Vision Part 2

Theories on processing colors

Objectives: The Student Will

• Compare and contrast color theories (VENN)• Explain the Gestalt Theory• List your Depth and Distance “cues”• What is visual consistency?

Sensation and perception

chapter 6

How do we see color?

• Trichromatic theory- theory of color perception Red, green, blue.

• Pattern firing of 3 color receptors• Processes initial stages in the cone cells • Happens in retina, combination theory• cones in retina absent or malfunction= color

blind

OTOH

• Opponent-process theory- Explains some color blindness and Negative Afterimages

• Electromagnetic Energy= short wavelengths• Happens in ganglion cells, thalamus, visual

cortex• Opponent process cells; cancel colors out

Trichromatic theory

Young (1802) and von Helmholtz (1852) both proposed that the eye detects 3 primary colorsRed, blue, and green

All other colors derived by combination

chapter 6

Opponent-process theory

A competing theory of color vision, which assumes that the visual system treats pairs of colors as opposing or antagonistic

Opponent-process cells are inhibited by a color, and have a burst of activity when it is removed.

chapter 6

Form perception

Gestalt principles describe the brain’s organization of sensory building blocks into meaningful units and patterns.

chapter 6

Gestalt Theory

• Perceptual tricks: Blinking lights on Marquee • Gestalt Theory= Patterns in the brain• Gestalt means perceptual pattern or

configuration in German.• Raw material of stimulation is sum of sensory

parts• EQUATION

Gestalt principles

ProximityThings close to one another are grouped together

ClosureThe brain tends to fill in gaps to perceive complete forms

chapter 6

2 principals

• Proximity- Group things that are near each other

• F.E. 3 groups of red dots not 12 individual dots or Blue vertical columns not horizontal rows

• Closure: Makes you see incomplete figures as wholes by supplying the missing elements.

• None of pictures complete

Gestalt principles

SimilarityThings that are alike are perceived together

ContinuitySeeing continuity in lines that could be interpreted as either continuous or abruptly shifting in direction.

chapter 6

2 more Gestalt principals

• Similarity- Group together things that have a similar look.

• circles form X; See Horizontal stars because outlined or red

• Continuity- we prefer smoothly connected and continuous figures to disjointed ones

Your turn

Which Gestalt principle is illustrated by the fact that we see columns of dots rather than rows in this diagram?1. Similarity2. Proximity3. Closure4. Continuity

chapter 6

Your turn

Which Gestalt principle is illustrated by the fact that we see columns of dots rather than rows in this diagram?1. Similarity2. Proximity3. Closure4. Continuity

chapter 6

Depth and Distance Perception

• Binocular convergence(need both eyes): How the lines of vision from each eye converge at different angles on objects at different distances

• Put finger 6 in from face, move finger 1 foot back. Feel anything?

• Binocular disparity: Different perspectives in each eye= different in retina either side

• Finger 12 in. from face, alternate eyes• Gives us depth information

Depth and distance perception

Binocular cues: visual cues that require the use of both eyes

ConvergenceTurning inward of the eyes, which occurs when they focus on a nearby object

Retinal disparityThe slight difference in lateral separation between two objects as seen by the right and left eyes

chapter 6

Monocular Cues= 1 eye only

• Relative size: objects in mirror closer than appear• Light and shadow: Bright=Closer; Dim=farther away• USED BY ARTISTS • Relative motion: Watch poles from car window,

closer object the faster it seems to move• Interposition: Book obscures the background, stop

sign in front if a car... Perceived as closer• Atmospheric perspective: haze or fog makes

buildings look farther away

Depth and distance perception

Monocular cues: visual cues that can be used by one eye

chapter 6

Visual constancies

The accurate perception of objects as stable or unchanged despite changes in the sensory patterns they produceShape constancy

Location constancy

Size constancy

Brightness constancy

Color constancy

chapter 6

But apple red in kitchen and outside?

• Part sensory adaptation• Adapt to bluish outside (short wave)• Indoors long wave length• Brain takes into account all wavelengths in

visual field

Visual illusions

• Lines same length- Branches are perspective cues that suggest depth

• A. 1889, German sociologist• B. one is like a near end of a building, other

like far corner of room• Because if same size on retinal image, farther

one away, farther one is larger one• Misinterprets information.

The Müller-Lyer illusion

chapter 6

Fooling the eye

The cats in (a) are the same size.The diagonal lines in (b) are parallel.You can create a “floating fingertip frankfurter” by holding hands as shown, 5–10 inches in front of face.

chapter 6

Summary

• Color theories • Gestalt• Visual consistencies