Works Cited

PRIMARY SOURCES

Literary Texts:

Pritam, Amrita. "The Skeleton." Trans. Khushwant Singh. The Skeleton and that Man. New

Delhi: Sterling Publishers, 1987. 1-50.

__ . Pinjar. Delhi: R. C. Publishers, 1996.

Sahni, Bhisham. Tamas. Trans. Bhisham Sahni. New Delhi: Penguin, 2001.

__ . Tamas. New Delhi: Rajkamal Prakashan, 1977.

__ . Tamas. Trans. Jai Ratan. New Delhi: Penguin, 1988.

Sidhwa, Bapsi. Ice-Candy-Man. New Delhi: Penguin, 1989.

Films:

1947: Earth. Dir. Deepa Mehta. Perf. Aamir Khan, Rahul Khanna, Nandita Das, Maia

~ethna, Kitu Gidwani, Arif Zakaria, and Kulbhushan Kharbanda. Jhamu Sughand,

1998.

Pinjar. Dir. Chandraprakash Dwivedi. Perf. Urmila Matondkar, Manoj Bajpai, Priyanshu

Chatterjee, Sanjay Suri, Kulbhushan Kharbanda, Lillete Dubey, and Sandali Sinha.

Lucky Star, 2003.

Tamas. Dir. Govind Nihalani. Perf. Om Puri, Deepa Sahi, Amrish Puri, and Bhisham Sahni.

Doordarshan, 1986.

SECONDARY SOURCES

Print Sources:

Agnihotri, Ram Awtar. Modern Indian Films on Rural Background: Social and Political

Perspectives with Survey Study. New Delhi: Commonwealth Publishers, 1991.

Altman, Rick. Film/Genre. London: British Film Institute, 2000.

Anderson, Benedict. Imagined Communities: Reflections on the Origin and Growth of

Nations. London: Verso, 1983.

Andrew, J.D. Major Film Theories: An Introduction. London: OUP, 1976.

233

Armes, Roy. Film and Reality: A Historical Survey. Harmondsworth: Penguin Books, 1974.

Arnheim, Rudolph. Art and Visual Perception: A Psychoana~ysis of the Creative Eyes.

California: U.P., 1954.

___ .Film as Art. Calcutta: Rupa and Co., 1992.

Azad, M. A. K. lndi& Wins Freedom: An Autobiographical Narrative. New Delhi: Orient

Longman, 1959.

Aziz, K. K. History of Partition of India. Vol. I. New Delhi: Atlantic Publishers and

Distributorts, 1 ~88.

Azmi, Shabana. "Cinema as a unif)ring agent." Screen. Vol XLVII, No.36. 22 May 1998: 12.

Benyahia, et al. A2 Film Studies: The Essential Introduction. New York: Routledge, 2006.

____ . A5 Film Studies: The Essential Introduction. New York: Routledge, 2006.

Bhalla, Alok. Introduction. Stories about the Partition of India. Ed. A. Bhalla. VoL 1. New

Delhi: Harr•err Collins, 1995.

Bhardwaj, Dev, artd Gurdev Chauhan, eds. Amrita Pritam: A Living Legend. Chandigarh:

India Inter-Continental Cultural Association, 1995.

Bhaskar, Ira. "The Persistence of Memory: Historical Trauma and Imaging the Community in

Indian Cinema." Thesis. N~~w York University, 2004.

Bhatt, S. C. The Great Divide: Muslim Separatism and Partition. New Delhi: Gyan

Publishing )House, 1998.

}Bhattacharjea, Ajit. Ccmntdown to Partition: The Final Days. New Delhi: Harper Collins,

1997.

Bluestone, George. Novels into F.ilm. Baltimore: The Johns Hopkins Press, 1957.

Bordwell, David, et al. The Classical Hollywood Cinema: Film Style and Mode of

Production. New York: Columbia UP, 1985.

Boyum, J. G. Double Exposure: .Fiction to Film. Calcutta: Seagull, 1989.

Braudy, Leo, and Marslilall Cohen., eds. Film Theory and Criticism: Introductory Readings.

New York: OUP, 1999.

Butalia, Urvashi. ",Community, State and Gender: On Women's Agency during Partition."

EPW 28.1.7 (24 April1993): WS12-24.

234

__ . The Other·Side of Silence: Voices from the Partition .of India.' New Delhi: Viking,

1998.

Byran, M. B., and B. H. Davis. Writing About Literature and Film. New York: Jovanovich,

1975.

Cartmell, D., and I. Whelehan, eds. Adaptations: From Text to Screen, Screen to Text. New

York: Routledge, 1999.

Chakravarty, S. R., and Mazhar Hussain, eds. Partition of India: Literary Responses. New

Delhi: Har Anand, 1998.

Chandra, Bipan, et al., eds. India's Struggle for Independence. New Delhi: Penguin, 1989.

Chatman, Seymour. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca:

Cornell UP, 1978.

Chatterjee, Partha. The Nation and Its Fragments: Colonial Histories. Princeton: Princeton

UP, 199~.

Chatterji, Shoma A. "The novel path to cinema." The Tribune: Spectrum 10 Feb. 2008,

Chandigarh: 1.

Chowdhury, Prem. Colonial India and the Making of Empire Cinema: Image, Ideology and

Identity. New Delhi: Vistaar Publications, 2000.

Clason, W. E., comp. Elsevier's Dictionary of Cinema, Sound and Music. Elsevier:

Amsterdam Publication, 1987.

Cohen, Keith. Film and Fiction: The Dynamics of Exchange. New Haven: Yale UP, 1979.

Collins, Larry, and Dominique Lapierre. Freedom at Midnight. New Delhi: Vikas, 1976.

__ . Mountbatten and the Partition of India. Vol I. New Delhi: Vikas, 1982.

Datta, Sangeeta. Shyam Benegal. New Delhi: Lotus, 2003.

Deleuze, Gilles, et al. Cinema I: The Movement Image. London: Continuum, 2005.

_. __ .Cinema II: The Time Image. London: Continuum, 2005.

Desmond, John. Adaptation: Studying Film and Literature. New York: McGraw Hill, 2006.

Dickey, Sara. Cinema and the Urban Poor in South India. Cambridge: CUP, 1993.

235

Dwyer, Rache;l, and Divia Patel. Cinema India: The Visual Culture of Hindi Film. New

Delhi: OUP, 2002.

Engineer, Asghar Ali. Communal Riots after Independence: A Comprehensive Account.

Delhi; Shipra Public:ations, 2004.

Ezra, et al., eds. Transnational Cinema, The Film Reader. New York: Routledge, 2006.

Gandhi, Rajmohan. "Why Partition Occurred and the Wounds of 1947." Revenge and

Reconciliation. Nt:w Delhi: Penguin, 1999.262-77.

Garga, B. D. So Many Cinemas: The Motion Picture in India. Mumbai: Eminence Designs

Pvt .. Ltd., 1996.

___ . The Art of Cine rna: An Insider 's Journey Through Fifty Years of Film History. New

De'lhi: Viking, 2005.

Gazdar, Mushtaq. Pakistan Cinema. Karachi: OUP, 1997.

Ghatak, Ritwik. Rows and Rows of Fences. Calcutta: Seagull, 2000.

Giroux, flenry A. Breaking In To The Movies: Film and the Culture of Politics. U.S.A:

Blackwell Publishers, 2002.

Gokulsh1g, K. Moti, and Wimal Dissanayake. Indian Popular Cinema:· A Narrative of

Cultural Change. New Delhi: Orient Longman, 1998.

Guizar, et al., eds. Encyclopaedia of Hindi Cinema. New Delhi: Encyclopaedia ~ritannica,

2003.

Hamee:duddin, Mahmood. Kaleidoscope of Indian Cinema. New Delhi: East West Press,

1974.

Hanse:n, Anders Bjorn. Partition and Genocide: Manifestation of Viotence in Punjab 1937- ·

1947. New Delhi: India Re:search Press, 2002.

Harrington, John. Film ancilas Literature. Englewood Cliffs: Prentice-Hall, 1977.

Haszm, Mushirul, ed. India's Partition: Process, Strategy and Mobilisation. Delhi: OUP,

1993.

, ed. India Partitioned: The Other Face of Freedom. Vol. I. New Delhi: Roli Books

Pvt. Ltd., 1995.

236

, ed .. Inventing Boundaries: Gender Politics and the Partition of India. New Delhi:

OUP, 2000.

__ ."Introduction." Partition Omnibus. New Delhi: OUP, 2002: ix-xlvii.

Haulseberg, R. A. "Novels and Films: A Limited Inquiry." Film Literature Quarterly 6.1

(1978): 57-64.

Hayward, Susan. Cinema Studies: The Key Concepts. London: Routledge, 2003.

Hill, J., and P. C. Gibson, eds. The Oxford Guide to Film Studies. New York: OUP, 1998.

Hodgkinson, A.W. Screen Education: Teaching a Critical Approach to Cinema and

Television. Paris: UNESCO, 1969.

Hood, John W. The Essential Mystery: Major Filmmakers of Indian Art Cinema. U.K.:

Sangam Books Ltd., New Delhi: Orient Longman, 2000.

Jalal, Ayesha. The Sole Spokesman: Jinnah; the Muslim League and the Demand for

Pakistan. Pakistan: Cambridge UP, 1985.

Jauhar, Mohini. Be a Film Journalis't. New Delhi: Super Publishers. (P.U. Library,

Chandigarh. Call No. 070.48J41B)

Jha, Subhash K. The Essential Guide to Bollywood. New Delhi: Roli Books, 2005.

Joshi, Lalit Mohan, ed. South Asian Cinema: Partition Films. UK: SACF, 2004.

__ , dir. Beyond Partition (documentary film). UK: SACF, 2006.

Sharma, K. K., ed. Film and Literature. Delhi: K. K. Publications, 1997.

Kabir, Nasreen Munni. Talking Films: Conversations on Hindi Cinema with Javed Akhtar.

New Delhi: OUP, 1999.

Kakar, Sudhir. The Colours of Violence. New Delhi: Viking-Penguin, 1995.

Kamra, Sukeshi. Bearing Witness: Partition, Independence, End of the Raj. Canada : Roli

Books Pvt. Ltd., 2003.

Karaganov, A. Cinema Ideology Box-office. Moscow: Novosti Press, 1974.

Kaul, Gautam. Cinema and the Indian Freedom Struggle. New Delhi: Sterling Publishers,

1998.

237

Kaul, Suvir, ed. The Partitions of Memory: The Afterlife of the Division of India. Delhi:

Permanent lnk, 2001.

Khosla, Gopal Das. Stern Reckoning: A Survey of Events Leading up to and Following the

Partition oflndia. Delhi: OUP, 1989.

Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality. New York: OUP,

1960.

Kumar, P. S. "Film as the Literature of Our Time." Indian Journal of American Studies 25

(1995): B2-34.

Kumar, Sukrita F'auL Narrating Partition. New Delhi: lndialog, 2004.

Lal, Vinay, and Ashis Nandy, eds. Fingerprinting Popular Culture: The Mythic and the

Iconic in Indian Cinema. New Delhi: OUP, 2006.

Laroia, Deepti. "A Time to KHI: A Study of the Psychodynamics of Violence in Selected

Partitioi1 Fiction." Dissf::rtation, New Delhi: JNU, 2005.

Lindgren, Em($L Art of the Film: An Introduction to Film Appreciation. London: Allen,

1948.

Low, D. A., and Howard Brasted, eds. Freedom, Trauma, Continuities: Northern India and

Independence. New Delhi: Sage, 1998.

Madhushree. "Ne:w editions." Brunch: Hindus/an Times Sunday Magazine 1 July 2007, New

Delhi; 6-11.

Marner, Ter(mce. St. John, c:omp. and ed. Directing Motion Pictures. London: The Tantivy

PresSi, 1976.

Mayne, Judi;th. Cinema and ~pectatorship. London: Routledge, 1993.

Mazumdar, Ranjani. B01nbay Cinema: An Archive of the City. Minneapolis: University of .

Minnesota Press, 2007.

McFarlane, Brian. Novel to Film: An Introduction to the Theory of Adaptation. Oxford:

Clarendon Press,. 1996.

Menon, Ritu, and Kamla Bhasin. "Recovery, Rupture, Resistance: Indian State and

Abduction ofWomen during Partition." EPW28.I7 (24 Apri,l1993): WS2-ll.

238

__ .Borders and Boundaries: Women in India's Partition. New Delhi: Kali for Women,

1998.

__ , eds. No Woman's Land. New Delhi: Women Unlimited, 2004.

Menon, V. P. The Transfer of Power. India: Orient Longman, 1999.

Metz, Christian. Film Language: A Semiotics of the Cinema. New York: OUP, 1974.

Modi, G. C. "A Novel Adaptation! From Books to the Big Screen." G. Ed. Julius D'Souza. 3

Jan. 2005: 35-38.

Monaco, James. How to Read a Film. New York: OUP, 1977.

Moran, A., ed. Film Policy. London: Routledge, 1996.

Morris, Beja. Film and Literature: An Introduction. New York: Longman, 1979.

Murthy, N. V. K., ed. Aesthetics of Cinema. Pune: Film and Television Institute, 1983.

Nanda, B. R. The Making of a Nation: India's Road to Independence. New Delhi: Harper

Collins, 1998.

__ . Witness to Partition: A Memoir. New Delhi: Rupa, 2003.

Nandy, Ashis. Secret Politics of Our Desires: Innocence, Culpability and Indian Popular

Cinema. Delhi: OUP, 1998.

__ ."The Invisible Holocaust and the Journey as an Exodus: The Poisoned Village and the

Stranger City." Postcolonial Studies. 23 (1999): 305-29.

Narang, Harish, ed. Semiotics of Language, Literature and Cinema. New Delhi: Books Plus,

2000.

Nelmes, Jill, ed. An Introduction to Film Studies. London: Routledge, 2003.

Page, David. Prelude to Partition. Delhi: OUP, 1982.

Pandey, Bishwa Mohan. Historiography of India's Partition: An Analysis of Imperialist

Writings. New Delhi: Atlantic Publishers, 2003.

Pandey, Gyanendra. The Construction of Communalism in Colonial North India. New Delhi:

OUP, 1990.

__ . "In Defence of a Fragment: Writing of the Hindu-Muslim Riots Today." EPW 26.11

(1991): 559-70.

239

___ . "The Prose of Othemess." Subaltern Studies. Eds. David Arnold,, and David

Hardiman. Vol. 8. New Delhi: OUP, 1994.

____ .Remembering Partition. Ccunbridge: Cambridge UP, 2001.

Paxmar, Prabhjot. "Films and Partition: Train of History." The Tribune: Spectrum 5 Aug.

2007, Chandigarh: 1.

Pfleiderer, Be:atrix, atnd Lothar Lutze, eds. The Hindi Film: Agent and Re-Agent of Cultural

Change. Nev..v Delhi: Manolh.ar, 1985.

Prasad, M. Madhava. Ideology o.f the Hindi Film: A Historical Construction. Delhi: OUP,

1988.

Raghupal, I. S. "Cnltutal Ideology and Gender Relations in the Cinematic Representation of

Literary Teitts." Thesis. PU, 2005.

Rajadhyaksha, A., and Paul Willt!men, eds. Encyclopaedia of Indian Cinema. New Delhi:

OUP, 1995.

Rajadhyaksha, A.. "Neo-Traditionalism: Film as Popular Art in India." framework 32-33

(1987): 20-67.

__ ."The Epi(; Melodrama: Themes ofNationality in Indian Cinema." Journal of Arts and

Ideas. 25··26 (1993): 55--7'0.

Rao, Shakuntala:. '·'Collective amnesia: where is the cinema of Partition?" The Tribune 17

Aug. 2007,, Chandigarh: 11.

Ravikant, and Tanm K. Saint, eds. Translating Partition. New Delhi: Katha, 2001.

Ray, Sat.yajit. Our Films, Their Films. Hyderabad: Orient Longman, 1976.

Richardson, R. Literature and Film. Bloomington: Indiana UP,. 1978.

Roberge, Gaston. Films for an Ecology of Mind: Essays on Realism in the Cinema. Calcutta:

Firma [K.lm (P) Ltd., 1978.

__ . The St.1bject of Cinema .. Calcutta: Seagull, 1990 .

. Another Cinema for Another Society. Calcutta: Seagull, 2005.

Roberts, G., <md H. Wallis. Introducing Cinema. London: Arnold, 2001.

Rotha, Paul. On .the Film: A Selection of Writings about the Cinema. London: Faber, 1958.

240

Rothman, 1William .. '/' of the Camera: Essays in Film Criticism, History and Aesthetics.

Cambridge: OUP, 1988.

Sahni, Bhisham. Apni Baat. New Delhi: Vani Prakashan, 2000.

__ . Meri·Sahitya Yatra. Chandigarh: Punjab Sahitya Akademi, 2001.

Sarkar, Kobita. Indian Cinema Today: An Analysis. New Delhi: Sterling Publishers, 1975.

Schneider, H. W. "Literature and Film: Marking Out Some Boundaries." Film/Literature

Quarterly 3.1 (1975): 30-44.

Sen, Mrinal. Montage: Life, Politics, Cinema. Calcutta: Seagull Books, 2002.

Seton, Marie. Film as an Art and Film Appreciation. New Delhi: NCERT, 1964.

Settar, S., and Indira Baptista Gupta, eds. Pangs of Partition: The Human Dimension. Vol. II.

New Delhi: Manohar, 2002.

Sharma, K. K., and B. K. Johri. Partition in Indian English Novel. New Delhi: · Vimal .

Prakashan, 1984.

Sharma, K. K., ed. Film and Literature. Delhi: K. K. Publications, 1997.

Singh, Anita Inder. The Origins ofthe Partition of India, 1936-47. Dehli: OUP,.1987.

Sinyard, N. Filming Literature,· The Art of Screen Adaptation. London: Croom Helm, 1986.

Somaya, Bhawana. Cinema: Images and Issues. New Delhi: Rupa, 2004.

Starn, R., and Alessandra Raengo, eds. Literature and Film: A Guide to the Theory and

Practice of Film Adaptation. USA: Blackwell Publishing, 2005.

__ , eds. Literature Through Film: Realism, Magic and the Art of Adaptation. USA:

Blackwell Publishing, 2005.

Stephenson, Ralph, and J. R. Debrix. Cinema as Art. Harmondsworth: Penguin Books, 1974.

Stringer, Julian, ed. Movie Blockbusters. London: Routledge, 2003.

Swaminathan, Roopa. Star Dust: Vignettes from the Fringes ofthe Film Industry. New Delhi:

Penguin, 2004.

Synyard, N. Filming Literature: The Art ofScreen Adaptation. London: Croom Helm, 1986.

Thoraval, Yves. The Cinemas of India (1896-2000). Delhi: Macmillan India Ltd., 2000.

Vaidyanathan, T. G. Hours in the Dark: Essays on Cinema. New York: OUP, 1999.

241

Valicha, Kishore. Moving Image: A Study of Indian Cinema. Hyderabad: Orient Longman, ·

1988 ..

Vasudev, Anma. Liberty and Licence in the Indian Cinema. New Delhi: Vikas, 1978.

__ . Frames of Mind: Reflections on Indian Cinema. New Delhi: UBS, 1995.

Vasudevan, Ravi S. Making Meaning in Indian Cinema. New Delhi: OUP, 2002.

Virdi, Jyotika. The Cinematic Imagination: Indian Popular Films as Social History. Delhi:

Perm<.mrent Black, 2004.

Virilio, PauL War and Cinema: The Logistics of Perception. Trans. Patrick Camiller.

London: Verso, 1989.

Vitali, Valentina, and Paul Willemen, eds. Theorising National Cinema. London: British Film

Institute, 2(])06.

Williams, Linda, ed. Viewing Positions: Ways of Seeing Film. New Jersey: Rutgers

University Press, 1994 ..

Zakaria, Rafiq. Price of Partltion: Recollections and Reflections. Mumbai: Bharatiya Vidya

Bhava¥1,, 1998.

_Zaman, Niaz. A Divided Legacy: The Partition in Selected Novels of India, Pakistan and

Bangladesh. New Delhi: Manohar, 2000.

Internet Sour'ces:

Ahmed, Ishti~q. "Amrita Pritam: a symbol of courage in the face of suffering." In

Remembrance. JPS 12.2.: 334 <www.global.ucsb.Edu/Punjab/12.2 __ Remembrance.pdf-->.

Para<:;har, Ree(na M. "Sharp nibs." <www.indiavarta.com/ .. ./news.asp?ID=IE_20051115071

214& Title =Trends&nDate=ll/15/2005&topic=-346>.

Dutta, Nonica. "Tribute: An alternative voice of history." The Hindu: Online Edition of

India's National Newspaper 4 Dec. 200:5 <www.hindu.com/bi/2005/12/04/stories/

2005120400040 I OO.htm>.

Gill, Tejwant Singh. "Tejwant Singh Gill: Amrita Pritam." <VIrww.museindia.com/

showcont.asp/id= 164>.

242

Khan, Mehboob. "Cinema's taboo on partition." 11 June· 2004. <http://news.bbc.co.uk/

2/hi/south asia/378337.stm>.

Kohli, Suresh. "Juggling two lives." The Hindu: Online Edition of India's National

Newspaper 13 Nov. 2005 <www.hinduonnet.com/thehindu/mag/2005 /11113/stories/

20051113000301000.htm>.

Mirza, Shafqat Tanvir. "Amrita Pritam: sensitive soul of Punjab." The Dawn 2 Nov. 2005

<www.apnaorg.com/articles/dawn-9>.

Nair, P. K. "Partition in Cinema." <www. southasiancinema.cornlnew/ pknair.htm>.

Rao, Kshama. "Pinjar." <www.go4bollywood.com/movie_reviews/ pinjar_244.html>.

Sandhu, Guizar Singh. "Always Amrita, Always Pritam." Saturday Extra: The Tribune. 5

Nov. 2005 <www.tribuneindia.com/2005/200511 05/Saturday/ main1.htm>.

Sidhwa, Bapsi. '"Cracking India': Watching My Novel Become Her Film." 5 Sept. 1999

<www.partners.nytimes.com/library/film/090599film-india.html>.

__ .Letter to the·Hindustan Times also posted on the World Socialist Web Site, 19 May

2000 <www.wsws.org/articles/2000/may2000/dm2-m19.shtml>.

Singh, Amardeep. "Reflections (and questions) on Amrita Pritam." 2 Nov. 2005

<www.lehigh.edu/~amsp/2005/ll/reflections-and-questions-on-amrita.html>.

Sunwani, V. K. "Amrita Pritam: The Black Rose." Language in India, Vol 5 12 Dec. 2005

<www.languageinindia.com/dec2005/amritapritamsunwani2.html>.

INTERVIEWS

Bajpai, Manoj. Interview with Subhash K. Jha. 21 Aug. 2004 <www.indiaglitz.com/

channelslhindi/interview/6117.html>.

Benegal, Shyam. Live Chat. Chandigarh Film Festival, Chandigarh. 2 Feb. 2008.

Dwivedi, Chandraprakash. Interview with Sukanya Verma. 22 Oct. 2003 <www.rediff.com/

. movies/2003/oct/22chandra.htm>.

__ .Interview. Mini Film Reporter. 11.41 (11-17 Oct. 2003): 5.

Transcript of Live Chat. Mumbai. 24 Aug. 2004. <http://chat.indiatimes.com/

Chandraprakash _ Dwivedi/articleshow/826679 .ems>.

243

Khanna, Rahul. Inte·rview with Shannila Taliculum. 8 Sept. 1999 <www.rediff.com/entertai/

1999/sep/08iahu.htm>.

Matondkar, Urmila. "Different Strokes." Interview with Bhawana Somaya. Screen. 17 Oct.

2003: 7.

Interview wiVh Syed Firdaus Ashraf. 21 Oct. 2003. <www.rediff.com/movies/2003/

oct/21 urmila.htrn>.

Mehta, Deepa. InteJiView with Supam Verma. 24 Oct. 1997. <www.rediff.com/entertai/octf.

24deep.htm>.

___ . Interview witlb. Rehan Ansari. Toronto Film Festival. Dec. 1998 <www.himalmag.com/

98Dec/ deepa.htm>.

___ .Interview with Richard Phillips. 6 Aug. 1999 <www.wsws.org/articles/1999/aug1999/

meh-a06.htn1l>.

Interview with Aseem Chhabra. New York. 9 Sept. 1999 <www.rediff.com/news/

1999/sep/09us2.htm>.

Nihalani, Govind. Interview with V. P. Sathe. JA-37. New Delhi: Sarai (CSDS), 2007-02-07.

S1ahni, Bhisham. "llhe Landscap': of Memories and Writing of Tamas: An Interview with

Bhisham S~hni." Pangs of Partition: The Human Dimension. Eds .. S. Settar, and

Indira Baptirsta Gupta. Vol. H. New Delhi: Manohar, 2002.

S.athyu, M. S. Interview with Deepti Laroia. Chandigarh Film Festival, Chandigarh. 2 Feb.

2008.

Shah, Naseeruddin. Interview with Rehan Ansari. Toronto Film Festival. Dec. 1998

<www.himc:dmag.com/98dec/deepa.htm>.

Sharma, Meenakshii. Interview with Deepti Laroia. Chandigarh. 12 Mar. 2006.

Sidhwa, Bapsi. Interview with Julie Rajan <www.monsoonmag.com/interviews/

i3inter· sidhwa.html>.

244