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You don't take a photograph, you make it. Ansel Adams

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Page 1: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

You don't take a photograph, you make it.

Ansel Adams

Page 2: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Read the manual. Shoot, shoot, and shoot some more.

See backside of handout for a tip.

Page 3: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

How to get a sharp image…

Page 4: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Hold the camera properly, squeeze the shutter instead of stabbing it, tuck in your elbows.

Page 5: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Hold it steady!

Page 6: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Horizontal/Vertical (landscape/portrait)

Page 7: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Hold your camera in the horizontal or vertical position?

And get close!

Page 8: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Tip #1 Fill the Frame

Get closer or crop close.

Simplicity is huge.

Page 9: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Get closer!

Page 10: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See
Page 11: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See
Page 12: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See
Page 13: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Crop to improve the

the content.

Page 14: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Before cropping & after

Page 15: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Before cropping & after

Page 16: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

There are times when you need to step back and not crop in close.

Page 17: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

But notice that a few steps to the left created a triangle for the eye to follow in the composition.

Page 18: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Check your background before shooting One Solution: Take the clutter out by change your shooting angle

If you have distracting elements in the background of a shot but

can’t move your subject, one strategy is to move yourself and shoot from a new angle. This might mean rotating around your subject but could also include getting down low to make the sky the background or even getting up high and shooting down onto

your subject to make the background the ground.

Page 19: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Background beware!

Page 20: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Before pushing the button, eliminate distractions.

Page 21: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Eliminate clutter.

Page 22: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See
Page 23: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Fill the frame but

simplify the background

Page 24: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Fill the frame and

contrast the background

Before After

Subjects need a

sense of place.

Page 25: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Tip #2: For most photos… Turn off the flash

Use natural lighting when possible. Use ISO 400 or 800.

Find something steady: a rock, tree or chair. Click on exhale.

Keep your finger on shutter release to prevent shaking camera.

Except in bright sun where you can:

1. Put your subject with sun behind and use a flash to fill in the silhouette.

2. Shoot the subject in the shade.

Page 26: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Turn off the flash!

Use natural light.

Page 27: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

There are

times when you

should turn the

flash back on (for fill).

Page 28: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Tip #3: Dramatic camera angle Move from eye level to their level.

Page 29: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See
Page 30: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See
Page 31: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See
Page 32: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See
Page 33: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Tip #4: Rule of Thirds instead of a bullseye composition.

Page 34: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Even if you want your subject centered, you can take advantage of the rule.

Page 35: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See
Page 36: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Tip #5: Horizon Lines in Landscapes

Page 37: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Give a special sky the upper 2/3rds.

Page 38: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Earth and water take top 2/3rds. Notice placement of boulders.

Page 39: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Horizontal and diagonal lines

Page 40: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

#6: Active Space

Page 41: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

You can edit exposure,

contrast, or color

changes at the computer.

Page 42: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See
Page 43: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

“Candid” means…

the subject is photographed

without his or her knowing or having the opportunity to prepare or pose.

Page 44: You don't take a photograph, you make it. Ansel Adamsstaff.camas.wednet.edu/blogs/mariottishapard/files/... · Ansel Adams . Read the manual. Shoot, shoot, and shoot some more. See

Some photographers take reality... and impose the domination of their own thought and spirit.

Others come before reality more tenderly and a photograph to them

is an instrument of love and revelation.

Ansel Adams