william shakespeare’s macbeth

39
William Shakespeare’s Macbeth Elements of Drama

Upload: maxim

Post on 21-Jan-2016

48 views

Category:

Documents


1 download

DESCRIPTION

William Shakespeare’s Macbeth. Elements of Drama. Shakespeare. 1564-1616 Stratford-on-Avon, England wrote 37 plays about 154 sonnets started out as an actor. Stage Celebrity. Actor for Lord Chamberlain’s Men (London theater co.) Also > principal playwright for them - PowerPoint PPT Presentation

TRANSCRIPT

Page 1: William Shakespeare’s Macbeth

William Shakespeare’s

Macbeth

William Shakespeare’s

MacbethElements of DramaElements of Drama

Page 2: William Shakespeare’s Macbeth

ShakespeareShakespeare 1564-1616 Stratford-on-Avon, England

wrote 37 plays about 154 sonnets started out as an actor

1564-1616 Stratford-on-Avon, England

wrote 37 plays about 154 sonnets started out as an actor

Page 3: William Shakespeare’s Macbeth

Stage CelebrityStage Celebrity Actor for Lord Chamberlain’s Men (London theater co.)

Also > principal playwright for them

1599> Lord Ch. Co. built Globe Theater where most of Sh. Play’s were performed

Actor for Lord Chamberlain’s Men (London theater co.)

Also > principal playwright for them

1599> Lord Ch. Co. built Globe Theater where most of Sh. Play’s were performed

Page 4: William Shakespeare’s Macbeth

Shakespeare wrote:

Shakespeare wrote:

ComediesHistoriesTragedies

ComediesHistoriesTragedies

Page 5: William Shakespeare’s Macbeth

The TheaterThe Theater Plays produced for the general public

Roofless>open air No artificial lighting Courtyard surrounded by 3 levels of galleries

Plays produced for the general public

Roofless>open air No artificial lighting Courtyard surrounded by 3 levels of galleries

Page 6: William Shakespeare’s Macbeth

SpectatorsSpectators Wealthy got benches “Groundlings”>poorer people stood and watched from the courtyard (“pit”)

All but wealthy were uneducated/illiterate

Much more interaction than today

Wealthy got benches “Groundlings”>poorer people stood and watched from the courtyard (“pit”)

All but wealthy were uneducated/illiterate

Much more interaction than today

Page 7: William Shakespeare’s Macbeth

Staging AreasStaging Areas

Stage>platform that extended into the pit

Dressing & storage rooms in galleries behind & above stage

second-level gallery> upper stage> famous balcony scene in R & J

Trap door>ghosts “Heavens”> angelic beings

Stage>platform that extended into the pit

Dressing & storage rooms in galleries behind & above stage

second-level gallery> upper stage> famous balcony scene in R & J

Trap door>ghosts “Heavens”> angelic beings

Page 8: William Shakespeare’s Macbeth

DifferencesDifferences No scenery Settings > references in dialogue

Elaborate costumes Plenty of props Fast-paced, colorful>2 hours!

No scenery Settings > references in dialogue

Elaborate costumes Plenty of props Fast-paced, colorful>2 hours!

Page 9: William Shakespeare’s Macbeth

ActorsActors Only men and boys Young boys whose voices had not changed play women’s roles

Would have been considered indecent for a woman to appear on stage

Only men and boys Young boys whose voices had not changed play women’s roles

Would have been considered indecent for a woman to appear on stage

Page 10: William Shakespeare’s Macbeth

Elizabethan (QE1) Words

Elizabethan (QE1) Words

An,and: If Anon: Soon Aye: Yes But: Except for E’en: Even E’er: Ever

An,and: If Anon: Soon Aye: Yes But: Except for E’en: Even E’er: Ever

Page 11: William Shakespeare’s Macbeth

QE1 Words (contin.)QE1 Words (contin.)

Haply: PerhapsHappy: FortunateHence: Away, from her

Hie: HurryMarry: Indeed

Haply: PerhapsHappy: FortunateHence: Away, from her

Hie: HurryMarry: Indeed

Page 12: William Shakespeare’s Macbeth

QE1 Words (contin.)QE1 Words (contin.)

Whence: WhereWilt: Will, will you

Withal: In addition to

Would: Wish

Whence: WhereWilt: Will, will you

Withal: In addition to

Would: Wish

Page 13: William Shakespeare’s Macbeth

Blank VerseBlank Verse Much of R & J is written in it:unrhymed verseiambic (unstressed, stressed)pentameter( 5 “feet” to a line)ends up to be 10 syllable lines

Much of R & J is written in it:unrhymed verseiambic (unstressed, stressed)pentameter( 5 “feet” to a line)ends up to be 10 syllable lines

Page 14: William Shakespeare’s Macbeth

ProseProseOrdinary writing that is not poetry, drama, or songOnly characters in the lower social classes speak this way in Shakespeare’s plays

Why do you suppose that is?

Ordinary writing that is not poetry, drama, or songOnly characters in the lower social classes speak this way in Shakespeare’s plays

Why do you suppose that is?

Page 15: William Shakespeare’s Macbeth

PlotPlotThe sequence of events in a literary work

The sequence of events in a literary work

Page 16: William Shakespeare’s Macbeth

ExpositionExpositionThe plot usually begins with this:introduces>>>>

settingcharactersbasic situation

The plot usually begins with this:introduces>>>>

settingcharactersbasic situation

Page 17: William Shakespeare’s Macbeth

Inciting MomentInciting MomentOften called “initial incident”the first bit of action that occurs which begins the plot

Romeo and Juliet “lock eyes” at the party

Often called “initial incident”the first bit of action that occurs which begins the plot

Romeo and Juliet “lock eyes” at the party

Page 18: William Shakespeare’s Macbeth

ConflictConflictThe struggle that developsman vs. manman vs. himselfman vs. societyman vs. nature

The struggle that developsman vs. manman vs. himselfman vs. societyman vs. nature

Page 19: William Shakespeare’s Macbeth

CrisisCrisisThe point where the protagonist’s situation will either get better or worseprotagonist>good guyantagonist>bad guy

The point where the protagonist’s situation will either get better or worseprotagonist>good guyantagonist>bad guy

Page 20: William Shakespeare’s Macbeth

ClimaxClimaxThe turning point of the story>everything begins to unravel from here Thus begins the falling action

The turning point of the story>everything begins to unravel from here Thus begins the falling action

Page 21: William Shakespeare’s Macbeth

ResolutionResolutionThe end of the central conflict

The end of the central conflict

Page 22: William Shakespeare’s Macbeth

DenouementDenouementThe final explanation or outcome of the plotIf this is included in literature, it will occur after the resolution.

The final explanation or outcome of the plotIf this is included in literature, it will occur after the resolution.

Page 23: William Shakespeare’s Macbeth

Tragedy (Shakespearean)

Tragedy (Shakespearean)

Drama where the central character/s suffer disaster/great misfortune In many tragedies, downfall results from>

FateCharacter flaw/Fatal flawCombination of the two

Drama where the central character/s suffer disaster/great misfortune In many tragedies, downfall results from>

FateCharacter flaw/Fatal flawCombination of the two

Page 24: William Shakespeare’s Macbeth

ThemeThemeCentral idea or >>

Insight about life which explain the downfall

Central idea or >>

Insight about life which explain the downfall

Page 25: William Shakespeare’s Macbeth

Metaphorical Language

Metaphorical Language

Comparison of unlike things > Paris standing over the “lifeless body” of Juliet, “Sweet flower, with flowers thy bridal bed I strew…”

“Thou detestable maw…”Gorged with the dearest morsel of the earth…” Romeo

Comparison of unlike things > Paris standing over the “lifeless body” of Juliet, “Sweet flower, with flowers thy bridal bed I strew…”

“Thou detestable maw…”Gorged with the dearest morsel of the earth…” Romeo

Page 26: William Shakespeare’s Macbeth

Dramatic FoilDramatic FoilA character whose purpose is to show off another characterBenvolio for Tybalt

look for others in R & J

A character whose purpose is to show off another characterBenvolio for Tybalt

look for others in R & J

Page 27: William Shakespeare’s Macbeth

Round characters

Round characters

Characters who have many personality traits, like real people.

Characters who have many personality traits, like real people.

Page 28: William Shakespeare’s Macbeth

Flat Characters

Flat Characters

One-dimensional, embodying only a single traitShakespeare often uses them to provide comic relief even in a tragedy

One-dimensional, embodying only a single traitShakespeare often uses them to provide comic relief even in a tragedy

Page 29: William Shakespeare’s Macbeth

Static Characters

Static Characters

Characters within a story who remain the same. They do not change. They do not change their minds, opinions or character.

Characters within a story who remain the same. They do not change. They do not change their minds, opinions or character.

Page 30: William Shakespeare’s Macbeth

Dynamic CharacterDynamic Character

Characters that change somehow during the course of the plot. They generally change for the better.

Characters that change somehow during the course of the plot. They generally change for the better.

Page 31: William Shakespeare’s Macbeth

MonologueMonologue One person speaking on stage > may be other character on stage tooex > the Prince of Verona commanding the Capulets and Montagues to cease feuding

One person speaking on stage > may be other character on stage tooex > the Prince of Verona commanding the Capulets and Montagues to cease feuding

Page 32: William Shakespeare’s Macbeth

SoliloquySoliloquyLong speech expressing the thoughts of a character alone on stage. In R & J, Romeo gives a soliloquy after the servant has fled and Paris has died.

Long speech expressing the thoughts of a character alone on stage. In R & J, Romeo gives a soliloquy after the servant has fled and Paris has died.

Page 33: William Shakespeare’s Macbeth

AsideAsideWords spoken, usually in an undertone not intended to be heard by all characters

Words spoken, usually in an undertone not intended to be heard by all characters

Page 34: William Shakespeare’s Macbeth

PunPun Shakespeare loved to use them!!!Humorous use of a word with two meanings > sometimes missed by the reader because of Elizabethan language and sexual innuendo

Shakespeare loved to use them!!!Humorous use of a word with two meanings > sometimes missed by the reader because of Elizabethan language and sexual innuendo

Page 35: William Shakespeare’s Macbeth

Direct AddressDirect Address

Words that tell the reader who is being addressed:

“A right fair mark, fair coz, is soonest hit.”

“Ah, my mistresses, which of you all/ Will now deny to dance?”

Words that tell the reader who is being addressed:

“A right fair mark, fair coz, is soonest hit.”

“Ah, my mistresses, which of you all/ Will now deny to dance?”

Page 36: William Shakespeare’s Macbeth

Dramatic IronyDramatic IronyA contradiction between what a character thinks and what the reader/audience knows to be true

A contradiction between what a character thinks and what the reader/audience knows to be true

Page 37: William Shakespeare’s Macbeth

Verbal IronyVerbal IronyWords used to suggest the opposite of what is meant

Words used to suggest the opposite of what is meant

Page 38: William Shakespeare’s Macbeth

Situational Irony

Situational Irony

An event occurs that directly contradicts the expectations of the characters, the reader, or the audience

An event occurs that directly contradicts the expectations of the characters, the reader, or the audience

Page 39: William Shakespeare’s Macbeth

Comic ReliefComic Relief Use of comedy within literature that is NOT comedy to provide “relief” from seriousness or sadness.

In R & J, look for moments of comic relief that help “relieve” the tragedy of the situation

Use of comedy within literature that is NOT comedy to provide “relief” from seriousness or sadness.

In R & J, look for moments of comic relief that help “relieve” the tragedy of the situation