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Page 1: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16
Page 2: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Wednesday, February 24, 16

Page 3: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Thomas Cotterell, letterforms, c. 1765

Wednesday, February 24, 16

Page 4: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Robert Thorne, fat-face types, 1821

Wednesday, February 24, 16

Page 5: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Robert Thorne, Egyptian type designs, 1821A variation on slab serif fonts

Wednesday, February 24, 16

Page 6: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

V. Figgins, 1815One of the first of the 3-dimensional typefaces, wildly popular at that time

Wednesday, February 24, 16

Page 7: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Vincent Figgins, Antique, c.1815Antique or Egyptian type has bold, slab-like rectangular serifs, an even line weight and shorter ascenders and descenders.

Wednesday, February 24, 16

Page 8: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16
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Robert Besley (designer, with Thorowgood)Early Clarendon, 1845

Wednesday, February 24, 16

Page 11: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16
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Tuscan typefaces with ornamental serifs

Wednesday, February 24, 16

Page 13: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Woods and Sharwoods, ornamental letters, 1838-42

Wednesday, February 24, 16

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Wednesday, February 24, 16

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Wednesday, February 24, 16

Page 17: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Vincent Figgins, two-line Great Primer sans serif, 1832, from Figgin’s Specimens of Printing Types

Wednesday, February 24, 16

Page 18: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16
Page 19: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Handbill for an excursion train, 1876Compositors used heavier letters for the initials of important words. Condensed and extended faces are combined to form justified type.

Wednesday, February 24, 16

Page 20: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

https://vimeo.com/25780155

Wednesday, February 24, 16

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Hatch Show Print, Nashville, TNWednesday, February 24, 16

Page 22: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

The first steam-powered cylinder press, 1814. Koenig’s invention made printing much faster and less expensive.

Wednesday, February 24, 16

Page 23: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Otto Mergenthaler demonstrates the Linotype, the first line-casting keyboard typesetter, 1886

Wednesday, February 24, 16

Page 24: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Mergenthaler’s Model 5 Linotype with keyboards and matrixes available in over one thousand languages.

Wednesday, February 24, 16

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Joseph Niepce, the first photograph from nature, 1826.Wednesday, February 24, 16

Page 26: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Louis Jacques Daguerre, Paris Boulevard, 1839. The slow exposure could only capture static objects.

Wednesday, February 24, 16

Page 27: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Attributed to Matthew Brady, “Freedmen on the Canal Bank at Richmond,” 1865

is turned into a line drawing by John MacDonald for print reproduction.

Wednesday, February 24, 16

Page 28: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Matthew Brady, Dunker Church and the Dead, 1862Visual documentation of wartime horrors took on

a new realism with photography.Wednesday, February 24, 16

Page 29: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Experimental photoengraving, first halftone printing plate to reproduce a photograph in a newspaper, 1880

Wednesday, February 24, 16

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The printed photograph as it appeared

Wednesday, February 24, 16

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Wednesday, February 24, 16

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Advertisement for the Kodak camera, c. 1889. George Eastman’s camera that was “simple enough for anyone who can wind a watch” played a major role in making photography “every person’s artform.”

Wednesday, February 24, 16

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William Henry Fox Talbot, cameraless shadow picture (photogram), 1839

Wednesday, February 24, 16

Page 34: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Pages from Talbot’s The Pencil of Nature, 1844, This was the first book to be illustrated with photographs, photograms mounted onto the printed page.

Wednesday, February 24, 16

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David Hill’s portrait of Rev. Thomas H. Jones, 1845.Hill brings a painter’s understanding of light and shadow to the new medium of photography.

Wednesday, February 24, 16

Page 36: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Photograph by Julia Margaret Cameron, Sir John Herschel, 1867Cameron was interested in capturing the inner essence of her subjects

Wednesday, February 24, 16

Page 37: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Eadweard Muybridge, The Horse in Motion, 1883Wednesday, February 24, 16

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www.youtube.com/watch?v=DV073WyXyYo

Wednesday, February 24, 16

Page 40: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Joseph Morse, multicolored woodcut poster, 1856, (8.5 x 11 feet)Wednesday, February 24, 16

Page 41: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

The Riverside Print Co. of Milwaukee, poster for C.W. Parker Co. Carry-Us-All portable carousels

Wednesday, February 24, 16

Page 42: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Our Navy, a complex booklet printed by Schumacher & Ettlinger, 1888

Wednesday, February 24, 16

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With chromolithography, type is free to curve and overlap images

Wednesday, February 24, 16

Page 44: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Package designs chromolithographed on tins for food and tobacco products used bright,

flat colors and elaborate lettering.Wednesday, February 24, 16

Page 45: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Walter Crane, page from Walter Crane’s Absurd ABCLarge letterforms are integrated with the imagery

Wednesday, February 24, 16

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Wednesday, February 24, 16

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Randolph Caldecott, illustration for Hey Diddle Diddle, c. 1880

Wednesday, February 24, 16

Page 48: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Kate Greenaway, page from Under the Window, 1879

Wednesday, February 24, 16

Page 49: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Poster advertisingHarper’s Magazine, 1883

Wednesday, February 24, 16

Page 50: Wednesday, February 24, 16 · Wednesday, February 24, 16. V. Figgins, 1815 One of the first of the 3-dimensional typefaces, wildly popular at that time Wednesday, February 24, 16

Cover for Harper’s Weekly, 1864. Engraved from a journalist’s sketch, this cover is a forerunner of newsmagazine coverage of current events.

Wednesday, February 24, 16

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Wednesday, February 24, 16

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Trademark for Moss Engraving Co., 1872. Graphic complexity and slogans often

embellished Victorian trademarks.Wednesday, February 24, 16