what is wrong with chinese football [cartoons]? the cognitive processing of multi-domain cartoons...

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What is wrong with Chinese football [cartoons]? The cognitive processing of multi-domain cartoons Paul van den Hoven (in cooperation with Joost Schilperoord) Utrecht University, Xiamen University

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What is wrong with Chinese football [cartoons]?

The cognitive processing of multi-domain cartoons

Paul van den Hoven (in cooperation with Joost Schilperoord)

Utrecht University, Xiamen University

Cartoons are a theoretically challenging genre

• Some cartoons evoke rather elaborate argumentative

interpretations while others evoke merely an articulated

evaluative opinion.

• Interpreters differ substantially in the argumentative

elaborateness interpreting one and the same cartoon.

• Quite often interpreters who cannot come up with a satisfying

interpretation of a cartoon are able to formulate quite well

what lack of foreknowledge causes their problem.

Cartoons are a theoretically challenging genre

• We propose a cognitive processing model that explains the

three observations in a coherent way.

• We develop this model based on and consistent with

conceptual integration theory (CIT; Fauconnier & Turner

2002).

What are cartoons?

• ‘(…) a graphic presentation typically designed in a one-panel,

non-continuous format to make an independent statement or

observation on political events or social policy’ (Edwards &

Winkler 1997: 306, italics added).

• Cartoons are prototypically multi-domain blends with a

metaphorical reading; in this lecture it will become clear what

is meant by that.

Conceptual integration theory

• Every semiotic animal knows: a semiotic object is minimally a

blend, and therefore it is an instruction to mentally reconstruct

it as integration network; that will reveal its meaning.

• Therefore the semiotic animal knows:

– I need to deblend the object in two input spaces that are

related to each other by a generic space.

– The system as a whole must reach equilibrium, compatible

with my foreknowledge; then I grasp its meaning.

GENERIC SPACE

BLENDED SPACE

INPUT SPACE 2INPUT SPACE 1

(EVENT [(ACTOR), (OBJECT)])

(EVENT [(ACTOR), (CUBE CHINESE SOCCER

BALL)])

(EVENT[(ACTOR), (OBJECT)])

Conceptual integration theory

• Four prototypical types of (de)blending and accompanying

network structures:

1. simplex (de)blending,

2. mirror (de)blending,

3. single scope (de)blending and

4. double scope (de)blending

• These are increasingly ‘creative’ network relations due to

augmented degrees of interpretative freedom.

The structure of the lecture

• First, using (1) simplex deblending, I explain in detail how

building up the network and searching for equilibrium works.

• Then I illustrate the other prototypical forms of deblending.

• While doing this, the question comes up: How does the

semiotic animal know which type of deblending to choose?

• While working, our answer on this question will become clear.

• That answer explains what is wrong with Chinese soccer

cartoons.

(1) Simplex (de)blending

• Simplex (de)blending is the most restricted type of (de)blending.

• All elements in the spaces are mapped in an identity relation.

• If that results in equilibrium, the interpreter is happy and stops.

• The input spaces are mapped :

– as argument and predicate, or

– as example and prototype, or

– as identical elements out of one class

GENERIC SPACE

BLENDED SPACE

INPUT SPACE 2INPUT SPACE 1

(EVENT [(ACTOR), (OBJECT)])

(EVENT [(ACTOR), (CUBE CHINESE SOCCER

BALL)])

(EVENT[(ACTOR), (OBJECT)])

(1) Simplex deblending: identity

SPACE 1 SPACE 2 GENERIC SPACE BLENDED SPACE

 soccer

 event:

prototypical soccer

 

 soccerplayer

actor:prototypical player

 

Chinese[cube] soccer ball

[round] soccer ball object: prototypical

soccer ballChinese

[cube] soccer ball

Assume an interpreter who knows what soccer is

(1) Simplex deblending: identity

IF EQUILIBRIUM:In China the ball used for soccer is a cube.

SPACE 1 SPACE 2 GENERIC SPACE BLENDED SPACE

soccer soccer 

event:prototypical

soccer

 

 soccerplayer

soccerplayer

actor:prototypical player

 

Chinese[cube] soccer ball

[round] soccer ball object: prototypical

soccer ballChinese

[cube] soccer ball

Author: Tom Janssen: “the Islam debate” (REGIE, “director”)

GENERIC SPACE

BLENDED SPACE

INPUT SPACE 2INPUT SPACE 1

(EVENT [(ACTOR), (OBJECT)])

FIGURE, CHAIR, “REGIE”, MEGAPHONE, VERBAL

CAPTION

(DIRECT [(MAN), (“THE ISLAM DEBATE”)])

(1) Simplex deblending: identity

SPACE 1 SPACE 2 GENERIC SPACE BLENDED SPACE

 directing directing

 event:

directingdirecting

 players agency:

player  

play with title[The Islam debate]

play with title object: play line withThe Islam debate

this director director agent: director this director

point of departure for everyone who knows what directing a play or a movie is and takes “The Islam debate” to be the

title of the play

(1) Simplex deblending: identity

IF EQUILIBRIUM:A man directs a play named “The Islam debate”

SPACE 1 SPACE 2 GENERIC SPACE BLENDED SPACE

 directing directing

 event:

directingdirecting

 players players agency:

player  

play with title[The Islam debate]

play with title object: play line withThe Islam debate

this director director agent: director this director

(1) Simplex deblending: identity

point of departure for everyone who knows what directing a play or a movie is and takes “The Islam debate” to be the title of the

play and recognizes the Dutch right-wing politician Wilders

SPACE 1 SPACE 2 GENERIC SPACE BLENDED SPACE

 directing directing

 event:

directingdirecting

 players agency:

player  

play with title[The Islam debate]

play with title object: play line withThe Islam debate

Wilders director agent: director Wilders

(1) Simplex deblending: identity

IF EQUILIBRIUM:Wilders directs a play

named “The Islam debate”

SPACE 1 SPACE 2 GENERIC SPACE BLENDED SPACE

 directing directing

 event:

directingdirecting

 players players agency:

player  

play with title[The Islam debate]

play with title object: play line withThe Islam debate

Wilders director agent: director Wilders

(2) Mirror (de)blending

• Mirror (de)blending is the second, slightly less restricted type

of (de)blending

• All elements in the spaces are mapped according to the generic

space in an similarity relation.

• If that results in equilibrium, the interpreter maps the spaces as

mirroring each others structure: the generic space specifies an

organizing frame or scenario that is assumed to be similar for

the input spaces and the blended space.

(2) Mirror deblending: similarity

Assume an interpreter who knows what soccer is

SPACE 1 SPACE 2 GENERIC SPACE BLENDED SPACE

 soccer

 event: variations

of soccer

 

 soccerplayer

actor:players

 

Chinese[cube] soccer ball

[round] soccer ball object: balls Chinese

[cube] soccer ball

(2) Mirror deblending: similarity

IF EQUILIBRIUM:In China they play a game similar to soccer but with a ball that is a cube [of which one needs to imagine the effect on

how the game and players look].

SPACE 1 SPACE 2 GENERIC SPACE BLENDED SPACE

 some variation

of soccersoccer

 event: variations

of soccer

 

 ‘soccer’player

soccerplayer

actor:players

 

Chinese[cube] soccer ball

[round] soccer ball object: balls Chinese

[cube] soccer ball

(2) Mirror deblending: similarity

point of departure for everyone who knows what directing a play or a movie is and takes “The Islam debate” to be

the title of the play and recognizes Wilders

SPACE 1 SPACE 2 GENERIC SPACE BLENDED SPACE

 directing directing

 event: directing directing

 players agency: variations

of player  

play with title[The Islam debate]

play with title object: variationsof play

line withThe Islam debate

Wilders director agent: director Wilders

(2) Mirror deblending: similarity

IF EQUILIBRIUM:Wilders directs a ‘play’ named “The Islam debate”

SPACE 1 SPACE 2 GENERIC SPACE BLENDED SPACE

 directing directing

 event: directing directing

 some agency

similar to playersplayers agency: variations

of player  

something likeplay with title

[The Islam debate]

play with title object: variationsof play

line withThe Islam debate

Wilders director agent: director Wilders

Single scope (de)blending

• Single scope (de)blending is the third, again less restricted

type of (de)blending

• All elements in the spaces are mapped according to the generic

space in an analogy relation, the presentation space being the

point of departure.

• From single scope blending on we speak about a metaphorical

relation; we distinguish a presentation space and a reference

space.

Single scope (de)blending

• This is the big thing: the interpreter assumes a more creative

comparison is made.

• Input space 2, from now on the reference space, needs a more

creative construction by means of mapping from input space 1,

from now on the presentation space, that is filled from the

blend.

Single scope (de)blending

• If that results in equilibrium, the interpreter is happy and maps

the spaces as having an analogical structure.

• The blended space shares its structure with the presentation

space.

• The reference space gets an analogical structure.

GENERIC SPACE

BLENDED SPACE

REFERENCE SPACEPRESENTATION SPACE

(EVENT [(ACTOR), (OBJECT)])

(EVENT [(ACTOR), (CUBE CHINESE SOCCER

BALL)])

(EVENT[(ACTOR), (ROUND CHINESE SOCCER

BALL)])

(3) Single scope deblending: analogy

Assume an interpreter who knows what soccer is and understands that Çhina refers to the presentation and the reference space (not

necessarily so)

PRESENTATIONSPACE

REFERENCE SPACE

GENERIC SPACE BLENDED SPACE

 Chinese soccer

 event: analogue

with soccer

 

 Chinese

soccer playeractor: analogue

with players

 

Chinese[cube] soccer ball

Chinese

[round] soccer ballobject: analogue

with ballsChinese

[cube] soccer ball

(3) Single scope deblending: analogy

IF EQUILIBRIUM:In China they play soccer as if the ball was cube.

Transferred values: bad soccer.

PRESENTATIONSPACE

REFERENCE SPACE

GENERIC SPACE BLENDED SPACE

 ‘cube’ soccer Chinese

soccer

 event: analogue

with soccer

 

 ’cube’ soccer

playerChinese

soccer playeractor: analogue

with players

 

Chinese[cube] soccer ball

Chinese

[round] soccer ballobject: analogue

with ballsChinese

[cube] soccer ball

GENERIC SPACE

BLENDED SPACE

REFERENCE SPACEPRESENTATION SPACE

(EVENT [(ACTOR), (OBJECT)])

 (LEAD [(WILDERS), (ISLAM

DEBATE)])

WILDERS, CHAIR, “REGIE”, MEGAPHONE, VERBAL

CAPTION

(DIRECT [(WILDERS), (“THE ISLAM DEBATE”)])

(3) Single scope deblending: analogy

point of departure for everyone who knows what directing a play or a movie is and takes “The Islam debate” to be

the social-political debate about Islam immigrants

PRESENTATION SPACE

REFERENCE SPACE

GENERIC SPACE BLENDED SPACE

 directing lead

 event: analogue

with directingdirecting

 representatives agency: analogue

with player  

play with title[The Islam debate]

Islam debate object: analoguewith play

line withThe Islam debate

Wilders party leader agent: analogue with director

Wilders

(3) Single scope deblending: analogy

IF EQUILIBRIUM:Wilders leads the Islam debate as a director a play.

Transferred values: authoritarian, one-sided.

PRESENTATION SPACE

REFERENCE SPACE

GENERIC SPACE BLENDED SPACE

 directing lead

 event: analogue

with directingdirecting

 players representatives agency: analogue

with player  

play with title[The Islam debate]

Islam debate object: analoguewith play

line withThe Islam debate

Wilders party leader agent: analogue with director

Wilders

Summary so far

• We go from (1) identity, to (2) similarity, to (3) analogy.

• These are no clear, discrete concepts; that is why the theory

speaks about prototypical types; in fact it is a continuous scale

of widening the restrictions.

• You see the widening reflected in the hypothetical generic

space, making the relations between the spaces more

‘creative’: (1) checking identity; (2) checking sufficient

similarity; (3) checking a meaningful mapping from

presentation on reference space.

Summary so far

• Interpretation is: searching for an adequate generic space that

results in equilibrium and calculating its consequences.

• The search starts with the most restricted model and drops step

by step more restrictions.

What single scope does

• Single scope deblending introduces a multi-domain,

metaphorical relation as a hypothesis to find equilibrium;

because the more restricted cycles failed to reach equilibrium.

• Because more creativity is allowed, more subjectivity is

required; because more subjectivity is required, the discourse

conveys a stronger ‘vision’ on the world the discourse is

about; because a stronger ‘vision’ is conveyed, opinions

become element of the resulting meaning.

What is wrong with Chinese football [cartoons]?

• In China they play soccer as if the ball was cube. Transferred

values: bad soccer. Equilibrium is reached. Meaning complete.

Interpretation process ends.

• The best cartoons go fully up to (4) double scope deblending,

even to extreme forms of double scope deblending.

• Hypothesis to be systematically investigated: overwhelmingly,

Chinese (soccer) cartoons go up to single scope only.

• What is double scope deblending?

Double scope deblending, type 1

• Double scope (de)blending is the least restricted type of

(de)blending.

• All elements in the spaces are mapped according to the generic

space in an partial analogy relation, none of the other spaces

being uniquely the point of departure.

• Disanalogies block establishing single scope equilibrium; no

acceptable generic space is found! No equilibrium!

Double scope (de)blending, type 1

• To construct(!) equilibrium, the interpreter creates a set of

conditions that would make the disanalogies disappear, and

assesses these conditions.

• This assessment calls for elaborated inferences and

interpretive processing.

• Double scope (de)blending invites what is called emergent

meaning; the inferences become part of the meaning.

• We speak of type 1 double scope blending if the scope of

solving disanalogies is restricted to the reference domain.

Double scope (de)blending, type 1

• The interpreter may judge:

– Political leadership is not analogue to directing a play

(because it assumes freedom of speech while verbal

activity of stage plays is predetermined).

– Representatives are not analogue to players (because it

assumes authenticity while a player is suppose to play

someone else).

(4) Double scope deblending 1: disanalogies

PRESENTATION SPACE

REFERENCE SPACE

GENERIC SPACE BLENDED SPACE

 directing lead

 event: analogue

with directingdirecting

 players representatives agency: analogue

with player  

play with title[The Islam debate]

Islam debate object: analoguewith play

line withThe Islam debate

Wilders party leader agent: analogue with director

Wilders

Double scope (de)blending, type 1

• The interpreter may judge:

– Disanalogies disappear if I assume that the network

expresses the attitude and behavior of some relevant party.

– Wilders, or the representatives consider the Islam debate as

if it was a play.

– Assessment: ???

(4) Double scope deblending 1: disanalogies

PRESENTATION SPACE

REFERENCE SPACE

GENERIC SPACE BLENDED SPACE

 directing lead

 event: analogue

with directingdirecting

 players representatives agency: analogue

with player  

play with title[The Islam debate]

Islam debate object: analoguewith play

line withThe Islam debate

Wilders party leader agent: analogue with director

Wilders

Wilders (and/or the representatives) deserve to be condemned, because of considering the debate a play.

(4) Double scope deblending 1: disanalogies

PRESENTATION SPACE

REFERENCE SPACE

GENERIC SPACE BLENDED SPACE

 pedagogical

punishingaffairs between

sovereign states

 event: analogue with pedagogical

punishing

pedagogicalpunishing

 pupil Cuba agency: analogue

with pupilCuba-pupil

 

teacher USA agent: analogue with teacher

USA-teacher

The USA deserve to be condemned for their diplomatic behavior towards Cuba, because of treating a sovereign nation as if it is a naughty schoolboy.

(3) Single scope deblending : analogie

PRESENTATION SPACE

REFERENCE SPACE

GENERIC SPACE BLENDED SPACE

 pedagogical

punishingaffairs between

sovereign states

 event: analogue with pedagogical

punishing

pedagogicalpunishing

 pupil Cuba agency: analogue

with pupilCuba-pupil

 

teacher USA agent: analogue with teacher

USA-teacher

Cuba deserve a treatment by the USA as if it is a naughty schoolboy. Cuba acts like a schoolboy and USA responds to that. [equilibrium]

Double scope (de)blending, type 2

• We speak of type 2 double scope blending if the scope of

solving disanalogies is not restricted to the reference domain

but also affects the presentation domain.

• These cartoons are rare and often evoke strong responses

because they destabilize the presentation domain which is

often deeply rooted in opinions and values the interpreter

enhances.

PRESENTATION SPACE

REFERENCE SPACE

GENERIC SPACE BLENDED SPACE

 raising the

American bannerpeeing on dead

bodies of Islamic enemies

 event: winning

marines behaviorraising a USA-

banner- carrying, peeing statute

 the Iwo

Jima marinesthe Afghanistan

marinesagency: marines marines 

Iwo Jima, WO II Afghanistan, 2012 scene: analogue with Iwo Jima

specific scenery

(4) Double scope deblending 1: disanalogies

The USA marines should be condemned for their behavior towards the vicims, because …..

Cartoons are a theoretically challenging genre

• Some cartoons evoke rather elaborate argumentative

interpretations while others evoke merely an articulated

evaluative opinion.

• Interpreters differ substantially in the argumentative

elaborateness interpreting one and the same cartoon.

• Quite often interpreters who cannot come up with a satisfying

interpretation of a cartoon are able to formulate quite well

what lack of foreknowledge causes their problem.

Cartoons are a theoretically challenging genre

• Some cartoons evoke rather elaborate argumentative

interpretations while others evoke merely an articulated

evaluative opinion.

• The model explains: some cartoons guide the interpreter to an

equilibrium after single scope deblending, while others guide

the interpreter to double scope deblending because the

equilibrium after single scope does not satisfy; it conflicts with

foreknowledge.

Cartoons are a theoretically challenging genre

• Interpreters differ substantially in the argumentative

elaborateness interpreting one and the same cartoon.

• The model explains: because equilibrium is determined by

foreknowledge and interpreters differ in foreknowledge, some

interpreters may reach equilibrium at another cycle than

others.

Cartoons are a theoretically challenging genre

• Quite often interpreters who cannot come up with a satisfying

interpretation of a cartoon are able to formulate quite well

what lack of foreknowledge causes their problem.

• The model explains: semiotic animals know all that they are

supposed to construct an integration network with equilibrium.

Cartoon interpreters know single scope is the minimum. They

know they have to project significant elements of the blended

space on the presentation space.

Cartoons are a theoretically challenging genre

• Therefore:

– If an interpreter accepts equilibrium in (1) single scope

deblending or even (2) mirror deblending, he knows he

misses the point and can formulate that: “I seem to miss

something here: why a cartoon about this square ball

variation of soccer?”

Cartoons are a theoretically challenging genre

• Therefore:

– If an interpreter does not accept equilibrium in (1) single

scope deblending or even (2) mirror deblending, but is

unable to identify sufficient elements to start constructing a

reference space, he can formulate that: “I seem to miss

something here: I see Wilders in a chair directing, but what

is this about?”

Thank you for your presence and attention