yamaha advantage recorder
TRANSCRIPT
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YRS1
65 Bleecker Street, New York, NY 10012
Copyright © 2003 by PlayinTime ProductionsTM, Inc.International Copyright Secured.
All rights reserved including performing rights.WARNING! this publication is protected by Copyright law. To photocopy or reproduce byany method is an infringement of the Copyright law. Anyone who reproduces copyrighted
matter is subject to substantial penalties and assessments for each infringement.Printed in the U.S.A. ISBN 0-8258-xxxx-x
®
Is a registered trademark of YamahaCorporation of America
Layout & Engraving:
Mark Ralston & Musical/Arts Consultants Inc
Date Teacher · Assignments/Goals Student · Notes/Questions Mon. Tues. Wed. Thurs. Fri. Sat. Sun. Approval
Advantage · Practice
Musicianship from Day One
by Sandy Feldstein and Larry Clark
theYamahaAdvantage TM
TM
Recorder Plus
Welcome to The Yamaha Advantage TM Recorder Plus
This method will teach you to play the recorder by having fun singing and playing your favorite songs. After learning
to play the recorder, you may wish to learn to play a band or orchestral instrument. To help you make your choice,The Yamaha AdvantageTM Recorder Plus Method includes information about many instruments.
The optional CD accompaniment for this book is recorded by a great band. The CD will also give you an example of
how your instrument should sound, as well as the other instruments you might like to play. It will also provide hours
of enjoyable play-along experiences. (CD available separately.)
Have a great time making music.
The instruments of today’s band and orchestra are divided into four INSTRUMENT FAMILIES.The WOODWIND FAMILY (not all are made of wood), the BRASS FAMILY, the PERCUSSION FAMILY and the
STRING FAMILY. Throughout this book we will take a closer look at some instruments from each of the families.
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STAFF Music is written on a five line staff. Between each line there is a space.
At the beginning of each staff there is a clef. The treble clef encircles the second line whichis the note G and is sometimes called the G clef.
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Advantage · Recorder Plus
Introduction to Music Theory
space 4space 3space 2space 1
line 5line 4line 3line 2line 1
G
MEASURE AND BAR LINESMusic is divided into measures by bar lines. Double bar lines end a piece of music.
TIME SIGNATUREAt the beginning of a piece of music there is a time signature. It tells you how many beatsare in each measure and what note gets one beat.
a half note or rest gets two beats
a whole note or rest gets four beats
measure
double bar bar lines
44
= four beats in each measure= a quarter note gets one beat
TheoryheoryheoryTheory
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Getting Started
3Advantage · Recorder Plus
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Play Rest Play Rest
& 4
41 2 3 4 1 2 3 4
∑1 2 3 4 1 2 3 4
∑air air
B
BB
Your First Note
Play Rest Play Rest
& 4
41 2 3 4 1 2 3 4
∑1 2 3 4 1 2 3 4
∑air air
BB BB
Half the Time
Play Rest Play Rest
& 4
41 2 3 4 1 2 3 4
∑1 2 3 4 1 2 3 4
∑air air
B B B B B B
B BB B
BB BB
The First Quarter
1
2
3
&
B
Front ViewPlayingSide ViewLeft HandSide ViewRight Hand
A
A
A
A
A
B
A
A
A
A
A
B
Hold the bottom or bell of therecorder with your right hand.
Cover the top hole in the back withyour thumb and the first (top) holeon the front with your first finger.
You are now playing your first note:
Put the tip of the mouthpiece inyour mouth and lightly blow.To start each note say “Tu”.
NotesotesotesNotes
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Play Rest Play Rest
A
& 4
4 ∑ ∑1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air
A A
Your Second Note
Play Rest Play Rest
& 4
4 ∑ ∑1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air
A A A A
The Second Half
Play Rest Play Rest
& 4
4 ∑ ∑1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air
A A A A A A
A A A A
A A A A
The Second Quarter
4
5
6
&
A
Front ViewFront ViewSide ViewSide View A
A
To play A , keep your thumband first finger down.
Cover the second hole in thefront with your second finger.
NotesotesotesNotes
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YRS1
Play Rest Play Rest
G
& 4
4 ∑ ∑1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air
GG
Your Third Note Repeat sign
Play Rest Play Rest
& 4
4 ∑ ∑1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air
GG GG
The Third Half
Play Rest Play Rest
& 4
4 ∑ ∑1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air
G G G G G G
G GG G
GG GG
The Third Quarter
Front View
TheoryheoryheoryTheory
& ..Repeat Sign
Go back to the beginning and play again.
7
8
9
& G
Front ViewFront ViewSide ViewSide ViewG
G
To play G ,keep your thumb and
first two fingers down.
Cover the third holein the front with
your third finger.
NotesotesotesNotes
Advantage · Recorder Plus 5
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& 44 ..Play RestÓ Play RestÓ Play Rest
∑1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
A BG
Moving Down
air air air
& 44 ..Play Rest
Ó Play RestÓ Play Rest ∑1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
A G B
Stepping Back Up
air air air
& 44 ..Play
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
BB A A GGG G
Down and Up
air air air air
Side Front
All Three Notes
GSide Front A Side Front A
A
A
A
A
B
When moving from B to A to G, your second finger covers the second hole and then your third finger covers the third hole.
Listen to the sound. When you put your fingers down, the sound goes down or gets lower.
When moving from G to A to B, your third finger comes up and opens the third hole andthen your second finger comes up and opens the second hole.
Listen to the sound. When you lift your fingers up, the sound goes up or gets higher.
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11
12
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Shape Note Music Note Note Name
=
=
=
= whole note
= half note
= quarter note
1 2 3 41 2 3 4
7Advantage · Recorder Plus
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&
&
44
44Hot Cross
˙Hot Cross
Buns.
Buns.
Hot Cross
˙Hot Cross
Buns.
Buns.
B A G B A
B
G
G
Hot Cross Buns
1 2 3 4
1 2 3 4
1 2 3 4
1 2 3 4
1 2 3 4
1 2 3 4
1 2 3 4
1 2 3 4Count:
&
&
44
44
Mer - ri - ly we
œ œ œ œMer - ri - ly we
roll a - long,
œ œroll a - long,
roll a - long,
œ œ ˙roll a - long,
roll a - long.
œ œroll a - long.
B A G B B B
B B
A A A B B B
A A
A B B B
A
B A
G A
Merrily We Roll Along
1 2 3 4
1 2 3 4
1 2 3 4
1 2 3 4
1 2 3 4
1 2 3 4
1 2 3 4
1 2 3 4Count:
Play the beginning of these familiar songs written with shape notes followed by music notation.
13
14
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RhythmhythmhythmRhythm
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Advantage · Recorder Plus
Hot Cross Buns. Hot Cross Buns.
One a pen - ny two a pen - ny Hot Cross Buns.
ditionalTra
& 44
&
Hot Cross Buns
G G G G A A A A
G
G
B
B A
A G
B A
Mer - ri - ly we roll a - long, roll a - long, roll a - long.
Mer - ri - ly we roll a - long, o’er the deep blue sea.
ditional
& 44&
Merrily We Roll Along raT
B B B A
G A A A
G
B
B B B A
B A
G A A A B
B B B A
Sing this lit - tle French song, “Bon - jour” means hel - lo.
Sing this lit - tle French song, “Bon - sóir” means good - bye.
lk Song
& 44
&
Au Clair De La LuneFrench Fo
G
G
B
B
G G G G
G
A
G G G A
A
A
A
A
B
B A
A
15
16
17
Performance
dvantagedvantagedvantageAdvantage
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9Advantage · Recorder Plus
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&
w______
&
w______
&
w______
Draw a line to connect the musical example to its name.Music is divided into these.
This tells you there are four beats in eachmeasure and a quarter note gets one beat.
This shows the end of the music.
Draw a line toconnect the symbolwith its name.
More Matching
Theory
dvantagedvantagedvantageAdvantage
Fingering
Name the note and color the holes that are covered to play the notes indicated.
Matching Game
Double bar line
Measures
Time Signature
Whole Note
Quarter Note
Half Note
&
& 44
&
w
œ
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Advantage · Recorder Plus
Front View
&
C
Front ViewFront ViewSide ViewSide View
A
A
A
A
A
A
A
A
A
A
A
A
A
A
C
To play C ,keep your thumb on
the hole in the back andcover the second hole
on the front withyour second finger.
NotesotesotesNotes
& 44
˙ ˙Do Ti
˙ ˙La Sol,
œ œ œ œDown the scale and
œ œ ˙back a - gain.
Scale Song
18
& 44
˙ œ œDown by the
˙ ˙sta - tion
œ œ œ œear - ly in the
˙ ˙mor - ning.
& ..
œ œ œ œSee the sta - tion
˙ ˙mas - ter
œ œ œ œtoot toot off we
wgo.
Down by the StationTraditional
19
& 44
œ œ œ œHel - lo ____ - ____,
œ œ œ œhel - lo ____ - ____,
˙ ˙I’m your friend.
&
œ œ œ œFriend - ship, friend - ship
œ œ œ œour great friend - ship
˙ ˙will not end.
Friendship Song By ____________________
20
A
A
A
A
A
A
A
A
A
A
A
A
A
A
C
Composing FunFinish this song by adding a friend’s name in measures one and two. To complete the melody, add one note that you havelearned in measures four and eight. Add your name as the composer.
ComposingdvantagedvantagedvantageAdvantage
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& 44 ..
œ œ ˙C D A
œ œ ˙C D B
œ œ œ œmove your thumb to
wplay.
A Minor Mood
11Advantage · Recorder Plus
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Front View
& D
Front ViewFront ViewSide ViewSide View A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
D
To play D ,lift your thumb off
the hole in the back andcover the second hole
on the front withyour second finger.
NotesotesotesNotes
21
& 44
œ œ œ œOats and beans and
œ œ ˙bar - ley grow,
œ œ œ œOats and beans and
œ œ ˙bar - ley grow,
&
œ œ œ œ You nor I nor
œ œ œ œan - y - one know
œ œ œ œhow oats, beans and
œ œ ˙bar - ley grow.
Oats and Beans and Barley Grow American Folk Song
22
/ 44Everyone:
œ œ œ œMu - sic is such œ œ ˙fun to play, œ œ œ œwith re - cord - ers œ œ ˙ev - ’ry day.
/Girls:
œ œ ˙I play high.
Boys:
œ œ ˙I play low.
Girls:
œ œ œ œI play fast, and
Boys:
œ œ ˙I play slow.
23
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
D
Rap ’n’ RhythmAdd the bar lines, clap the rhythm then sing the rap.
RhythmdvantagedvantagedvantageAdvantage
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Advantage · Recorder Plus
& 44
˙ œ œGo tell Aunt
˙ ˙Rho - dy.
˙ œ œGo tell Aunt
œ œ ˙Rho - dy.
& ..
˙ œ œGo tell Aunt
˙ œ œRho - dy, the
œ œ œ œold gray goose is
wdead.
Go Tell Aunt RhodyTraditional
& 44
œ œ œ œGood King Wen - ces -
œ œ ˙las looked out,
œ œ œ œOn the Feast of
˙ ˙Steph - en,
& ..
œ œ œ œWhen the snow lay
œ œ ˙round a - bout,
œ œ œ œDeep and crisp and
˙ ˙e - ven.
Good King Wenceslas
Traditional Carol
& 44
œ œ œ œWhen we sing this
œ œ œ œmel - o - dy, our
œ œ œ œhearts are filled with
œ œ ˙joy - ful - ness.
&
œ œ œ œSing it loud and
œ œ œ œsing it strong, this
œ œ œ œmel - o - dy by
œ œ ˙Bee - tho - ven.
Ode to JoyLudwig van Beethoven
24
25
26
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13Advantage · Recorder Plus
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The FLUTE, which is made of metal, is a member of the woodwind family
and plays the high notes in band and orchestra music.
The flute is played by blowing across the open hole in themouthpiece, much like you might blow across the top
of a bottle to make a sound.
The air that goes into the instrument vibrates toproduce the flute sound.
To play sounds (notes) that are higher or
lower, you release or depress the keys.
& 44
œ œ ˙Light - ly row,
œ œ ˙light - ly row,
œ œ œ œo’er the shin - ing
œ œ ˙waves we go;
&
œ œ ˙Smooth - ly glide.
œ œ ˙smooth - ly glide,
œ œ œ œon the si - lent
wtide.
&
œ œ œ œLet the wind and
œ œ ˙wa - ters be
œ œ œ œmin - gled with our
œ œ ˙mel - o - dy,
&
œ œ ˙Sing and float,
œ œ ˙sing and float,
œ œ œ œin our lit - tle
wboat.
Lightly RowGerman Folk Song
27
28
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Meet The InstrumentsdvantagedvantagedvantageAdvantage
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Advantage · Recorder Plus
& 44
œ œ
œ œ
As a black - bird
œ œ
˙in the Spring,
œ œ œ œ’Neath the wil - low
wtree.
&
œ œ œ œ Joy - ous - ly I
œ œ ˙heard him sing,
œ œ œ œof his Au - ra
wLee.
Aura Lee
Folk Song
& 44
œ œ ˙ Jin - gle bells,
œ œ ˙ Jin - gle bells,
œ œ œ œ Jin - gle all the
wway!
&
œ œ œ œOh what fun it
œ œ œ œis to ride a
œ œ œ œone horse o - pen
˙ ˙sleigh! Hey!
&
œ œ ˙ Jin - gle bells,
œ œ ˙ Jin - gle bells,
œ œ œ œ Jin - gle all the
wway!
&
œ œ œ œOh what fun it
œ œ œ œis to ride a
œ œ œ œone horse o - pen
wsleigh!
Jingle Bells
James Pierpont
29
30
/ 44 œ œ œ œ œ œ œ œ1 & 2 & 3 & 4 &
œ œ œ œ
œ œ1 & 2 & 3 4
œ œ
œ œ œ
œ1 & 2 3 & 4
œ œ œ œ
œ Œ1 & 2 & 3 4
Quarter Rest
31
Count the beats and clap the rhythm, then sing the rhythm
RhythmhythmhythmRhythm
œ œœ œ œ œ1
1
1
&
&
2
2
&
&
EighthNotes
Œ quarter rest
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15Advantage · Recorder Plus
YRS1
& 44Slow
œ œ
œ œ œ
œ Jin - gle bells, Jin - gle bells,
œ œ œ œ
˙ Jin - gle all the way!
œ œ œ œ œ œ œ œOh what fun it is to ride a
œ œ œ œ
œ œone horse o - pen sleigh! Hey!
&
œ œ
œ œ œ
œ Jin - glebells, Jin - gle bells,
œ œ œ œ
Jin - gle all the way!
œ œ œ œ œ œ œ œOh what fun it is to ride a
œ œ œ œ
œ Œone horse o - pen sleigh!
Jingle In Eighths James Pierpont
& 44Moderately
1 2 3
O -
&
ver
4
my
Ó
œ œ
œ whead,
Œ œ œ œ œ œ œI hear mu - sic in the
wair.
&
Œ œ œ œ
œ Yes o - ver my
whead,
Œ œ œ œ œ œ œI hear m u - sic in the
wair.
& Ó
œ œ
œO - ver my
whead,
Œ œ œ œ œ œ œI hear mu - sic in the
wair.
& Ó
Œ œThere
œ Œ œ œmust be a
œ œ ˙heav - en some -
wwhere.
œ Œ Ó Yeah!
Over My Head African-American SpiritualHalf
Rest
32
33
Compare this version of Jingle Bells to the one on pg. 14.
Ó half rest Tempo: Slow, Moderately
Rhythmhythmhythm
Rhythm usicianshipusicianshipusicianshipMusicianship
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Advantage · Recorder Plus
& 43Moderately
˙ œFrance is
˙ œhome to
œ œ œthe great com -
˙ œpos - er
œ œ œwho wrote the
&
˙ œBar - ca -
tie—hold note for six beats.˙rolle.
1 2 3
.˙1 2 3
˙ œFrance is
˙ œhome to
&
œ œ œthe great com -
˙ œpos - er
œ œ œMis - ter Jacques
˙ œOff - en -
.˙bach.
.˙
Barcarolle Jacques Offenbach
& 43Moderately
œ œ œHere is a
œ œ œrid - dle, the
œ œ œan - swer’s not
œ œ œfid - dle, but
˙ œis the
&
œ œ œname of a
.˙wood -
˙ œwind. It’s
œ œ œmade out of
œ œ Œ
œmet - al, sounds
&
œ œ œhigh as a
˙ œlute. Of
˙ œcourse it
˙ œis a
.˙______________________.
œ Œ Œ
The __________ Song Sandy Feldstein & Larry Clark
34
35
Solve the riddle and fill in the name of the song.
RhythmhythmhythmRhythm
4
31 2 3
.˙1 2 3
.˙Tie
– three beats in each measure
– quarter note gets one beat œ œ œ1
1
2
2
3
3
.˙DottedHalf Note
TheoryheoryheoryTheory
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17Advantage · Recorder Plus
YRS1
The CLARINET, which is made of wood, is a member of the woodwind
family. The clarinet is played by blowing across a reed made of
wood (cane), which is attached to the mouthpiece. The reed vibratesand sends the vibrations through the instrument to produce
the clarinet sound. To play sounds (notes) that are higher
or lower, you release or depress the keys.
36 & 44Moderately
œ œ œ œLove some - bod - y!
œ œ ˙’Deed I do!
œ œ œ œLove some - bod - y!
œ œ ˙Now guess who?
&
œ œ œ œ
Love some - bod - y! œ œ ˙Have you guessed? œ œ œ œ You’re the one that œ œ ˙I love best!
Love SomebodyTraditional
37
38
& 43Moderately
˙ œMon - day,
˙ œTues - day,
˙ œWednes - day,
˙ œThurs - day,
˙ œFri - day,
œ œ
Sat - ur - day, Sun - day.
&
œ All the
˙ œdays are
.˙fun,
˙ œbut
˙ œI like _______________
.˙best.
.˙
The Days of the Week By __________________
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Fill in the name of your favorite day of the week.Write your name as the composer.
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Advantage · Recorder Plus
&
F
Front ViewFront ViewSide ViewSide View A
A
A
A
A
F
To play F , you add the right hand.There are two fingerings for F . Justadding the first finger of the righthand is okay; but if you also addyour third and fourth fingers, the
note will sound more in tune.
NotesotesotesNotes
& 44 ..
œ œ œ œ œ œ ˙ œ œ Œ œ œ œ Œ œ œ œ œ œ w39
& 43Slow
Œ Œ œGood -
˙ œbye, Old
˙ œPaint, I’m
œ œ œleav - in’ Chey -
˙ œenne. Good -
&
˙ œbye, Old ˙
œPaint, I’m
œ œ œleav - in’ Chey - ˙
œenne. I’m œ œ
œleav - in’ Chey - ˙ œenne. I’m
&
œ œ œoff to Mon -
˙ œtan! Good -
˙ œbye, Old
˙ œPaint, I’m
œ œ œleav - in’ Chey -
.˙enne.
Goodbye, Old Paint American Folk Song
40
Skipping to and from F requires movement of fingers in both hands.Practice this exercise slowly before playing Goodbye, Old Paint .
A
A
A
A
A
F
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YRS1
& 44 ..
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ E
41
Be sure your fingers completely cover the holes.
& 44Moderately
œ œ œ œI’m a wood - en
œ œ Œ œwood - wind who
œ œ œ œmakes sound with a
wreed.
&
œ œ œ œI’m in ev - ’ry
œ œ
œ œ œDix - ie - land set, my
œ œ œ œname’s the _____________________.
˙ Ó
The Dixieland ______________
42
Solve the riddle and fill in the name of the song.
&&
4444
..
..
Moderately
œ œ
œ œ œPrac - tice this song both
œ œ œ
œ œRock - in’ Re - cord - er,
œ œ œ œ
˙in and out of school.
œ œ œ
œ œ œrock - in’ the blues. You know
œ œ œ
œ œRock - in’ Re- cord - er
œ œ œ œ
œ œRock-in’ the Re- cord - er
œ œ ˙is real cool!
œ œ ˙is real cool!
Rockin’ Recorder (Duet)
Sandy Feldstein & Larry Clark
43
& E
Front ViewFront ViewSide ViewSide View A
A
A
A
A
A
A
A
A
A
A
A
A
A
E
A
A
A
A
A
A
A
A
A
A
A
A
A
A
E
To play E, keep your left hand downand add fingers one and two
of your right hand.
NotesotesotesNotes
Advantage · Recorder Plus 19
Play each line separately, then play as a duet.
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21Advantage · Recorder Plus
YRS1
& 44Slow
˙ œ œSleep ba - by
wsleep,
˙ œ œsleep ba - by
.˙ œsleep. Your
& ..
œ œ œ œ œ œ œ œmoth- er holds you ver - y tight, she
œ œ œ œ œ œ
œsings this lul - la - by to-night,
˙ œ œSleep ba - by
wsleep.
Lullaby
Traditional
/ 44Fast
œ œ œ œI’m a wood - w ind
œ œ œ
œ œmade out of brass who’s
œ œ œ œ
œ œ œpop - u - lar in all styles of
œ œ Œ Œ œ œmu - sic. I be -
/
œ œ œ
œ œ œl ieve it’s be-cause I pro -
œ œ
œ œ œ œduce a great tone. I’m the
œ œ œ œone and on - ly
œ œ œ
œ Œ______- ____ - ________.
The _____________ RapSandy Feldstein & Larry Clark
& 44 A.
Moderately
œ œ œ œHip hop hip hop
œ œ ˙hip hop hop.
B.
œ œ œ œHip hop hip hop
œ œ ˙hip hop hop.
& ..
œ Œ œ ŒRibit Ribit
œ Œ œ ŒRibit Ribit
œ œ œ œSing the frog song
œ œ ˙in a round.
Frog Song (Round)
Japanese Folk Song
47
48
49
usicianshipusicianshipusicianshipMusicianship
Tempo: Fast
Solve the riddle and fill in the name of the song.
Speak the Rap.
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22
YRS1
Advantage · Recorder Plus
Theory
dvantagedvantagedvantageAdvantage
Name the Notes
and Draw the Fingerings
&
w______
&
w______
&
w______
&
w______
&
w______
&
w______
&
w______
&
w______
& 44 ..
œ œ ˙ œ Œ œ Œ ˙ œ œ œ œ ˙
& 43 ..
œ œ œ œ œ
œ Œ œ ˙ œ œ œ œ œ œ
.˙ ˙ Œ
Adding Bar LinesAdd the bar lines, write in the counts, clap, sing and play.
50
The TRUMPET, which is made of brass, is a member of the brass family.It is played by buzzing the lips in the mouthpiece. The vibration of the
lips sends vibrations into the instrument to produce the trumpet
sound. To play sounds (notes) that are higher or lower,
you release or depress the valves.
51
Meet The InstrumentsdvantagedvantagedvantageAdvantage
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23Advantage · Recorder Plus
YRS1
& 43 f Moderately
œ œ œ1. Beau -2. where
ti -are
fulthose
œ œ œbeau -beau -
ti -ti -
fulful
œ ˙brownbrown
eyes,eyes,
1. .˙ œ œ œsmi - ling right
œ œ œin - to my
& ...
˙heart.
˙ œBut now
2.˙ œ why
œ œ œmust we be
œ œ œso far a -
.˙part.
œ Œ Œ
Beautiful Brown Eyes American Folk Song
52
& 44 ..Fast
p
œ œ œ œ œ ˙53
& 44 ..A.
Moderately
p
œ œ œ
œ œI have a don-key
œ œ œ œ
˙Hap - py is his name.
B.
œ œ œ
œ œI have a don-key
œ œœœ
˙Hap-py is his name.
C.
˙ ˙He is
œ œ œ Œmy best friend.
Happy Little Donkey(Round)
American Folk Song
55
& 44 f Moderately
œ œ œ
œ œPlay - ing the trum - pet
œ œ œ Œ
œis real hip, to
œ œ œ Œmake it sound
œ œ œ Œ_____ your lip.
&
œ œ œ œPush the valves down.
œ œ œ œPush the valves down.
œ œ œ œ ŒPlay the Trum- pet
˙ œ ŒTune, yeah!
Trumpet Tune
Sandy Feldstein & Larry Clark
54
Dynamics: - forte loud
- piano soft
TheoryheoryheoryTheory
Play by Ear · Good King WenceslasdvantagedvantagedvantageAdvantage
f p
1st and 2nd endings can be more than one measure long.
Fill in the missing word.
usicianshipusicianshipusicianshipMusicianship
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24
YRS1
Advantage · Recorder Plus
Pick-up Notes
& 44Moderately
f
œ œFrom
3this
4
˙ œ œ1
val - ley they
˙ œ œsay you are
œ .˙go - ing;
œ Œ œ œI will
˙ œ œmiss your bright
&
˙ œ œeyes and sweet
wsmile;
œ Œ œ œfor they
˙ œ œsay you are
˙ œ œtak - ing the
&
˙ ˙sun - shine
œ Œ ˙that
˙ œ œbright - ens our
˙ œ œpath - way a -
wwhile.
˙1 2
Red River Valley
American Folk Song
56
& 44Moderately
p
˙ œ œ œ œ Jo - hann Se - bas- tian
˙ œ œ œ œ Jo - hann Se - bas- tian
œ œ
œ œ œ Jo - hann Se - bas - tian
œ œ œ œBach, we love him.
& ..
˙ œ œ œ œBorn 1 - 6 - 8 - 5
˙ œ œ œ œdied 1 - 7 - 5 - 0. œ œ
œ œ œHe wrote the great B œ œ ˙Mi - nor Mass.
Musette
Johann Sebastion Bach
57
The SNARE DRUM is made of wood or metal. It has a drum headon both the top and bottom. It also has wire snares which
lightly touch the bottom drum head. It is played by
striking the top head of the drum with a stick.
The head vibrates and sends the vibrationsthrough the drum to the bottom head which
also vibrates, causing the snares to vibrate
which produces the snare drum sound.
58
Meet The InstrumentsdvantagedvantagedvantageAdvantage
TheoryheoryheoryTheory
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25Advantage · Recorder Plus
YRS1
.. ..Repeat within piece
& 44 ..
p
Moderately
œIt’s
˙ œ œrain - ing, it’s
˙ œ œpour - ing, the
˙ œ œold man is
˙ œ œsnore - ing. He
& ..
œ œ œ œwent to bed and
œ œ œ œbumped his head and
œ œ œ œdidn’t get up till
1.
˙ œ œmorn - ing. It’s
2.
˙ œmorn - ing.
It’s Raining, It’s Pouring
Traditional
& 44 f Moderately
œ œ œOh, when the
wSaints
œ œ œ œgo march - ing
win,
œ œ œ œOh, when the
&
˙ ˙Saints go
˙ ˙march - ing
win,
˙ œ œ Yes, we’ll
.˙ œall get
˙ ˙up and
&
œ .˙join ’em,
˙ œ œWhen the
˙ ˙Saints go
˙ ˙march - ing
win.
œ
When the Saints Go Marching InTraditional
& 44 f
Fast
œ œ œ œWhen I play the
œ œ ˙sold - iers come.
œ œ œ œ œ You know me, I’m the
œ œ ˙great snare ________.
Play PercussionSandy Feldstein & Larry Clark
59
60
61
TheoryheoryheoryTheory
Fill in the missing word.
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26
YRS1
Advantage · Recorder Plus
F
Also F
& 4
4 f Moderately
œ œ œ œ Yan - kee Doo - dle
œ œ œ œwent to town a
œ œ œ œrid - ing on a
˙ œ Œpo - ny,
& œ œ œ œstuck a feath - er
œ œ œ œin his hat and
œ œ œ œcalled it mac - a -
˙ œ Œro - ni.
Yankee DoodleFolk Song
62
& 44 f Moderately
œ œ ˙This old man,
œ œ ˙he played one,
œ œ œ œHe played nick - nack
œ œ œ œ œon my thumb, With a
& ..
œ œ œ œ
œnick - nack pad - dy whack,
œ œ œ œ
˙give a dog a bone!
œ œ œ œThis old man came
œ œ œ Œroll - ing home.
This Old ManFolk Song
63
&
Front ViewFront ViewSide ViewSide View
A
A
A
A
A
F
To play F ≥, lift up the first fingerof your right hand. Your left hand
fingers and fingers two and threeof your right hand remain down.
NotesotesotesNotes
TheoryheoryheoryTheory
The TROMBONE, which is made of brass, is a member of
the brass family. Like the trumpet, it is played by buzzing the lips in the mouthpiece. The vibration of the lips
sends vibrations into the instrument to produce
the trombone sound. To play sounds(notes) that are higher or lower,
you move the slide in or out.
The sharp sign ( ≥ ) affects all F’s that appear in the same measure.
64
Meet The InstrumentsdvantagedvantagedvantageAdvantage
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27Advantage · Recorder Plus
YRS1
& #
& # 44Slowly
p
œ œ
œ œTwin-kle, twin-kle
œ œ ˙lit - tle star,
œ œ œ œHow I won-der
œ œ ˙what you are,
œ œ œ œUp a - bove the
œ œ ˙world so high,
& #
œ œ œ œLike a dia-mond
œ œ ˙in the sky.
œ œ œ œTwin-kle, twin - kle
œ œ ˙lit - tle star,
œ œ œ œHow I won - d er
œ œ ˙what you are.
Twinkle, Twinkle Little Star
Traditional( ≥ )
& # 44 f Fast
˙ œ œHail! To the
œ œ œ œ vic - tors, val - iant,
˙ œ œHail! To the
œ œ œ œcon - qu’ring her - oes
& #
˙ ˙Hail! Hail!
œ œ œ œTo our lead - ers
˙ œ œthey are the
wbest.
& #
˙ œ œHail! To the
œ œ œ œ vic - tors, val - iant,
˙ œ œHail! To the
œ œ œ œcon - qu’ring her - oes
& #
˙ ˙Hail! Hail!
œ œ œ œTo our lead - ers
œ œ œ œchamp - ions of our
˙ œ Œschool. Yeah!
The Victor’s March
Traditional
& 43 f
Moderately
œThe
˙ œlarge trom -
œ œ œbone can not
.˙hide
œ Œ œto
˙ œchange its
.˙sound
œ œ œ you use a
.˙________.
Trombone TimeSandy Feldstein & Larry Clark
65
66
67
Key Signature
Key of G – one sharp (F ≥ )
Play F’s as F ≥
Fill in the missing word.
TheoryheoryheoryTheory
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28
YRS1
Advantage · Recorder Plus
& # 44Moderately
f
˙ ˙ All day
˙ ˙all night,
œ œ ˙Ma - ry Ann,
w ˙ œ œDown by the
& #
˙ ˙sea - shore
œ œ ˙sift - ing sand.
w œ œ œ œ All the lit - tle
˙ œ œchil - dren love
& #
œ œ ˙Ma - ry Ann,
w ˙ œ œDown by the
˙ ˙sea - shore
œ œ ˙sift - ing sand.
w
Mary Ann
Caribbean Folk Song
68
& # 44 .. .. p
Slowly
œThis
˙ œ œtheme we all
˙ œ œknow was com -
1.
œ œœ
œ œposed by Jo-han-nes
.˙ œBrahms. This
2.
œ œ œ
œ œposed for the First Sym -
˙ œphon - y.
Theme from Symphony No. 1 Johannes Brahms
69
The VIOLIN is made of wood with four strings attached. It is amember of the string family and plays the high notes in the
orchestra. It is played by plucking the strings with the finger
(like a guitar) or by drawing a bow across them. The stringsvibrate to produce the violin sound. To play sounds
(notes) that are higher or lower, you depress the
strings at different points.
70
Meet The InstrumentsdvantagedvantagedvantageAdvantage
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29Advantage · Recorder Plus
YRS1
& # 43 f Moderately.
˙Dai -
.˙sy,
.˙Dai -
.sy,
œ œ œgive me your
˙ œan - swer
& # .
do.
.˙ .I’m
.half
.cra -
.zy
& #
œ œ œall for the
˙ œlove of
.˙ you.
œ Œ pœIt
œ œ œwon’t be a
˙ œstyl - ish
& #
œ ˙mar - riage;
˙ œI
˙ œcan’t af -
˙ œford a
œ ˙car - riage.
œ Œ f œBut
& #
˙ œ you’ll look
œ Œ
œsweet up -
˙ œon the
œ œ œseat of a
œ œ œbi - cy - cle
˙ œbuilt for
.˙two.
œ Œ Œ
A Bicycle Built for Two
Harry Daere
71
& 43Slowly
p
œMy
œ œ œstring sound is
œ œ
high not low.
œ œ œ œTo make that sound,
œ œ œI use a
.˙___________.
œ Œ Violin Song
Sandy Felstein & Larry Clark
72
www.yamahaadvantage.com
Fill in the missing word.
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30
YRS1
Advantage · Recorder Plus
Performance
dvantagedvantagedvantageAdvantage
&
&
#
#
44
44 p
DescantModerately
œ œ œ
œ œ
f Melody
œ œ œ
œ œThis lit - tle light of
œ œ œ œ
wmine,
œ œ œ
œ œ
œ œ œ
œ œI’m gon - na let it
œ œ œ œ
wshine,
&
&
#
#
Descant
œ œ œ
œ œMelody
œ œ œ
œ œThis lit - tle light of
œ œ œ œ
wmine,
œ œ œ
œ œ
œ œ œ
œ œI’m gon - na let it
œ œ œ œ
wshine,
&
&
#
#
Descant
œ œ œ
œ œMelody
œ œ œ œ
œThis lit - tle light of
œ œ œ œ
wmine,
œ œ œ œ
œ œ œ
œ œI’m gon - na let it
˙ œ œ
˙ œ œshine, let it
&&
#
#
Descant
˙ œ œMelody ˙ œ œshine, let it
œ œ œ
œ œ
˙ œ œshine, let it
˙ œ œ
wshine.
˙ Ó
˙ Ó
This Little Light of Mine(Duet)
Spiritual
1a
2a
2
1
1b
2b
1c
2c
73
A DESCANT is a second melody or duet part played above the main melody.
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31Advantage · Recorder Plus
YRS1
Fingering Chart
&
wC &
wD &
wE &
wF &
wF ≥
&
wG
&
w A
&
wB
&
wC
&
wD
LeftHand
Thumbin back
RightHand
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C e
r t i f i c a
t e o f
A c h i e v e m e n t
i s r e c o g n i z e d f o r a c h i e v i n g a h i g h s t a n d a r d o f m u
s i c i a n s h i p b y
s u c c e s s f u l l y c o m p l e t i n g T h e
Y a m a h a A d v a n t a g e T M
R e c o r d e r P l u s M e t h o d
.
M u s i c i a n s h i p f r o m
D a y O n e
B a n d D i r e c t o r
D a
t e
®
t h e Y a m a
h a
A d v a n t a g e
T M T
M