ways of being a writer c. n haigh, edquest. some perspectives diver, patchwork writer, grand...
TRANSCRIPT
Ways of Being a Writer
c. N Haigh, Edquest
Some perspectives
• diver, patchwork writer, grand planner, architect
(Crème and Lea)• architects, bricklayers, oil painters, water colourists (Chandler)• time of day• preferred environment – the introversion/extraversion factor• soloist – collaborator
Writing Together
Case studies, issues and options
Diver Writer?
Starts writing - to find out what wants to
say.
Starts anywhere - sees what emerges -
before developing a plan.
Makes several dives - before considers
tying together what written.
Writing considered a part of thinking
process
Patchwork Writer?
First - decides on some subtopics -
writes about them
While writing - decides whether
subtopics relevant – whether/how can
be combined.
Later - combines subtopics with linking
ideas and words.
Writing is an aid to thinking.
Grand Plan Writer?
Reads, makes notes, thinks
Does not write until has plan for ‘what
to write’.
Can’t say what plan is until write it
down.
Then plan comes out nearly complete
= an epiphany.
Writing is an outcome of thinking
Architect Writer?
First - makes lots of notes, sketches
out many ideas.
Has sense of structure almost before
content.
Produces complex plan/‘map’ early in
process.
Sees writing as – communicating ideas
already clear in mind.
?
Which way is most like your own?
How stable is your way?
Have you changed over time?
How do you think your way is different?
What might be advantages and disadvantages of these
different ways?
Might there benefits from adjusting your way?
Architects
• Have conscious planning and design processes for
writing.
• Less likely to see writing as – a way of thinking
• Generally follow classic plan – write – edit sequence
• More likely to leave and come back to writing.
Bricklayers
• Built up text slowly
• Every sentence/paragraph polished before go on.
• More likely to leave and come back to writing.
• Usually have clear idea of what they want to say.
• Thinking leads to writing.
Oil painters
• Work fairly slowly
• Keep making alterations (over paint)
• Tendency – minimal planning + maximum alteration
• May be too writer-centred - not sufficiently reader-
oriented
Water colourists
• Work quickly (once paint dried, picture cannot be
altered).
• Minimal alterations
• In single attempt – produce near perfect product
• May be insufficiently attentive to readers
• If word processing skills limited may feel
– cannot work fast enough
– and dissatisfied.
When and Where?
• Do you have preferred times of day for writing?
– circadian rhythms
– am or pm person?
• Do you have a preferred environment – the introversion/extraversion factor?
Writing Alone - Together?
What preferences? What pros and cons?
Some of my writing strategies, methods, tools
• Turn off editor.
From coarse granularity to refined grains. Polish later.
• Try the ‘nutshelling ’ process.
• When bogged down, try talking vs writing. (try out ways of expressing ideas).
• Note: Tape record supervision sessions
Some of my writing strategies, methods, tools
• Have a grand writing plan
• But divide into ‘complete-able’ tasks.
• Write – incubate - write get past ‘first thoughts’ and ‘taken for granted’ ideas.
• Have a writing buddy/critical friend - sounding board - mapping partner - source of feedback Note: giving someone else feedback helps make explicit own writing criteria