Summer homework for APAH 2017-2018Due on the first day of school! 1. Go to http://www.learner.org/courses/globalart/List of Required Works-> 13 ThemesWatch each videos and write Cornelle notes on each video. 2. Define and answer questions on Introduction-Study Guide. There will be a quiz and discussion at the end of first week. 3. Study the first 20 images and objects. Write notes on each. Watch videos if there are any. We will study the rest( 20 to 250) during class.

KA = Khan AcademyPin = Image found on Art History 250 boards, Pinterest (http://www.pinterest.com/marshruss/)

Content Area 1: Global Prehistory30,000–500 B.C.E. (11 WORKS)

1. Apollo 11 stones. Namibia. c. 25,500–25,300 B.C.E. Charcoal on stone. 4 ½” x 5”. State Museum of Namibia, Windhock.KAPin Image Location Image Map Image Article Article Article

2. Great Hall of the Bulls. Lascaux, France. Paleolithic Europe. 15,000–13,000 B.C.E. Rock painting, length of largest aurock (bull) 18’.KAPin Image Video Video 2 Article Website Fly-through tour

3. Camelid sacrum in the shape of a canine. Tequixquiac, central Mexico. 14,000–7000 B.C.E. Bone. Museo Nacional de Antropologia, Mexico City, Mexico.KAPin Image Article Article Article

4. Running horned woman. Tassili n’Ajjer, Algeria. 6000–4000 B.C.E. Pigment on rock.Pin Image Article Video Video

5. Bushel with ibex motifs. Susa, Iran. 4200–3500 B.C.E. Painted terra cotta, approx. height 11 2/5”, diameter 6 2/5”. Musee du Louvre, Paris, France. KAPin Image Image VIDEO Article

6. Anthropomorphic stele. Arabian Peninsula. Fourth millennium B.C.E. Sandstone, approx. height 36” x width 8”. National Museum, Riyadh, Saudi Arabia.KAPin Image Article Article Article Article Video Video

7. Jade cong. Liangzhu, China. 3300–2200 B.C.E. Carved jade, approx. 1 1/3” high x 5” wide. British Museum, London, England.KAPin Image Context photo Video Video Article Article Article ArticlePDF Article

8. Stonehenge. Wiltshire, UK. Neolithic Europe. c. 2500–1600 B.C.E. Sandstone, tallest lintel 24’, average 13’6” weighing 26 tons, diameter of all lintels 106’.G15, 28KAPin Image AND Image Video Video Video Article Article Article Teacher’s Kit Website

9. The Ambum Stone. Ambum Valley, Enga Province, Papua New Guinea. c. 1500 B.C.E. Greywacke, approx. height 7 9/10” x width 3” x depth 5 ½”. National Galley of Australia, Canberra, Australia.

Pin Image Image Ambum Stone Stamp Article Article Article Article

10. Tlatilco female figurine. Central Mexico, site of Tlatilco. 1200–900 B.C.E. Ceramic with traces of pigment, 3 ¾” x 1 7/8” x 13/16”. Princeton University Art Museum, Princeton, New Jersey.KAPin Image Article Article Article Article

11. Terra cotta fragment. Lapita. Solomon Islands, Reef Islands. 1000 B.C.E. Terra cotta (incised), height of human face motif approx. 1 ½”. Department of Anthropology, University of Auckland, Auckland, New Zealand.Pin Image Article Article Article Video

Content Area 2: Ancient Mediterranean3500 B.C.E.–300 C.E. (36 WORKS)Smarthistory Intro to Ancient Near East Mesopotamia: Crash Course World History #3Smarthistory Intro to Ancient EgyptTICE ART 1010 Video Intro to Ancient Near Eastern and Ancient Egyptian Art TICE ART 1010 Video Intro to Greek and Roman ArtThe Persians and the Greeks: Crash Course World History #5Rome Reborn 2.2Smarthistory Tour of Rome in 320 CE (Frischer 3D animation video)Clickable Map of Ancient Egypt

12. White Temple and its ziggurat. Uruk (modern Warka, Iraq). Sumerian. c. 3500–3000 B.C.E. Mud brick.KAPin Image from list(Is it backwards?) Higher res image I flipped horizontally Reconstruction drawing

13. Palette of King Narmer. Predynastic Egypt. c. 3000–2920 B.C.E. Greywacke, height 25”. Egyptian Museum, Cairo, Egypt.KA Pin Image Video

14. Statues of votive figures, from the Square Temple at Eshnunna (modern Tell Asmar, Iraq). Sumerian.c. 2700 B.C.E. Gypsum inlaid with shell and black limestone, height of largest figure approx. 30”. The Oriental Institute Museum, University of Chicago. Also: Iraq Museum, Baghdad, Iraq.KAPin Image

15. Seated scribe. Saqqara, Egypt. Old Kingdom, Fourth Dynasty. c. 2620–2500 B.C.E. Painted limestone, height 21”. Musee du Louvre, Paris, France.KAPins Frontal view Right side Left side Louvre Louvre text

16. Standard of Ur from the Royal Tombs at Ur (modern Tell el-Muqayyar, Iraq). Sumerian. c. 2600–2400 B.C.E. Wood inlaid with shell, lapis lazuli, and red limestone, 8” x 1’7”. British Museum, London, England.KA Pins Image 1 Image 2 Bdgrd Video Bkgrd video 2 Audio

17. Great Pyramids (Menkaura, Khafre, Khufu) and Great Sphinx. Giza, Egypt. Old Kingdom,Fourth Dynasty. c. 2550–2490 B.C.E. Cut limestone, 450’, height of Great Sphinx, 65’.KA Page 1 Page 2 Page 3 Page 4Pins Image 1 from list Site Plan Distant view Giza3D Video

18. King Menkaura and queen. Old Kingdom, Fourth Dynasty. c. 2490–2472 B.C.E. Greywacke with traces of red and black paint, height 54 ½”. Museum of Fine Arts, Boston, Massachusetts.KAPin Image Article

19. The Code of Hammurabi. Babylon (modern Iran). Susian. c. 1792–1750 B.C.E. Basalt, height of stele approx. 7’4”; height of figural relief 28”. Musee du Louvre, Paris, France.KAPin Image Detail Louvre

20. Temple of Amun-Re and Hypostyle Hall. Karnak, near Luxor, Egypt. New Kingdom, 18th and19th Dynasties. Temple: c. 1550 B.C.E.; hall: c. 1250 B.C.E. Cut sandstone and mud brick, complex 247 acres (an acre is 76% of a football field, with end zones), walls 39’ high x 26’ thick; hall 58,000 sq. feet, 12 central columns 75’ high, capitals diameter 22’. KA

Pins Image 1 from list Image 2 from list Hypostyle Hall Reconstruction drawing Reconstructiondrawing 2 Plan Video Clerestory animation Article Article

21. Mortuary temple of Hatshepsut. Near Luxor, Egypt. New Kingdom, 18th Dynasty. c. 1473–1458B.C.E. Sandstone, partially carved into a rock cliff, and red granite, height 8’6”. Metropolitan Museum of Art, NYC, NY.KAPins Temple Reconstruction drawing Plan Statue Article Article Article on statue

22. Akhenaton, Nefertiti, and three daughters. New Kingdom (Amarna), 18th Dynasty. c. 1353–1335 B.C.E. Limestone, 12 ¼” x 15 ¼”. Staatliche Museen zu Berlin, Preussischer Kulturbesitz, Agyptischees Museum, Berlin, Germany.KA Pin Image Berlin Museum discussion

23. Tutankhamun’s tomb, innermost coffin. New Kingdom, 18th Dynasty. c. 1323 B.C.E. Gold with inlay of enamel and semiprecious stones, height 6’7/8”, weight nearly 243 pounds. Egyptian Museum, Cairo, Egypt.KAPin Image Image Article/video

24. Last judgment of Hu-Nefer, from his tomb (page from the Book of the Dead). New Kingdom, 19th Dynasty. c. 1275 B.C.E. Painted papyrus scroll, height 15 5/8”. British Museum, London, England.KA Pin Image Video Video Article Article Article

25. Lamassu from the citadel of Sargon II, Dur Sharrukin (modern Khorsabad, Iraq). Neo-Assyrian. c. 720–705 B.C.E. Alabaster, 13”10” high. Musee du Louvre, Paris, France.KA Pin Image Louvre discussion British Museum discussion Article Article

26. Athenian agora. Archaic through Hellenistic Greek. 600 B.C.E.–150 C.E. Plan.KA Pin Plan from list, no labels (50 kb) Hi res plan NO labels Plan with labels Reconstruction drawing Reconstruction drawing 2 Website PDF Video Video

27. Anavysos Kouros. Archaic Greek. c. 530 B.C.E. Marble with remnants of paint, height 6’4”. National Archaeological Museum, Athens, Greece.KA Pin Image Article

28. Peplos Kore from the Acropolis. Archaic Greek. c. 530 B.C.E. Marble, painted details, height 4’. Akropolis Museum, Athens, Greece.KAPin Image Article Article Article

29. Sarcophagus of the Spouses. Etruscan. c. 520 B.C.E. Terra cotta, length 6’7”. Museo Nazionale di Villa Guila, Rome, Italy. There is a similar sarcophagus in the Musee du Louvre, Paris, France.

KAPin Image Bkgrd video Etruscans video Video Article

30. Audience Hall (apadana) of Darius and Xerxes. Persepolis, Iran. Persian. c. 520–465 B.C.E. Limestone, area 1195 sq. yards, 72 columns 78’8” tall.KA and KAPins Image 1 from list – tiny 35 kb Aerial view from opposite side Image 2 Reliefs Persepolis plan Video Video

31. Temple of Minerva (Veii, near Rome, Italy) and sculpture of Apollo. Master sculptor Vulca.c. 510–500 B.C.E. Original temple of wood, mud brick, or tufa (volcanic rock); terra cotta sculpture.- Plan. Based on descriptions by Vitruvius.-Model. University of Rome, Istituto di Etruscologia e Antichita Italiche, Rome, Italy.-Apollo. Master Sculptor Vulca (?). From the temple of Minerva. Portonaccio, Veii. c. 510-500 B.C.E. Painted terra cotta, height 5’10”. Museo Nazionale di Villa Guila, RomeKAPins Plan and Sketch Model Apollo

32. Tomb of the Triclinium. Tarquinia, Italy. Etruscan. c. 480–470 B.C.E. Tufa and fresco.G15, 170; G14, 172S5, 162-163(A3, 198-200 Tomb of the Leopards)KA Intro to Etruscan ArtPins Image from list Tomb of the Leopards Musician Video on Etruscans 1 Video on Etruscans 2

33. Niobides Krater. Anonymous vase painter of Classical Greece known as the Niobid Painter. c. 460–450 B.C.E. Clay, red-figure technique (white highlights) , 21 ¼” x 22”. Musee du Louvre, Paris, France.KAPins Image 1 Image 2 Metamorphosis text Louvre Theseus detail

34. Doryphoros (Spear Bearer). Polykleitos. Original 450–440 B.C.E. Roman copy (marble) of Greek original (bronze). Height 6’11”, tree trunk and brace strut are Roman additions. National Archaeological Museum, Naples, Italy. Other Roman copies: Basalt torso, Galleria degli Uffizi, Florence, Italy; Copy 120-150 B.C.E., height 6’4”, Pentelic marble, Minneapolis Institute of Art, Minneapolis, Minnesota.KAPin Image Article Article Video

35. Acropolis. Athens, Greece. Iktinos and Kallikrates. c. 447–424 B.C.E. Marble. -Parthenon. Akropolis, Athens. 447-432. B.C.E. Pentelic marble. Athens, Greece.-Helios, horses, and Dionysus (Heracles?). East pediment of the Parthenon, c. 447-432 B.C.E. length over 90’; the central space of about 40’ is missing. British Museum, London, England.-Temple of Athena Nike. Akropolis, Athens. Kallikarates. 447-432. B.C.E. Pentelic marble. Athens, Greece.-Victory adjusting her sandal. Fragment of relief decoration from the parapet (now destroyed). Temple of Athena Nike, Akropolis, Athens. Last quarter of the 5th century (perhaps 410-405) B.C.E. Marble, height 3’6”. Akropolis Museum, Athens, Greece.

-Plaque of the Ergastines. Detail of the Procession, from the Ionic frieze on the east side of the Parthenon, c. 447-432 B.C.E. Marble, height 3’6”. Musee due Louvre, Paris.KA Page 1 Page 2 Page 3 Page 4 Page 5Pins Image 1 Acropolis Plan from list – 37 kb Another Acropolis Plan Drawing of Acropolis Parthenon Parthenon Parthenon plan with labels Parthenon plan, no labels Helios, horses, and Dionysus (Heracles?) Temple of Athena Nike Victory adjusting her sandal Plaque of the Ergastines Video Video Video Ergastines article

36. Grave stele of Hegeso. Attributed to Kallimachos. c. 410 B.C.E. Marble and paint, 5’2” high. From the Dipylon cemetery, Athens, Greece. National Archaeological Museum, Athens, Greece.KAPin Image Article on Greek Afterlife

37. Winged Victory of Samothrace. Hellenistic Greek. c. 190 B.C.E. Marble, height 8’1”. Musee du Louvre, Paris, France.G15, 155; G14, 158S5, 153, 155A3, 184APAP, 104-105KAPins Image 1 Image 2 Image 3 Louvre Louvre 2 Article Article Article

38. Great Altar of Zeus and Athena at Pergamon. Asia Minor (present-day Turkey). Hellenistic Greek.c. 175 B.C.E. Marble (architecture and sculpture). , height of figure 7’7”. Staatliche Museen, Berlin, Germany.-Athena Attacking the Giants, Detail of the frieze from the east front of the altar from Pergamon, c. 175-150 B.C.E. Marble, frieze height 7’7”. Staatliche Museen, Berlin, Germany.KAPins Image Image Athena Plan Model of city Model 2 Article

39. House of the Vettii. Pompeii, Italy. Imperial Roman. c. second century B.C.E.; rebuilt c. 62–79 C.E. Cut stone and fresco.KAPins Plan Plan without labels Atrium Frescoes Fresco detail Video Video

40. Alexander Mosaic from the House of Faun, Pompeii. Republican Roman. c. 100 B.C.E. Mosaic. Roman copy of a Greek wall painting of c. 310 B.C.E., perhaps by Philoxenos of Eretria or Helen of Egypt. Entire panel 8’10” x 17’. Museo Archeologico Nazionale, Naples, Italy.KAPins Image Article

41. Seated boxer. Hellenistic Greek. c. 100 B.C.E. Bronze, 4’2” high. Museo Nationale Romano – Palazzo Massimo alle Terme, Rome, Italy.KAPins Image Photo of discovery site Video Article Article

42. Head of a Roman patrician. Republican Roman. c. 75–50 B.C.E. Marble, 14”. Museo Torlonia, Rome, Italy.

(similar: Head of an old man, from Osimo, Italy G15,184(similar: Portrait Head of an Elder from Scoppito S5, 167-169)KA on similar workPins Image Article Website Mencher Roman Sculpture Video

43. Augustus of Prima Porta. Imperial Roman. Early first century C.E. Marble, originally colored, height 6’8”. Musei Vaticani, Braccio Nuovo, Rome, Italy.KAPins Image MIT website Video Mencher Roman Sculpture Video

44. Colosseum (Flavian Amphitheater). Rome, Italy. Imperial Roman. 70–80 C.E. Stone and concrete.KAPins Image 1 Image 2 Section Drawing Section of Cavea Plan Video Article

45. Forum of Trajan. Rome, Italy. Apollodorus of Damascus. Forum and markets: 106–112 C.E.; column completed 113 C.E. Brick and concrete (architecture); marble (column).-Forum of Trajan (reconstruction drawing)-Basilica Ulpia (reconstruction drawing)-Trajan markets. Rome, 100-112 C.E.-Column of Trajan. Rome. 113-118 C.E., or after 117 C.E. Marble, overall height with base 125’; column alone 97’8”; length of relief 625’.KA (column) KA (Forum)Pins Reconstruction drawing Another reconstruction drawing Basilica Ulpia plan Basilica Ulpia plan, no labels Restored exterior view of Basilica Restored cutaway view of Basilica Restored interior view of Basilica Ulpia Plan of entire forum and market Trajan’s Market from list (poor quality image) Trajan’s Market, higher res Market Trajan’s Column from list Trajan’s Column higher res 3D website (download video animations) Article Article

46. Pantheon. Imperial Roman. 118–125 C.E. Concrete with stone facing. -Dome of the Pantheon. c. 110-128 C.E. Brick, concrete, marble veneer, diameter of dome 143’.KAPins Exterior Interior Sections Plan Panini Interior Cutaway Aerial View Video Video Video

47. Ludovisi Battle Sarcophagus. Late Imperial Roman. c. 250 C.E. Marble, 5’ high. Museo Nazionale Romano – Palazzo Altemps, Rome, Italy.KAPins Image Article

Content Area 3: Early Europe and Colonial Americas200–1750 C.E. (51 WORKS)SH Intro to Christianity and Christian ArtTICE Art 1010: Video on Medieval and Byzantine ArtTICE ART 1010 Renaissance ARTTICE ART 1010 Baroque and Rococo ArtThe Renaissance: Was it a Thing? - Crash Course World History #22

48. Catacomb of Priscilla. Rome, Italy. Late Antique Europe. c. 200–400 C.E. Excavated tufa and fresco.

KAPins Greek chapel Orant fresco Good Shepherd and Orant fresco Good Shepherd fresco (tiny image from list) Good Shepherd vault Good Shepherd vault detail Good Shepherd fresco from Catacomb of Sts. Peter and Marcellinus Article Article Article

49. Santa Sabina. Rome, Italy. Late Antique Europe. c. 422–432 C.E. Brick and stone, wooden roof.KA KA Pins Exterior Interior Plan Video (no narration) Article Article

50. Rebecca and Eliezer at the Well and Jacob Wrestling the Angel, from the Vienna Genesis. Early Byzantine Europe. Early sixth century C.E. Illuminated manuscript (pigments on vellum), Each page 13 ½” x 9 7/8”. Osterreichische Nationalbibliothek, Vienna, Austria. KAPins Rebecca Jacob

51. San Vitale. Ravenna, Italy. Early Byzantine Europe. c. 526–547 C.E. Brick, marble, and stone veneer; mosaic, 8’8” x 12’.-Theodora panel. South wall of the apse. Church of San Vitale, Ravenna. c. 547. Mosaic, 8’8” x 12’.G14, 254-255, 263-266; S5, 238-242A3, 280-286GW, 318-320, 521APAP, 166-169KAPins Plan Exterior Exterior Alternate Exterior Interior Another interior Justinian Theodora Article

52. Hagia Sophia. Constantinople (Istanbul). Anthemius of Tralles and Isidorus of Miletus. 532–537 C.E. Brick and ceramic elements with stone and mosaic veneer.KAPins Exterior Interior from list Alternate interior Alternate interior Plan Section Video Video

53. Merovingian looped fibula. Early medieval Europe. Mid-sixth century C.E. Silver gilt worked in filigree, with inlays of garnets and other stones, 4” high. From Jouy-le-Comte, France. Musee d’Archeologie Nationale, Saint-Germain-en-Laye, France.KAPins Image

54. Virgin (Theotokos) and Child between Saints Theodore and George. Early Byzantine Europe. Sixth or early seventh century C.E. Encaustic on wood, 27” x 18 7/8”. Monastery of St. Catherine, Mount Sinai, Egypt.KAPins Image Article

55. Lindisfarne Gospels: St. Matthew, cross-carpet page; St. Luke portrait page; St. Luke incipit page. Early medieval (Hiberno Saxon) Europe. c. 700 C.E. Illuminated manuscript (ink, pigments, and gold on vellum). Each page 1’1 ½” x 9 ¼”. British Library, London.KA and KAPins Cross-Carpet St. Luke portrait St. Luke incipit Article Video

56. Great Mosque. Córdoba, Spain. Umayyad. c. 785–786 C.E. Stone masonry, 590 x 425 sq. ft.-Great mosque arches. Prayer Hall, Great Mosque, Cordoba, Spain. Begun 785/786.-Detail. The West exterior.KAPins Aerial vw from list Aerial vw, diff angle Detail from list Ext view from list Ext view alternate Arches 1 Arches 2 Arches 3 Plan Mihrab Dome Dome Video Video Video Article

57. Pyxis of al-Mughira. Umayyad. c. 968 C.E. Ivory, 5 7/8” high. From Medina al-Zahra, near Cordoba, Spain. Musee du Louvre, Paris, France.KAPins Image Image (back side) Lions/bulls Article Article Article Article Article Article

58. Church of Sainte-Foy. Conques, France. Romanesque Europe. Church: c. 1050–1130 C.E.; Reliquary of Saint Foy: ninth century C.E., with later additions. Stone (architecture); stone and paint (tympanum); gold, silver, gemstones, and enamel over wood (reliquary).-The Last Judgment. Tympanum of the West gate. Width 22’ x height 11’8”.-Reliquary of Sainte-Foy (St. Faith) Height 33”. Church Treasury, Conques, France.KAPins Plan Exterior Aerial View Tympanum Tympanum hi res Nave Reliquary Video Video of procession Photo tour Sainte Foy video

59. Bayeux Tapestry. Romanesque Europe (English or Norman). c. 1066–1080 C.E. Embroidery on line, 1’8” high, entire length of fabric 229’8”. Centre Guillaume le Conquerant, Bayeux, France.KAPins Cavalry attack First meal First meal detail hi res Animated Video Website Story telling devices graphic

60. Chartres Cathedral. Chartres, France. Gothic Europe. Original construction c. 1145–1155 C.E.; reconstructed c. 1194–1220 C.E. Limestone, stained glass.-West Façade, Chartres Cathedral (Cathedral of Notre-Dame). France. West façade begun c. 1134; cathedral rebuilt after a fire in 1194; building continued to 1260; north spire 1507-1513.-Great Portal of the West Façade, Christ’s Ascension, the Second Coming, and Jesus in the lap of the Virgin Mary. Royal Portal, West Façade, Chartres Cathedral. c. 1145-1155.-Notre Dame de la Belle Verriere window, detail of a window in the choir of Chartres Cathedral, Chartres, France. ca. 1170, with 13th century side panel. Stained glass, 12’9”.KA on Gothic KA1 KA2 KA3Pins Image 1 Image 2- West facade Image 3- West Portal Image 4- Nave Nave, sim to list image Image 5 - Window Image 6- Plan Website Website

61. Dedication Page with Blanche of Castile and King Louis IX of France and Scenes from the Apocalypse, from a Bible moralisée. Gothic Europe. c. 1226–1234 C.E. Illuminated manuscript (ink, tempera, and gold leaf on vellum), each page 15” x 10 ½”. The Morgan Library and Museum, New York..G15, 394, 396; G14, 384-386S5, 514-515KAPins Blanche Apocalypse Video Article

62. Röttgen Pietà. Late medieval Europe. c. 1300–1325 C.E. Painted wood, height 34 ½”. Landesmuseum, Bonn, Germany.G14, 396S5, 557-558GW, 65APAP, 295KA and KAPins Image Article

63. Arena (Scrovegni) Chapel, including Lamentation. Padua, Italy. Unknown architect; Giotto di Bondone (artist). Chapel: c. 1303 C.E.; Fresco: c. 1305. Brick (architecture) and fresco. -Lamentation. Giotto di Bondone. North wall of Scrovengni (Arena) Chapel. Padua, Italy. 1305-1306. Fresco, approx. 6’5” x 6’.G15, 418-420; G14, 407-409S5, 538-542A3, 454-462APAP, 240-243KA1 KA2 KA3 KA4Pins Image 1 - exterior Image 2 - Interior Image 3 - Lamentation Article Audioguide

64. Golden Haggadah (The Plagues of Egypt, Scenes of Liberation, and Preparation for Passover). Late medieval Spain. c. 1320 C.E. Illuminated manuscript (pigments on vellum).KAPins Plagues Liberation Preparation Website Turning the Page Article

65. Alhambra Palace. Granada, Spain. Nasrid Dynasty. 1354–1391 C.E. Whitewashed adobe stucco, wood, tile, paint, and gilding.G15, 298-300; G14, 295-297S5, 280-281KAPins Aerial view Image 1 Image 2 – Court of the Lions Image 3 Hall of Two Sisters Hall of Sisters, higher res Hall of Sisters dome Image 4 – Plan Hi Res Plan w Labels Video Video Video Walking Tour Interactive Map

66. Annunciation Triptych (Merode Altarpiece). Workshop of Robert Campin. 1427–1432 C.E. Oil on wood, center 25 ¼” x 24 7/8”; each wing aprox. 25 3/8” x 10 ¾”. The Cloisters Collection, Metropolitan Museum of Art, New York. G15, 558-561; G14, 534-535, 541, 549S5, 573-575A3, 528-529APAP, 264-265, 507KAPins Triptych Video Article

67. Pazzi Chapel. Basilica di Santa Croce. Florence, Italy. Filippo Brunelleschi (architect). c. 1429–1461 C.E. Masonry.G15, 605-606, 609; G14, 584-585KA

Pins Façade Interior Article

68. The Arnolfini Portrait. Jan van Eyck. c. 1434 C.E. Oil on wood, 33” x 22 ½”. The National Gallery, London, England.G15, 562-563; G14, 541-542S5, 575-577A3, 434-435GW, 384-385APAP, 258, 272-275KAPins Image Mirror Signature Video Video 2 Video 3 Koster article

69. David. Donatello. c. 1440–1460 C.E. Bronze, height 5’2 ¼”. Museo Nazionale del Bargello, Florence, Italy.G15, 589-590; G14, 568, 611, 674, 675S5, 606-607A3, 503GW, 392-393APAP, 281KAPins Image Article Article (p. 99) Article Article Video

70. Palazzo Rucellai. Florence, Italy. Leon Battista Alberti (architect). c. 1450 C.E. Stone, masonry.G15, 608-609; G14, 587-588KAPins Image Image Video

71. Madonna and Child with Two Angels. Fra Filippo Lippi. c. 1465 C.E. Tempera on wood, 2’11 ½” x 2’1”. Galleria degli Uffizi, Florence, Italy.G15, 598-599; G14, 577-578, 604KAPins Image Uffizi site Article

72. Birth of Venus. Sandro Botticelli. c. 1484–1486 C.E. Tempera on canvas, 5’8 7/8” x 9’ 1 7/8”. Galleria degli Uffizi, Florence, Italy.G15, 580-581; G14, 581, 609S5, 626-627A3, 524-525GW, 558APAP,288-289KAPins Image Video Uffizi article

73. Last Supper. Leonardo da Vinci. c. 1494–1498 C.E. Oil and tempera, 15’2” x 28 10”. Refectory of the monastery of Santa Maria delle Grazie, Milan, Italy.G15, 626-627; G14, 602, 603, 628, 637, 959S5, 636-638

A3, 549-550GW, 380-381APAP, 292-293KAPins Image Image like list

74. Adam and Eve. Albrecht Dürer. 1504 C.E. Engraving, 9 7/8” x 7 5/8”.G15,678-680; G14, 650-651, 659S5, 686-687GW, 196APAP, 312, 314KAPins Image Video Video Article Article

75. Sistine Chapel ceiling and altar wall frescoes. Vatican City, Italy. Michelangelo. Ceiling frescoes: c. 1508–1512 C.E.; altar frescoes: c. 1536–1541 C.E. Fresco.-Interior, Sistine Chapel. Vatican, Rome. Built 1475-1481; ceiling painted 1508-1512; end wall, 1536-1541. Ceiling 45’ x 128’.-The Delphic Sibyl. 11’5” x 12’5”-The Flood. 9’2” x 18’7”. G15, 639-642; G14, 598-599, 605, 614-615, 681, 698S5, 645-647, 649A3, 554-562GW, 183, 264, 381, 383, 264, 506-507APAP, 318-321KAPins Interior and Altar Wall Interior and Altar Wall alternate Interior and Altar Wall again Delphic Sibyl The Flood Exterior, Aerial View Video Virtual Tour Smithsonian article Vertical scheme 76. School of Athens. Raphael. 1509–1511 C.E. Fresco, 19’ x 27’. Stanza della Segnatura, Vatican, Rome, Italy.G15,630-632; G14, 606-607, 624, 628, 651, 760S5, 640-642A3, 565-568GW, 133, 168, 382-383, 509APAP, 15-17, 268, 322-323KAPins Image Video Video Video Video Interactive Article Article Article Audio

77. Isenheim altarpiece. Matthias Grünewald. c. 1512–1516 C.E. Oil on wood. Center panels 9’9 ½” x 10’9” overall, each wing 8’2 ½” x 3 ½”, predella 2’ 5 ½” x 11’2”. From the community of St. Anthony, Isenheim, Alsace, France. Musee d’Unterlinden, Colmar, France.G15, 676-678; G14, 647-648, 874S5, 683-685A3, 618-620GW, 387APAP, 328-329KA

Pins Closed Open Smithsonian article Video Article Article/audio

78. Entombment of Christ. Jacopo da Pontormo. 1525–1528 C.E. Oil on wood, 10’3” x 6’4”. Altarpiece in Capponi Chapel, church of Santa Felicita, Florence, Italy.G15, 658-659; G14, 632-633S5, 662-664A3, 584-585GW, 390-391KA on Mannerism Longer video on EntombmentPins Image Met on Mannerism Article/PDF

79. Allegory of Law and Grace. Lucas Cranach the Elder. c. 1530 C.E. Woodcut, 10 5/8” x 1’ ¾”. British Museum, London, England. Additional copies: National Gallery of Art, Washington, DC.G15, 680-682; G14, 653KAPins Image Article Article Article on Cranach and Luther

80. Venus of Urbino. Titian. c. 1538 C.E. Oil on canvas, 3’11” x 5’5”. Galleria degli Uffizi, Florence, Italy.G15, 654-655; G14, 628, 629, 631S5, 660-661A3, 580GW, 560-561APAP, 324-325KAPins Image Met article on Venetian art Uffizi article

81. Frontispiece of the Codex Mendoza. Viceroyalty of New Spain. c. 1541–1542 C.E. Pigment on paper, 12 3/8” x 8 7/16”. Bodleian Library, University of Oxford, England.G15, 1085-1086; G14, 1022, 1023, 1025S5, 839KAPins Image Website Article Article Article

82. Il Gesù, including Triumph of the Name of Jesus ceiling fresco. Rome, Italy. Giacomo da Vignola, plan (architect); Giacomo della Porta, facade (architect); Giovanni Battista Gaulli, ceiling fresco (artist). Church: 16th century C.E.; facade: 1568–1584 C.E.; fresco and stucco figures: 1676–1679 C.E. Brick, marble, fresco, and stucco. -Triumph in the Name of Jesus. Giovanni Battista Gaulli, ceiling fresco with stucco figures on the nave vault of II Gesù. Rome, ItalyG15, 671-672; G14, 641-642, 671, 686S5, 671-672A3, 600-602APAP, 352-353KAPins Facade Triumph fresco Interior from list Interior Interior Article Plan

83. Hunters in the Snow. Pieter Bruegel the Elder. 1565 C.E. Oil on wood, 3’10 ½” x 5’ 3 ¾”. Kunsthistorishches Museum. Vienna, Austria.G15, 691-692; G14, 662-663

S5, 704-705, 707GW, 146-147APAP, 336KAPins Image Zoomable image Article Article Article Article

84. Mosque of Selim II. Edirne, Turkey. Sinan (architect). 1568–1575 C.E. Brick and stone.G15, 301-302; G14, 298, 299S5, 286-287KA and KAPins Image 1 – Exterior Image 2 - Interior Interior Image 3 – Plan Labeled drawing Unlabeled plan Video Video Article Virtual Tour Article Article Article

85. Calling of Saint Matthew. Caravaggio. c. 1597–1601 C.E. Oil on canvas, 10’7 ½” x 11’2”. Contarelli Chapel, church of San Luigi dei Francesi, Rome, Italy.G15, 714-715; G14, 702S5, 722-726A3, 649-650GW, 79KAPins Image Article on Caravaggio

86. Henri IV Receives the Portrait of Marie de’ Medici, from the Marie de’ Medici Cycle. Peter Paul Rubens. 1621–1625 C.E. Oil on canvas, 12’ 11 1/8” x 9’ 8 1/8”. Musee du Louvre, Paris.(Arrival of Marie de’ Medici at Marseilles, G15, 735; G14, 698-699)S5, 739-740KAPins Image Article/PDF Article/PDF

87. Self-Portrait with Saskia. Rembrandt van Rijn. 1636 C.E. Etching, 3’4” x 3’1”. Fitzwilliam Museum, University of Cambridge, Cambridge, England.(similar: Self-Portrait, Leaning on a Stone Sill, 1639, A3, 660)(similar: Self-Portrait with Saskia in the Scene of the Prodigal Son at the Tavern, GW, 580)KAPin Image RembrandtVideo Video

88. San Carlo alle Quattro Fontane. Rome, Italy. Francesco Borromini (architect). 1638–1646 C.E. Stone and stucco.G15, 708-709, 754; G14, 676-677, 718S5, 719-720A3, 631-633APAP, 372-373KAPins Image 1 - Facade Image 2 – Interior Interior Image 3 - plan Dome Plan

89. Ecstasy of Saint Teresa. Cornaro Chapel, Church of Santa Maria della Vittoria. Rome, Italy. Gian Lorenzo Bernini. c. 1647–1652 C.E. Marble (sculpture); stucco and gilt bronze (chapel). - height of the sculptural group 11’6”.

G15, 706-707; G14, 674-675, 682S5, 717-719A3, 642-643GW, 475APAP, 374-375KAPins Image 1- Exterior Image 2 – Cornaro Chapel Image 3 - Ecstasy Article Video Video 2 Video 3 Video 4

90. Angel with Arquebus, Asiel Timor Dei. Master of Calamarca (La Paz School). c. 17th century C.E. Oil on canvas, 5’2” x 3’6”. National Museum of Art, La Paz, Bolivia.KAPin Image Article Article

91. Las Meninas. Diego Velázquez. c. 1656 C.E. Oil on canvas, 10’5” x 9’ ½”. Museo del Prado, Madrid, Spain.G15, 724-726, 825; G14, 690-692, 784S5, 733-735A3, 671-673GW, 160-162APAP, 380-381KAPins Image Article

92. Woman Holding a Balance. Johannes Vermeer. c. 1664 C.E. Oil on canvas, 15 5/8” x 14”. National Gallery of Art, Washington, D.C.G15, 7465-747; G14, 711S5, 750-751GW, 495APAP, 363KAPins Image Video Video

93. The Palace at Versailles. Versailles, France. Louis Le Vau and Jules Hardouin-Mansart (architects). Begun 1669 C.E. Masonry, stone, wood, iron, and gold leaf (architecture); marble and bronze (sculpture); gardens. -Hall of Mirrors, Palace of Versaille. Jules Hardouin-Mansart and Charles Le Brun. Begun 1678. Length approx. 240’.G15, 751-754, 764, 787; G14, 715-716, 717-718, 730, 749, 750S5, 757-761A3, 635-638GW, 398-399APAP,388-389KAPins Aerial view Aerial view from garden facade Garden façade Courtyard Hall of Mirrors Gardens detail Video 1 Video 2 Video 3

94. Screen with the Siege of Belgrade and hunting scene. Circle of the González Family. c. 1697–1701 C.E. Tempera and resin on wood, shell inlay, 7’5” x 9’. Half of the screen in the Brooklyn Museum, New York City and the other half in National Museum of the Viceroyalty, Tepotzotlan, Mexico.

KAPins Belgrade Hunting Brooklyn Museum site with details Article Similar screen in Denver More on Denver biombo Article

95. The Virgin of Guadalupe (Virgen de Guadalupe). Miguel González. c. 1698 C.E. Based on original Virgin of Guadalupe. Basilica of Guadalupe, Mexico City. 16th century C.E. Oil on canvas on wood, inlaid with mother-of-pearl, 39” x 27 ½”. Los Angeles County Museum of Art, Los Angeles, California.KA bkgrd Pin Image AND Image Article Article Article

96. Fruit and Insects. Rachel Ruysch. 1711 C.E. Oil on wood, 1’4” x 1’9”. Galleria degli Uffizi, Florence, Italy.(Flower Still Life G15, 736; G14, 713)(Flower Still Life S5,755-757)(Flower Still Life APAP 386-387)KAPins Image Detail Video

97. Spaniard and Indian Produce a Mestizo. Attributed to Juan Rodríguez Juárez. c. 1715 C.E. Oil on canvas, 2’6” x 3’4”. Breamore House, Hampshire, UK.KAPin Image Article/PDF Article Article

98. The Tête à Tête, from Marriage à la Mode. William Hogarth. c. 1743 C.E. Oil on canva, 2’4” x 3’. National Gallery, London, England s.G15, 777-778Breakfast Scene G14, 740-741S5, 922-923, 934A3, 687GW, 401-403APAP, 408, 410KAPins Image Article Article Audio

Content Area 4: Later Europe and Americas1750–1980 C.E. (54 WORKS)TICE ART 1010 Video on Baroque and Rococo ArtTICE ART 1010 Video on Nineteenth Century ArtTICE ART 1010 Twentieth Century ArtPrint: A Brief History

99. Portrait of Sor Juana Inés de la Cruz. Miguel Cabrera. c. 1750 C.E. Oil on canvas, 9’2” x 7’ 3”. Museo Nacional de Historia, Castillo de Chapultepec, Mexico.KAPin Image Article Article NEH Lessons on Sor Juana Sor Juana Costume

100. A Philosopher Giving a Lecture at the Orrery. Joseph Wright of Derby. c. 1763–1765 C.E. Oil on canvas, 4’ 10” x 6’8”. Derby Museums and Art Gallery, Derby, England.G15, 772; G14, 744, 726, 727APAP, 394-395(An Experiment on a Bird in the Air Pump, GW, A3, 680)(An Experiment on a Bird in the Air Pump, GW, 498-499)KAPins Image Article

101. The Swing. Jean-Honoré Fragonard. 1767 C.E. Oil on canvas, 2’8 5/8” x 2’2”. The Wallace Collection, London, England.G15, 769-771; G14, 734-735S5, 911-912A3, 683-684GW, 401APAP, 408-409KAPins Image Video

102. Monticello. Virginia, U.S. Thomas Jefferson (architect). 1768–1809 C.E. Brick, glass, stone, and wood.G15, 788-789; G14, 736, 750, 751S5, 961A3, 715-716GW, 404-405APAP, 418-419KAPins Image Plan Audio Archiplanet Article Video

103. The Oath of the Horatii. Jacques-Louis David. 1784 C.E. Oil on canvas, 10’8 ¼” x 14’. Musee du Louvre, Paris, France.G15, 782, 784-785; G14, 728, 747-748, 755, 757-758, 760S5,936-937, 943A3, 705GW, 403-404KAPins Image Article

104. George Washington. Jean-Antoine Houdon. 1788–1792 C.E. Marble, height 6’2”. State Capitol, Richmond, Virginia.G15, 790; G14, 751-752, 782S5, 939-940KAPins Image Image 2 – not list Article Article

105. Self-Portrait. Elisabeth Louise Vigée Le Brun. 1790 C.E. Oil on canvas, 8’4” x 6’9”. Galleria degli Uffizi, Florence, Italy.G15, 776-777; G14, 739-740

KAPins Image Video Video

106. Y no hai remedio (And There’s Nothing to Be Done), from Los Desastres de la Guerra (The Disasters of War), plate 15. Francisco de Goya. 1810–1823 C.E. (published 1863). Drypoint etching, 5 11/16” x 5 ½”. Metropolitan Museum of Art, New York.(different print from same series, APAP, 443)KAPin Image Paragraph on Influence on Hemingway Article/audio/video Exhibition brochure Goya video

107. La Grande Odalisque. Jean-Auguste-Dominique Ingres. 1814 C.E. Oil on canvas, approx. 35” x 64”. Musee du Louvre, Paris, France.G15, 800-801; G14, 761S5, 952, 1110A3, 712-713GW, 157KAPins Image Louvre

108. Liberty Leading the People. Eugène Delacroix. 1830 C.E. Oil on canvas, 8’6 1/2"” x 10’8”. Musee du Louvre, Paris, France.G15, 807; G14, 768, 770S5, 950-951A3, 732-733GW, 405APAP, 426KAPins Image Video Video Article Article

109. The Oxbow (View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm). Thomas Cole. 1836 C.E. Oil on canvas, 51 ½” x 76”. Metropolitan Museum of Art, New York.G15, 813-814; G14, 773S5, 957-958A3, 741-742GW, 407-408KAPins Image Video Article Burke’s Sublime Website

110. Still Life in Studio. Louis-Jacques-Mandé Daguerre. 1837 C.E. Photograph, 6 1.2” x 8 ½”. Societe Francaise de Photographie, Paris, France..G15, 834-835; G14, 791-793S5, 969GW, 218KAPins Image

111. Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). Joseph Mallord William Turner. 1840 C.E. Oil on canvas, 2’ 11 ¼” x 4’. Museum of Fine Arts, Boston, Massachusetts.

G15, 812-813; G14, 772-773GW, 544APAP, 447KAPins Image Burke’s Sublime Article

112. Palace of Westminster (Houses of Parliament). London, England. Charles Barry and Augustus W. N. Pugin (architects). 1840–1870 C.E. Limestone masonry and glass.G15, 829-830; G14, 788S5, 958-959A3, 722-723APAP, 454KAPins Exterior Westminster Hall Central Lobby f/ list Central Lobby, different angle Article Video Video Website

113. The Stone Breakers. Gustave Courbet. 1849 C.E. (destroyed in 1945). Oil on canvas, 5’3” x 8’6”. Formerly Gemaldegalerie, Dresden, Germany; destroyed in World War II.G15, 816-817; G14, 775-777S5, 972-973A3, 750GW, 409-410KAPins Image Article

114. Nadar Raising Photography to the Height of Art. Honoré Daumier. 1862 C.E. Lithograph, 10 ¼” x 8 ¼”. Museum of Fine Arts, Boston, Massachusetts..G15, 836; G14, 794A3, 758KAPins Image Nadar article Video Article Article

115. Olympia. Édouard Manet. 1863 C.E. Oil on canvas, 4’3” x 6’ 2 ¼”. Musee d’Orsay, Paris, France..G15, 822; G14, 781-782S5, 977-979A3, 765GW, 65, 560-561APAP, 466-467KAPins Image Article Article Video Bio article/video

116. The Saint-Lazare Station. Claude Monet. 1877 C.E. Oil on canvas, 2’ 5 ¾” x 3’5”. Musee d’Orsay, Paris, France.G15, 845-846; G14, 803-804(version from 1877, APAP, 473474)KAPins Image PDF

117. The Horse in Motion. Eadweard Muybridge. 1878 C.E. Photograph, 9” x 12”. George Eastman House, Rochester, New York and Library of Congress, Washington, DC..G15, 824, 838, 869; G14,784, 796, 825A3, 787GW, 229KA and KAPins Image Bio Getty photography video Video Animation

118. The Valley of Mexico from the Hillside of Santa Isabel (El Valle de México desde el Cerro de Santa Isabel). Jose María Velasco. 1882 C.E. Oil on canvas, 4’5” x 7’4”. Museo Nacional de Arte, INBA, Mexico City, Mexico.KAPins Image Article/Zoomable image

119. The Burghers of Calais. Auguste Rodin. 1884–1895 C.E. Bronze, 6’10 ½” x 7’11” x 6’6”. Under French law no more than twelve casts of works of Rodin may be made. 1st cast, 1895 Calais, France.G15, 870; G14, 826 S5, 1002-1003APAP, 480-481SHPins Image Met publication Article Video Video

120. The Starry Night. Vincent van Gogh. 1889 C.E. Oil on canvas, 28 ¾” x 36 ¼”. Museum of Modern Art, New York.G15, 697, 857-858; G14, 666, 814-815S5, 998-999A3, 812GW, 416-417APAP, 487-488KAPins Image Video Article Video MoMA site/audio/video MOMA Video

121. The Coiffure. Mary Cassatt. 1890–1891 C.E. Drypoint and aquatint on laid paper, plate: 14 3/8” x 10 ½”, sheet 17” x 12 1/16”. National Gallery of Art, Washington, DC.(Japonisme and Cassatt, G14, 808)KAPins Image Article Article

122. The Scream. Edvard Munch. 1893 C.E. Tempera and pastels on cardboard, 33” x 26”. Munch Museum, Oslo, Norway.G15, 866, 886, 887, 889, 1013; G14, 822, 823, 840S5, 1001A3, 820GW, 586APAP, 494-495KAPins Image Video Video Video Video Book Excerpt Article Article

123. Where Do We Come From? What Are We? Where Are We Going? Paul Gauguin. 1897–1898 C.E. Oil on canvas, 4’ 6 ¾” x 12’3”. Museum of Fine Arts, Boston, Massachusetts.G15,858-859; G14, 816-817APAP, 434-435KAPins Image Article Natl Gall brochure Article Video on different Gauguin

124. Carson, Pirie, Scott and Company Building. Chicago, Illinois, U.S. Louis Sullivan (architect). 1899–1903 C.E. Iron, steel, glass, and terra cotta.G15, 877-878; G14, 832APAP, 493KAPins Exterior Pre-updated exterior Ornament at S. State Street Entrance Plan Vintage postcard post-modernization Video Article Article/video

125. Mont Sainte-Victoire. Paul Cézanne. 1902–1904 C.E. Oil on canvas, 2’ 3 ½” x2’ 11 ¼”. Philadelphia Museum of Art, Philadelphia, Pennsylvania.G15, 860-861; G14, 817-818S5, 1013-1014A3, 807 (version from 1900)GW, 415-416APAP, 491 (version from 1904-06)KAPins Image Article Article Video

126. Les Demoiselles d’Avignon. Pablo Picasso. 1907 C.E. Oil on canvas, 8’ x 7’8”. Museum of Modern Art, New York.G15, 880-881, 891, 892, 928; G14, 845, 847S5, 1023A3, 850-852GW, 424-426APAP,514-515KAPins Image Article Article Article Article African mask Video Audio Multimedia(safe)

127. The Steerage. Alfred Stieglitz. 1907 C.E. Photograph.G15, 915; G14, 869GW, 223-224APAP, 512KAPins Image Article Video Article

128. The Kiss. Gustav Klimt. 1907–1908 C.E. Oil on canvas, 5’ 10 3/5” x 5’ 10 ¾”. Osterreichische Galerie Belvedere, Vienna, Austria.G15, 867; G14, 823A3, 824GW, 418-419KA

Pins Image Study Article Video Article

129. The Kiss. Constantin Brancusi. 1907–1908 C.E. Limestone, 23” x 13 ¼” x 10”. Philadelphia Museum of Art, Philadelphia, Pennsylvania.APAP, 502-503KAPins Image Image Audio and Text Excerpts Article Article Article

130. The Portuguese. Georges Braque. 1911 C.E. Oil on canvas, 3’ 10 1/8” x 2’ 8”. Kunstmuseum Basel, Basel, Switzerland.G15, 892-893; G14, 847-848KAPins Image

131. Goldfish. Henri Matisse. 1912 C.E. Oil on canvas, 4’8” x 3’1”. Pushkin Museum of Art, Moscow, Russia.KAPins Image Article Video

132. Improvisation 28 (second version). Vassily Kandinsky. 1912 C.E. Oil on canvas, 43 7/8” x 63 7/8”. Solomon R. Guggenheim Museum, New York.G15, 887-888; G14, 841-842S5, 1030, 1031KAPins Image Article Article Teacher Resources Article

133. Self-Portrait as a Soldier. Ernst Ludwig Kirchner. 1915 C.E. Oil on canvas, 2’2” x 2’. Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio.KAPins Image Interactive Article Article Article Video

134. Memorial Sheet for Karl Liebknecht. Käthe Kollwitz. 1919–1920 C.E. Woodcut, 14” x 20”. Art Institute of Chicago, Chicago, Illinois, Dallas Museum of Art, Dallas, Texas, The Museum of Modern Art, New York, The Clark Art Institute, Williamstown, Massachusetts, and Käthe Kollwitz Museum, Berlin, Germany.SHPins Image Article Article Article

135. Villa Savoye. Poissy-sur-Seine, France. Le Corbusier (architect). 1929 C.E. Steel and reinforced concrete.G15, 934-935; G14, 886-887S5, 1045-1046A3, 874-875GW, 286KAPins Exterior Alternate view Spiral Staircase Video Video Article Article/Video

136. Composition with Red, Blue and Yellow. Piet Mondrian. 1930 C.E. Oil on canvas, 1’ 6 1/8” x 1’ 6 1/8”. Kunsthaus, Zurich, Switzerland.G15, 928; G14, 880-881(similar S5, 1052-1053)(similar A3, 891)(similar APAP, 15-17)KAPins Image Video Video Video Video Video

137. Illustration from The Results of the First Five-Year Plan. Varvara Stepanova. 1932 C.E. Photomontage. State Museum of Contemporary Russian History, Moscow, RussiaKAPins Image Guggenheim publication Article

138. Object (Le Déjeuner en fourrure). Meret Oppenheim. 1936 C.E. Fur-covered cup, saucer, and spoon, length 8”; overall height 2 7/8”. Museum of Modern Art, New York.G15, 926; G14, 879S5, 1058-1059A3, 14-15GW, 73APAP, 551KAPins Image Audio Video Article/Audio

139. Fallingwater. Pennsylvania, U.S. Frank Lloyd Wright (architect). 1936–1939 C.E. Reinforced concrete, sandstone, steel, and glass.G15, 946; G14, 896S5, 1046-1048A3, 870APAP, 8-12KAPins Exterior shot f/ list, lo res Exterior vw like list shot Multiple exterior views Interior Plan from list Plan of house Diagram 3D AnimationVideo Article

140. The Two Fridas. Frida Kahlo. 1939 C.E. Oil on canvas, 5’8 ½” x 5’8 ½”. Museo de Arte Moderno, Instituto Nacional de Bellas Artes, Mexico City, Mexico.G15, 942-943; G14, 893S5, 1069-1070GW, 579APAP, 504-505KAPins Image Video pt 1 Video pt 2 Video pt 3 Movie clip Video/Article Article

141. The Migration of the Negro, Panel no. 49. Jacob Lawrence. 1940–1941 C.E. Casein tempera on hardboard, 1’6” x 1’. Phillips Collection, Washington, DC. All of the 30 odd panels are in the Phillips Collection, Washington, DC. The 30 even panels are in the Museum of Modern Art, New York.G15, 937-938; G14, 889S5,1065

KAPins Image Video Video Video Video Article Article Phillips Collection site MoMA site

142. The Jungle. Wifredo Lam. 1943 C.E. Gouache on paper mounted on canvas, 94 ¼” x 90 ½”. Museum of Modern Art, New York.G14, 880(on Lam’s Zambizia, Zambizia: S5, 1072-1073)KAPins Image Video Video Article Article/Audios Bio Article Photo of Lam/Article in Spanish

143. Dream of a Sunday Afternoon in the Alameda Park. Diego Rivera. 1947–1948 C.E. Fresco. 48’ 5 ½” x 49’2”. Museo Mural Diego Rivera, Mexico City, Mexico; originally, Hotel del Prado, Mexico, City, MexicoKAPins Full Image Zoomable full image Bio Video Article/video Video Video

144. Fountain (second version). Marcel Duchamp. 1950 C.E. (original 1917). Readymade glazed sanitary china with black paint, 1’ high. Philadelphia Museum of Art, Philadelphia, Pennsylvania.G14, 16, 857S5, 1038-1039, 1092, 1099A3, 879GW, 270KAPins Image Article Article Article Video Video Video

145. Woman, I. Willem de Kooning. 1950–1952 C.E. Oil on canvas, 75 7/8” x 58”. Museum of Modern Art, New York.G15, 927-928; G14, 905S5, 1076-1077GW, 555KAPins Image Audio Article MoMA site (rich!) Article

146. Seagram Building. New York City, U.S. Ludwig Mies van der Rohe and Philip Johnson (architects). 1954–1958 C.E. Steel frame with glass curtain wall and bronze.G15, 980-981, 982, 983, 1029; G14, 928, 930, 961S5, 1104APAP, 562-563KAPins Image from list Image Video Article Article

147. Marilyn Diptych. Andy Warhol. 1962 C.E. Oil, acrylic, and silkscreen enamel on canvas, two panels, each 6’10” x 4’9”. Tate, London, England.G15, 969, 972; G14,916, 918S5, 1092-1093KAPins Image Video Article Bio Article/video Video

148. Narcissus Garden. Yayoi Kusama. Original installation and performance 1966. Mirror balls. Original installation, Venice Biennale, Venice, Italy. Later installations: Le Consortium, Dijon, France, 2000; Kunstverein Braunschweig, Germany, 2003; Whitney Biennial, Central Park, New York, 2004; Jardin de Tuileries, Paris, France, 2010KAPins Image from list Image 2 Image w Kusama Image w Kusama 2 Article Article Video 1 Video 2 Video 3 Video 4 Video 5 Video 6

149. The Bay. Helen Frankenthaler. 1963 C.E. Acrylic on canvas, 6’ 8 7/8” x 6’ 97/8”. Detroit Institute of Arts, Detroit, Michigan.G15, 957, 960; G14, 908(Mountains and Sea: S5, 1078-1079)A3, 917KAPins Image Bio/Quotes Article Interview video Article Article Video Video

150. Lipstick (Ascending) on Caterpillar Tracks. Claes Oldenburg. 1969–1974 C.E. Cor-Ten steel, steel, aluminum, and cast resin; painted with polyurethane enamel, 21’ x 19’ 5 ½” x 10’11”. Yale University Art Gallery, New Haven, Connecticut.G15, 971; G14, 916-917S5, 1095KAPins Image Image Oldenburg w Lipstick Video Video 2 Article

151. Spiral Jetty. Great Salt Lake, Utah, U.S. Robert Smithson. 1970 C.E. Earthwork: mud, precipitated salt crystals, rocks, and water coil, length 1,500’ x width 15’.G15, 985, 1019; G14, 932-933, 964S5, 1102-1103A3, 969GW, 268APAP, 584-585KAPins Image Image Article Article/Audio Article Smithson website

152. House in New Castle County. Delaware, U.S. Robert Venturi, John Rauch, and Denise Scott Brown (architects). 1978–1983 C.E. Wood frame and stucco.(G15, 982; G14, 929, 931-932 Venturi, Vanna Venturi House)(Venturi, Vanna Venturi House and Complexity and Contradiction in Architecture, S5, 1106)KAPins Exterior from list Interior from list Exterior detail Exterior angle More views Article Article by Venturi’s firm(safe PDF) Videos (2 on this webpage) Sketch/MoMA

Content Area 5: Indigenous Americas1000 B.C.E.–1980 C.E. (14 WORKS)Smarthistory on Incas Smarthistory on MayaSmarthistory on Native North America

Field Museum Ancient Americas

153. Chavín de Huántar. Northern highlands, Peru. Chavín. 900–200 B.C.E. Stone (architectural complex); granite (Lanzón and sculpture); hammered gold alloy (jewelry). -Lanzón Stela, Chavín de Huántar, Peru. Chavín culture, c. 900 B.C.E. Granite, height 15’.-Nose ornament. Cut and hammered gold, overall height 1 ¼” x width 3 ¾”. Cleveland Museum of Art, Cleveland, Ohio.G15, 525-526; G14, 508-509A3,359GW, 348-350KAPins: Plan Relief Sculpture Nose Ornament Lanzón Lanzón Lanzón drawing Scholarly article Architectural complex photo Cactus bearer Video Video Video Video Video

154. Mesa Verde cliff dwellings. Montezuma County, Colorado. Anasazi. 450–1300 C.E. Sandstone.G15, 536, 1092; G14, 518GW, 359-360 KAPin Image Image Video Article Article Downloadable guides

155. Yaxchilán. Chiapas, Mexico. Maya. 725 C.E. Limestone (architectural complex). -Lintel 25, Structure 23, Lady Xoc, ca. 725 C.E. Limestone, 3’7” x 2’ 6 ½”. British Museum, London, EnglandG15, 520; G14, 503S5, 394GW, 523, 525KA KA on MayaPins: Structure 40 Structure 33 Structure 23 Lintel 25 Lintel 25 drawing Audio on Lintel 25 Article Article Article Article

156. Great Serpent Mound. Adams County, southern Ohio. Mississippian (Eastern Woodlands). c. 1070 C.E. Earthwork/effigy mound. Length approx. 1,254’S5, 402GW, 267-268 APAP, 20-21KAPin Image Article Website w videos Video Video Video Article Article

157. Templo Mayor (Main Temple). Tenochtitlan (modern Mexico City, Mexico). Mexica (Aztec). 1375–1520 C.E. Stone (temple); volcanic stone (The Coyolxauhqui Stone); jadeite (Olmec-style mask); basalt (Calendar Stone). -The Coyolxauhqui Stone, from the Great Temple of Tenochtitlan, Mexico City, Mexico, Aztec, ca. 1469. Stone, diameter 10’ 10”. Museo del Templo Mayor, Mexico City, Mexico.-Calendar Stone, Mexico. Aztec, c. 1500. Diameter 11’ 6 ¾”. Museo Nacional de Antropologia, Mexico City, Mexico. -Olmec-style mask, c. 1470, jadeite, offering 20, hornblende, 4” x 3 1/3” x 1 ¼”. Museo del Templo Mayor, Mexico City, Mexico.G15, 1082-1088; G14, 1022-1028, S5, 838-840A3, 356-357

GW, 358, 463, 477-478, 491, 497KA and KA and KAPins Templo Mayor drawing Another Templo Mayor drawing Plan Coyolxauhqui Stone Calendar Stone Calendar Stone Engraving Olmec-style mask Reconstruction fly-over video Coatlicue Article

158. Ruler’s feather headdress (probably of Motecuhzoma II). Mexica (Aztec). 1428–1520 C.E. Feathers (quetzal and cotinga) and gold, 45 5/8” x 68 7/8”. Museo Nacional de Antropologia, Mexico City, Mexico.S5, 841-842KAPin Image AND Image AND Image Article Article Cueva del Rio painting

159. City of Cusco, including Qorikancha (main temple/church and convent of Santo Domingo) and Walls at Saqsa Waman (Sacsayhuaman). Central highlands, Peru. Inka. c. 1440 C.E. Sandstone.G15, 1091-1092; G14, 1031A3, 363KAPins Walls at Saqsa Waman Walls again Qorikancha Qorikancha again Video Museum site

160. Maize cobs. Inka. c. 1400–1533 C.E. Sheet metal/repousée, gold and silver alloys 10 x 2 11/32”. Ethnologisches Museum, Staatliche Museen zu Berlin, Berlin, Germany.KAPin Image Article Article Article Article

161. City of Machu Picchu. Central highlands, Peru. Inka. c. 1450–1540 C.E. Granite (architectural complex). 7, 970’ above sea level, Constructed area is 530 meters x 200 meters or 26.19 acres. Intihuatana Stone, prism 118’ heightG15, 1090-1091; G14, 1030-1031S5, 844-845A3, 363GW, 351, 353APAP, 278-279KAPins City Observatory Intihuatana Stone Intihuatana Stone again Article Video Video Article Article

162. All-T’oqapu tunic. Inka. 1450–1540 C.E. Camelid fiber and cotton, 35 7/8” x 30”. Dumbarton Oaks Research Library and Collections. Pre-Columbian Collection, Washington, DC.S5, 845-846GW, 352 KAPin Image Zoomable Image Article Article

163. Bandolier bag. Lenape (eastern Delaware) tribe. c. 1850 C.E. Beadwork on leather approx. 22” x 17”; bag without strap, 8 5/8” x 7 ¾”. National Museum of the American Indian, NYC.(similar S5, 849-850)KAPin Image Article Article

164. Transformation mask. Kwakwaka’wakw, Northwest coast of Canada. Late 19th century C.E. Wood, paint, and string.G15, 1096-1097; G14, 1034,1036GW, 361-362KAPins Closed Open Video DAM mask DAM label Video

165. Hide painting of Sun Dance. Attributed to Cotsiogo (Cadzi Cody), Eastern Shoshone, Wind River Reservation, Wyoming. c. 1890–1900 C.E. Painted elk hide, 81” x 78”. Brooklyn Museum, New York..KAPin Image AND Image and Similar one Article Article Article Article Article Audio tour from MIA Photo of Cotsiogo

166. Black-on-black ceramic vessel. Maria Martínez and Julian Martínez, Tewa, Puebloan, San Ildefonso Pueblo, New Mexico. c. mid-20th century C.E. Blackware ceramic, 11 1/8” x 13”. National Museum of Women in the Arts, Washington, DC.G15, 1095G14, 1034, 1035; (similar S5, 855) KA Pin Image Video 1 Video 2 Video 3 Video 4 DAM teaching materials Article Website Article

Content Area 6: Africa1100–1980 C.E. (14 WORKS)AIC teacher materialsSmarthistory Africa intro

167. Conical tower and circular wall of Great Zimbabwe. Southeastern Zimbabwe. Shona peoples. c. 1000–1400 C.E. Coursed granite blocks, 1,780 acres. (an acre is 76% of a football field, with end zones)-Conical tower. Great Zimbabwe Shona, Zimbabwe. c. 1350-1450 C.E. Stone, height of tower 30’.-Circular wall – up to 36’ tall, 825’ longG15, 548-550, 553; G14, 530-531S5, 423-424, 885GW, 369KA (UNESCO Video)Pins Tower and wall Tower again Walls Walls again Entire complex Video Video Article Article Article/Video

168. Great Mosque of Djenné. Mali. Founded c. 1200 C.E.; rebuilt 1906–1907. Adobe, 245’ x 245’, raised 9’ above marketplace, central tower approx. 52’ high.G15, 291, 548; G14, 288, 529 S5, 422-423GW, 368-369APAP, 234-235KAPins Image AND Image AND Image Video Video 2 Video 3 Video 4 Interior Interior 2 Article Article Article

169. Wall plaque, from Oba’s Palace. Edo peoples, Benin (Nigeria). 16th century C.E. Cast brass, 18 ¾” high. Metropolitan Museum of Art, New York. -Contextual photograph: Oba of Benin, Oba Akenzua II (1933-1978), full regalia includes several carved ivory plaques worn at his waist. Benin, Nigeria, 1964. (Photographer ?)G14, 533, 1061, 1069-71 (similar S5, 420-421)(similar GW, 527)KA and KA and KA and KAPins Wall Plaque Photo of Oba in regalia Audio Video Video Video (go to Media Resources) Short Video Article PDF excerpt

170. Sika dwa kofi (Golden Stool). Ashanti peoples (south central Ghana). c. 1700 C.E. Gold over wood and cast-gold attachments, curved seat 18” high, platform 2’ wide, 11 ¾” deep.-Contextual photograph: Sika dwa kofi. Otumfuo Opoku Ware II, Asantehene, Asante peoples, Kumase, Ghana, 1995. Photo by Frank Fournier. (http://africa.uima.uiowa.edu/topic-essays/show/8?start=1)KAPin Image Image Image VIDEO Article Article, pp30-32

171. Ndop (portrait figure) of King Mishe miShyaang maMbul. Kuba peoples (Democratic Republic of the Congo). c. 1760–1780 C.E. Wood, 19 ½” x 7 5/8” x 8 5/8”. Brooklyn Museum, New York.-Contextual photograph: Ndop. Kuba Nyim (ruler) Kot a Mbweeky III in state dress with royal drum in Mushenge, Zaire (now Democratic Republic of the Congo). Photograph by Eliot Elisofon, 1971. EEPA EECL 2139/Eliot Elisofon Photographic Archives/National Museum of African Art/Smithsonian Institution.KAPins Image AND Detail and Image/Article Image AND Context (?) Article Article Similar ndop BritMus

172. Power figure (Nkisi n’kondi). Kongo peoples (Democratic Republic of the Congo). c. late 19th century C.E. Wood and metal, 3’10 ¼” high. Detroit Institute of Arts, Detroit, Michigan.G15, 1124-1125; G14, 1066-1067(similar S5, 894) (similar GW 365-366)KAPin Image X-ray AND Context and Lesson Plan DMA materials DallasMA materials Video AIC materials DAM label Article

173. Portrait mask (Mblo). Baule peoples (Côte d’Ivoire). Late 19th to early 20th century C.E. Wood and pigment, 14 ¼” high. Private Collection.(similar S5, 891)KAPin Image AND Image Context photo Context photo 2 Article Bkgrd on Baule peoples Article/audio Video

174. Female (Pwo) mask. Chokwe peoples (Democratic Republic of the Congo). Late 19th to early 20th century C.E. Wood, fiber, pigment, and metal, 15 3/8” 8 3/8” x 9 ¼”. National Museum of African Art, Smithsonian, Washington, DC.KA

Pin Image Contextual photo Contextual photo Article Article Article Video Video intro to Makishi masquerade

175. Bundu mask. Sande Society, Mende peoples (West African forests of Sierra Leone and Liberia). 19th to 20th century C.E. Wood, cloth, and fiber. Similar mask 13 ¾” x 8 3/8” x 9 11/16”. Metropolitan Museum of Art.-Contextual photograph: Bundu mask, William Siegmann Estate, Edward DeCarbo, Executor.G15, 1135 (different mask); G14, 1075S5, 888KAPin Image AND context context context Video Video Video Video Video Video Audio Article Article

176. Ikenga (shrine figure). Igbo peoples (Nigeria). c. 19th to 20th century C.E. Wood. Similar figure 19 1/16” x 4” x 4 7/16”. Metropolitan Museum of Art, New York.KAPin Image Similar one Similar w info Article Article Article Article Article Article Context photo

177. Lukasa (memory board). Mbudye Society, Luba peoples (Democratic Republic of the Congo). c. 19th to 20th century C.E. Wood, beads, and metal. Similar board 10” x 5 ¾” x 1 ¾”. Brooklyn Museum, New York.KAPins One in set Another Diagram Another Another Context1 Context 2 Context 3 Context 4 Context 5 Video Video 2 Video 3 (3:40 – 5:40) Article PDF, pp9-10 Lukasa in Minn Article

178. Aka elephant mask. Bamileke (Cameroon, western grassfields region). c. 19th to 20th century C.E.Wood, woven raffia, cloth, and beads, 61” x 24 ½”. Metropolitan Museum of Art, New York.KAPins Mask Context Context 2 Article Article Website Website Photo of elephants in savanna 179. Reliquary figure (nlo bieri). Fang peoples (southern Cameroon). c. 19th to 20th century C.E. Wood, 23” x 5 7/8” x 5”. Brooklyn Museum, New York.(similar G15, 1121; G14, 1064)(similar S5, 899-900) KAPin Image Work in context Article Video Article

180. Veranda post of enthroned king and senior wife. Olowe of Ise (Yoruba peoples). c. 1910-1914 C.E. Wood and pigment, 60” x 12 ½” x 16”. Art Institute of Chicago, Chicago, Illinois.G14, 1072-73 (similar S5, 895, 898) KAPins Image AND Image and Video on Olowe of Ise’s Royal Doors Article Article (diff post) Article (diff post)

Content Area 7: West and Central Asia500 B.C.E.–1980 C.E. (11 WORKS)

Introductions to Islamic Art and Architecture

KA and KAPins Video 1 Video 2

181. Petra, Jordan: Treasury and Great Temple. Nabataean Ptolemaic and Roman. c. 400 B.C.E.–100 C.E. Cut rock. Treasury – façade approx. 131’ tallG15, 212-213, 222, 254KA and KA2 and KA3Pins Treasury Treasury plan Treasury interior Temple Temple, aerial view Temple plan Temple plan, no labels Temple and Treasury Natl Geo videos Video Article Raiders excerpt Article Article

182. Buddha. Bamiyan, Afghanistan. Gandharan. c. 400–800 C.E. (destroyed in 2001). Cut rock with plaster and polychrome paint, 175’.S5, 312GW, 549, 551APAP, 620-621KAPins Close-up Distant (tiny file) Post-destruction Video Video Article Article Article

183. The Kaaba. Mecca, Saudi Arabia. Islamic. Pre-Islamic monument; rededicated by Muhammad in 631–632 C.E.; multiple renovations. Granite masonry, covered with silk curtain and calligraphy in gold and silver-wrapped thread, 43’ high.G14, 285S5, 266, 271GW, 324KAPins Close-up(tiny file) Kaaba aerial Larger view aerial Video Article Article

184. Jowo Rinpoche, enshrined in the Jokhang Temple. Lhasa, Tibet. Yarlung Dynasty. Believed to have been brought to Tibet in 641 C.E. Gilt metals with semiprecious stones, pearls, and paint; various offerings.KAPin Image Video Article Article

185. Dome of the Rock. Jerusalem, Palestine. Islamic, Umayyad. 691–692 C.E., with multiple renovations. Stone masonry and wooden roof decorated with glazed ceramic tile, mosaics, and gilt aluminum and bronze dome. Dome 75’ tall.G15, 287-289; G14,285-287, 294, 299, 300, 346S5, 269-271A3, 319, 370KAPins Exterior Interior Another interior Yet another interior Walking tour Article Cutaway drawing Plan Article Article

186. Great Mosque (Masjid-e Jameh). Isfahan, Iran. Islamic, Persian: Seljuk, Il-Khanid, Timurid and Safavid Dynasties. c. 700 C.E.; additions and restorations in the 14th, 18th, and 20th centuries C.E. Stone, brick, wood, plaster, and glazed ceramic tile, area 4.94 acres. -Detail – Muqarnas, South or Quibla Iwan, main mihrab reserved for ruler, built by Nizam al-Mulk, dome by Safavid architect Ebrahim B. Esmail.

G15, 294-295; G14, 291-292, 299(Masjid- i Shah, also at Isfahan: S5, 290)KA Pins Model Isfahan 1 Isfahan 2 Isfahan 3 - Courtyard Courtyard again Isfahan 4 - Mihrab Mihrab Video Video Article 187. Folio from a Qur’an. Arab, North Africa, or Near East. Abbasid. c. eighth to ninth century C.E. Ink, color, and gold on parchment. AP image fragment in Arabic, before 911, vellum, MS M. 712, fol 20r, 9” x 6 ¼”, The Morgan Library and Museum, New York(similar G15, 2977)(similar S5, 275-276)KAPin Image Video Article Article

188. Basin (Baptistère de St. Louis). Muhammad ibn al-Zain. c. 1320–1340 C.E. Brass inlaid with gold and silver, 8 ¾” x 19 ¾”. Musee du Louvre, Pairs, France.G15, 307-308; G14, 303-304S5, 284SHPin Image Image Audio

189. Bahram Gur Fights the Karg, folio from the Great Il-Khanid Shahnama. Islamic; Persian, Il’Khanid. c. 1330–1340 C.E. Ink and opaque watercolor, gold, and silver on paper, 16 5/16” x 11 13/16”. Fogg Museum, Harvard Art Museums, Cambridge, Massachusetts.Pins Whole page Image only Harvard page Met on Shahnama Met on Ilkhanid Pd Book Art

190. The Court of Gayumars, folio from Shah Tahmasp’s Shahnama. Sultan Muhammad. c. 1522–1525 C.E. Ink, opaque watercolor, and gold on paper, page size 18 ½” x 12 ½”. Aga Khan Museum. Toronto, Canada.G15, 306-307; G14, 302-303S5, 289Pin Image Article Article Article Article

191. The Ardabil Carpet. Maqsud of Kashan. 1539–1540 C.E. Silk and wool, 34’6” x 17’6”. Victoria and Albert Museum, London, England.G15, 304-305KAPin Image and Image Image Article Article

Content Area 8: South, East, and Southeast Asia300 B.C.E.–1980 C.E. (21 WORKS)Hindu Art VideoBuddhist Art Video

192. Great Stupa at Sanchi. Madhya Pradesh, India. Buddhist; Maurya, late Sunga Dynasty. c. 300 B.C.E.–100 C.E. Stone masonry, sandstone on dome, approx. 120’ diameter, 54’ high.G15,434-435, 441-443; G14, 429-430

S5, 301-304A3, 261-262GW, 332, 333APAP, 92-93, 110-111KAPins Video Video of circumambulation Stupa1 North Gate Ambulatory Plan and Elevation Video on Buddhist Art in India Video on Images of the Buddha

193. Terra cotta warriors from mausoleum of the first Qin emperor of China. Qin Dynasty. c. 221–209 B.C.E. Painted terra cotta, life-size.G15, 460-461; G14, 454-455S5, 330-331A3, 3, 16GW, 462APAP, 102-103KAPins Terra cotta warriors Detail Video 1 Video 2 Video 3 Video 4 Article Animated map/timeline

194. Funeral banner of Lady Dai (Xin Zhui). Han Dynasty, China. c. 180 B.C.E. Painted silk, height 6’8 ½”. From the tomb of the Marquess of Dai, Mawangdui, Changsha, Hunan. Hunan Provincial Museum, Changsha, China.G15, 466-468; G14, 448-449, 455S5, 338-339APAP, 108-109KAPins Banner Video Video Video Article/photos Article Article Museum site

195. Longmen caves. Luoyang, China. Tang Dynasty. 493–1127 C.E. Limestone. -Detail – Vairocana Buddha, disciples, and bodhisattvas, Fengxian Temple, Longmen Caves, Luoyang, China, Tang dynasty, complete 676. Limestone, Buddha, 44’ high.G15, 474; G14, 460A3, 314KAPins Distant view Detail Detail 2 Video Video Video Video Article Article Article Article

196. Gold and jade crown. Three Kingdoms Period, Silla Kingdom, Korea. Fifth to sixth century C.E. Metalwork, height 17 ½”. National Museum of Korea, Seoul, Republic of Korea.G15, 486-487; G14, 470-471S5, 356KAPin Image Article Article Article Article Video

197. Todai-ji. Nara, Japan. Various artists, including sculptors Unkei and Keikei, as well as the Kei School. 743 C.E.; rebuilt c. 1700. Bronze and wood (sculpture); wood with ceramic-tile roofing (architecture). -Great Buddha – Vairocana Buddha (Daibutsu), Nara period, bronze, height 49’1”, face 17’6”, eyes 3’4”, nose 1’7”, ears 8’4”, shoulders 91’9” across, 996 curls on head, golden halo 87’ diameter with 16 8’ images, 550 tons.

-Nio guardian statue (Two Kings) – sculptors Unkei and Kaikei, 1203 C.E., 27’6” high. Housed in South Gate.G15, 498-499; G14, 482-483, 486S5, 370KAPins Todai-ji Daibutsu/Great Buddha Nio Guardian 1 Nio Guardian 2 Gate Video Video

198. Borobudur Temple. Central Java, Indonesia. Sailendra Dynasty. c. 750–842 C.E. Volcanic-stone masonry.G14, 442-443S5, 323-325APAP, 190-191KAPins Image Video Pt 1 Video Pt 2 Queen Maya detail Meditating Buddha detail Borobudur museum website

199. Angkor, the temple of Angkor Wat, and the city of Angkor Thom, Cambodia. Hindu, Angkor Dynasty. c. 800–1400 C.E. Stone masonry, sandstone.G15, 456-458; G14, 443-446S5, 328-329A3, 444-448APAP, 214-215KAPins Angkor Wat Close-up South Gate of Angkor Thom Churning Jayavarman VII as Buddha Reconstruction Video Video 2 Video 3 on Bayon Temple Video 4 Video 5 Video 6 Video7 Angkor Wat plan Angkor site plan Video from above

200. Lakshmana Temple. Khajuraho, India. Hindu, Chandella Dynasty. c. 930–950 C.E Sandstone. Height of relief sculpture registers approx. 3’3”(Vishvanatha Temple there, G15, 452-454, 457; G14, 438-440, 444)(Kandariya Mahadeva Temple there, S5, 318-319 AND GW, 334-335) KAPins Temple Temple from entrance Relief detail Lion detail Lion detail Plan in Curriculum Plan with higher res Interactive plan Video on Hindu Beliefs Video on Hindu Temples

201. Travelers among Mountains and Streams. Fan Kuan. c. 1000 C.E. Ink on silk, height 6’9 ½”. National Palace Museum, Taibei, Taiwan, Republic of China.G15, 478, 480; G14, 465, 468S5, 351-353GW, 82 KAPin Image Zoomable High-res Article Article Article Article Article Video

202. Shiva as Lord of Dance (Nataraja). Hindu; India (Tamil Nadu), Chola Dynasty. c. 11th century C.E. Cast bronze, height 26 7/8”, diameter 22 ¼”. Metropolitan Museum of Art, NYC.G15, 454; G14, 440-441S5, 320-322GW, 488

(similar, APAP, 196-197KAPin Image Video Website Article Article Article

203. Night Attack on the Sanjô Palace. Kamakura Period, Japan. c. 1250–1300 C.E. Handscroll (ink and color on paper) , 16 ¼” x 23’. Museum of Fine Arts, Boston, Massachusetts.G15, 505; G14, 488S5, 376-378GW, 537KAPins Article with zoomable entire scroll Second zoomable scroll site Detail Detail Interactive viewer (Launch on right side of screen) Article

204. The David Vases. Yuan Dynasty, China. 1351 C.E. White porcelain with cobalt-blue underglaze, 2’ x 8’2”. British Museum, London, England..G15, 1053-1054; G14, 992, 993 KA Pins Image Video Article Article Article Podcast transcript

205. Portrait of Sin Sukju (1417–1475). Imperial Bureau of Painting. c. 15th century C.E. Hanging scroll (ink and color on silk). 65 ¾” x 43 1/8”. Goryeong Sin Family, Yeongseong-gun Branch, Cheongju, South Korea.KAPin Image Article Article Audio

206. Forbidden City. Beijing, China. Ming Dynasty. 15th century C.E. and later. Stone masonry, marble, brick, wood, and ceramic tile.G15,1048-1048, 1054, 1062; G14, 993-994S5, 800-802APAP, 236-237KA and KAPins Video Smithsonian article Article Tiny list image Lrgr image Front gate Hall of Supreme Harmony Palace of Tranquility and Longevity Illustrated plan Plan from list Palace Museum website Article

207. Ryoan-ji. Kyoto, Japan. Muromachi Period, Japan. c. 1480 C.E.; current design most likely dates to the 18th century. Rock garden, 2669 sq. ft.G15, 1066-1067; G14, 1008S5, 818 KAPins Wet Garden Dry Garden Plan from list Illustrated plan Video Met publication Article Article Article Bowdoin site on Japanese Gardens Article

208. Jahangir Preferring a Sufi Shaikh to Kings. Bichitr. c. 1620 C.E. Watercolor, gold, and ink on paper, 1’ 6 7/8” x 1’1”. Freer Gallery of Art, Washington, DC.G15, 1032, 1033, 1039; G14, 974-975(similar, compare to S5, 778-779)A3, 666-668GW, 335

KAPin Image Zoomable Image Annotated zoomable image Info on Jahangir Mughals Article

209. Taj Mahal. Agra, Uttar Pradesh, India. Masons, marble workers, mosaicists, and decorators working under the supervision of Ustad Ahmad Lahori, architect of the emperor. 1632–1653 C.E. Stone masonry and marble with inlay of precious and semiprecious stones; gardens. Structure 561’ high.G15, 285, 1038-1039; G14, 283, 980S5, 770-771, 779-780A3, 666-668GW, 335, 336 APAP, 370-371KAPins Video Video 2 Video 3 Video 4 Smithsonian full episode Photo Photo 2 Interior Article Article Article

210. White and Red Plum Blossoms. Ogata Korin. c. 1710–1716 C.E. Ink, watercolor, and gold leaf onpaper. Each screen approx. 5’2” x 5’7”. MOA Museum of Art, Atami, Shizouka, Japan.(different Korin painting, G15, 8-9)KAPin Left screen Right screen Image Image Article Article Article

211. Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as the Great Wave, from the series Thirty-six Views of Mount Fuji. Katsushika Hokusai. 1830–1833 C.E. Polychrome woodblock print; ink and color on paper, 9 7/8” x 14 5/8”..G15, 1076; G14, 1005, 1016-17S5, 828-830A3, 780GW, 81, 117, 195, 346 APAP, 448-451KAPins Image Video 1 Met Publication Video Video Article/PDF Article Article Article

212. Chairman Mao en Route to Anyuan. Artist unknown; based on an oil painting by Liu Chunhua. c. 1969 C.E. Color lithograph, 29 ½” x 21 3/5”. Victoria and Albert Museum, London, England. KAPin Image Article/Audio/Video Article Lecture

Content Area 9: The Pacific700–1980 C.E. (11 WORKS)213. Nan Madol. Pohnpei, Micronesia. Saudeleur Dynasty. c. 700–1600 C.E. Basalt boulders and prismatic columns, wall height up to 25’.S5, 869-870 Pins Image 1 Image 2 Aerial view Map Article Article 2 Article Article Video

214. Moai on platform (ahu). Rapa Nui (Easter Island). c. 1100–1600 C.E. Volcanic tuff figures on basalt base, average height approx. 36’.G15, 1105, 1113; G14, 1052S5, 874-875

A3, 816-817GW, 372-373 APAP, 212-213KA and KAPins Image in list Same image with Corbis but higher res. Image 2 Image 3 Image 4 Image 5 Video Video 2 Article

215. ‘Ahu ‘ula (feather cape). Hawaiian. Late 18th century C.E. Feathers and fiber, approx. length 55 ¾”. British Museum, London, England.S5, 874; (Similar G15, 1118; G14, 1058)GW, 372KAPin Image Image (not one in list) Model wearing it Article Article Video

216. Staff god. Rarotonga, Cook Islands, central Polynesia. Late 18th to early 19th century C.E. Wood, tapa, fiber, and feathers. [Note: search for Atua rakau when searching.] , 12’11”. British Museum, London, England.G15, 1116; G14, 1054 KAPins Image 1 Image 2 Article Article Article Article Article

217. Female deity. Nukuoro, Micronesia. c. 18th to 19th century C.E. Wood, 16”. Musee Barbier-Mueller, Geneva, Switzerland.KAPins Image in list Image 2 Image 3 Image Article Article Article Article Article Article

218. Buk (mask). Torres Strait. Mid- to late 19th century C.E. Turtle shell, wood, fiber, feathers, and shell, 21 ½” x 25” x 22 ¾”. Metropolitan Museum of Art, New York.KAPin Image Image Image Video preview Article Article/Video

219. Hiapo (tapa). Niue. c. 1850–1900 C.E. Tapa or bark cloth, freehand painting, approx. 8’6” x 8’. Auckland War Memorial Museum, Auckland, New Zealand.(Similar G15, 1114; G14, 1053-4 )KAPin Image Video Video Article

220. Tamati Waka Nene. Gottfried Lindauer. 1890 C.E. Oil on canvas, 3’4” x 2’8”. Auckland Art Gallery, Auckland, New Zealand. (For discussion of tattoo in Polynesia, see G15, 1115)KAPin Image 1 Tamati Waka Nene by Samuel Stuart For enrichment: Te Pehi Kupi Self-Portrait and Portrait of Te Pehi Kupi by John Henry Sylvester Article Article Article

221. Navigation chart. Marshall Islands, Micronesia. 19th to early 20th century C.E. Wood and fiber, 2’3” x 3’3” x 1”. British Museum, London, England.(similar example: S5, 869)

KAPin Image in list Video Article Article Video Article Article Article

222. Malagan display and mask. New Ireland Province, Papua New Guinea. c. 20th century C.E. Wood, pigment, fiber, and shell. [Note: search for Tatanua when searching for the mask.] -Malagan mask. 16 ½” x 15 ¾” x 7 ½”. University Museum, Philadelphia, Pennsylvania. -Malagan display. Medina village, New Ireland, Papua New Guinea. c. 1930. Height 6’ 10 5/8”, width 11’ 5 ¾”. Museum fur Volkerkunde, Basel, Switzerland.S5, 867-68 (Similar G15, 1109-1110; G14, 1049)APAP, 433KA and KAPin Image from list Image in b/w no watermark Display Display Malagan masker Article Article Tatanua article Tatanua article Article Article Article Mini-videos from SLAM Article Bkgrd info More Photos

223. Presentation of Fijian mats and tapa cloths to Queen Elizabeth II. Fiji, Polynesia. 1953 C.E. Multimedia performance (costume; cosmetics, including scent; chant; movement; and pandanus fiber/hibiscus fiber mats), photographic documentation.KAPin Image AND Image AND Image VIDEO Video on tapa Video of visit Video showing use of tapa Video of Queen’s funeral Article Article Ngatu in museum

Content Area 10: Global Contemporary1980 C.E. to Present (27 WORKS) TICE ART 1010 Video on Contemporary Art References Cindy Sherman, Bill Viola, Kara Walker, and Yinka Shonibare

224. The Gates. New York City, U.S. Christo and Jeanne-Claude. 1979–2005 C.E. Mixed-media installation. 16’ high. 7,503 gates.S5, 1103A3, 972-973GW, 456, 457 KAPins Image 1 from list Similar aerial view Similar to image 2 Similar to image 2 Gates at night Video 1 Video 2 Video 3 Khan NYC website Christo’s Gates website

225. Vietnam Veterans Memorial. Washington, D.C., U.S. Maya Lin. 1982 C.E. Granite, each arm 247’ long, height at center 10’.G15, 1020-1021; G14, 965-966S5, 1115-1116A3, 983GW, 552 APAP,587-588KAPins Image 1 Similar to image 2 Image 3 Lin’s original submission Video Video Art21 Article Article Article

226. Horn Players. Jean-Michel Basquiat. 1983 C.E. Acrylic and oil paintstick on three canvas panels, overall 8’ x 6’5”. Broad Art Foundation, Santa Monica, California.G15, 997; G14, 947, 969S5, 1108-1109 KAPins Image Article Video interview Video interview 2 Good website

227. Summer Trees. Song Su-nam. 1983 C.E. Ink on paper, 29 ½” x 44 ¾”. British Museum, London, England.G15, 1012, 1062; G14, 956 Brief! KAPins Image Article on Su-nam

228. Androgyn III. Magdalena Abakanowicz. 1985 C.E. Burlap, resin, wood, nails, string, 48” x 63 ½” x 22”. Metropolitan Museum of Art, New York.(similar G15,978)KAPins Image Alternate view Website Video

229. A Book from the Sky. Xu Bing. 1987–1991 C.E. Mixed-media installation.G15, 1009; G14, 953 APAP, 14-15KAPins Image 1 Image for scale Video Article

230. Pink Panther. Jeff Koons. 1988 C.E. Glazed porcelain, 48” x 63 ½” x 22”. Metropolitan Museum of Art, New York.G15, 1011S5, 1114 KAPins Image Image Video Video 2 Article Article Article

231. Untitled (#228), from the History Portraits series. Cindy Sherman. 1990 C.E. Photograph, 6’10 1/16” x 48”. Museum of Modern Art, New York.KAPins Image Article Audio Video 1 Video 2

232. Dancing at the Louvre, from the series The French Collection, Part I; #1. Faith Ringgold. 1991 C.E. Acrylic on canvas, tie-dyed, pieced fabric border, 73.5” x 80”. Private Collection.KAPins Image Text from quilt Video Video 2 Video 3 Video 4 Interview

233. Trade (Gifts for Trading Land with White People). Jaune Quick-to-See Smith. 1992 C.E. Oil and mixed media on canvas, 5’ x 14’2”. Chrysler Museum of Art, Norfolk, Virginia.G15, 994-995; G14, 940-941(for Smith’s The Red Man, S5, 857-858)KAPins Image Video 1 Video 2 (see 5:14 – 8:39) Article Article

234. Earth’s Creation. Emily Kame Kngwarreye. 1994 C.E. Synthetic polymer paint on canvas. 4 panels, 9’ x 5’ 3”. National Museum Australia, Canberra(brief mention of Kngwarreye: G14, 956, 1046)KAPins Image Image 2 Image 3 Article 1 Article 2 Video 1 Video 2 Video 3

235. Rebellious Silence, from the Women of Allah series. Shirin Neshat (artist); photo by Cynthia Preston. 1994 C.E. Ink on photograph, 11” x 14”. Barbara Gladstone Gallery, New York.S5, 1124(Other Shirin Neshat: G15, 1003G14, 952)(Other Shirin Neshat: A3, 990)(Other Shirin Neshat: GW, 447-448)KAPins Image Article 1 Article 2 Article 3 Article 4 Video 1 Video 2 Video

236. En la Barberia no se Llora (No Crying Allowed in the Barbershop). Pepon Osorio. 1994 C.E. Mixed media installation. Collection of the Museum de Arte de Puerto Rico.KAPins Image Image 2 Image 3 Image 4 Video (53:40) Video excerpt from first one Article

237. Pisupo Lua Afe (Corned Beef 2000). Michel Tuffery. 1994 C.E. Mixed media, 3’8” x 2’2” x 7’1”. Museum of New Zealand Te Papa Tongarewa, Wellington, New Zealand.KAPins Image Image 2 Image/opposite view Image of can Video Video 2 Article Article Article Article Article

238. Electronic Superhighway. Nam June Paik. 1995 C.E. Mixed-media installation (49-channel closed circuit video installation, neon, steel, and electronic components) ), approx. 15’ x 32’ x 4’. The Smithsonian American Art Museum, Washington, DC.S5, 812, 1128APAP,596-597KAPins Image Video Video Video Article Article Article Article See the USA in Your Chevrolet

239. The Crossing. Bill Viola. 1996 C.E. Video/sound installation, height 16’.G15, 1017-1018; G14, 971S5, 1128-1129A3, 989(Viola quote on video art, GW, 238)KAPins Image on list Fire still Video Video 2 Footage from The Crossing Article Article Article Multimedia/Article

240. Guggenheim Museum Bilbao. Spain. Frank Gehry (architect). 1997 C.E. Titanium, glass, and limestone.G15, 1026, 1027, 1028; G14,962-963S5, 1126-1128A3, 966-968

GW, 74-75, 444APAP, 602KAPins Image 1 Image 2 from list Interior higher res. Site plan Video Website Article

241. Pure Land. Mariko Mori. 1998 C.E. Color photograph on glass, 10’ x 20’ x ¾”. Dietch Gallery, New York.KAPins Image Video 1 Video 2 Article Article Article Article Article

242. Lying with the Wolf. Kiki Smith. 2001 C.E. Ink and pencil on paper, 88” x 73”. Centre Pompidou, Paris, France.KAPins Image Art21/Video Article Article

243. Darkytown Rebellion. Kara Walker. 2001 C.E. Cut paper and projection on wall, 14’ x 37’ overall. Collection Musee d’Art Moderne Grand-duc Jean. Mudam Luxembourg.S5, 1136, 1137(similar GW, 247)(similar APAP, 616-617)KAPins Image Article Article Article Article Article/Audio Video 1 Video 2 Video 3 Photo of Walker with work

244. The Swing (after Fragonard). Yinka Shonibare. 2001 C.E. Mixed-media installation. Tate Modern, London, England.(Shonibare’s How to Blow up Two Heads at Once (Ladies), S5, 1134-1135)KAPins Image Image 2 Video 1 Video 2 Article Article Article Article Article Article Article

245. Old Man’s Cloth. El Anatsui. 2003 C.E. Aluminum and copper wire, 16’ x 17’1”. Harn Museum of Art, Gainesville, Florida..(Anatsui’s Bleeding Takari II, G15,1016)(Anatsui’s Flag for a New World Power, S5, 901-902)KAPins Image Video Video 2 Video 3 Video 4 Article Article 2 Article 3 El Anatsui quotes

246. Stadia II. Julie Mehretu. 2004 C.E. Ink and acrylic on canvas, 108” x 144”. Carnegie Museum of Art, Pittsburgh, Pennsylvania..(Mehretu’s Dispersion, S5, 902-903)(Mehretu’s Empirical Construction, Istanbul, 2003, APAP, 614-615KAPins Image Video Video 2 Article Article 2

247. Preying Mantra. Wangechi Mutu. 2006 C.E. Mixed media on Mylar. Brooklyn Museum, New York.KAPins Image Video 1 Video 2 Video 3 Video 4 Article Article Mutu quote

248. Shibboleth. Doris Salcedo. 2007–2008 C.E. Installation, rupture 548’ long, width and depth vary. Tate Modern, London, England, 2007-08.KAPins Image1 Image 2 Video Video 2 Article Article 2 Article 3

249. MAXXI National Museum of XXI Century Arts. Rome, Italy. Zaha Hadid (architect). 2009 C.E. Glass, steel, and cement.(Hadid quote on Cincinnati’s Contemporary Arts Center, GW, 238)KAPins Image 1 Image 2 from list Video Article 1 Article 2 Article 3 Article 4

250. Kui Hua Zi (Sunflower Seeds). Ai Weiwei. 2010–2011 C.E. Sculpted and painted porcelain. Installation dimensions variable. Tate Modern, London, England, 2010.KA and KAPins Image from list Image 2 Detail Image 3 Video 1 Video 2 Video 3 Video 4 Article 1 Article 2 Article 3 Article 4 Article 5 Article 6