weaving at the bauhaus: origins and influences slides.pdf · bauhaus-iron-yarn-belts consist of...
TRANSCRIPT
![Page 1: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/1.jpg)
Weaving at the Bauhaus:Origins and Influences
Julia E. BensonTEXT 6910
Fall Semester, 2003
![Page 2: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/2.jpg)
Johannes Itten Horizontal-Vertikal,1915
![Page 3: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/3.jpg)
Wassily Kandinsky Moscow I, 1916
Oil on canvas Collection of State Tretjakov
Gallery, Moscow
![Page 4: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/4.jpg)
Paul Klee Komposition mit fenstern
(Komposition mit dem "B"), 1919. Oil paint and ink on cardboard, 50,4x38,3 cm.
Collection of Paul Klee-Stiftung, Kunstmuseum, Bern
![Page 5: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/5.jpg)
Weimar Textiles Designer: Ida Kerkovius Knotted carpet, 1923.
Wool, 194 x 300 cm. Collection of the Bauhaus
Archive
![Page 6: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/6.jpg)
Weimar Textiles Designer: Gunta Stölzl Detail of wall hanging, 1923
(linen, wool, viscose, and cotton; 260 x 122 cm)
Collection of Kunstsammlungen, Weimar
![Page 7: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/7.jpg)
Weimar Textiles (cont.) Designer: Benita Koch-Otte Wall-covering semi-gobelin
tapestry, c. 1923 wool and cotton colour scheme of red, green, black and white159 x 110 cm
![Page 8: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/8.jpg)
Weimar Textiles (cont.) Designer: Benita Koch-Otte Kinderzimmerteppich, wall
hanging, c. 1923 Collection of the
Bauhaus-Museum of the Kunstsammlungen zu Weimar
![Page 9: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/9.jpg)
Dessau Textiles Grete Reichardt Iron-yarn-belts, 1926, for
the first steel tube chairs by Marcel Breuer and Mies van der Rohe .
Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining. The natural structure of the fabric is maintained by a visible selvage and by knots and is a sign for original reproduction, no defect.
![Page 10: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/10.jpg)
Dessau Textiles (cont.) Designer: Gunta Stölzl Gobelin tapestry,
1927-1928
![Page 11: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/11.jpg)
Dessau Textiles (cont.) Designer: Gunta Stölzl 5 Chöre (5 Choirs), 1928
Jacquard wallhanging, wool, cotton, silk
Collection of Museum für Kunst und Kulturgeschichte der Hansestadt Lübeck
![Page 12: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/12.jpg)
Dessau Textiles (cont.) Designer: Gunta Stölzl Fabric sample, 1928, wool
and other fibers In archives of the Museum
Bellerive, Zürich
![Page 13: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/13.jpg)
Dessau Textiles (cont.) Designer: Anni Albers Wall covering material,
1929 Cotton and cellophane. 22.9 x 12.7 cm (9 x 5 inches)
![Page 14: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/14.jpg)
Dessau Textiles (cont.) Designer: Anni Albers Sound absorbing and
light-reflecting wall covering material, 1929Double weave, cotton chenille and cellophane
Albers submitted this fabric as the final requirement for her Bauhaus diploma.
![Page 15: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/15.jpg)
Dessau Textiles (cont.) Designer: Alma Tchildran Textile, 1929
Wool, size and construction unknown
![Page 16: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/16.jpg)
Otti Berger “C.S.P.”, bed cover or
curtain fabric, c. 1930s, designed for the Dutch textile company De Ploeg
Used as endpaper for the Persephone Press publication of Etty Hillesum’s “An Interrupted Life.”
![Page 17: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/17.jpg)
Friedl Dicker-Brandeis Wall carpet for children's
room, 1931
![Page 18: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/18.jpg)
Anni Albers Monte Alban, 1936 Silk, linen, and wool. 146 x
112 cm (57-3/8 x 44 inches) Collection of the
Busch-Reisinger Museum, Harvard University Art Museums
![Page 19: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/19.jpg)
Anni Albers (cont.) "Ancient Writing,” 1939
Wall hanging, 59 1/4 x 44 in. (150.5 x 111.8 cm.)
Collection of the Smithsonian American Art Museum
![Page 20: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/20.jpg)
Anni Albers (cont.) Drapery material, ca. 1944
Plastic, copper foil, and cotton. 138.4 x 83.8 cm (54-1/2 x 33 inches)
Created on commission from architect Philip Johnson for the Rockefeller Guest House at East 57th Street in New York City.
![Page 21: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/21.jpg)
Anni Albers (cont.) “Red and Blue Layers,”
1954Cotton, 61 x 36.8 cm
Collection of the Josef and Anni Albers Foundation
![Page 22: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/22.jpg)
Anni Albers (cont.) Untitled (Line Involvements
V), 1964lithograph (stone) in two blacks on white Arches paper, sheet: 36.8 x 50.2 cm (14 1/2 x 19 3/4 in.)
Collection of the National Gallery of Art
![Page 23: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/23.jpg)
Anni Albers (cont.) Maze, 1979
Printed cotton (left), Acid-etched polyester/cotton (right)
Manufactured by SUNAR
![Page 24: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/24.jpg)
Marli Ehrman Organic armchair, 1941 Designed by
Heywood-Wakefield Company
![Page 25: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/25.jpg)
Jack Lenor Larsen Interlace
Owned by Cowtan & Tout
![Page 26: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/26.jpg)
Jack Lenor Larsen (cont.) Nimbus/Cumulus
Owned by Cowtan & Tout
![Page 27: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/27.jpg)
Dorothy Liebes Fine Donald Deskey chair,
by Royal Chrome Co., stainless steel frame with decorative ball trim and upholstered seat with original Dorothy Liebes fabric
![Page 28: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/28.jpg)
Lore Kadden Lindenfeld Double weave sample with
rectangular floats, 1945-4810 x 6 inchesgrey rayon background with brown, rust, grey textured floats
Woven while a student at Black Mountain College
![Page 29: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/29.jpg)
Lore Kadden Lindenfeld (cont.)
Double-weave with Leno, 1948 (Black Mountain College). Detail.
Collection of the Smithsonian, American Art Museum (Renwick), Washington, D.C. Gift of the Josef and Anni Albers Foundation.
![Page 30: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/30.jpg)
Lore Kadden Lindenfeld (cont.)
Sample of wool coating, 1950rust/white/black horizontal strips
designed for Kanmak Textiles
![Page 31: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/31.jpg)
Kay Sekimachi MOON AND MAUNA KEA IV
(left) 1998linen, heat transfer print on warp, overprinting and doubleweave, buckrum and stitch witchery3 1/2"(h) x 23" x 5" when extended
HAYDEN VALLEY II (right) 1998linen, heat transfer print on warp, overprinting and doubleweave, buckrum and stitch witchery 3 5/8"(h) x 23" x 5 1/2" when extended
![Page 32: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/32.jpg)
Kay Sekimachi (cont.) Nesting Box c. 1974
Linen, five layered weave, double weave pick-up. 7 1/2" x 7 1/2" x 7 1/2".
Collection of Jack Lenor Larsen
![Page 33: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/33.jpg)
Angelo Testa Original gouache on paper,
illustration for fabric later produced by Angelo Testa & Co. Matted with hand letter text, ""LITTLE MAN DESIGN", 1942-1943, FIRST FABRIC DESIGNED BY ANGELO TESTA".
![Page 34: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/34.jpg)
Angelo Testa (cont.) STILTS, available in various
color schemes.
![Page 35: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/35.jpg)
Angelo Testa (cont.)
TIMBER for GREEFF, available in various color schemes.
![Page 36: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/36.jpg)
Angelo Testa (cont.) TEXTURA PLAID for GREEFF,
available in various color
schemes.
![Page 37: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/37.jpg)
Angelo Testa (cont.) Group of fabric design
illustrations. One dated 1970, others undated.
![Page 38: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/38.jpg)
Vorwerk Teppichwerke Designer: Gertrud Arndt
![Page 39: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/39.jpg)
Vorwerk Teppichwerke (cont.)
Designer: Gertrud Arndt
![Page 40: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/40.jpg)
Vorwerk Teppichwerke (cont.)
Designer: Monica Bella-Broner
![Page 41: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/41.jpg)
Vorwerk Teppichwerke (cont.)
Designer: Monica Bella-Broner
![Page 42: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/42.jpg)
Vorwerk Teppichwerke (cont.)
Designer: Not credited, possibly Kitty Fischer
![Page 43: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/43.jpg)
Vorwerk Teppichwerke (cont.)
Designer: Not credited, possibly Kitty Fischer
![Page 44: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/44.jpg)
Vorwerk Teppichwerke (cont.)
Designer: Grete Reichardt
![Page 45: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/45.jpg)
Vorwerk Teppichwerke (cont.)
Designer: Gunta Stölzl
![Page 46: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/46.jpg)
Gunta Stölzl Designs by Christopher Farr Galleries
Handknotted carpet, Edition of 15Size: 3.15 x 2.38m (10'4" x 7'10")
![Page 47: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/47.jpg)
Gunta Stölzl Designs by Christopher Farr Galleries (cont.)
Handwoven flatweave, Edition of 15
Size: 3.60 x 2.50m (11'10" x 8'3")
![Page 48: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/48.jpg)
Gunta Stölzl Designs by Christopher Farr Galleries (cont.)
Tapestry, Edition of 15Size: 1.47 x 1.11m (4'7" x 3'7")
![Page 49: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/49.jpg)
Gunta Stölzl Designs by Christopher Farr Galleries (cont.)
Handknotted carpet, Edition of 15Size: 3.98 x 1.60m (13' x 5'3")
![Page 50: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/50.jpg)
Gunta Stölzl Designs by Christopher Farr Galleries (cont.)
Flatweave. Original design from the Bauhaus, 1926Edition of 15Size: 3 x 3m (9' 10" x 9' 10")
![Page 51: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/51.jpg)
Gunta Stölzl Designs by Christopher Farr Galleries (cont.)
Handknotted carpet, Original design from the Bauhaus, 1926Edition of 15Size: 3 x 3m (10' x 10')
![Page 52: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/52.jpg)
Gunta Stölzl Designs by Christopher Farr Galleries (cont.)
Handknotted carpet, Edition of 15Size: 3.60 x 2.50m (11' 9" x 8' 3")
![Page 53: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/53.jpg)
Anni Albers' Loom Today Front view of loom as it
appears today at Allegheny River Textile Studio, Foxburg, PA
![Page 54: Weaving at the Bauhaus: Origins and Influences Slides.pdf · Bauhaus-Iron-yarn-belts consist of multiple twisted cotton threads. The "hard" yarn gets its solidity by paraffining](https://reader033.vdocuments.net/reader033/viewer/2022041813/5e5916d6a7f8013a27167d8d/html5/thumbnails/54.jpg)
Anni Albers' Loom Today Sigrid Piroch, director of
Allegheny River Textile Studio, Foxburg, PA, weaving on Anni Albers’ restored 12-shaft countermarche loom