What is Modern ArtModern Art includes an element of progress, an element of newness and innovations. It is broadening of horizons.This leads to concepts of Avant-garde (Forward looking who revolt and replace the old with new innovations) A new and fresh sorting out of relevant from irrelevant, the significant from insignificant …Therefore art reflects the social characteristics of a society of a given era or epoch.

Avant-garde represents a pushing of the boundaries of what is accepted as the norm or the status quo, primarily in the cultural realm. The notion of the existence of the avant-garde is considered by some to be a hallmark of modernism.

The Rock Drill by Jacob Epstein (1913–14).

Guggenheim Hermitage Museum in Vilnius, Lithuania

MTC Theatre in Melboune by ARM

SYMBOLISM• Symbolism -One of the most significant and

notable layers in the history of art was the emerge of symbolism movement.

• The scale of the movement was large enough to touch not visual arts only, but also psychology, literature, etc. the term itself «symbolism» appeared in 1886 when Jean Moréas used «symbolism» to define the reaction against naturalism and decadent.

• Symbolism had especially influenced French poetics and different forms of the movement can be noticed in other literatures.

Symbolism initially developed as a French literary movement in the 1880s, gaining popular credence with the publication in 1886 of Jean Moréas' manifesto in Le Figaro. Reacting against the rationalism and materialism that had come to dominate Western European culture, Moréas proclaimed the validity of pure subjectivity and the expression of an idea over a realistic description of the natural world.

Modern art and symbolism• Modern art and symbolism - Symbolism In modern art rejects

traditional iconography and replaces it with subjects that express ideas beyond the literal objects depicted. The notion of the expressive potential of simplified forms and pure colour provided the freedom and directness that young, academically trained students were looking for, and it became one of the two stylistic options in Symbolism

IMPRESSIONISM

(Late 1860-late 1890)

What is IMPRESSIONISM

Impressionism is a 19th-century in paris, France. The name of this movement comes from title of

Claude Monet's work “impression, sunrise

Claude Monet, ” Impression Sunrise”, 1872.

Characteristics

Impressionist paintings tend to have small, thin brush strokes with an emphasis on accuracy over precision. Li is also a significant factor and how it is captured is key impressionist work.

Claude Monet, Haystacks, (sunset), 1890–1891, Museum of Fine Arts, Boston

Beginnings

In the middle of the 19th century—

a time of change, as Emperor Napoleon III

Rebuilt Paris and waged war—

the Académie des Beaux-Arts

dominated French art

traditional French painting

standards of content and style.

The Académie was the preserver of

Édouard Manet, The Luncheon on the Grass (Le déjeuner sur l'herbe), 1863

Impressionist techniques Short, thick strokes of paint quickly capture the essence of the subject, rather than its details.

The paint is often applied impasto.

Colours are applied side-by-side with as little mixing as possible

Grays and dark tones are produced by mixing complementary colors. Pure impressionsm avoids the use of black paint.

Wet paint is placed into wet paint without waiting for successive applications to dry, producing softer edges and intermingling of colour.

Impressionist paintings do not exploit the transparency of thin paint films (glazes), which earlier artists manipulated carefully to produce effects. The impressionist painting surface is typically opaque.

The paint is applied to a white or light-coloured ground. Previously, painters often used dark grey or strongly coloured grounds.

The play of natural light is emphasized. Close attention is paid to the reflection of colours from object to object. Painters often worked in the evening to produceeffets de soir—the shadowy effects of evening or twilight.

Artist Edouard Manet

Father of Impressionism – joined the group in 1873, but never stopped using black

Claude Monet‘Impression: Sunrise”, most committed Impressionist painter, repeatedly painted objects over and over to observe how light affects color

Pierre-Auguste RenoirRosy-cheeked people in social settings

Mary CassattAmerica-born, known for women & children in natural domestic settings, eventually influenced by Ukiyo-e Japanese prints

Berthe MorisotSister-in-Law of Manet, painted posed women in interior and outdoor settings

Luncheon on the Grass, 1862-63.

Olympia, 1863.

Le Chemin de Fer (The Railroad), 1872-73.

A Bar at the Folies-Bergère”, 1882.Ed

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Claude Monet, Rouen Cathedral, 1894.

Claude Monet, Rocks At Belle-Ile, Port-Dormois, 1886.

Pierre-Auguste Renoir, Oarsmen at Chatou, 1879.

Pierre Renoir, ”Luncheon of the Boating Party”, 1881.

Contrast how Renoir and Cassatt view a mother and child!Mary CassattSummertime,1894.

Post-Impressionism

Post-Impressionism developed from Impressionism. From the 1880s several artists began to develop different precepts for the use of colour, pattern, form, and line, derived from the Impressionist example: Vincent van Gogh, Paul Gauguin, Georges Seurat, and Henri de Toulouse-Lautrec

These artists were slightly younger than the Impressionists, and their work is known as post-Impressionism. Some of the original Impressionist artists also ventured into this new territory; Camille Pissarro briefly painted in a pointillist manner, and even Monet abandoned strict plein air painting

Pointillism Pointillism is done by

using hundreds of tiny dots to make a picture. From a distance the colors come together to form the patterns, lines and shapes.

ArtistGeorge Seurat was a famous pointillism artist

Pointllism

EXPRESSIONISM1901-1927

To…Expressionism!Expressionism is a term that was first coined in 1901 to distinguish

paintings done by neo-impressionists who tried to capture the appearance of objects under a particular light and moment

Expressionism in painting emphasizes strong inner feelings about an object

Portrays life as modified, twisted, and distorted by the artist’s personal perception of reality

Does not try to imitate reality, but transform it.

what is expressionism?

• Expressionism seeks to discover and examine the essence of life, the internal, eternal meanings of facts, objects, and people.

• Expressionism seeks to find a deeper reality than on the surface

• Expressionism is not sight; it is vision

Expression in Visual Arts:

Starry Night, Vincent Van Gogh 1889z

The Tempest- Oscar Kokoschka,1914

The Scream- Edvard Munch,1893

interpreted as anEXPRESSION of Munch’s personal torment and mental illness. This painting in often

FauvismFauvism is the style of painting that flourished in France around the turn of the 20th century. Fauve artists used pure, brilliant colour aggressively applied straight from the paint tubes to create a sense of an explosion on the canvas. Their works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. Although fauvism was a short-lived movement (1905–08), its influence was international and basic to the evolution of 20th-century art.

Origin• The paintings of the Fauves (Les Fauves) were characterized by seemingly wild brush work and strident colors. Fauvism can be classified as an

extreme development of Van Gogh's Post-Impressionism fused with the pointillism of Seurat and other Neo-Impressionist painters, in particular Paul Signac.

• Fauvism can also be seen as a mode of Expressionism.

• After viewing the boldly colored canvases and the crude paint application, which left areas of raw canvas exposed, was appalling to viewers at the time of Henri Matisse, André Derain, Albert Marquet, Maurice de Vlaminck, Kees van Dongen, Charles Camoin, and Jean Puy at the Salon d'Automne of 1905, the critic Louis Vauxcelles disparaged the painters as "fauves" (wild beasts), thus giving their movement the name by which it became known, Fauvism.

Paul Signac, Portrait of Félix Fénéon, 1890

Georges Seurat, A Sunday Afternoon on the Island of La Grande Jatte, 1884–1886

Van Gogh,The Starry Night, June 1889

Henri Matisse, The Joy of Life, 1905-6

Characteristics• In fauvism feeling is given grater prominence than thought.• Artists did not use medium to describe situations but to express emotion. So the manipulation goes beyond the accepted aesthetic conventions.• It was essentially an expressionist style, characterized by bold distortion of forms and exuberant color. They used violent colours, which were non

realistic (displacement of colours)• Their draftsmanship was crude, through their unusual colours and shapes Fauves discovered new ways of expressing feeling.• They were chiefly influenced by the expressiveness of Van Gogh.

The artists in FauvismHenri Matisse (Leader of the group)Andre DerainMaurice De Vlaminck Georges Rouault

Maurice de Vlaminck. The River Seine at Chatou, 1906

Henri Matisse, The Dance (La Danse),1910

Georges Rouault, Head of Christ, 1905

Andre Derain, London BridgeHenri Matisse, Self Potrait, 1906 Andre Derain, Potrait of Henri Matisse, 1905

Henri Matisse, Luxe, Calme et Volupté, 1904

DeclineFor most of artists, Fauvism was a transitional, learning stage. By 1908 a revived interest in Paul Cézanne’s vision of the order and structure of nature had led many of them to reject the turbulent emotionalism of Fauvism in favour of the logic of Cubism. Matisse alone pursued the course he had pioneered, achieving a sophisticated balance between his own emotions and the world he painted.Only Matisse continued to explore its possibilities after 1908. Most of the others contributed to the development of new styles, such as cubism, which immediately followed the fauvist movement.

ORIGIN Cubism began between

1907 and 1911.

By 1911 Picasso was recognized as the inventor of Cubism.

Pablo Picasso, Les Demoiselles d'Avignon, 1907, considered to be a major step towards the founding of the Cubist movement.

ARTIST WHO STARTED CUBISM The leading artists of the time were Pablo Picasso and George Braque,and the movement evolved into seperating 3-D subjects before analytically reshaping there forms into view points.

The main influences were said to be tribal art of

Paul Cezanne.

Pable PicassoFamous Cubist Work• Les Demoiselles d’Avignon (1907)• Dryad (1908)• Bread and Fruit dish on Table (1909)• Portrait of Ambroise Vollard (1910)• Guitar (1911)• Three Musicians (1921) GEORGE BRAQUE

Famous cubist work

• The villon and the Palette (1909)• Viollen and Pitches (1910)• The Portugese (man) (1911)

Picasso

Braque

Pablo Picasso, Les Demoiselles d'Avignon, 1907, considered to be a major step towards the founding of the Cubist movement

PAINTINGS

Guitar,picasso (1911) Portrait of Ambroic vollard, picasso(1910)

The Portugese(man), Braque,(1911) Juan Gris, Portrait of Picasso, 1912

OTHER ARTISTS OF CUBISM

Juan Gris Jourge Braque Robest Delaunay Albert Gleizes Fernand Legar Jean Metzingar

Two Phases Of Cubism

Analytical (1907-1912)- Very abstract, mostly made up of overlapping planes and geometrical figure.

Synthetic (1912-1919)- Tended to use new mediums, such as clips form newspaper, on top of the canvas; took away all three dimensional aspects left Analytical.

Analytical cubism show similarity to one another

They also share of many colours.

Portrait of daniel-henry kahnweiler,picasso (1910)

Bread and fruit dish on table,picasso (1909)

Synthetic cubism is much easier interpret

Colours used in synthetic cubism is much more different than analytical because,it is more brighter

Women in an armchair,picasso(1913) Three musicians,picasso(1921)

CUBISM SCULPTURE

• Cubist sculpture developed in parallel to Cubist painting.

• The first true Cubist sculpture was Picasso's impressive Woman's Head, modeled in (1909-10).

Cubism formed an important link between early-20th-century art and architecture

The Cubo-Futurist ideas of Filippo Tommaso Marinetti influenced

attitudes in avant-garde architecture.

Cubism had become an influential factor in the development of modern architecture from 1912 (La Maison Cubiste, by Raymond Duchamp-Villon and André Mare)

CUBISM ARCHITECTURE

Kurt Schwitters,Marzbau,Hangover(1924)

(La Maison Cubiste, by Raymond Duchamp-Villon and André Mare)(1912)

Vorticism was a short-lived modernist movement in British art and poetry of the early 20th century. It was partly inspired by Cubism. The movement was announced in 1914 in the first issue of BLAST, which contained its manifesto and the movement's rejection of landscape and nudes in favour of a geometric style tending towards abstraction

vorticism

Vorticism was based in London but was international in make-up and ambition.

The Vorticists published two issues of the literary magazine BLAST, edited by Lewis, in June 1914 and July 1915. It contained work by Ezra Pound and T. S. Eliot as well as by the Vorticists themselves. Its typographical adventurousness was cited by El Lissitzky as one of the major forerunners of the revolution in graphic design in the 1920s and 1930s.

The cover of the 1915 BLAST

David Bomberg, The Mud Bath, 1914, Tate

Vorticism Performs New Realism Photography as Renaissance

Dazzle CamouflageRichard warres vorticism

Wyndhan-lewsi_red-duvet_191.

Futurism (Italian: Futurismo) was an artistic and social movement that originated in Italy in the early 20th century. It emphasized and glorified themes associated with contemporary concepts of the future, including speed, technology, youth and violence, and objects such as the car, the aeroplane and the industrial city.

futurism

The Futurists practised in every medium of art, including painting, sculpture, ceramics, graphic design, industrial design, interior design, urban design, theatre, film, fashion, textiles, literature, music, architecture and even gastronomy.

Giacomo Balla, Abstract Speed + Sound, 1913–1914

Tate Modern presenta exposición que recoge los 100 años del Arte Futurista

Futurism & futurist artists

Futurism & futurist artists

Italian FuturismMarinetti expressed a passionate loathing of everything old, especially political and artistic tradition. "We want no part of it, the past", he wrote, "we the young and strong Futurists!"

The Futurists admired speed, technology, youth and violence, the car, the airplane and the industrial city, all that represented the technological triumph of humanity over nature, and they were passionate nationalists.

Futurism is an avant-garde movement founded in Milan in 1909 by the Italian poet Filippo Tommaso Marinetti.] Marinetti launched the movement in his Futurist Manifesto, which he published for the first time on 5 February 1909 in La gazzetta dell'Emilia,

Umberto Boccioni, sketch of The City Rises (1910)

Umberto Boccioni, Unique Forms of Continuity in Space

(1913)

Fortunato Depero, Skyscrapers and Tunnels (Gratticieli e tunnel), 1930

“Dynamism of a Dog on a Leash” [Credit: Collection Albright-Knox Art Gallery, Buffalo, New York; bequest of A. Conger Goodyear and Gift of George F. Goodyear, 1964]

Futurist architecture

An example of Futurist architecture by Antonio Sant'Elia

The Futurist architect Antonio Sant'Elia expressed his ideas of modernity in his drawings for La Città Nuova (The New City) (1912–1914).

Futurist architects were sometimes at odds with the Fascist state's tendency towards Roman imperial-classical aesthetic patterns. Nevertheless, several Futurist buildings were built in the years 1920–1940, including public buildings such as railway stations, maritime resorts and post offices.

Antonio Sant'Elia (1888–1916)

progetto per citta' futurista di Antonio Sant'Elia. Stazione di aeroplani e treni ferroviari con funicolari e ascensori.

Russian FuturismThe Russian Futurists sought controversy by repudiating the art of the past, saying that Pushkin and Dostoevsky should be "heaved overboard from the steamship of modernity". They acknowledged no authority and professed not to owe anything even to Marinetti, whose principles they had earlier adopted, obstructing him when he came to Russia to proselytize in 1914.

The movement began to decline after the revolution of 1917.

Natalia Goncharova, Cyclist, 1913

Russian Futurism "working in the years . Russian Futurism and David Burliuk

DadaismDada or Dadaism was an art movement of the European avant-garde in the early 20th century. Dada activities included public gatherings, demonstrations, and publication of art/literary journals; passionate coverage of art, politics, and culture were topics often discussed in a variety of media.

Origin and Philosophy• The beginnings of Dada correspond to the outbreak of World War I in Europe.• Many Dadaists believed that the 'reason' and 'logic' of capitalist society had led people into war. They expressed their rejection of that

ideology in artistic expression that appeared to reject logic and embrace chaos and irrationality• Dada attacked conventional standards of aesthetics and behavior and stressed absurdity and the role of the unpredictable in artistic

creation. • The literary manifestations of Dada were mostly nonsense poems—meaningless random combinations of words—which were read in

public.• Dada principles were eventually modified to become the basis of surrealism in 1924.

Hugo Ball in Cabaret Voltaire, 1916 Marcel Duchamp, The Bycle Wheel 1917

Marcel Duchamp, Fountain, 1917 Nude Descending a Staircase, 1912

Key figures in the movement included Hugo Ball, Emmy Hennings, Hans Arp, Raoul Hausmann, Hannah Höch, Johannes Baader, Tristan Tzara, Francis Picabia, Richard Huelsenbeck, George Grosz, John Heartfield, Marcel Duchamp, Beatrice Wood, Kurt Schwitters, and Hans Richter, among others.

Art techniquesCollage: The Dadaists imitated the techniques developed during the cubist movement through the pasting of cut pieces of paper items, but extended their art to encompass items such as transportation tickets, maps, plastic wrappers, etc. to portray aspects of life, rather than representing objects viewed as still life.

Assemblage: The assemblages were three-dimensional variations of the collage – the assembly of everyday objects to produce meaningful or meaningless (relative to the war) pieces of work including war objects and trash. Objects were nailed, screwed or fastened together in different fashions.

Readymades: Marcel Duchamp began to view the manufactured objects of his collection as objects of art, which he called "readymades". One such example of Duchamp's readymade works is the urinal that was turned onto its back, signed "R. Mutt", titled "Fountain“.

Raoul Hausmann, Mechanical Head [The Spirit of Our Age], 1920

Hannah Höch, Cut with the Dada Kitchen Knife, 1919

Dada is the groundwork to abstract art and sound poetry, a starting point for performance art, a prelude to postmodernism, an influence on pop art, a celebration of antiart to be later embraced for anarcho-political uses in the 1960s and the movement that laid the foundation for Surrealism.

Raoul Hausmann ABCD (Self-portrait), 1923-24

Kurt Schwitters, Merz Collage

Jean Arp, Bird

Surrealism

“More than real ,better than real”

Origin

• Surrealism is a cultural movement that began in the early 1920s, and is best known for its visual artworks and writings.

• The aim was to "resolve the previously contradictory conditions of dream and reality."

• Artists painted unnerving, illogical scenes with photographic precision, created strange creatures from everyday objects and developed painting techniques that allowed the unconscious to express itself and/or an idea/concept

• Surrealism developed out of the Dada activities during World War I and the most important center of the movement was Paris.

• From the 1920s onward, the movement spread around the globe, eventually affecting the visual arts, literature, film, and music of many countries and languages, as well as political thought and practice, philosophy, and social theory

• “Surrealism means super realism”

Characteristics

• Reaction to chaos of WW1• Influence of Freud: Dreams and

subconscious• Impossible scale• Reversal of natural laws • Double images • juxtaposition

The elephants, Salvdor Dali

Of Surrealist Paintings

Techniques

• Surrealism has the same lack of prejudice of dadaism both in the use of photographic procedures and object production out of their normal use

• Traditional techniques, because those can be appropriate for depicting imagination

Rob gonslave

Sigmund Freud(1856-1939)

• The father of psychoanalysis• In 1900, freud published The

Interpretation Of Dreams, and introduced the wider public to the nation of the unconscious mind

• Theorized that forgetfulness or slips of the tongue (now called “Freudian slips “) were not accidental at all, but it was the “dynamics unconscious "revealing something meaningful.

• He said “Dreams are often most profound when they seem the most crazy.”

Sigmund Freud

Andre Breton

Surrealism is based on the belief in the superior reality of the dream”

French artist and founder of surrealismOne of the original dadaist movement artistsHe says: You know the dada moment we would like to spend about and this surrealism was liked dada with program. Essentially with a concept manifesto and not just creating that would just shock but creating something out of ordinary and dream like type stage.

The African mask, Andre Breton

Two main types of Surrealists

• Without thought, and was meant to show the workings of the subconscious mind.

• Was adopted by many Surrealists, who painted whatever came into their heads.

• All about FEELINGS.

• Used very familiar everyday objects painted in aformal, realistic style

• Believed Subconscious images had meanings.

• Thought that artworks were like metaphors

• All about MEANINGS

Automatic Surrealism Veristic Surrealists

Automatic Surrealism Veristic Surrealists

One second before awaking from a dream caused by the flight of a bee around a pomegranate ,1944,salvador dali

Joan Miro,La Lecon’de ski,1966

Rene Magritte

He is the artist who worked in a deepest way the lack of logic of the image

He invented the anti history He discovered the nonsense of

the normal He created with great details

and reailsm images of ambiguous significance that could have a double sense

Rene magritte

His work

Golconde,1953

The lovers,1928

The Son Of Man,1964

The Black signature

Salvador Dali

Highly rhetorical works Mix of lubricous and holy Very complicated compositions

his view is full of sexual connotations

He overcame cynically the bolshevism

Ambiguous mix of reaction and anarchy.

Sleep,salvador dali

Persistence of memory,1931

The metamorphosis of narcissus,1937

Pop art

About pop art• Pop art presented a challenge to

traditions of fine arts by including imagery from popular culture such as advertising, news, etc.

• In Pop art ,materials is sometimes visually removed from its known context, isolated and /or combined with unrelated materials.

• Visual art movement that began mid 1950s in Britain, late 1950s in the U.S.

• The Independent Group founded in London in 1952 was precursor to the Pop Art Movement.

• Lawrence alloways- “ The Arts and the Mass Media”

• The concept of pop art refers not as much to the art itself as to the attitude that led to it.

Roy Lichtenstein

History

• 1950’s!Period of optimismConsumer boomProducts mass marketed, advertised

• Independent GroupAimed at symbols/images from media

• Coincided with youth and pop music phenomenon.

Free stamp, laes Oldenbyrg

Coca-Cola Andy Warhol

Influences

• Pop art widely interpreted reversal or reaction to Abstract Expression

Emotional expression with particular emphasis on the spontaneous ac

• Drew upon dadaist elements• Movements that mocked artistic

and social conventions. Emphasized the illogical and absurd.

• Favored montage/ collage and the readymade Andy Warhol, intimate confession

Characteristic

• Brings back the subject• Questions art as a commodity and as

a unique art form• Everyday subject matter• Marked byClear linesBold and loud coloursSharp paintworkClear representations of symbols,

objects, and people common in pop culture.

Techniques

• Central focus on= commercial artStyles of popular culture and the mass

mediaNews papers, comics, advertising, consumer

goodsMass productionLow costExpendable• “Like a joke without humor ,told over

and over again until it sounds like a threat..advertising art which advertises itself as art that hates advertising.” Harold Rosenberg

Coca cola, Andy Warhol

ROY LICHTENSTEIN

Began firstpop painting using cartoon images and techniques derived from the appearance of commercial printing

Roy Lichtenstein

Some of his works

The drowning girl Roy lichttenstein,1963 Ohh .. Alright ,Roy lichtenstein,1964

whaam! Roy lichtensttein,1963 Thunderbolt,1966

Andy Warhol

Born on 8th Aughust,1928

One of the most influential artists on the 20th century

Famous for :Avant-guard popart paintings and Screen printings

Andy Warhol

Some of his works

Peel slowly and see Andy warhol1967

Green coca bottles, Andy warhol,1963

Marilyn Monroe ,screen print on white sheet, Andy Warhol,1967

Campbell’s soup can silkscreen on canvas , Andy Warhol ,1964

WHAT IS MINIMALISM

• Minimalism is a style that uses pared down design element.

• Minimalism began during 50’s and 70’s.

• Minimalism artist use simple geometric shapes in reapted patterns to create art.

ORIGIN

• Primarily an American Art movement.• Minimalism began in post World War II.• Works surfaced primarily in 1950’s and 1960’s.

GOAL• Minimalism allows the viewer to

experience the work more intensely without distract of composition and theme.

MINIMALISM ART

• Minimalism art derived from the reductive aspect of modernism.

• Minimalism art is also inspired in part by the paintings of Barnrtt Newman,Josef Alber.

Kazimir Malevich,Black square(1915)

MINIMALISM DESIGN

• Minimalist design is any design where the simplest and fewest elements are used to create the maximum value.

Untitled,Donald Judd (1965)Pyramid,Care Andre(1959)

MINIMLISM ARCHITECTURE

• Minimalism architecture simplifies living space to reveal the essential quality of buildings and conveys simplicity in attitudes towards life.

• It became popular in the late 1980s in London and New York.

SOME PROJECT OF MINIMALISM

FOR EXAMPLE

• House T• Helechos• Ombues• House G• Loft forest

In the collection of ‘’City House’’,they are design some houses,that are minimalism .

About• The last third of the 19th century

saw the development of a fundamentally approach to architecture and interior design

• All over Europe there was a need for librating change of direction, a desire to break away from set formulas based on pastiche of historical styles and a search for original ideas , all of these resulted in 1890 the birth of art nouveau

• It embraces all forms of art and design architecture, jewelry, glassware, metalwork ,etc. season

Hallmark of art nouveau

• Flat, decorative patterns• Intertwined organic forms such

as stem or flowers• An emphasis on handcrafting as

opposed to machine manufacturing

• The use of new material• The rejection of earlier styles

Features

• Very much inspired from Japan flowing art ,stained glass, curved glass, plant like embellishment, asymmetrical shapes, mosaics

• Pierre Francastel divides art nouveau on organic and rationalists

Presented byAman dean ambroz

Akash kumar

Anamika sonai

Nidhi Chauhan

Rimjhim bharati

Shaheb kumar