Volume 3

An instrument with a fine new voice is

literally born of bronze, fire, hammer and

knife.

Launched in 2006, Dream Cymbals

is the partnership of passionate Canadian

instrument designers and generations of

Chinese gong smiths. This is the beginning

of a new era of top quality instruments at

prices any musician can afford.

Try one today and find out what your

Dreams sound like.

2 3

countless precise blows. These will become

exceptional musical offerings.

The final stage is the lathing of the

metal surface. With every pass of the lathe

worker’s knife, the visual and aural identity

of each cymbal is revealed.

Why Dream?

Every Dream cymbal is hand-made and

hand-hammered, painstakingly created

from fire, base metal and human spirit to

create an individual masterpiece.

The hand-craftsmanship of our master

smiths is apparent in every Dream cymbal.

Each Dream cymbal or gong starts out as

copper, tin, and other elements to cast the

bronze disks.

When sufficiently aged, each disk is

repeatedly heated and forged by hammer

into the primal shape of a cymbal.

After careful tempering the instruments

are again aged until it is time to bring out

their voice.

Skillful hammering by a dedicated team

of smiths results in a raw, dark-coloured

cymbal that is battered and scarred from Casting the disks from molten bronze,

one at a time.

Stacks of bronze disks, maturing and waiting to be forged.

Dream cymbals, before and after lathing.

Roger Banks says:

“Undeniably unique, hand-crafted, with individuality and

character, that’s how I describe my Dreams. They record

beautifully, and I can spank them live, giving me all the

tones and character I could ever desire in a cymbal!”

• Surface: Micro-lathed by hand

• Bow: Low gentle bridge

• Bell: Small, articulate, clear

• Weight: Thin tapers at edge

• Hammering: Hand-hammered before and after lathing

• Stick: Woody round attack

• Wash: Lots of full spectrum wash, quick decay

Bliss series are new cymbals made in the ancient tradition. Every one is an

individual work of art, painstakingly hand-forged, and hand-hammered. They have a warmth

that seduces at low volume, and thunders with a froth of dark undertones at more extreme

volumes. These cymbals come alive, shimmering and wobbling as if the mere touch of

human hands excites the cymbal and it can’t wait to get it’s voice out there and sing.

They are exceptionally resilient and slightly soft on the stick. The undertones are warm,

rich, dark with an edge of dragon’s breath. Each one is a unique, complex voice that will

excite your imagination.

BSP08, BSP10, BSP12 Splashes, BCR14, BCR16, BCR17 Crashes These are extremely responsive cymbals. Whether struck with hands or driving stick, you get a little ocean raw trashiness in a burst of sound.

BCRRI18, BCRRI19, BCRRI20, BCRRI22 Crash-Rides These cymbals are so versatile. Quite thin, they produce explosive crashes that get out of the way with medium decay, a soft but clear stick sound, clear bell tone and that coveted edge wobble.

BPT20, BPT22 Paper Thin Super thin, wobbly swirls of colour, unique crashes and complex stick sounds make these one of a kind.

BRI20, BRI22, BGORI22 RidesThat old school sound in a dark, warm ride. Woody stick on top of a brooding wash, growling dynamic louds, and exquisite softs make these highly coveted and musical rides.

BHH12, BHH13, BHH14, BHH15 Hi HatsThese are the perfect vintage sound. The ease of playing is impressive; a solid chick, expressive cuts, and a warm dry presence in the stick make these a favourite. Retro groove.

BSBF24" Bliss Small Bell Flat Ride The low profile and small half-cup, combined with a slightly thicker cymbal, have created the ultimate Bliss ride. The articulation of a flat ride while remaining musical and vibrant. There is simply no other cymbal like it in the world (except our own Contact version).

54

• Surface: Micro-lathed by hand

• Bow: Low gentle bridge

• Bell: Broad shoulder, smooth transition medium low height

• Weight: Thin tapers at edge

• Hammering: Hand-hammered before and after lathing

• Stick: Woody round attack

• Wash: Tons of wash, dragon’s breath, lots of wobble, quick decay

Vintage Bliss Our very first Bliss prototypes were a unique micro-lathed

hand-hammered cymbal with a signature soft edge, low profile bell and gradual taper.

Overnight these became collector’s items. So popular we released them as their own line:

Vintage Bliss.

Their unique shape and weight give them an even wilder froth of ocean in the sound,

while maintaining a rich, warm stick sound. Supremely responsive and full-bodied, they

also have a fairly fast decay. These make truly functional crash rides. The crashes are full

and punchy while maintaining a defined stick sound, supported by just the right amount

of wash.

7

VBCRRI17, VBCRRI18, VBCRRI19, VBCRRI20, VBCRRI22 Vintage Bliss Crash Rides These cymbals are exceptionally versatile. Quite thin, they produce explosive crashes that get out of the way with medium decay. A soft but clear stick sound for riding. They have found particular favour among jazz drummers for their mysterious and exotic undertones and among harder-hitting drummers for their explosive musicality.

Richard Irwin says: “Dream has created the perfect balance of classic sounds and modern

aggressive bite to satisfy any player in any style. I never leave home without at least three

22" Bliss crash/rides. They can do it all!”

6

8

• Surface: Wide deep lathing by hand

• Bow: Medium taper

• Bell: Larger, articulate, clear

• Weight: Medium to medium thin, very fast but solid response

• Hammering: Deep hammered hot and cold

• Stick: Very crisp and fast

• Wash: Higher pitch, medium long decay

Contact series Our Contact series feature a shaped and slightly deeper

profile with a relatively larger bell. The stick feel is very lively, the pitch higher but still rich

and warm. These are medium to medium-thin cymbals that speak very easily. Faster and

louder, these plates also have depth and complexity in the undertones, in the undertones

and a shimmering quality that focuses higher pitches and faster feel. At home in studio or

live situations.

C-SP08, C-SP10, C-SP12, C-CR16, C-CR17 Splash and CrashThese are fast, fat-sounding splashes that make themselves heard and get your attention. Good bell definition. The crashes explode with bright light action supporting the rest of the band.

C-CRRI18, C-CRRI19, C-CRRI20, C-CRRI22 Crash RidesThese cymbals are powerful and bright but never thin sounding. They speak clearly with a full spectrum of overtones suitable for live work or recording and a full sustain and consistent decay of the entire overtone spectrum! You work less and sound bigger and richer.

C-RI18, C-RI20, C-RI22 Rides, C-RI20H and C-RI22H Heavy RidesHeavier and full bodied, these rides have lots of sound to give. A full harmonic spectrum keeps

them in tune with whatever key while providing the articulation needed to drive the band.

C-HH13, C-HH14, C-HH15, C-HH16 Hi Hats A tight bright hat with a clean chick and an easy cut. The stick sound is very present but never thin sounding. The slightly dark tone on the open sound supports the groove with a wide sonic presence.

C-SBF24 Contact Small Bell FlatThis cymbal has a smooth crystal sound with a gentle wash that stays out of the way of the sound of the stick. This cymbal has a half cup bell and thicker profile resulting in a higher pitched, brighter sound with a well balanced spectrum of overtones. Unleashed with accents, this 24 will roar when provoked and possess all the stick stroke seen in true flats while retaining unparalleled responsiveness.

9

• Surface: Micro-lathed, bottom hat unlathed

• Bow: Medium taper, gradual bridge

• Bell: Broad, loud, unlathed

• Weight: Medium to heavy

• Hammering: Deep hammered hot and cold

• Stick: Very clear, cutting projection

• Wash: Extreme power, broad dynamic range, full bodied

Energy series The name says it all. These cymbals are explosive. Made with

the same care and craftsmanship as all our cymbals and gongs, the Energy series are

meant to be heard, even in the loudest situations. With a signature unfinished bell and

considerably heavier weight, these cymbals mean business. A perfect complement to the

Bliss and Contact series, the Energy series has all that and more. More volume, higher

pitch, longer decays, and still a truly hand-hammered masterpiece.

ECR16, ECR17, ECR18 Crashes, ESP08 and ESP10 SplashesA powerful fast attack and brilliant overall sound sitting on top of the spectrum; medium-long decay, balanced through all harmonics. Capable of extreme volume.

ECRRI20, ECRRI22 Crash RidesA versatile monster of a rock cymbal. The unlathed bells give them a raw, meaty look and concentrates the sound in the centre. Extremely long decays and builds but still capable of riding with a full romping gallop.

ERI20, ERI22 RidesExceptionally clear definition supported by immense power define these rides. The bells can cut through anything you throw at them. A slightly tighter envelope keep the rides focused on the groove and projection. Use with care.

EHH13, EHH14, EHH15, EHH16 Hi HatsThe Energy hats are the backbone of your sound. The completely unlathed bottom hat provides a rock solid foundation for your time. The response is immediate and huge but never fights your musicality. Now available in fast 13" and monster 15" sizes.

1110

12

Dark Matter series This collection is completely unique to Dream.

Beware of imitations. Dark Matter is created from our proprietary process, where the cymbals

are fired repeatedly. The extreme stresses from this action create a cymbal that is changed

on a molecular level so dramatically that they take months of aging to mature and evolve.

They will continue to do so as they are broken in and played upon, becoming part of your

own unique voice.

DMERI20, DMERI22 Dark Matter Energy RidesBased on a lathed Energy cymbal that has been refired and specially treated. The Dark Matter Energy Ride series are a whole new sound and look in a cymbal. The bells feature the same coveted unlathed bells as the Energy series, which are loud and clear. Their unique burned finish make each one a visually stunning work of art. The sound is a powerful combination of dark sound and total clarity of definition.

DMFE20, DMFE22 Dark Matter Flat Earth RidesThese are a stunning combination of two signature Dream sounds. The small bell flat and the Dark Matter combine to create a sound that is salty, gritty and dry, yet without losing the life of a fine hand hammered ride. The bells are borrowed from our famous small bell flat and the bow is nearly flat. The Dark Matter refiring dries out the sound and adds a unique layer of complexity.

DMMRI20, DMMRI22 Dark Matter Moon RidesThe granddaddy of the Dark Matter series. Quite heavy and very dry and cutting. Not for the faint of heart.

DMECR16, DMECR18 Dark Matter Energy CrashesThe double fired maturing process has created two dirty sounding crashes. The have an explosive raw quality and a shorter decay than normal yet remain surprisingly responsive to a variety of playing techniques.

DMHH14 and DMHH15 Dark Matter Hi HatsThese hi hats can only be described as raw and very gritty sounding.When you need something with power, colour and tons of attitude, these are the top choice. A fast response and roaring open sound make them very versatile.

13

• Surface: Blackened double fired, over hammered or unlathed

• Bow: Ranges from deep to nearly flat

• Bell: Small micro bell and large bells

• Weight: Medium to extremely heavy

• Hammering: Double hammering

• Stick: Very articulate and dry, with a bit of grit

• Wash: Shorter decays and gritty, dirty wash

14

Ignition series We are committed to the idea that your first cymbals

should be great cymbals and, to us, that means cast cymbals for their superior tone and

performance.

Ignition Series cymbals are hand hammered from cast bronze discs, making for

professional quality cymbals at entry level prices. The 3-piece pack includes 14" Hi-Hats,

16" Crash, 20" Ride and a 20" bag to help protect these instruments for a lifetime of use.

The sound is a hybrid of the Bliss and Contact families.

Without a doubt the best way to turn first time drummers into lifetime drummers

is to make sure they have best, professional quality instruments at hand.

15

IGNP3-14" Hi hats, 16" Thin Crash and 20” Crash Ride. 20” bag included.

IGNP3+-14" Hi hats, 18" Crash Ride and upgraded 22” Contact Crash Ride.

IGNP4-14" hats, 16" Thin Crash, 18" Medium Crash and 22" Contact Crash Ride. 20" bag included.

IGNCR18 Available as an add on Ignition Crash 18".

• Surface: Wide deep

lathing top and bottom, edge

is Bliss Style Lathing, allowing

for a more controlled cymbal.

• Bow: Medium taper• Weight: Medium thin

to thin crash, medium crash ride.

• Hammering: Hand hammered both hot and cold

• Stick: Crisp like the Contact series.• Wash: Well-balanced highs with a warm

glow, medium decay.

Jason Hartless says: “Since a young age I have been touring everywhere and I am proud to

say that Dream has been with me every mile. Every show, in every city,

my Dream Cymbals never let me down.”

16

Pang Series Once in a while a new cymbal comes along that is a must-have,

and redefines a generation of drummers. The new Pang series from Dream may just be that

sound.

Neither a china, nor a ride nor a swish, it somehow combines elements of all of these

to create a whole new colour in cymbal sounds. The unique inverted bell, combined with

its radical shape, creates an extremely fast crash with a sound palette that is entirely new.

Loud, brash, but not strident.

The PANG 10 splash is unbelievably fast and punchy yet has a character all its own.

The PANG 16 crash is a huge sounding crash extremely fast and with an explosive

roaring wash that disappears leaving you breathless.

The PANG 18, PANG 20 and PANG 22 are larger than life providing an extreme range

of colour. Despite their awesome crash ability, this is more than a line of effects cymbals.

With three distinct playing surfaces and two mounting directions these are wonderfully

versatile. Add some sizzles for even broader effect. The Dream Pang series is a whole new

world of colour.

STACK10 and STACK14. Created by the masterful Libor Hadrava, the STACKs are a

combination of Pang cymbals on top of Contact crashes. With an infinite variety of combina-

tions these adjustable stocks and extremely versatile. From loose and sloppy rattlers to tight

almost electronic sounding crush sounds these are a serious addition to any drummers line up.

17

• Surface: Lathed, standard knife

• Bow: Double flange

• Bell: Shallow, inverted and slightly flattened

• Weight: Medium

• Hammering: Deep hammered hot and cold

• Stick: Very clear, cutting projection

• Wash: Explosive, fast, loud, raw

Re-FX series At Dream we believe we can make cymbals and contribute to

protecting our environment at the same time. Bring any broken B20 or B8 style cymbal

into your nearest Dream Cymbals dealer and receive $1 per diameter inch in a rebate

towards a new Dream cymbal purchased at that store. Dealers pass on the rebate to the

customer and call us to collect the broken cymbals. Broken cymbals are re-manufactured

into new sounds, castings and effects such as the cool Re-FX series. Products include:

18 19

Scott Pellegrom says: “Dream Cymbals are full of expression.They ignite with a touch and sing with a crash. I can’t imagine playing any other cymbals.”

REFX-CC14 Scott Pellegrom Crop Circle Use it on a snare, tom, ride or anywhere to create new effects timbres.

REFX-CC10 10” version of the crop circle, this can adapt to smaller snares or over your hi hats. let your imagination guide you.

REFX-Bell Bells only for a clear effective bell effect.

Custom castings. From time to time limited edition custom castings are created from the recycled cymbals.

Dream Cymbals Recycling Program

Hand cymbals

20 21

Gordon Stout says:“Dream’s new line of

orchestral cymbals are versatile, colorful, capable of producing a variety of attacks and decays, and a joy to play.

There is a unique sound created for every musical

situation. You must try them.”

A2E Full-bodied warm sound. Well balanced harmonics.

Easy to execute extremely soft passages. Capable of full

Fortissimo, exceptional blend.

Available in: 16, 17, 18, 19, 20, 21, and 22".

Straps included.A2CBrighter timbre and higher pitch centre. Cuts over top of orchestra sound. Glassy softs and shattering fortes.

22

Feng Gong

23

Chau Gong

The Chau gong or Tam-tam,

represents the most commonly

known “gong.” It is found in

symphony orchestras and rock

bands the world over.

It is not specifically pitched,

containing a broad and

complex combination of

frequencies coupled with

tremendous dynamic range

and sustain. Available from

6" to 60"+ and each comes

with a mallet.

Stand sold separately.

Sometimes referred to as a

“wind gong,” the Feng has a constantly

evolving tone, from a gentle murmur

to thunderous explosions. Faster

attack, explosive full-frequency

sound, and a shorter duration

differentiate the Feng gong from

the Chau gong. The gong is flat,

has no lip and is fully lathed on

both sides, contributing to its

distinctive look. Available from

6" to 60"+ and each comes with a

mallet. Stand sold separately.

Finger cymbals

Cast in the mountains of India, these

custom finger cymbals come in 4 sizes. In

the West they have earned a home in all

sorts of music from symphony orchestras,

to movie scores to percussion and drum set

ups. Pros never leave home without at least

one pair.

Unlike other commercially available finger

cymbals, these have the mass, clarity and

sustain to actually be heard. Carefully

tuned so that each note is slightly out of

tune with one another, the resulting cluster

creates a magical shimmer that soars over

top of whatever chord they are played

against.

Tuned bell plates Dream is proud to offer their tuned bell

plates in a 4 octave range from an

astounding C1– C5. Years of research and

development have gone into creating

wonderfully expressive bell sounds from flat

plates. Carefully tuned, they are exception-

ally durable and can be played with a range

of beaters from soft to extremely hard.

The largest are close to 2'x3' and the

smallest less than 6"x9". They come with a

simple but ingenious cord mount that keeps

the cord off the face of the instrument while

allowing maximum mounting and transport

flexibility. Used by major symphony orchestras

across Canada, they are now available world

wide. Custom gong stands are also available

for mounting in virtually any configuration.

Made in Canada.

Material: Aluminum Plate alloy

Range: C1– C5 or 4 complete octaves.

Tuning: A=440. Others available on request.

Mounting: Cord mounted from 2 points.

TFC-XL Timsha Finger Cymbal extra large, approx. 3" diameter come as a pair with a small bag.

TFC-L Timsha Finger Cymbal large, approx. 2.75" diameter come as a pair with a small bag.

TFC-M Timsha Finger Cymbal medium, approx. 2.5" diameter come in a pair with a small bag.

TFC-S Timsha Finger Cymbal small, approx. 2.25" diameter come as a pair with a small bag.

24 25

26

Dan Savell of L.A. Percussion Rentals says: “We have used Dream Cymbals’ tuned gongs for countless touring orchestras, percussionists, and music festivals for several years now. They’re just what we need to service our most discriminating clients and their demanding repertoire.”

Tuned MBao Gongs are an exclusive Dream design, made to meet the

call for tuned nipple-gongs around the world.

Available from C2 to C6, a four octave range, they are carefully tuned and selected for

balance, sustain and blend.

A focused pitch and energetic volumes are their hallmark. Currently in use from New

York to Los Angeles, Amsterdam to Toronto. Your search for reliable tuned gongs ends here.

Lifetime tuning warranty included.

27

Jing Cymbals

Small, medium and large they vary from

about 4" to 8" in diameter. Traditionally

used as hand cymbals or opera cymbals, in

the west they have found a home offering

exotic sounds from murmuring chatter to

boisterous cacophony.

28 29

Tiger Bend Down Gongs

Signature sound of China, the bender as it

is commonly called ranges from about 10

to 14 inches and has a distinctive down-

ward bend to the note when struck sharply

in the center.

Lion Cymbals

Also commonly called Chinese cymbals,

they have a distinctive sharp bell and

turned up edges. Available from 12 – 28

inches, they can explode with fiery bursts of

energy or contribute simmering roars of fire.

They have found a home in the west from

the concert hall to the rock stage.

Jin Ban Bend Up Gongs

The smaller brother to the Tiger, is tradition-

al in China and is often used in opera and

street music. From 7 to 9 inches, they have

a short bursting bending up sound when

struck in the center. A truly unique sound

in the world.

Chinese instruments

a ball tip, and made from maple, this is a

great item to use and keep and extra pair

around.

Dream T shirts

Wear your Dreams! Made from top grade

cotton and manufactured in the USA or

Canada, they come in mens and ladies in

a variety of colours.30 31

Bagstick 2

A simple economical stick bag, perfect for

holding just about anything you will need.

Nylon construction and durable zippers.

Straps

Available in regular and deluxe, the Dream

cymbal straps are made from top grade

leather. Slightly longer tails and neoprene

padding inside the deluxe strap allow for a

more ergonomic grip and extreme comfort

when worn in a marching situation.

G Stand

The Dream Gong Stand is simple, but it

works and will last a lifetime. Made from

coated steel tubing, at 1.5" diameter it also

accepts all standard round rack fittings.

Designed to hold a gong up to 36", custom

sizes are available. Rattle free, light, dura-

ble and easy to transport.

Sticks 5A

Dream has a great drumstick. Featuring

Dream Accessories

Bag 22D Deluxe Cymbal bag

The deluxe Dream cymbal bag is for serious

players. Featuring a rubber bottom, multiple

dividers and an outboard hi hat small

cymbal pocket. Sturdy handles and back

pack straps mean this can meet your most

rugged needs.

Bag 20S, 22S and 24S

Simple straightforward cymbal bags with

a shoulder strap or extendable handles.

These are designed for 4-6 cymbals and

quick, efficient use.

Bag HW

Originally designed to carry the Dream Gong

stand it still does that really well. However

this 52"x6"x6" durable padded bag does

so much more. Throw in 4 or 5 pieces of

hardware for smaller gigs, or any long thin

things you need to carry.

At Dream we strive to make the best cymbals in the world.

We don’t believe in making stamped-out low-budget cymbals just

to meet a price point. All our products are carefully hand-crafted to

sound and behave like a high quality musical instrument. We believe

everyone deserves to play the best cymbals available, so we price

them fairly. The time-honoured tradition of gong and cymbal making

in China goes back centuries; some suggest they taught the Turkish

makers.

We don’t believe in telling musicians how, or what, they should

play. How you play them is up to you. You’ll find Bliss cymbals in

metal and Jazz bands, Contact in hip-hop and orchestras, Energy players in rock and Country

& Western. If you can imagine it, a Dream can do it.

We do believe every drummer has an individual voice, so get down to your favourite music

store and give us a listen. Whether it’s Bliss, Contact, Energy, Dark Matter, Pang or any of the

new and expanding line up, they’re all great cymbals. One of them will have your sound.

Come find your Dreams.

Head Office: 616R St. Clarens Avenue, Toronto, Ontario M6H 3W9

Sales Tel: 416.588.5532 Fax: 416.900.0376 Toll free: 1 877.933.7629

info@dreamcymbals.com | dreamcymbals.com