we want band - kick-off wdka

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WdKA: I AM A BAND notions of the current musical landscape by theo ploeg

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kick-off (introduction) lecture for I AM BAND project for second years at Willem de Kooning Academy in Rotterdam. Lecture at Worm, institute for avant gardistic recreation. In januari students will present their band 2015 concept.

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WdKA: I AM A BAND

notions of the current musical landscape by theo ploeg

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who am i? @theoploeg, [email protected]

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kiss: marvel comic heroes come to life

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my record collection

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electric shock therapy, the band (1985 - 1989)

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starting a band now

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taylor swift: fuck spotify

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LET’S START A BAND

so…

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well, that’s easy. isn’t it?

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marshall mcluhan (1911-1980)

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mcluhan's main thought #1: media are extensions of some human faculty

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mcluhan’s main thought #2: the medium is the message

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13mcluhan’s main thought #3: walking backwards into the future

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in Playboy (1969)

‘The computer thus holds out the promise of a technologically

engendered state of universal understanding and unity, a state

of absorption in the logos that could knit mankind into one

family and create a perpetuity of collective harmony and peace.’

the impact of electric media

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• the global village is replacing hierarchal organization by a worldwide network

• comeback of experience, feeling and involvement replacing objectification, rationalization and distance

• individualism merges into a more community based why of thinking and acting

• being instead of becoming

WTF does mcluhan mean?! - effects and affects of electric media

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mcluhan’s advice: don’t drown in the media mahlström

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WHAT’S GOING ON IN POP MUSIC?

let’s take mcluhan’s advice and observe what is really going on

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before wo2: slaves and blues - music as social cohesion

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robert johnson as the first modern troubadour

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after wo2: beat generation, youth culture and independence

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rock’n’roll and the rise of youth culture

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sun studio, memphis tennessee

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new idols and the concept of copyrights

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one market, one taste

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70s: pop music as mainstream consumption

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the who - my generation at woodstock

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70s: the sky was de limit

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as it was for the record industry: the big record

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• michael jackson - thriller (’82/42,3 m) • shania twain - come on over (’97/29,8 m) • led zeppelin - led zeppelin IV (’71/29 m) • fleetwood mac - rumours (’77/26,8 m) • ac/dc - back in black (’80/25,9 m) • pink floyd - dark side of the moon (’73/22,7 m) • eagles - hotel california (’76/21,5 m) • meat loaf - bat out of hell (’77/20, 5 m) • pink floyd - the wall (’79/18,1 m)

best selling albums ever

thanks the OOR archive

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record company

press

distributionartist

or band

the classic music industry model

production &

copyrights management

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music business

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slightly different image

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2005 versus 2011: the big four and their marketshare

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yeah, sure ;- )

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and then there was peer to peer network napster (1999-2011)

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back to the data

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vinyl sucks, here is the cd

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indie is the new mainstream

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and then 9/11 happened

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SO WHAT’S THE SITUATION NOW?

post 9/11

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simon reynolds - retromania (2012)

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everything is always there (‘history is bunk’)

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a festival a day. from mainstream…

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to niche…

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authentic, local and traditional stuff is hot

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cassette tape and other physical media are back

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also the dead album format

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but streaming is also doing very well

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and is can be quite lucrative

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diy in the netherlands

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tools for artists and bands

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pop journalism is thriving

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record company

press

distributionartist

or band

the classic music industry model

production &

copyrights management

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new and old media to

communicate with your fans

productional equipment and

tools (software & hardware)

pop magazines and blogs

ways to distribute your music

artist or

band

possibilities to diy are bigger than ever

musical formats

record companies in all sizes

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WHAT TO DO?

so, the main question is…

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decide what you really want to do, then think about your businessby using for example osterwalder’s business model canvas

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the sellaband example

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so, the main question is… what do you really want?

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then find your niche

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the money question should be your last

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remember: success isn’t measured by masses anymore

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your band model only works with your band, and that’s fine

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branding a tech company

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subscription model works fine with bunker

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no streaming, no music for free

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don’t lie, stay close to who you are

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the essence of starting a band: create a story

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good luck!