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[01] [04] [03] [02] RECKONING WITH “THE INCIDENT”: JOHN WILSON’S STUDIES FOR A LYNCHING MURAL YALE UNIVERSITY ART GALLERY IMAGE SHEET

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Page 1: YA LE A RT IMAGE GALLERY SHEET RECKONING WITH “THE ... · GALLERY IMAGE SHEET. RECKONING WITH “THE INCIDENT”: JOHN WILSON’S STUDIES FOR A LYNCHING MURAL IMAGE SHEET [05] [06]

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RECKONING WITH “THE INCIDENT”:JOHN WILSON’S STUDIES FOR A LYNCHING MURAL

YA L E U N I V E R S I T Y A R T G A L L E R Y

I M A G ES H E E T

Page 2: YA LE A RT IMAGE GALLERY SHEET RECKONING WITH “THE ... · GALLERY IMAGE SHEET. RECKONING WITH “THE INCIDENT”: JOHN WILSON’S STUDIES FOR A LYNCHING MURAL IMAGE SHEET [05] [06]

RECKONING WITH “THE INCIDENT”: JOHN WILSON’S STUDIES FOR A LYNCHING MURAL

IMAGE SHEET

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Page 3: YA LE A RT IMAGE GALLERY SHEET RECKONING WITH “THE ... · GALLERY IMAGE SHEET. RECKONING WITH “THE INCIDENT”: JOHN WILSON’S STUDIES FOR A LYNCHING MURAL IMAGE SHEET [05] [06]

[01] John Wilson, Compositional study for The Incident, 1952. Opaque and transparent watercolor, ink, and graphite, squared for transfer. Yale University Art Gallery, Janet and Simeon Braguin Fund. © Estate of John Wilson

[02] John Wilson, Julie, study for The Incident, 1952. Conté crayon. Yale University Art Gallery, Everett V. Meeks, b.a. 1901, Fund. © Estate of John Wilson

[03] John Wilson, Negro Woman, study for The Incident, 1952. Oil on Masonite. Clark Atlanta University Art Museum, Atlanta Annuals. © Estate of John Wilson. Courtesy of Clark Atlanta University Art Collection

[04] John Wilson, Mother and Child, study for The Incident, 1956. Lithograph. Yale University Art Gallery, Everett V. Meeks, b.a. 1901, Fund. © Estate of John Wilson

[05] John Wilson, Study for The Incident, 1952. Crayon, India ink, watercolor, and charcoal. Faulconer Gallery, Grinnell College Art Collection, Iowa, Estate of Clinton A. Rehling, class of 1939, by exchange. © Estate of John Wilson. Courtesy Faulconer Gallery, Grinnell College Art Collection

[06] John Wilson, Study for The Incident, 1952. Charcoal and crayon. Faulconer Gallery, Grinnell College Art Collection, Iowa, Estate of Clinton A. Rehling, class of 1939, by exchange. © Estate of John Wilson. Courtesy Faulconer Gallery, Grinnell College Art Collection

[07] John Wilson, Study for The Incident, 1952. Crayon. Faulconer Gallery, Grinnell College Art Collection, Iowa, Estate of Clinton A. Rehling, class of 1939, by exchange. © Estate of John Wilson. Courtesy Faulconer Gallery, Grinnell College Art Collection [08] John Wilson, Study for The Incident, 1952. Crayon and charcoal. Faulconer Gallery, Grinnell College Art Collection, Iowa, Estate of Clinton A. Rehling, class of 1939, by exchange. © Estate of John Wilson. Courtesy Faulconer Gallery, Grinnell College Art Collection

Press Contacts Joellen Adae, Director of Communications, 203.432.0611, [email protected] or [email protected]

Janet Sullivan, Communications Coordinator, 203.436.4666, [email protected] or [email protected]

RECKONING WITH “THE INCIDENT”:JOHN WILSON’S STUDIES FOR A LYNCHING MURAL

IMAGE CAPTIONS