy in Venice; and guided tours of the exhibition Carlo Cardazzo: A New Vision for Art, Palazzo Venier dei Leoni, and the Gianni Mattioli Collection. Sunday workshops for children are inspired by the temporary exhibition.

For Educators and Youths

January 6Paintings Created by Blowing and Dripping!

January 13 Colorful Landscapes

January 20Texture Paintings

January 26Peggy’s Life in Pop-up Book

January 27Peggy Workshop with Barchetta Blu

February 3Let’s Mask our Favorite Paintings

February 10Sweet Sculptures

(Sculptures of Sweets and Toothpicks)

February 17Creating Aluminium Reliefs

February 23In Touch with Peggy’s Family

February 24Sculpture Workshop with Barchetta Blu

March 2Landscapes of Dawn and Dusk

March 9Hands . . . in Dough

March 16Forms of Informal Art

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March 23Bouquets of Flowers and Bushes of Plants

March 29Let’s Play with Peggy’s Friends

March 30Workshop with Barchetta Blu

Carlotta Michelini

April 6Asymmetrical Portraits

April 13The Antique Mosaic Technique in Modern Art

April 20Constructivist Sculptures and Architecture

April 26Traveling with Peggy

April 27 In the House of Art Workshop with Barchetta

Blu

Carlotta Michelini

May 4Positive Forms and Negative Spaces

May 31The Passion for Collecting

June 28Disguise Yourself with Peggy

July 26Precious Fabrics and Elegant Dresses

August 30Precious Jewels for Peggy’s Birthday

Celebration

September 27Let’s Look at the World through Peggy’s

Glasses

October 25Let’s Set up Peggy’s Palace

November 29 In Peggy’s Magic Garden

December 27Let’s Paint Peggy’s Portrait

For Families

May 11The Noise of Venice

Giulia Tosato

May 18A Family Portrait

Benedetta Altichieri and Giovanni Zelan

May 25Crossing Traces

Marilia Dimopoulou

June 1Peggy’s Peculiar Glasses

Giulia Filippi

June 8All the Small Things

Virginia di Lazzaro

June 22Books of Freedom

Patrizia Capizzi

June 29If Your Family Was a Zoo

Alessia Bonamici

July 6Printed Fragments

Lorena Busato

July 13Random Traces

Benedetta Altichieri

July 20Create-a-Stage Buddy

Annalisa Voltolina

July 27Colors of Personality

Leonardo Moretti

September 7The World of Styrofoam

Samuela Scatto

September 14Once Upon a Time

Barbara Grossato

September 21Ghost Portraits

Guglielmo Alfarone

September 28Traces of Us

Lorena Busato

October 5The World of Wax: Games of Shapes Colors

Samuela Scatto

October 12Body Prints

Elena Cardellini

October 19Scribble Art

Patrizia Capizzi

October 26Colors Squared

Sarah Persello

November 2Who Is at the Window?

Cristina Paltani

November 9Punched Profi les

Sonia Sottana

November 23Curtains!

Nereo Marulli

November 30Print and Reprint

Patrizia Capizzi

December 7Senses and Form

Anastasia Moro

December 14Creating a Set-design with the Futurists

Annalisa Voltolina

December 28There Is a Story in Everything

Barbara Grossato

A Scuola di Guggenheim Project

This project promotes art education within the Veneto region schools. It features a series of seminars for teachers, educational activities for students in schools, and tours of the collection, beginning with a conference held on October 8, 2008, to present the 2009 program and assess the 2008 program. Two seminars on the Peggy Guggenheim Collection (October 13 and 20) and four seminars on the development of the project (October 15, 16, 22, and 23) followed. From June 11 to 16, the Peggy Guggenheim Collection presented Peggy Guggenheim: una scuola per l’arte, a temporary exhibition based on the artworks of the students.

2008 Internship Program Seminars and

Lectures

January 9, February 6, March 12, April 16, June 4, August 21, November 19, and December 3PGC Staff Talk: Silvio Veronese, Head

Librarian, PGC

January 17Sanja Ivekovic

Iva KovacDiff erencing the Modern—Amrita Sher-Gil: A

Case Study in Alternative Modernisms in Art

History

Dominika Alice NasilowskiLandscape as Art

Duangkamon Kasinwethya

January 18The “American West” as Landscape in

Contemporary Photography

Joseph H. Akel

January 21, February 20, March 27, April 14, May 29, June 12, July 24, August 15, September 8, October 25, November 15, and December 17PGC Staff Talk: Philip Rylands, Director,

Peggy Guggenheim Collection

January 22Australia at the Venice Biennale 2007

Melina Scarcella

January 23, February 13, April 2, May 5, June 11, July 7,September 3, October 6, November 26, and December 10PGC Staff Talk: Paul Schwartzbaum, Chief

Conservator, SRGM

January 24Women Collectors

Kathleen Alda Balthrup-LewisSilvio Benedetto

Mascha Bom

January 30Deconstructing the Monument

Johanna M. Kahn

February 8That’s Hot: Developing the Exhibition Theory

of Tomorrow

Rebecka Domig

February 14Lecture on Peggy Guggenheim, Jackson

Pollock, and Lee Krasner

Gail Levin, Distinguished Professor of 20th-Century and Contemporary Art, Baruch College, CUNY

February 22Frida Kahlo

Maria Vittoria OttavianoCreative Time: Art in the Public Realm

Kathleen McEvily

March 4Tour of the Exhibition at Museo Correr

Lawrence Carroll

March 7The Leopard

Kate MarrisVik Muniz: A Twisted Kind of Realist

Tatiana Slater

March 11Andreas Gursky

Sarah Ajnwojner

March 12Art Education: South Africa

Alissa JohnsonDylan Dog: The Phenomenal Italian Comic

Cinzia de Bei

March 17Cornelia Parker

Cristopher Livesay

March 20Interpreting Giorgione (The Tempest)

Nicholas Buckley WoodYoko Ono: Sognare

Mafalda SusinForeignness of Art: Questioning the Cult of

Image/Ways of Conveying the Message

Zana Saskin

March 21Modern Finish Art

Piera PistollatoYayoi Kusama

John JacksonAndres Perez

Catalina Lecaros

April 15Candice Breitz: The End of Celebrity?

Jessica Hamblett

April 16Creating Interactive Family Space

Christina Smiraglia

April 17 Local Issues/Global Art: The Art of Mona

Hatoum, Shirin Neshat, and Kim Sooja

Zbigniew SypniewskiArt of Clio Kraskovic

Clio Kraskovic

April 18“Eye Tone”

Eric HolmJasper Johns—Grey

Jesse FeimanCecily Brown: Sexuality in Painting

Andrew Watts

April 20Sculpture Conservation

Stefano Lanuti

VENICE EDUCATION

75VENICE EDUCATION

Interns on the roof terrace of the Peggy Guggenheim Collection

April 21Semana Santa in Seville

Maria OrtizMegastructures and Architectural Utopias in

the 20th Century

Sandra Stefanikova

April 23Slavko Kopac—Art Brut

Iva Stefanovski

April 24Re-reading Poliphilo

Daniel Zolli

April 25Tošo Dabac—Life and Photography

Nevena Ilic

May 9Natasja Fourie

Vanya du ToitRenaissance Venice and Antiquity

Nora Gietz

May 16Marta Graham: The Mother of Contemporary

Dance

Elisabetta Dusi

May 22Made Wianta—His Art and his Balinese

Culture

Adrienne KovatsNorman Rockwell and the American Dream

Anita Todesco

May 23Methods of Investigation and Diagnostics for

Cultural Heritage

Francesca MinarelliCasabianca Museum

Erica Prete

May 25The Elephant and the Obelisk in Piazza

Minerva, Rome

Isabelle Simpson

May 30The Aesthetic Value of Art Versus the Value

of the Artist

Javier Espino Ruiz S.The Social Function of Art through the

Creative Process in Children

Alejandra Villafana Munoz

June 16Blockbuster Exhibitions: What Does

the Future Hold for Art Exhibitions and

Museums?

Alessandra Trimarchi

June 18Novel Readings

Florencia MalbranFashion

Ivana Culjak

June 19Anselm Kiefer—History, Transcendence, and

the Burden of Knowledge

Chad CordovaThe Helsinki School: On Finnish

Contemporary Photography

Laura Gelmi

July 5Eva Hesse and her Infl uences

Allison RudnickThe Art of Censorship

Lauren Rogers

July 11 Reconsidering Constructivist Exhibit:

Practices through El Lissitzky’s Raum fuer

konstruktive Kunst (Dresden)

Melissa DiazOutsider Art

Michelle Galetta

July 12Julian Schnabel

Sophie Young

July 13 Art and Essence—The Concept of Art after

Wittgenstein

Francisco Javier Rodriguez ChaparroWilhelm von Gloeden

Cinzia Gagliardo

July 14Diego Velazquez: Las Meninas “The Maids of

Honour”

Natalie McFarlaneThe Theme of Architectural Atmosphere in

the Work of Ignazio Gardella’s House on the

Zattere

Marta Botter

July 17Hybrids: International Contemporary Painting

Jennifer Leo

July 20Art Mediation and Documenta 12

Florina LimbergDance: A Journey Through the History of Art

From the Feet Point of View

Floriana Zanardi

July 25Guernica and Picasso

Ivan Chamarro CidreTubular Steel for the People: An Examination

of Marcel Breuer’s Wassily Chair and Bauhaus

Utopia

Lee Ann W. Custer

August 6CoBrA

Carolina Garcia CarmuejaCarrà’s Conversion

Olujimi Akili Tommasino

August 18The Guerilla Girls: Popularizing Feminism and

Contesting the Institution

Efstathios GerostathopoulosKC-CRA-Z !!!!

Megan Mantia

August 20Aphrodite in Art: From Riches to Rags

Eleanor Beth EarlTheatres of Space: The Staging of Donald

Judd in Two Exhibitions

Rebecca Lewin

August 30 Louvre Abu Dhabi

Dario Zorza

September 17Museum Architecture in the 20th Century

Hanna BaroKatarzyna Kobro: A Sculptor of Space

Piotr Brama

September 19 Carlo Scarpa (1906–1978)

Martina Corradini

September 24The Theory of Cognitive Development

Renata Coura

September 25Santiago de Compostela

Pablo Cobas Roca

September 26Tadeusz Kanton

Kinga KulonMagic Realism in the Veneto Region: Guido

Cadorin

Ilaria Basso

September 28The Genius of Dalí

Chiara Cecchinato

October 13Greek Mythology in Art

Florence MackenzieArt Becomes Architecture Becomes Art: Vito

Hannibal Acconci

Else Margarete Schlegel

October 16André Kertész

Anna Ikla’di-VajdaVictor Grippo—Argentinian Artist

Sofi a Jones

October 17Lavro Artukovic

Neva LukicLe Centre Pompidou Alessandra Paolo Lena

October 20Modernism in Katowice

Malgorzota JagielloNotes on an Erotic Series, Vaska Emanouilova

Mila Stareyshinska

October 23Futurism

David Murphy

October 24The Buff alo and Erie County Historical

Society

Tara Lynette LyonsCalder’s Jewelry

Milica Krstic

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July 8Istituto Veneto, Venice: I Macchiaioli

July 15MAMbo. Bologna: 1978. Il Treno di John

Cage and the Time Code Show

August 12Scuola Grande di San Rocco, Venice

August 19Villa Manin, Codroipoi: God & Goods,

Spirituality and Mass Confusion

September 1611th International Architecture Exhibition,

Venice

September 23Palazzo Barbaran da Porto, Vicenza:

Palladio—500 Years

October 1411th International Architecture Exhibition,

Venice

October 21 Palazzo Reale, Milan: Georges Seurat, Paul

Signac, and the Neoimpressionists

November 11 Museo Correr, Venice: Depero

November 18 Museo di Santa Giulia, Brescia: Van Gogh,

Drawings and Paintings, Masterpieces from

the Kröller-Müller Museum

December 9Galleria Franchetti, Ca’ d’Oro, Venice

December 16Palazzo dei Diamanti, Ferrara: Turner e l’Italia

VENICE EDUCATION

OPPOSITE “Festa delle famiglie” Workshop: Eatable Architectures BELOW Ilaria Basso and Florence Mackensie at the welcome breakfast, Marino Marini Terrace

October 30The Art of Hannah Kaye

Hannah KayeConservation of Victor Brauner’s

“Consciousness of Shock”

Carolyn McNiellie

December 18Gondola

Giacomo SalvanPablo Gargallo 1881–1934

Jorge Orofi no Pardos

December 22Tour of the Basilica of San Marco

Philip Rylands

December 28The lives of Artists: Life-Cycles and Artistic

Creativity

Simon BejerArt by Svetlana Mikhaylova

Svetlana Mikhaylova

December 30The Cathedral of San Giusto in Trieste

Nunziatina NudoOrientalism in Art

Serena Donato

2008 Internship Program Educational Trips

January 15Gallerie dell’Accademia, Venice

January 22Arca, ex Chiesa di San Marco, Vercelli: Peggy

Guggenheim e l’Immaginario Surreale

February 12 Galleria Civica d’arte Moderna, Modena:

Runa Islam/Tobias Putrih—Lost Cinema Lost

February 19Gallerie dell’Accademia, Venice: L’ultimo

Tiziano e la sensualità della pittura

March 4Museo Correr, Venice: Lawrence Carroll

March 25Palazzo dei Diamanti, Ferrara: Miró: la terra

April 15Ca’ Pesaro, Venice

April 22Villa Manin, Codroipo: God & Goods,

Spirituality and Mass Confusion

May 20MAMbo, Bologna: Jeroen de Rijke/Willem

de Rooij

May 27Scuola Grande di San Rocco, Venice

June 10 Villa Olmo, Como: The Embrace of Vienna,

Klimt, Schiele, and Belvedere Masterpieces

June 17San Giorgio Maggiore, Venice: Giuseppe

Santomaso e l’opzione astratta

VENICE SUPPORT

SUPPORT

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INDIVIDUAL SUPPORT

President

Peter Lawson-Johnston Vice-President

The Earl Castle Stewart Honorary Co-chairs

S.A.R. la Princesse Guillaume de Luxembourg

Georgia SpogliHonorary Member

Olga Adamishina Members

Luigi AgratiGiuseppina Araldi GuinettiMaria Angeles Aristrain, Condesa

de BiñascoRenée BelferMarchese Annibale BerlingieriGiuliano BianchiMaria Camilla Bianchini d’AlberigoDavide BleiMary BlochSusan BurnsAlick Campbell of LochnellSir Trevor ChinnIsabella Del Frate RayburnStefano Del VecchioRosemary Chisholm FeichJohn Leopoldo Fiorilla di Santa

CroceDavid GallagherLinda Parke GallagherPeter GallagherPatricia GerberMarino Golinelli

Ginny GreenJoana GreversChristian HabermannGilbert W. HarrisonJoseph HelmanJohn F. HotchkisMimi L-J. HoweLeon Koffl erPeter L. LevySamuel H. LindenbaumGaetano MaccaferriLord Marland of OdstockValeria MontiPeter W. MullinJacqueline Muzard UretaGuido OrsiGiovanni PandiniRose Marie ParraviciniHeather Miller PodestaEden RafshoonBenjamin B. RauchRichard A. RifkindInge RodenstockDodie RosekransNanette RossBeatrice Rossi-LandiMiles RubinSir Timothy SainsburyDenise SaulSamih SawirisBrigitte Schuler-VoithJames B. SherwoodMassimo SterpiRiki TaylorRobert J. Tomei

Melissa UlfaneMaria Luisa VaccariRuth Westen PaveseGayle Boxer WillsonEmeritus Members

Fiorella ChiariDanielle GardnerJacques E. LennonUmberto NordioHannelore B. SchulhofAnna ScottiKristen VenablePeggy Guggenheim

Collection Family Committee

David Hélion †Fabrice Hélion †Nicolas HélionLaurence and Sandro RumneyClovis VailJulia Vail and Bruce MoulandKarole P.B. Vail and Andrew HustonMark VailInternational Friends

Rolf W. Aeberli Antonella BoraleviElisa Bortoluzzi DubachAlvise and Daniela Braga IllaTeresa CairoliMr. and Mrs. Wilfred CassMr. and Mrs. Larry S. DavisFurio and Gaia Dei RossiDott. Felix Rudolf Ehrat Fabbri StefanoJacqueline FoxJoscelyn FoxPrimo Franco Fernando GarbellottoRoberto GhioPaolo GoriEzio GribaudoJohn W. KaldorGisela KutterLord Browne of MadingleyDott.ssa Angiolamaria Malerba

BrazzolaGiò MarconiDanila Marsure Rosso Laura MattioliPiergiorgio MioniGiorgio Negro

Marco J. NetzerMehmet T. ÖngűtDenise PancieraGiorgio PandiniClaudio PionaMaria Pia Quarzo-CerinaMarco RegniLucia RielloCornelia RiepBarbara RigassiMichela RizzoFranco RogantiniJasper SharpErina SicilianiShamina TalyarkhanErmanno TedeschiMrs. Eleonora Triguboff Renata Trottmann ProbstGianattilio UsoniMaria Luisa Vaccari and Andrea

SusmelCarlotta VazzolerBlakeley WillsonINSTITUTIONAL PATRONS

BSI, Swiss Bankers since 1873Regione del VenetoCORPORATE SUPPORT

Intrapresae Collezione GuggenheimAperolArclineaAres 2002Corriere della SeraDistilleria NardiniGruppo La-VisGruppo PirelliHangar Design GroupHausbrandtIstituto Europeo di DesignLanciaListone GiordanoL’OréalMapeiOraclePalladio FinanziariaRubelliSalvatore FerragamoSegusoSwatchTrend

OPPOSITE Donna Green, Ginny Green, and Julie GreenRIGHT Members at the Concert for Peggy BELOW Members at Millennium Park, Chicago