welcome!. walking together weizhi gao writing literature language cultural studies students’...
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Welcome! Welcome!
Walking Together Weizhi Gao Writing Literature Language Cultural Studies Students’
accomplishment
Interdisciplinary Writing 134
Visual Intelligence & Verbal Intelligence
Thinking always includes both visualand verbal dimensions.
They are not always explicit and may need to be teased out.
Visual Intelligence & Verbal Intelligence
Art in general is a form of reasoning through which the artist makes sense of the world and the works of others;
Art, visual or verbal, explores issues and ideas that are relevant to us;
Ideas come from making connections; Connections are made by juxtaposition and
sequence, etc., between parts & Whole; Meaning is generated from careful
connections/juxtaposition, etc.; Sequence entails consequences;
Chinese Radicals (Latin Radix for Root)
Visual Hint/Connection
木 Tree/Wood
林 Grove
森 Forest
A Character Is not a Box; Instead, It Is a Doorway…
Level 1— 杉 松 枫 橡 shān sōng fēng xiàng
Fir Pine Maple Oak
Level 2— 桃 李 梨 杏 táo lǐ lí xìng
Peach Plum Pear Apricot
Level 3--- 床 桌 椅 柜 chuáng zhuō yǐ guì
Bed Table/Desk Chair Cabinet
Chinese vs. English In CHINESE writing, you can SEE the
clue on meaning: Example: MU In ENGLISH, you have to VISUALIZE Imagine a TREE, recall what THINGS look like Your Third Eye/Mind's eye: the human ability
for visualization, i.e., for the experiencing of visual mental imagery; in other words, one's ability to "see" things with the mind.
Three Kinds of SignsCharles Sanders Peirce (1839–1914)
A sign contains patterned /relational information
Icon—Resemblance or Similarities Index—Correlative in space & time
Smoke/fire; dark clouds/rain Symbol—Removable from the
original contexts; associated with larger concept
Unexpected JuxtapositionPulitzer-Winning Photograph
Kevin Carter, 1993
Marginalia/Description Marginalia: Notes in the
margin
Description Descriptive
paragraphs convey how something looks, sounds, smells, tastes or feels.
Transitional words and phrases mostly clarify spatial relationships.
Describe the picture in a logical manner
(Structure) Juxtaposition Creates Meaning
Isolated, the two images remain inert (Alfred North Whitehead,1861-1947, in his book The Aims of Education, 1929); connected, they come to life;
The artistic eye (Of Human Bondage by W. Somerset Maugham 1915);
What does Carter suggest through the vulture/girl connection/juxtaposition?
What difference does it make if we swap the position between the vulture and the girl?
Narrative quality in visual art;
Structure/JuxtapositionAppositional/Oppositional
Juxtaposition, an act or instance
of placing close together or side by side, esp. for comparison or contrast; the state of being close together or side by side.
Harmony Tension Unexpectedness
in artistic juxtaposition
Defamiliarization)
William Carlos Williams
The Red Wheelbarrow : The 1923 poem
Appears in Spring and All
(1923)
William Carlos Williams(September 17, 1883 – March 4,
1963)
an American poet He was also a pediatrician and general
practitioner of medicine, having graduated from the University of Pennsylvania.
Williams "worked harder at being a writer than he did at being a physician"; but during his long lifetime, Williams excelled at both.
“The Red Wheelbarrow”Connection/Sequence
Pictorial Poetry
so much dependsupon
a red wheelbarrow
glazed with rainwater
beside the whitechickens.
Enjambment--breaking of a syntactic unit (a phrase, clause, or sentence) by the end of a line or between two verses.
The term is directly borrowed from the French enjambement, meaning "straddling" or "bestriding".
The Missing “It” Seeing IN
SEQUENCE. Follow the lines of the poem.
They CONTROL ATTENTION.
ASSOCIATIONS are not Random
Relational Dependence
upon each other Deliberate
Breaks Freshness in
something familiar
Subject matter: everyday life
Paul BergerDeliberate Juxtaposition/Connection
Authorial/Artistic Intention
Drawing ConnectionsDescribe Textual Details
Goggles Gas mask
(mustard gas, WWI/WWII)
Barracks (Army House)
Sun glasses Posing (natural or
unnatural) House
Juxtaposition/Sequence
A Grid
Paul BergerSequence/Connection
Placement CONTROLS ATTENTION. Connections by ELEMENTS Connections by Sameness &
Difference Connections by FORM Connections by ASSOCIATION
Description/Larger Purpose
Descriptive Language Descriptive paragraphs convey how
something looks, sounds, smells, tastes or feels. (126)
Transitional words and phrases mostly clarify spatial relationships.
Spatial order—establishes the perspective from which readers view details. For example, an object or scene can be viewed from top to bottom or from near to far. Spatial order is central to descriptive paragraphs.
Juxtaposition: The Last KissFeng Zikai
( 1898.11.9 - 1975.9.15 )
Mother vs. baby
Impersonal touch in adoption/ orphanage business
Double-Column NotebookWhile A to B is like this, C to D is like that
Mother Dog vs. Puppies
Where is the cutting edge?
St. Nicholas Orphanage in Novosibirsk, Russia/
Former Berlin Pankow orphanage
The Block Method: discuss one work in its entirety before taking up the other one;
The Block Structure (360)vs. the Alternating Structure (361)
The Alternating Approach: moving back and forth between two works; offer point-to-point analysis
Motif Identification a usually recurring salient
thematic element (as in the arts); especially : a dominant idea or central theme
a single or repeated design or color
The Americans (1958)Robert Frank
Cover Page PhotoThe Americans by Robert Frank
2 City fathers-Hoboken, New Jersey
7 Navy Recruiting Station, Post Office-Butte, Montana
37 Bar-Detroit
Review 1. Thinking always has verbal & visual elements 2. ALL IDEAS COME FROM CONNECTIONS --by IMAGE ELEMENT (visible appearance) --by CONCEPTS (many things share a concept) --by MOTIF (element that links several things) --by THEME (many things ABOUT same issue) --by STRUCTURE (hierarchy, strategy, shape) --by ASSOCIATION (emotion, events, etc.) 3. All ARGUMENTS depend on SEQUENCE 4. All COMPOSITION depends on a HISTORY.