xeyiing ng architecture portfolio

XEYIING NGARCHITECTURE PORTFOLIO

EDITION TWO THOUSAND AND FIFTEEN

THE OUTRE GALLERY

The design is a combination of the three most popular retail experiences in Brunswick - Bookshop, Art Gallery and Cafe.

BEnvs (Architecture) ABPL 30037 Studio Fire B Semester 2 2014Studio Coordinator Dr. Derham GrovesStudio Leader Luis Zapata

Technical Skills

3D Modelling Rhinoceros

RenderingRhinoceros VrayPhotoshop CS6

Plan DraftingAutoCAD

PresentationIllustrator CS6InDesign CS6

Physical ModelHand Made

Laser Cutter

The Outre Gallery has a philosophy unlike typical galleries which strongly advocates arts of the contemporary and pop culture. The gallery has an exhibit range which crosses over various themes such as pop culture, hipster, underground art, etc. The idea of art which crosses over, the mix and match creating new outlooks makes Outre a unique gallery. The gallery design adopts the idea of a cross over to create an architecture which flows humans smoothly through a linear progression of spaces.This is achieved through the use of directional angles, guiding signages and the idea of intrigue and reward. Entering from Sydney road, the angle sloping prompts the start of the journey. As one moves through the spaces, clear boundaries begins to blur away as bookshop houses art on shelves; gallery displays books as artworks and the cafe becoming both a dining and viewing space. The linear progression hence allows people to experience the entire gallery as coherent whole maximising retail chances and the visitors’ experiences. The idea of crossing over is further developed to aesthetically engage the gallery with its site. Located next to traditional buildings on Sydney Road and a new archive on Albert Street, the gallery’s acts as a buffer zone between the traditional and the modern. By using recycled bricks from the existing buildings, the facade of the gallery hints at the presence of the past buildings and also connects the building visually to the archives building of the same material. The cross over is also expressed in the channelling of crowds from Sydney Road into the archives site and vice versa through the linear journey in the gallery.

Second Floor Plan

01North-East perspective of the Outre Gallery located at one of the major intersections of Brunswick - Sydney Road and Albert Street

02The bookshop of the Outre Gallery with a double-height space together with the linear signage draw visitors into the rest of the spaces.

First Floor Plan

Ground Floor Plan

Site Plan 1:800

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03The linear progression concept of the Outre Gallery guiding the visitor through all spaces.

04Section Y-Y showing the connection between the Gallery and the cafe.

North Elevation

Section X-X

HERITAGE PARK

A recent initiative by the Melbourne city council to redevelop the Queen Victoria Market, update its facilities and improve the site for the users asked the public: “What can we do to improve the public spaces, namely the car park and Queen Street?”

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BEnvs (Architecture) ABPL 30042 Landscape Studio 3 Semester 2 2014Studio Coordinator Dr Sidh SintusinghaStudio Leader Mark Skiba

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Technical Skills


Sketchup Pro

RenderingLumion Pro5

Photoshop CS6



significant locations such as the market, flagstaff gardens, and on-site historical buildings. The proposed design focuses mainly on physically expressing history, to foster understanding and a sense of belonging among the community. This is articulated in the design through the different height levels throughout the historical timeline, clearly demonstrating the different cultural layers that overlays the site.

The Queen Victoria Market, located north of the Melbourne CBD, is a well-known market among Melburnians as well as visitors. Despite its popularity, many people are unaware of the site’s rich history – especially younger generations. This lack of understanding is a barrier that prevents people from truly engaging with the site. On-site investigation showed that during the day-market activities, people under the age of 45 years were significantly underrepresented. As seen on the City North plan, the site sits right at the edge of the dense CBD. The site development is taken as an opportunity to create a recreational green space for the community. This is in-line with the City of Melbourne’s goal to increase the canopy area and soft-scapes of the city. The space is also designed to encourage and reinforce connections to other

’’ In order to ensure concerted action in

preserving and safeguarding heritage,

it is important to ... engage children and

youth, who will play an instrumental

role in sustaining heritage in all its

diverse forms in the years to come. ’’

- UNESCO

Site Plan

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Percentage of PeopleMorning Market

Night Market

0 < 15 > 5016 < 29 30 < 490 < 15Age Brackets

Section

Site Plan Vegetation Key

Site Plan Key

Exotic Trees

1 Visitor Centre2 Native Gardens3 Cemetery4 Active Play5 Reflective Play6 Exotic Gardens7 Future Gardens

Native Trees

02Age Distribution of Graph of Queen Victoria Market Comparing Day & Night

01North-East perspective of the park showing the Exotic Gardens and the Active Play area.

03Circulation diagram of the current QVM carpark. The Heritage Park is designed to encourage circulation flow through the site.

04 & 05Timeline distribution diagram which inspired the sectional division of land height.

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Stage Interaction

East Elevation

Section

West Elevation Commercial Area

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The native garden, together with the platform and the steps create a public stage for buskers, community events and festivals.

It is also proposed, that buildings on the southern edge be refurbished to accommodate educational facilities. It will foster a bond between the younger generations and the site.

The Queen Victoria Market opened in 1878 and eventually extended onto the car park area in 1917. This space is symbolized through the slight increase in height and a market-shed-like shelter.

The southern open space - Reflective Play, creates a more quiet and peaceful environment for visitors to enjoy and reflect in the space.

The eastern open space - Active Play, located closer to Queen Street, which invites market shoppers to rest their feet and enjoy the park.

Section

Visitor Centre & Workshop Space

06 & 10QVM is a tool to foster bonds among the surrounding community. The design at the Future Gardens slopes of into Queen Street and has both native and exotic plants, signifying its blending in to the market’s environment and inviting all from the market to come experience our heritage.

07 & 08Significant points in time that separate these sections are marked by timelines indicated embedded in the site surface. Boundaries in time are not as harsh as this though. To symbolize this blurred nature, grass grows between the gravel filling on the markers – spilling into the gardens and lawns in places and pulling the periods together.

09This historical cemetery is expressed through a slightly raised wooden platform which allows visitors to see in between the gaps the greenery beneath and to reflect upon the historical fact.

0807

10

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n the ‘Future’ section, plants are a great mixture of different variety, signifying the great cultural diversity of Melbourne and its harmonious communities.

The western corner, an open space sheltered by deciduous vines houses non-commercial activities such as the visitor centre and temporary workshop spaces. The eastern corner in comparison houses commercial retailing such as cafes, souvenirs, etc. This concept reflects the change in our society over time.

MELBOURNEUNIVERSITYARCHIVEBEnvs (Architecture) ABPL 30037 Studio Fire A Semester 2 2014Studio Coordinator Dr. Derham GrovesStudio Leader Rebecca Graham

The design draws on the public aspects of the project to accommodate and provide a new community hub for Brunswick.

Technical Skills






Laser Cutter

Located in the heart of Brunswick, the design seeks to provide recreational green spaces for the public and to encourage the engagement of the local community with the otherwise isolated archival building. These key aims were achieved through i) the height and depth (underground areas) of the main archival storage; ii) the physical separation between the public and the private; and iii) the use of materials. These then emphasised the archival’s dominance on site and minimised the building footprint for the use of public. Like the archive which gathers, the green spaces brings the community together through the provision of facilities such as screening wall, green roofs and performance stage. The installation of sculpture-like landscape lightings not only brings light to the underground spaces but also improves the night presence of the

Site Plan 1:800

visitor’s experience through the use of various lookout area. The internal spaces enhances the points like those in the reading room. The ramp which guides one into the gallery space takes the visitor on a short tour of the storage areas and provides different perspectives in the viewing of the art in exhibition. The main building constructed of recycled bricks abstracts the presentation of graffiti, a key feature in Brunswick and attempts to reconnect with brick buildings of the past. The public spaces on the other hand is cladded in timber and supports green roofs. The design pulls the ground up onto the building, attempting to further minimise its presence under the archives. The building is also designed with common ESD practiced in mind, cuts and angles in the building is hence justified for the comfort of its inhabitants.

01North-East perspective of the Archive Building showing the building’s prominence among its surrounding.

02Design progression exploring themes from mass solidified structures to segregated and individualistic buildings to a combination of various features from previous exploration.

03Stage and projection wall on Eastern Facade of the building. Seatings are provided on the green roof.

Lower Ground Floor Plan Ground Floor Plan

West Elevation Section

Second Floor Plan

Fourth Floor Plan

Third Floor Plan

First Floor Plan

ArchivalStorage

Outdoor Deck

Office

Green Roof

Rececption

ArchivalStorage

Exhibition

ArchivalStorage

ArchivalStorage

ArchivalProcessing

Scholar’s Apartment

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06South-west human perspective of the building showing different materialities.

05Diagrammatic spatial analysis of the Archive Building.

04Interior of Archive’s reading room.

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MUSEUM OF CULTURESSONA SuperStudio Mind The Gap 2015Team Members Rita Liao & Xeyiing Ng

1 CITY . 6 OBJECTS . 6 LOCATIONSThe project explores the inherent tension around cultural representation especially in formalised instutions and redefines the way cultural objects are presented to the public. This is a user-currated museum. The objects are placed in dark isolated containers, in a typical museum glass-box-on-a-plinth, infront of a blank wall. However, instead of a currated description, the user sees a message left by the previous visitors and the user is prompt to type in his/her message. These messages are compiled and projected on the back of the wall, displaying a conversation-like exhibition of thoughts.

These containers are located outside specific formal instituitions on public spaces. The instituitions provide context to the otherwise clueless exhibition and allow the users to further obtain information if they so desire.

1. Phar Lap’s Heart -37.802415, 144.971882.

2. A Windmill in the West -37.831658, 144.972793.

3. Convict Love Token -37.820111, 144.959634.

4. Faith Bandler’s Gloves -37.818587, 144.972351 5. Pie floater -37.817617, 144.983150.

6. Azaria Chamberlain’s Dress -37.810377, 144.955071.

CONSTRUCTIONDESIGNBEnvs (Architecture) ABPL 30041 Construction Design Semester 1 2014Studio Coordinator Blair GardinerStudio Leader Julian Tuckett

By replicating a designated section, we read and understood Architectural and Engineering Drawings; various constructions methods; detail drawings; and the collaboration between different construction teams.

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02Axonometric drawing of the building based on architectural and construction drawings.

03Assembly progress photos of the physical model.

04Physical model built based on architectural and construction drawings.

01Dandenong Education Precinct as the designated building, photo credits to Hayball Architect.

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“It is as close to a real life construction project an architecture student can obtained without actual practical work.”

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Master of Architecture ABPL 90124 The Architecture of Wishful Thinking Semester 2 2015Studio Coordinator Dr. AnnMarie BrennanStudio Leader Dr. AnnMarie Brennan

A Dystopic Science Fiction where law and justice is governed by artificial intelligence.

ALL WATCHED OVER BY AI OF LOVING GRACE

The story is a modern utopia critiquing three key aspects of our current society. Firstly, our society’s faith and reliance on information technology, leaving increasingly more power in the hands of programmers. Secondly, our irrational desires for fame and social acceptance as theorised by Sigmund Freud, clearly exhibited in the realm of social media today. Too often have they blind us from the realities of life, leaving us vulnerable to the manipulation and deception of others. Thirdly, our current capitalist society is a biased system. Due the transferability of wealth, privileged individuals benefit from very little effort whereas others with equal or greater effort may not even rise to a standard that is remarkably close to the privileged. By removing the monetary system and the societal standard of wealth accumulation as success, the utopia aims to give everybody a fair chance to work for the success of their own life.

This book is an introduction to a story, the story between mankind’s inner desire and the rise of artificial intelligence.

WINDCRADLE In response to the LAGI 2014 Competition, the Wind Cradle is designed as an experiential landscape installation which generates electricity from wind energy.

BEnvs (Architecture) ABPL 30048 Studio Air Semester 1 2014Studio Coordinator Dr Stanislav RoudavsiStudio Leader Haslett & Philip

Technical Skills






Laser Cutter

Site Plan

1 Piezo Sensor

1 Rod = 67 Sensors

1 Stick = 24 Rods

1 Frame = 18 Sticks

1 Site = 400 Frames

Maximum Power Output (W/s)

0.00723

0.473

15.15

272.6

109056

365 DAYS = 960,000 kWh

365 DAYS = 1340 kWh24

LAGI Site Energy Generation

Copenhagen Household Energy Consumption

= 7131

1 Piezo Sensor

1 Rod = 67 Sensors

1 Stick = 24 Rods

1 Frame = 18 Sticks

1 Site = 400 Frames

Maximum Power Output (W/s)

0.00723

0.473

15.15

272.6

109056

365 DAYS = 960,000 kWh

365 DAYS = 1340 kWh24

LAGI Site Energy Generation

Copenhagen Household Energy Consumption

= 7131

An array of sticks hung of a series of frames sways in the wind pushing the piezoelectric mechanism behind, converting the kinetic energy into electrical energy. Observing the swaying of the sticks in the wind, visitors are encouraged to interact with the sticks to further increase energy generation. The walkways and platforms on the undulating landscape also guide visitors through an immersive journey to carefully framed views on site, a journey as if through a modern picturesque garden that power houses. The design aims to harness renewable wind energy to provide clean electrical energy for the people of Copenhagen reducing the demand of energy generation from the power station, reducing carbon emission. Various procedures have been taken to minimize the initial impact. Firstly, the design’s undulating landscape will be modified using the cut and fill technique. Secondly, all materials used are to be obtained from recycled sources. This then reduces the embodied energy of the design. Through the clear display of energy generation, visitors are brought to a greater awareness for the need of clean energy and their capability to contribute to the production of such energy. All change starts from individuals. The design hence aims to bring about sustainability awareness among its’ visitors and from there spread its message, encouraging all to contribute to a better future.

01Design variations generated by grasshopper algorithm

03Estimated energy generation from the wind energy harnessing mechanism.

02Experential render of walking under the wind cradle.

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03

Section

Energy generation technology

Technical assembly of structure

Plan

Section

Piezzo Mechanism

Detail model showing working mechanisms

HENNESSY POOL HOUSEInterior Designing Summer 2014/15Interior Designer Jemma CooperClient Jack & Lisa Hennessy

Extension of existing house to accommodate new pool and tennis court on neighbouring land. Responsibilities : Detail documentations,3D modelling and rendering

Technical Skills



PresentationIllustrator CS6

Elevation 4

Elevation 2

Elevation 3

1m0

Elevation 1Bath Plan

Elevation 5 Powder Room Detail

20 November 2014

1 : 50

2

Do not scale this drawing.

Notes

Check all dimensions on site before starting work.

DWG Date :

Scale :

DWG NO. :

Drawing :

Client :

Project :

Jemma Copper

Email : [email protected] : 041050565

HENNESSY RESIDENCEPOOL HOUSE EXTENSION33 Power Street, Toorak.

Jack & Lisa Hennessy

Joinery detailing to be developed further in shopdrawings by Joiner and signed off on by clientprior to manufacture.

Refer to Materials and Finishes Schedule forexisting Hennessy Residence cabinetry,documented by Patricia Stocca Architect.

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12 3

Towel LadderHydrotherm, TR2, 700W X1020H.

2100mm highDoor

2100m high ShowerScreen To ManufacturerDetail

Mirror

In-Wall Cabinet -Push Release CabinetDoor with 20mm shadow line.

2100mm highShower ScreenTo ManufacturerDetail

Hexagonal Tiles toCeiling Height

600x600Grey porcelain LEA METYOR/30N.Signorino Tiles.

In- WallCabinet painted same

white as per existing

home but in gloss finish,

antibacterial paint.

Entire wall to be painted

the same.

F.L.

F.L.

C.L.

C.L.

2100mm highDoor

Strip Drain

Shower Rail toManufacturer's Detail

In-Wall Cabinet -Push Release CabinetDoor



Gerberit Sigma20 Flush Plate

200mm Skirting

600x300 Matt whiteporcelain Tiles toCeiling Height

Light Globe

Feature Light

Toilet Roll HolderBBIPOLS

DURAVIT - Happy D 2.Floorstanding Pan2159090000 .Gerberit InWall cistern109751001

Hexagon Carrera 48 Diametertiles. MARBLE CERAMIC CENTREPh9558 4000 , $235 + gst m2.#HEXAGONCARRARA48

DURAVIT - Happy D 2.#2318650000 washbasin650mm on #0030781000Metal console legs.

20mm S.L around cupboard

Hexagonal Carrera tilescontinue into shower cubicle.

Light Switch

Tiled Nib for soap/shampoo250W X300H.

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Elevation 6

Shower Controls



Technical Skills



PresentationIllustrator CS6

27 SELBORNE

ROADInterior Remodelling Summer 2014/15

Designer Jemma CooperClient Jemma Cooper

Toilet and bathroom remodelling in existing house. Responsibilities : Detail

documentations,3D modelling.

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Elevation 1

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500x500 Floor Tiles

Strip Drain

Shower Mixer Tap

Shower Head

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Pantry

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Ensuite & Bathroom Plan

Tower Rail

Laundry Detail

18 November 2014

1 : 50

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Notes


DWG Date :

Scale :

DWG NO. :

Drawing :

Client :

Project :

Jemma Copper


27 Selbourne Road

Jemma Cooper


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Strip Drain

Shower Mixer Tap

Shower Head

Fall

Pantry

1m0

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Tower Rail

Laundry Detail

18 November 2014

1 : 50

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Notes


DWG Date :

Scale :

DWG NO. :

Drawing :

Client :

Project :

Jemma Copper


27 Selbourne Road

Jemma Cooper


PENCIL DRAWINGSI draw mostly to cope with emotions, to give myself an excuse to stare at pictures for hours so to engrave them in my memory.

Nalanda Youth Centre Sri Serdang, Selangor

We sincerely thank you and appreciate your generous donationin making holistic education available for the good of many!

Please indicate which item on the list you would like to sponsor.Partial donation of items or a general donation of any sum isalso welcome. Kindly fill up the Donation Form on the reverse page, and return it to Nalanda’s Office at the address stated below :

Nalanda Buddhist Society3357, Jalan 18/31, Taman Sri Serdang, 43300 Seri Kembangan,Selangor, Malaysia.

PN - NYC 1394L

Artist’s impression of Nalanda Centre

Sponsorship Opportunities for

Nalanda Youth Centre was established on 1 May 2012 by a group of committedyoung Nalandians. The Youth Centre focuses on providing opportunities to learn leadership skills, values and culture based on the Buddha-Dhamma. Nalanda Youth Centre also aims to create a platform for youthsfrom various institutions of higher learning to interactand exchange ideas, and to serve for thebetterment of the community.

Background

Nalanda Youth Centreis currently expandingour programmes andactivities to better serve the learningneeds of today’s younger generation.Thus, there is ademand for moreroom to host everincreasing number ofparticipants joiningour educationalprogrammes.

Expansion

Youth Centre’s Objectives1. To enhance members’ knowledge, skills, values and culture based on the Buddha’s teaching and Nalanda’s Education Model.

2. To develop youth leaders who are competent in all areas of Buddhist leadership – spiritual, intellectual, organisational and communal.

3. To train Buddhist leaders to be effective messengers in propagating the Dhamma.

Nalanda Youth Motto

“ Courage to Lead and to Change ”

Programmes

Fellowship Undergraduate Network ( F.U.N. )F.U.N. is a programme for young Buddhists to meet other like-minded youths fromvarious universities and colleges, and to acquire vital knowledge and leadership skills. In the comprehensive 12-session programme, participants are given training to become effective leaders through relevant courses and activities. It is a livelysession that encourages interaction, learning, and laughter !

Service Sunday for YouthsThe Service Sunday for Youths is a weekly programme for young Buddhists to come together in devotion to the Buddha-Dhamma, and to learn as a group. This sessionprovides an interactive platform for youths to improve their knowledge, skills, valuesand culture to be effective community leaders.

Service Sunday for National Service TraineesThis Service Sunday is a weekly programme specially designed for teenage traineesundergoing National Service. There are many practical and experiential lessons tailored to suit the learning needs of this group.

“The future depends on what you do today.” - Mahatma Gandhi

We would like to appeal for your contribution towards the realisation ofthis plan to build the Youth Centre. Your generous assistance provides thefoundation and platform for the development of our future generations.

We appreciate your help

Copyright © Nalanda Buddhist Society 2015. NBS 1420L

佛教会Buddhist Society

Buddha DayBuddha DayBuddhavasse 2559

2-3 May 2015

Wesak Observance

Wesak Theme

实践正法志当好友

Being a GoodPractitioner

& Friend

Being a GoodPractitioner

& Friend

卫塞节庆典

Nalanda

Nalanda Buddhist Society in Sri Serdang is an acknowledged Buddhist education centre in Malaysia. Since its founding in May 2003, many programmes have been held here including the WACANA Buddhist Conferences, forums, seminars, meditation retreats, sutta- study courses, holiday camps for children and youths, as well as leadership training sessions.

Besides, there are regular activities such as weekly Pūja & services, full-moon and new- moon Pūja, meditation, chanting, Dhamma talks, Dharma-School lessons, free tuition classes, youth gatherings, hosting of National Service trainees, and community programmes.

On average, 750 to 1,100 people visit and make use of Nalanda Centre weekly. The Centre has reached its full-carrying capacity since May 2011, and has to be expanded to cater for the community's needs for more quality educational programmes.

The Management of Nalanda has drawn up a facility development plan to integrate our next-door building and expand the Centre to twice its size. The expansion project is expected to cost RM1.8 million. We appeal to you to support us in this noble project, so as to make quality Buddhist education available and accessible to even more people. We thank you for your contributions!

Nalanda Building &Development Fund

Nalanda Buddhist Society Malaysia 3357, Jalan 18/31, Taman Sri Serdang, 43300 Seri Kembangan, Selangor.Tel. no. +603-8938 1500 / 8938 1501 Fax no. +603-8938 1502 Facebook www.facebook.com/nalanda.org.E-mail [email protected] www.nalanda.org.my

GRAPHICDESIGNSHere’s how I past some of my free time.

NALANDA DHARMA SCHOOL

HONOURS DAY

9th ANNUAL

31 December 2014, Wednesday

Step into the New Year with the

www.facebook.com/nalanda.org.myNalanda3357, Jalan 18/31, Taman Sri Serdang, 43300 Seri Kembangan, Selangor, Malaysia.t +603 8938 1500 / 1501 | f +603 8938 1502 | e [email protected] | w www.nalanda.org.my

Copyright © 2014 Nalanda Dharma School. NDS 1447 P

Nalanda Centre 6 00pm - 12 00am

Ee eanWei nn

2015 Children NALANDA DHARMA SCHOOL PRESENTS

Dharma ClassGREAT NEWS!Nalanda Dharma School at Sri Serdang will be o�ering Children Dharma Class catering for school-going children commencing from January 2015. Classes will be conducted by trained and experienced facilitators from Nalanda Dharma School. It is our aim to provide high quality and holistic education to the younger generation of Buddhists by imparting to them the necessary knowledge, skills, values and most importantly Buddhist culture. We welcome the enrolment of your child with joy!

REGISTRATIONSchool-going children aged 10 to 12 years at as 1 January 2015 are eligible to apply. Kindly obtain the Application Form from Nalanda Centre. Closing date for registration is on 15 December 2014. For enquiries, please contact Sis. Ruby Tan at 017-612 7800 or email [email protected]



A Life Less Ordinary Begins HereDHAMMA THROUGH DRAMA PRODUCTION

Nalanda 10thanniversary

2005-2015DharmaSchool

NALANDA DHARMA SCHOOL

HONOURS DAY

9th ANNUAL

31 December 2014, Wednesday

Step into the New Year with the



Nalanda Centre 6 00pm - 12 00am

THANK YOUI hope you enjoyed reviewing this portfolio. My contact details are at the bottom should you be interested in helping me improve this portfolio.

m +61 403 928 661 e [email protected]

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