volunteer recognition and holiday reception celebrates ... 2018-volunteer...
TRANSCRIPT
20 Years
Janet Hitz
Lidia Kuhn 18 Years
Michael McCardle
Linda Norton
Pamela Smallwood 15 Years
Mary Jackie Childers
Deborah Hoelscher 10 Years
Dianne Billings
Grace Torrijos
Loretta Uzick 5 Years
Stephennie Anderson
Anthony Cardella
Francisco Cortez
Julie Ellerhorst
Cathy Hamill
Linda Martinson
Karen Meehan
Blanca Perez
2 Years
William Baker
Patricia Baker
Adrianne Berger
Abby Buchold
Dody Carter
Robert Carter
Mila Moroz Drasen
Melayne Ferguson
Patricia Flores
Catherine Frazier
John Grisaffi
Barbara Anne Grove
Debbie Guerrero
Andrew Kragie
Diana Lopez Morris
Kay Mansfield
Terri McClain
Mary Catherine Mechler
Anna Meyer
Gartha Monroe
Patricia Nix
Laura Noaker
Chika Nworah
Catherine Smith
Connie Swift
Omar Rahal Tarbine
Sravana Borkataky-Varma
2 Years cont.
Elissa Thompson
Simone Tiu
Barbara Vaughan
Joan Whorton
Bryan Wilcox
Sarah Williamson
Volunteer of the Year
Margaret Stone Special Thank You
Anne Baillio
Anne Dare
Rob Henderson
Ana Hernandez
Nancy Syler
Sylvia Valverde
Barbara Wadzuk
Joanne Wilton
Carol Wolk
Gary Yepsen For Over 20 Years
of Service
Jan Aragon
Jan Bartlett
Sandra Frick
Ann James
For Over 20 Years
of Service cont.
Anne Baillio
Sue Gaines
Ruth Landauer
Flossie Long
Lynne Sewell
Holiday Performance by
Danté Anderson
Danté Anderson is a native
Houstonian with a Bachelor
of Music in Vocal
Performance. His stage
credits include Austin in
George Street Playhouse's
Austin the Unstoppable,
Hair with Galveston's ETC
theater, and Horse Head
Theatre's Church.
He has performed with the
Houston Symphony and
Ebony Opera Guild,
and runs a private voice
studio from his home in Memorial. He is the grand-
son of Houston Hospice
volunteer, Joan Whorton.
Vo l u n te e r Re co g ni t i on a nd Ho l i d ay Re c ep t io n Ce l e b ra t es Yea rs o f Se rv i ce
Wel co m e New Ho sp i c e Vo lu n t ee r s
Handmade Pillowcases
On Sept. 14 and 15, an abundance of thread, fabric and heart came
together through the Karen Humphreys’ Pillowcase Program for a non-
stop 24-hour marathon benefitting our overall hospice patient community
experience in the IPU.
This year, Karen led the production of pillowcases along with a team
of retired educators for a Sew-A-Thon event held at the Quilter’s
Emporium on 11925 Southwest Freeway in Stafford, TX.
Houston Hospice was among local hospices invited to participate.
The Sew-A-Thon rallied help to produce pillowcases or donate fabric.
“Thanks so much to those who participated for being such an
important part of our community in sharing your time and gifts for the
care of others with enduring love and dedication,” Humphreys said.
Anyone interested in future Sew-A-Thon events is invited to contact
Karen Humphreys at [email protected].
Mary Anna Vickie Jones Lok Yi Anthy Ngai Nicholas Tolat Richard Bado Rachel Keely Emer O'Sullivan Annissa Uy Angelica Bandayrel Peggy Keus Henriquetta Saba Sophie Wan Nikitha Cherayil Heidi Lloyd Rebecca Silva Simone Woodage Barbara Curtis Melissa Lopez Joy Su Shari Wright Alba Garcia Carrera Scott Lorimor Jiali Sun Donald C. Harbison Leslie Mayer Stephanie Talley
The June 2018 volunteer training class listed in alphabetical order:
Sharing
Thank You
D anté Anderson, 28, was not
always comfortable performing
for audiences. The native
Houstonian, who earned his Bachelor’s
Degree in Music from Houston Baptist
University, has family ties to Houston
Hospice as the grandson of volunteer Joan
Whorton who was also honored with the
2018 Senior Companion of the Year award
from the Evelyn Rubenstein Jewish
Community Center.
Volunteers will be treated to an intimate
concert when the classically-trained
Anderson performs a music program of
arias and art songs in Cockrell Chapel for
the Volunteer Recognition and Holiday
Reception event.
His stage credits include Austin in George
Street Playhouse's Austin the Unstoppable,
Hair with Island ETC in Galveston,
and Horse Head Theatre's Church. He runs
a private voice studio from his home and
has performed with the Houston Symphony
and Ebony Opera Guild. In the Spring he
will perform in Main Street Theater’s youth
adaptation of Alexander and the Terrible,
Horrible, No Good, Very Bad Day.
Anderson tells us how he got started.
HOW OLD WERE YOU WHEN YOU FIRST STARTED SINGING?
I have been singing at home, to myself, all
my life. I was always shy and would never
let anyone hear me. The first public solo I
sang was in Hamilton Middle School’s
choir. It was awful. We sang O Happy Day
from Sister Act 2 and I had the first part
where Amal/Wesley is scared and
practically inaudible. That was me to a T.
I had horrible stage fright and almost threw
up on stage. I gained confidence in my
church’s praise team and really blossomed
when I got to HCC.
WHAT MADE YOU DECIDE TO STUDY
CLASSICAL SINGING?
Strangely enough I was inspired by the
movie “The Fifth Element”. I was
enchanted by the scene with a blue alien
lady singing this beautiful aria and would
watch the movie just for that. I YouTubed
that scene so I could watch it by itself, then
watched all the suggested opera videos on
the right-hand pane and fell down the rabbit
hole. I wanted to be a professional R&B
singer, but after hearing the likes of
Luciano Pavarotti and Beverly Sills I
decided to learn to do the truly difficult
stuff. I’d love to do some Whitney Houston,
but opera is a whole ‘nother caliber
of singing.
HOW DID YOU DEVELOP AN APTITUDE FOR
SINGING IN DIFFERENT LANGUAGES?
In college we studied diction for English,
Italian, German, and French to learn the
rules for pronunciation, and it just came
naturally to me. I guess I’ve always had
an affinity for languages and my musical
ability made it easy to recreate the sounds
that I heard. I may not know what I’m
saying but I can sound like I do.
(Just kidding. A good singer looks up the
words first.)
WHAT WERE YOUR BIGGEST OBSTACLES?
YOUR BIGGEST ACHIEVEMENTS?
My biggest obstacles were money and,
unfortunately, my university. I couldn’t
afford to go to the school that I really
wanted to after transferring from HCC, and
after going to HBU I missed out on some
opportunities while I was there because
they cost too much. Then, without throwing
too much dirt around, the administration
made some decisions that, to make a long
story short, left me without the skills I
needed after graduation.
My biggest achievement, I think, is being
cast in the children’s musical Austin the
Unstoppable last year, going to New York
and touring it in Houston schools after
Harvey. The show was about a family
dealing with diabetes and school nurses
called us with testimonials about non-
compliant
diabetic children who decided to follow
their regimen after seeing it. The best part
was knowing we had a real impact in
children’s lives and brought some joy to
them after the storm.
WHO ARE SOME OF THE BIGGEST
INFLUENCES IN YOUR LIFE, PERSONALLY
AND MUSICALLY?
I have too many musical influences to
name, but my biggest role model is
Lawrence Brownlee, another short black
opera tenor with an enviable international
career. When I first started out (after the
soul-crushing revelation that I wasn’t a
baritone) I wanted to be just like him,
sound just like him, sing his repertoire.
Then my voice changed and I sound
nothing like him anymore, but I realized my
voice is unique and there’s nothing I can do
about that without ruining it.
My biggest personal influence is my mentor
Hope Shiver, with whom I studied at HCC
and after HBU. She’s the one that gave me
a pedagogical foundation and helped me
find my true voice. Then, of course,
there’s my family, my mother and
grandmother and siblings who support me
and try to see all of my performances.
WHAT IS YOUR GREATEST ASPIRATION?
An international multi-genre singing career.
Failing that, I’d just like financial stability,
preferably doing something in music or
acting, and the time and ability to sing,
even if it’s in a volunteer choir.
Enjoy Danté Anderson’s Music Program
2-4 p.m. in the Cockrell Chapel at Houston
Hospice on December 8. Music selection
list:
Arias Un aura amorosa
Cara Sposa
Una furtive lagrima
Vainement ma bien aimee
Dopo note atra e funesta
Art Songs Standchen (Schubert)
Waldesgesprach
Neue liebe (Mendelssohn)
Fleur jetee
Nell
Air chantes
Come away death (Finzi)
To Julia: the night piece
Caro mio ben
Danza danza
Vo ca l i s t Ov e rca m e S ta g e F r i g h t i n Co l l e g e , M a s te r s A r t i s t ry
Phone: 713-467-7423
houstonhospice.org
Houston Hospice
1905 Holcombe Boulevard
Houston, Texas 77030-4123
MISSION STATEMENT
Houston Hospice provides uncompromising,
compassionate end-of-life care to patients and families
in our community.
Through the efforts of specially trained and highly skilled
interdisciplinary teams of health care professionals and volunteers,
Houston Hospice patients and their families are guided through
the process of illness by receiving clinical care, psychosocial support,
spiritual guidance and volunteer assistance.
G i v e t o H o u s to n H o s p ic e Wh i le Yo u Sh o p
*Choose Houston Hospice code
(81260) at Kroger *Choose Houston Hospice
code (2278) at Randalls
When you shop at AmazonSmile,
Amazon donates 0.5% to Houston
Hospice. Go to smile.amazon.com
and support us every time you shop.
George Library Richmond, Texas, including El Campo service area
Tuesdays, February 12, 19 & 26, 2019
Texas Medical Center Houston, Texas
Saturdays, June 8, 15 & 22, 2019 and Saturdays, October 5, 12 & 19, 2019
VOLUNTEER TRAINING
Red Tape Day is a mandatory meeting scheduled for anyone wishing to maintain an active status as a hospice volunteer. At each Red Tape Day, we will have renewal packets available to help you complete the necessary paperwork required for compliance. You only need to
attend ONE of these meetings. If you are unable to attend any of these, please call Elisa or Brenda to schedule a make-up session at 713-467-7423.
Tuesday, January 22, 2019 - Northwest Office - 1:30 p.m.
7906 N. Sam Houston Pkwy West Ste. 200, Houston, Texas 77064
Saturday, January 26, 2019 - TMC - 10:30 a.m.
1905 Holcombe Blvd., Houston, Texas 77030
Please RSVP at 713-677-7121 or [email protected]