viola concerto

8/17/2019 Viola Concerto

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PPRO CH TO R CTISING TÓ IOL

ON RTO

Sebastian ee

PRELIMINARY VERSION

Degree Project, Master of Fine Arts in Music,

Symphonic Orchestra Performance

Spring Semester 2013



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Degree Project, 30 higher education credits

Master of Fine Arts in Music, Symphonic Orchestra Performance

Academy of Music and Drama, University of Gothenburg

Spring

Semester 2013

Author: Sebastian Lee

Title: An Approach to Practising Bartok’s Viola Concerto

Supervisor: Joel Speerstra

Examiner: Einar Nielsen

ABSTRACT

A master’s project on the process of practice that went towards learning the Viola

Concerto by Bèla Bartók, with a progressive breakdown of the work and a specific

look at the technical difficulties that needed to be overcome in each section, how and

why they were tackled in specific ways and what the positive result was that arose.

The reflection on the learning process includes references to the tuition by violist

Rivka Golani and pianist Michael Hampton, and the documented practice methods

of the violist William Primrose.

Key Words:

Bèla Bartók. Viola Concerto, practice, shifting, intonation, rhythms, accents,

structure, double-stops, open strings, arpeggiated figures, melody, harmony, bwoing,string-crossing, triplet, sequencing, chromaticism, articulation, vibrato, Rivka Golani,

Michael Hampton.



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