your next performance is worth it - bärenreiter includes transcriptions, amongst others, of...

1 New Publications 2/2017 · The Programme

New Issue Title

The ProgrammeNew PublicationsSheet Music2/2017

U1: Entwurf folgt, nur Test

BärenreiterThe Musicians’ Choice

Y O U R N E X T P E R F O R M A N C E I S W O R T H I T

Urtext-Posters-A2.indd 1 23/03/2017 08:54

New Publications 2/2017 · The Programme 2

New Issue Title

Solo Voice

Dvořák: Gypsy Songs op. 55 for Voice and Piano. High Voice: BA 10431, Low Voice: BA 10432 ...........22Schubert: Selected Opera Arias for Baritone. BA 5655 .............................................................................23

Study Scores

Martinů: Nonet No. 2 H 374 for Flute, Oboe, Clarinet, Bassoon, Horn, Violin, Viola, Violoncello and Double Bass. TP 440 .................................................... 24Dvořák: Concerto in A minor for Violin and Orchestra op. 53. TP 422 ..................25

Contemporary Music ........................................26

Facsimiles

Wollny (Editor): Johann Sebastian Bach “O Ewigkeit, du Donnerwort” BWV 20. ISBN 978-3-7618-2447-4 ...............................................27Berlioz: Symphonie fantastique op. 14. ISBN 978-3-7618-1601-1 ......................................... 28–29

Complete Editions ................................................30

Opera

Monteverdi: L'incoronazione di Poppea. BA 8792 ............................................................................. 31

Orchestra

Debussy: Première Rhapsodie for Orchestra with Solo Clarinet in Bb. BA 7897 ..................................... 16Smetana: Šárka. Symphonic Poem for Orchestra. BA 11532 .............................................................................32Haydn: Symphony in C major Hob. I: 90. BA 10981 ...........................................................................33

MGG Online ..........................................................34–35

Your Contacts ............................................................ 36

Piano / Harpsichord

Beethoven: Sonatas for Pianoforte Sonata in E-flat major op. 81a. BA 11808 .................. 3 Grande Sonate in E-flat major op. 7. BA 11802 ........... 4 Grande Sonate in A-flat major op. 26 “Funeral March”. BA 11804 ............................................... 5Bach: Suites, Partitas, Sonatas transcribed for Harpsichord by Gustav Leonhardt. BA 11820 ......... 6 Mozart: Concerto in D major for Pianoforte and Orchestra “Coronation Concerto” K. 537. BA 10495-90 ...................................................................... 7Hradecký: Two-Part Piano Miniatures on One Page. H 8034 ................................................................................8Haydn: Late Piano Sonatas. BA 10804 ............................ 33

Bärenreiter Urtext Campaign.................10–11

StringsSaint-Saëns: Sonate for Violoncello and Piano in D major. BA 10910...................................................... 9 Sassmannshaus: Viola Recital Album, Volume 1: BA 8992, Volume 2: BA 8993 ................................ 12–13Rieding: Concerto in D major op. 36. BA 10697 ............ 14Bréval: Sonata in C major op. 40. BA 10698 ................. 15

WindsDebussy: Première Rhapsodie for Orchestra with Solo Clarinet in Bb. BA 7897 ..................................... 16Weinzierl, Wächter: Romantic Hits for two Flutes. BA 10643 ........................................................................... 17

Choir Gounod: Messe solennelle (Ste Cécile). BA 8966 ............................................................................ 18Bärenreiter Album of Opera Choruses for mixed choir. BA 6924 ............................................ 19

Georg Philipp Telemann Selected Works for the Telemann Year 2017 ......... 20–21

Contents


New Issue Title

New Beethoven publications: Virtuoso Piano Sonatas

Ludwig van Beethoven:Sonata in E-flat major for Pianoforte op. 81a“Les Adieux”

BÄRENREITER URTEXT

Edited by Jonathan Del Mar

With an Introduction by Misha Donat and notes on performance practice by Jonathan Del Mar and Misha DonatBA 11808 · approx. € 7.95

To appear in October 2017

Composed in 1809–10, Beethoven’s Sonata op. 81a expresses his very personal feelings. He titled its three movements “Das Lebe wohl” (The Farewell), “Die Abwesenheit” (The Absence) and “Das Wiedersehn” (The Return) in reference to the hasty departure of his good friend and patron Archduke Rudolph of Austria who fled Vienna with the imperial family on 4 May 1809 to escape Napoleon’s approaching troops.

Beethoven referred to op. 81a as a “characteristic sonata”, not in the sense that it had an underlying programme, but because it lent musical expression to his feelings. He reacted angrily when his publisher printed French translations of its title and movement headings. This however did not prevent op. 81a from becoming widely known by its French name “Les Adieux”.

Jonathan Del Mar, the worldwide authority and acclaimed specialist on Beethoven, is editing all of this composer's piano sonatas in Bärenreiter Urtext editions, incorporating the latest findings of Beethoven scholarship and evaluating every available source. Del Mar's meticulous examination of the handwritten and printed sources as well as the various impressions of prints published in Beethoven’s lifetime lead to a reliable and conclusive musical text. Rounding off each volume is a Critical Commentary which documents every source discrepancy and editorial decision.

These editions contain an elegant and spacious engraving with practical page turns as well as informative Introductions on the genesis and significance of the works concerned. Also included are notes on key period performance practice questions such as the use of pedalling, embellishments, tempo and articulation.

• Evaluationofeveryavailablesource

• Elegantandwell-presentedlayout

• Practicalpageturns

• DetailedIntroductions(Eng/Ger)

• Notesonperiodperformancepractice(Eng/Ger)

• DetailedCriticalCommentary(Eng)

9 790006 561810

ISMN 979-0-006-56181-0

Piano


New Issue Title

Beethoven’s sonatas in Bärenreiter Urtext

Ludwig van Beethoven:GrandeSonatein E-flat major

for Pianoforte op. 7

BÄRENREITER URTEXT


With an Introduction by Misha Donat and notes on performance practice

by Jonathan Del Mar and Misha Donat

BA 11802 · approx. € 7.95

To appear in November 2017

The earliest sketches for Beethoven’s Grande Sonate op. 7 date from 1796 and the first edition was issued by the publisher Artaria, Vienna in October 1797. It is dedicated to Beethoven’s pupil Anna Luise Barbara (Babette) Countess Keglevicz, in whom, if Carl Czerny is to be believed, he was passionately in love. For this reason it is sometimes known by its German nickname “Die Verliebte” (The Lover).

This work is one of the longest and most demanding of Beethoven’s piano sonatas. Its four movements cover a wide range of emotions – a challenge that the dedicatee, who was 16 at the time and only started taking lessons from Beethoven in 1797, possibly felt unable to master.

Piano

9 790006 561759

ISMN 979-0-006-56175-9


New Issue Title

Ludwig van Beethoven:GrandeSonatein A-flat major for Pianoforte op. 26 “FuneralMarch”

BÄRENREITER URTEXT


With an Introduction by Misha Donat and notes on performance practice by Jonathan Del Mar and Misha DonatBA 11804 · approx. € 9.95

To appear in December 2017

Beethoven’s four-movement Sonata op. 26 in A-flat major belongs to his most popular works. It is dedicated to Prince Lichnowsky, one of his most generous patrons and the dedicatee of, among other things, the Grande Sonate pathétique op. 13 and Symphony No. 2 op. 35. This demanding sonata is highly varied in its form: it begins with a set of variations and contains the famous Marcia sulla morte d’un Eroe as its third movement, earning it the nickname “Sonata with the Funeral March”. The identity of the title’s eroe (hero) still remains unknown. The work’s initial drafts date from 1800–01; its publication took place in March 1802.

Already published:

Three Sonatas in F minor, A major, C major op. 2BA 10859 · € 25.95

Three Sonatas in C minor, F major, D major op. 10BA 10857 · € 17.95

Grande Sonate pathétique in C minor op. 13 BA 10851 · € 5.95

Two Sonatas in E major, G major op. 14BA 10855 · € 9.95

Sonata quasi una Fantasia in E-flat major op. 27 no. 1 / Sonata quasi una Fantasia in C-sharp minor op. 27 no. 2 “Moonlight Sonata”BA 10853 · € 11.50

Sonata in D major op. 28 “Pastorale” BA 11814 · € 7.95

Three Sonatas in G major, D minor, E-flat major op. 31BA 11805 · € 21.95 (to appear in August 2017)

Two Sonatas in G minor, G major op. 49BA 10858 · € 7.95

Grande Sonate in C major op. 53 “Waldstein” BA 10856 · € 9.95

Sonata in F minor op. 57 “Appassionata”BA 10852 · € 7.95

Sonata in F-sharp major op. 78BA 11807 · € 10.95

Sonata in G major op. 79 “Sonate facile”BA 11815 · € 6.95

Sonata in A major op. 101 BA 11811 · € 7.50

Piano

9 790006 561773

ISMN 979-0-006-56177-3


New Issue Title

JohannSebastianBach:Suites, Partitas, Sonatas

transcribedforHarpsichordbyGustavLeonhardt

Edited by Siebe Henstra With a Foreword by Skip Sempé

BA 11820 · approx. € 39.95

To appear in August 2017“I think Bach would have forgiven me for embarking on these transcriptions. Whether he would have forgiven the way I did it is, of course, another matter.” (Gustav Leonhardt)

The harpsichordist, conductor and organist Gustav Leonhardt was considered a pioneer of historical performance practice. Between 1968 and 1978 he made harpsichord transcriptions of several of Bach’s compositions for unaccompanied violin or violoncello. Now these transcriptions are being made available to us by his pupil, the famed harpsichordist Siebe Henstra, based on the handwritten notes that Leonhardt used for his own performances.

• InformativeForewordandeditorialnotesbyearlymusicspecialist

SkipSempé(Ger/Eng)

• Includestranscriptions,amongstothers,ofSonatainGminor

forSoloViolin(BWV1001),PartitainDminorforSoloViolin

(BWV1004),PartitainEmajorforSoloViolin(BWV1006)and

SuiteinCminorforSoloVioloncello(BWV1011)

Bach – transcribed by Gustav Leonhardt

9 790006 562602

ISMN 979-0-006-56260-2

Harpsichord


New Issue Title

WolfgangAmadeusMozart:ConcertoinDmajorfor Pianoforte and Orchestra“CoronationConcerto”K.537

BÄRENREITER URTEXT

Edited by Wolfgang RehmPiano reduction by Martin SchelhaasBA 10495-90 · approx. € 22.95(replaces BA 5318-90)

To appear in August 2017

Fully compatible with performance material of BA 5318

New impetus for period performance practice

This new piano reduction of Mozart’s “Coronation Concerto” K. 537 is based on the music text from the New Mozart Edition and is fully compatible with the already existing performance material (BA 5318).

A separate Urtext solo piano part is included in this piano reduction edition allowing the soloist not only to play the work as customary in recent decades, but also, for the first time since Mozart’s era, to improvise above the tutti basses and to conduct the ensemble from the piano.

The new edition is supplemented by a separate booklet containing cadenzas and selected lead-ins by August Eberhard Müller, Carl Reinecke and Max Reger.

• UrtexteditionbasedontheNew Mozart Edition(NMA)

• SeparateUrtextsolopianopartincluded

• Enclosedbookletwithcadenzas

• Providesnewimpetusforperiodperformancepractice9 790006 561667

ISMN 979-0-006-56166-7

Piano


New Issue Title

Piano

EmilHradecký:Two-Part Piano Miniatures

on One Page

Album of 15 easy pieces for beginners

Illustrations by Andrea TachezyH 8034 · approx. € 7.50

To appear in September 2017

Teaching material for piano

The Czech composer and teacher Emil Hradecký (b. 1953) has devoted much of his creative output to children and the piano. His Two-Part Piano Miniatures on One Page are ingenious small piano pieces for beginners which are easy to play yet melodically interesting. Here children are introduced to the character of classical music as well as various dance forms: cha-cha-cha, tango, waltz, polka, blues and boogie-woogie.

The pieces are composed on whole-tone, pentatonic and gypsy scales and include a folksong arrangement.

• Smallrecitalpiecesforbeginnersatthepiano

• Newteachingmaterialforpiano

• Cleverillustrationstokindlechildren’smusicalimagination

9 790260 108424

ISMN 979-0-2601-0842-4


New Issue Title

Strings

A sensation for cellists

CamilleSaint-Saëns:SonataforVioloncelloand Piano

IncompleteFirst Edition

BÄRENREITER URTEXT

Edited by Denis HerlinBA 10910 · € 17.95

Already published, not announced in previous New Publications Bulletins

The French composer Camille Saint-Saëns endowed the music world with a multitude of masterpieces for violoncello including concertos, sonatas and miniatures such as The Swan and the Allegro appassionato op. 43.

This first publication of the Sonata in D major is based on Bärenreiter’s Camille Saint-Saëns Œuvres instrumentales complètes. Although we know from correspondence that two complete autographs existed, only an incomplete autograph source containing the 1st movement and part of the 2nd movement, which breaks off, have come down to us. In his final work for violoncello Saint-Saëns juxtaposes highly rhythmical episodes with more poetic ones. These contrasts are reinforced by bold shifts of harmonic coloring and a highly inventive thematic development.

These movements are destined to become standards for cellists.

• FirsteverUrtexteditionofthisincompleteworkbased

on Camille Saint-Saëns Œuvres instrumentales complètes

• InformativeIntroduction(Fr/Eng/Ger)

9 790006 558858

ISMN 979-0-006-55885-8


New Issue Title

Bärenreiter Urtext

Flyer 6pagesDINA4 SPA 170_2 English SPA 170_3 Japanese

Flags Size:50cmx150cm SPA 170_4 Violoncello SPA 170_5 Clarinet SPA 170_6 Double Bass SPA 170_7 Violin

Posters Size: A 2 SPA 170_8 Violoncello SPA 170_9 Clarinet SPA 170_10 Double Bass SPA 170_11 Violin SPA 170_20 Piano SPA 170_21 Choir

Stickers Size:5.5cmx8.5cm SPA 170_12 Violoncello SPA 170_13 Clarinet SPA 170_14 Double Bass SPA 170_15 Violin

TheMusician'sNotes Notebooks,32pages,DINA5 BA 8400-1 Violoncello € 1.95 BA 8400-2 Clarinet € 1.95 BA 8400-3 Double Bass € 1.95 BA 8400-4 Violin € 1.95 BA 8400-5 Piano € 1.95

Already published

Bärenreiter Urtext: New campaign 2017

Urtext-Flags-50x150cm+10cmbleed.indd 1 03/03/2017 16:16 Urtext-Flags-50x150cm+10cmbleed.indd 2 03/03/2017 16:16 Urtext-Flags-50x150cm+10cmbleed.indd 4 03/03/2017 16:16Urtext-Flags-50x150cm+10cmbleed.indd 5 03/03/2017 16:16


Flags


New Issue Title

Bärenreiter Urtext

Your next performance is worth it.

9 790006 564804

ISMN 979-0-006-56480-4

Bärenreiter-Verlag · Karl Vötterle GmbH & Co. KG · 34111 Kassel · Germanywww.baerenreiter.com · [email protected] · Printed in Germany · 1/1703 · BA 8400_1

T H E M U S I C I A N ’ S N O T E S

Your specialist in Bärenreiter Urtext:

Urtext-NoteBook.indd 2 21/03/2017 16:24


9 790006 564811

ISMN 979-0-006-56481-1






9 790006 564828

ISMN 979-0-006-56482-8






9 790006 564835

ISMN 979-0-006-56483-5













Promotional material and give-aways


Posters

Stickers Notebooks

SizeDINA5

Size DINA5

Size DINA5

Size DINA5


New Issue Title

Strings

These two volumes contain a wide selection of easy recital pieces. They are designed as companion volumes to the Early Start on the Viola method but work equally well as a supplement to any other viola method. As all pieces are written entirely in first position, they can be used just after a few months of lessons. Well-known as well as unfamiliar pieces provide welcome additional repertoire for young students and teachers.

The piano part may be played by the teacher or an advanced student. Alternatively a second viola part allows duet playing with the teacher during lessons.

From the contents: Well-known traditionals (Baa Baa Black Sheep), unfamiliar melodies (The Robin’s Lullaby) and a few original compositions by the authors (Jumping Beans), always precisely tailored to meet the needs of young students.

The Viola Recital Album, Volume 1, can be used as a supplement to the Early Start on the Viola method, Volumes 1 and 2 (BA 9686 and BA 9687).

The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound.

• NewpiecestosupplementtheSassmannshausViolamethod

• Allpiecesinfirstposition

• Includeanadditionalviolapartforduetversionand

apianoaccompaniment

Already published:

Violin Recital Album, Volumes 1 and 2 BA 9668, BA 9669 · € 15.50 / € 17.50

Cello Recital Album, Volumes 1 and 2 BA 8994, BA 8995 · € 15.95 each

9 790006 564569

ISMN 979-0-006-56456-9

SassmannshausViolaRecitalAlbum

Volume 1: First Position for Viola and Piano

or Two Violas

Edited by Melissa Lusk, Christoph Sassmannshaus and

Kurt Sassmannshaus

Score and part, plus additional viola part for duet versionBA 8992 · approx. € 16.95


New recital albums for the viola


New Issue Title

Strings

SassmannshausSassmannshausSassmannshausT H E S A S S M A N N S H A U S T R A D I T I O N

BÄ REN REITER ’S

BA 9668

1 · 15

BÄ REN REITER

SassmannshausSassmannshausSassmannshausT H E S A S S M A N N S H A U S T R A D I T I O N

BÄ REN REITER ’S

V I O L IN RECITA L A L BUM

FIR ST P OSITI O NER STE L AGE

VO LUM E 1 / BA N D 1

GET READY FOR YOUR VERY FIRST RECITAL!

The Violin Recital Album, Volume 1 is a charming collection of very easy pieces in first position. The piano accompaniments transform these memorable melodies into impressive first

performance pieces. Alternately, the second violin part allows the student and the teacher to play duos in the lesson for a seamless introduction to chamber music.

Videos of all pieces in this album can be viewed on www.violinmasterclass.com.

• Ideal supplement to any violin method• Piano accompaniment as well as a second violin part are included

The Violin Recital Album is a companion publication to the first and second volumes of the

Sassmannshaus Tradition Method Early Start on the Violin (BA 9676/BA 9677).

FIT FÜR DAS ALLERERSTE VORSPIEL!

Das Violin Recital Album, Band 1, bietet eine ansprechende Auswahl sehr leichter Stücke in der ersten Lage. Klangvolle Klavierbegleitungen unterstützen den Schüler und verwandeln die einpräg-samen Melodien in beeindruckende erste Vortragsstücke. Eine zweite Geigenstimme zum Duo-Spiel

ermöglicht dem Lehrer im Unterricht eine frühe Einführung in die Kunst des Zusammenspiels.

Videos aller Stücke dieser Sammlung sind auf www.violinmasterclass.com zu finden.

• Ideale Ergänzung zu jeder Violinschule• Alle Stücke mit Klavierbegleitung

• Alle Stücke mit zweiter Geigenstimme

Das Violin Recital Album 1 kann parallel zum ersten und zweiten Band der Sassmannshaus-

Violinschule, Früher Anfang auf der Geige (BA 9671/BA 9672), eingesetzt werden.

The Viola Recital Album, Volume 2, can be used as a supplement to the Early Start on the Cello method, Volumes 2 and 3 (BA 9687 and BA 9688).

The 12 pieces in Volume 2 are structured to follow the same progression of finger patterns introduced in the Early Start method, Volumes 2 and 3. The later repertoire in this volume includes a careful introduction of downward and upward extensions.

Already published:

Early Start on the ViolaBA 9686 Volume 1 · € 13.50BA 9687 Volume 2 · € 13.50BA 9688 Volume 3 · € 13.50BA 9689 Volume 4 · € 13.50

SassmannshausViolaRecitalAlbum

Volume 2: First Position for Viola and Piano or Two Violas

Edited by Melissa Lusk, Christoph Sassmannshaus and Kurt Sassmannshaus

Score and part, plus additional viola part for duet version BA 8993 · approx. € 16.95


9 790006 564576

ISMN 979-0-006-56457-6


New Issue Title

Strings

Oskar Rieding: ConcertoinDmajorop.36

Violin part with enclosed violin/piano score

BA 10697 · approx. € 12.95


Oskar Rieding (1840–1918) is known to all young violinists for his easy-to-play concertos for violin and piano, of which opp. 34 to 36 remain entirely in first position. In op. 36 catchy melodies are coupled with first technical difficulties such as eighth-note arpeggios, 16th-note runs and chromaticism. These appear in small measures throughout the entire work.

The Concerto in D major is well-suited for younger student recitals.

• Concertpieceentirelyinfirstposition

• Idealforstudentswishingtoperformtheirfirstrecital

• Duration:approx.10minutes

9 790006 564583

ISMN 979-0-006-56458-3

Further Rieding works for violin:

Oskar RiedingMarcia op. 44, Rondo op. 22/3

BA 8982 · € 8.50

Concertino in Hungarian Stylein A minor op. 21 BA 8973 · € 8.50

Concerto in B minor op. 35 BA 8971 · € 8.50

Each edition consists of a violin part and an enclosed violin/piano score New Issue Title


New Issue Title

Strings

Jean-Baptiste Bréval:SonatainCmajorop.40

Cello part with enclosed cello/piano scoreBA 10698 · approx. € 12.95


Jean-Baptiste Bréval (1753–1823) was a member of the orchestra at the Paris Opéra and also a prolific composer. His works include concertos for cello, string quartets, comic operas and a violoncello tutor. However he is best-known for the Sonata in C major which has become a standard work for teaching purposes, even in arrangements for other instruments. The two movements (Allegro and Rondo Grazioso) can also be performed independently from one another. This sonata belongs to the basic repertoire of every young cellist.

• Idealforthefirst“proper”recital

• Ofmoderatetechnicaldifficultybutwithbrilliantimpact

• Duration:approx.8minutes

9 790006 564590

ISMN 979-0-006-56459-0

Further cello titles in this series:

Edward MollenhauerThe Boy PaganiniBA 10694 · € 8.95

Edward MollenhauerThe Infant PaganiniBA 10693 · € 8.95

Oskar RiedingConcerto in B minor op. 35BA 8984 · € 10.75

Friedrich SeitzConcerto in D major op. 22 BA 8987 · € 10.25

Each edition consists of a cello part and an enclosed cello/piano score.New Issue Title

An easy work with a great impact


New Issue Title

Winds

For the 2018 Debussy Year

ClaudeDebussy:Première Rhapsodie

forOrchestrawithSoloClarinetinBb

BÄRENREITER URTEXT

Edited by Douglas Woodfull-HarrisScore BA 7897 · approx. € 22.95

Version for clarinet and piano BA 7897-90 · approx. € 13.95

Wind setBA 7897-65 · approx. € 39.95

Violin 1 BA 7897-74 · approx. € 3.50 Violin 2 BA 7897-75 · approx. € 3.50 Viola BA 7897-79 · approx. € 3.50 Violoncello BA 7897-82 · approx. € 3.50 Double bass BA 7897-85 · approx. € 3.50


Debussy’s Première Rhapsodie is one of two concertante works completed, premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911.

While transferring the clarinet part from the already published version for clarinet and piano, he made a few subtle changes, particularly in m. 201, which has been a bone of contention among clarinettists for over a century.

The present scholarly-critical publication is the firstUrtextedition of the orchestral version. It draws on every known source and takes into account a previously ignored source that sheds new light on the piece.

• FirstUrtexteditionoftheorchestralversion

• Firstscholarly-criticaleditionofapioneeringworkforclarinet

• TrilingualForeword(Eng/Fr/Ger)withCriticalCommentary(Eng)9 790006 564354

ISMN 979-0-006-56435-4

BA 7897BA 7897-90

9 790006 564361

ISMN 979-0-006-56436-1

New Issue Title


New Issue Title

Zeitgenössische Musik

Romantic Flute Music

ElisabethWeinzierlandEdmundWächter:RomanticHitsfor two Flutes

28 pagesBA 10643 · € 12.95

Already published, not announced in previous New Publications Bulletins (replaces BA 8691)

Arrangements of familiar pieces for two flutes were very popular in the romantic era. This enabled works which were current at that time to be played in salons and at home. Folk songs, opera arias, piano and concert pieces were arranged by such figures as Giuseppe Gariboldi, Kaspar Kummer and Ernesto Köhler. Elisabeth Weinzierl and Edmund Wächter have selected and arranged the most beautiful and best-known pieces for this edition making these melodies accessible even to the less experienced musician.

From the contents: Robert Schumann: Frühlingsgruß / Carl-Maria von Weber: Hunters’ Chorus / Giuseppe Verdi: Ah! Gran Dio! Morir sì giovine / Vincenzo Bellini: Ma non fia sempre odiata / Felix Mendelssohn: Song without Words

• Well-knownmelodiesfromthegreatestRomanticcomposers

• Bothpartsequallycomprehensiveandeasy-to-play

9 790006 563241

ISMN 979-0-006-56324-1

Also published:

Douglas Woodfull-HarrisClassic Hits for 2 FlutesBA 10613 · € 13.95

New Issue Title


New Issue Title

For the composer’s 200th birthday in 2018

CharlesGounod:Messe solennelle

(SteCécile)

for Soloists (STB), Choir (SATB), Orchestra and Organ

BÄRENREITER URTEXT

Edited by Hans SchellevisPiano reduction by the editor

Score BA 8966 · approx. € 79.00

Vocal score (Lat) BA 8966-90 · approx. € 14.95

Wind setBA 8966-65 · approx. € 79.00

Organ BA 8966-67 · approx. € 23.95Violin I BA 8966-74 · approx. € 8.95

Violin II BA 8966-75 · approx. € 8.95Viola BA 8966-79 · approx. € 8.95

Violoncello BA 8966-82 · approx. € 8.95Double bass BA 8966-85 · approx. € 8.95


Sacred works occupy a large part of Charles Gounod’s œuvre. It was the Messe solennelle en l’honneur de Sainte Cécile that established his fame as a church composer. Its melodic invention and effective handling of the orchestra reveal a close proximity to opera.

This Urtext edition is based not only on the original print of 1856 but also on copyists’ manuscripts and autograph sources. Rounding off this well-researched Urtext edition are an informative Introduction and a detailed Critical Commentary. The edition is being published to celebrate the 200th anniversary of Gounod’s birth.

• Gounod’swell-knownmassinanewUrtextedition

• BilingualForeword(Ger/Eng)andCriticalCommentary(Eng)

• Idiomaticpianoreduction

• InpreparationfortheGounodbicentenaryyear2018

BA 8966-90

Choir

9 790006 564002

ISMN 979-0-006-56400-2

New Issue Title


New Issue Title

Major opera choruses from the 17th to 19th centuries

Choir

BärenreiterAlbumofOperaChoruses

formixedchoir

Edited by Tilman MichaelBA 6924 · approx. € 16.95

To appear in July 2017This album for mixed choir and piano contains a selection of richly varied choruses from Italian, French, German, English and Russian operas from the 17th to 19th centuries, illuminating the great diversity of the genre. Choruses from the following operas are included:

Claudio Monteverdi: L’Orfeo / George Frideric Handel: Acis and Galatea HWV 49b / Christoph Willibald Gluck: Alceste (Vienna version 1767) / Wolfgang Amadeus Mozart: Idomeneo K. 366 / Franz Schubert: Fierabras D. 796 / Vincenzo Bellini: Norma / Camille Saint-Saëns: Samson et Dalila / Georges Bizet: Carmen / Pyotr Ilyich Tchaikovsky: Eugene Onegin (cyrillic text with transliteration)

• Foreword(Ger/Eng)whichplacesthechorusesintheirdramatic

contextandincludessuggestionsforstudyandinterpretation

• NotesonpronounciationoftheRussiansongtext• Inalargeformat(23x30cm)

9 790006 562350

ISMN 979-0-006-56235-0

New Issue Title

The editorTilmanMichaelworked at the Hamburg State Opera and the Mannheim National Theatre before being appointed choral director at the Frankfurt Opera in 2014.


New Issue Title

Selected Telemann Works

BA 5857

42 6 6

© 2009 by Bärenreiter-Verlag, Kassel

42

6 42

13

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6 6

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Basso continuo

Violino

Andante

TWV 41:F4Solo 1


8

4

VioloncelloViolone 6

76

Organo

BassoWar um be trübst du dich, mein Herz?

Tenore8

War um be trübst du dich, mein Herz?

Solo

Der Herr hat mich verOboe II

AltoWar um be trübst du dich, mein Herz?

Oboe ICanto


Viola dagamba

Viola

Violino II

Violino I

1. Choral ed AriosoAdagio

131

las sen, ver lassen! Der Herr hat mein ver ges

sen, der

6

76

66

6

*) Geraddruck zeigt an, daß die betreffende Stimme von Telemann geschrieben wurde.

**) Vgl. den Kritischen Bericht, S. XXI.

**)

**)

*)

Warum betrübst du dich, mein Herz

TVWV 1: 1499

10

7

13

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42

BA 5857

Basso continuoBasso continuo

Telemann-Poster.indd 1 24/02/2017 12:23

Telemann Year 2017

SacredChoralMusicChristus, der ist mein Leben TVWV 1:138BA 5897-90 · € 13.50

Die Auferstehung und Himmelfahrt Jesu TWV 6:6BA 5851-90 · € 29.95

Harmonischer GottesdienstLent and Easter CantatasBA 5895 · € 32.95

Der Tod Jesu – Betrachtung der neunten Stunde am Todestage Jesu TVWV 5:5, 5:6BA 5853-90 · € 30.95

Der für die Sünde der Welt leidende und sterbende Jesus TVWV 5:1BA 5863 · € 282.00

Die Donnerode TVWV 6:3BA 5900-90 · € 15.95

InstrumentalWorksTwelve Fantasias for Flute without Bass TWV 40:2-13BA 2971 · € 10.50

Concerto for Viola, Strings and Basso continuo in G major TWV 51:G9BA 5878 · € 19.50

Three Concertos for Violin and Orchestra TWV 51:a1 in A minor, 51:D9 in D major, 51:g1 in G minorBA 5876-90 · € 17.95

Concerto for two Violins (Flute and Violin), Viola and Basso continuo in D minor TWV 43:d2BA 5875 · € 13.95

Two Sonatas for Oboe and Basso continuofrom “Essercizii musici”BA 5889 · € 21.50

Nine Sonatas for two Transverse Flutes without Figured Bass TWV 40:141-149BA 5888 · € 28.95

Twelve Methodical Sonatas for Violin or Flute and Basso continuo. Volume 1BA 2241 · € 14.95

Sonata for Flute and Basso continuo No. 1 in B minor TWV 41:h4 “Tafelmusik I”BA 3537 · € 9.25

Bärenreiter“Notes”Telemann green Size: DIN A 6, 32 pagesBA 8100-24 · € 0.75

Poster

Georg Philipp Telemann Size: DIN A 1 long (42 x 118,8 cm) SPA 50_73 · free of charge



New Issue Title

21 Vorschau 2/2017 · Das Programm

BA 5857

42 6 6


42

6 42

13

7 6 7 6 6 65

6 6

10

7 6 64

5 6 7 9 6 6 64

5

7

6 6 6 65

6 65

64

5 6

3

42

6 6 6 5 6

Basso continuo

Violino

Andante

TWV 41:F4Solo 1


8

4

VioloncelloViolone 6

76

Organo

BassoWar um be trübst du dich, mein Herz?

Tenore8


Solo

Der Herr hat mich verOboe II

AltoWar um be trübst du dich, mein Herz?

Oboe ICanto


Viola dagamba

Viola

Violino II

Violino I

1. Choral ed AriosoAdagio

131

las sen, ver lassen! Der Herr hat mein ver ges

sen, der

6

76

66

6

*) Geraddruck zeigt an, daß die betreffende Stimme von Telemann geschrieben wurde.

**) Vgl. den Kritischen Bericht, S. XXI.

**)

**)

*)

Warum betrübst du dich, mein Herz

TVWV 1: 1499

10

7

13

10

13

42

BA 5857

Basso continuoBasso continuo

Telemann-Poster.indd 1 24/02/2017 12:23

from: Twelve Fantasias for Flute without Bass TWV 40:2-13 · BA 2971

from: Three Concertos for Violin and OrchestraTWV 51:a1 in A minor, TWV 51:D9 in D major, TWV 51:g1 in G minor · BA 5876-90

250th anniversary of Telemann's death


New Issue Title

Solo Voice

AntonínDvořák:GypsySongsop.55forVoiceandPiano

BÄRENREITER URTEXT

Edited by Veronika VejvodováVocal texts: (Cz/Eng/Ger)

High Voice BA 10431 · approx. € 12.50

(replaces H 1559)

Low VoiceBA 10432 · approx. € 12.50

(replaces H 1739)


Dvořák’s song cycle Gypsy Songs op. 55 on words by the Czech poet Adolf Heyduk, were written at the beginning of 1880 at the request of the Bohemian tenor Gustav Walter, a member of the Vienna Court Opera and the work’s dedicatee. For this Urtext edition the editor Veronika Vejvodová has taken the original print as her main source. The edition appears in two volumes, one for high voice and another for low voice.

• Thirdvolumefromthenewfive-volumeUrtexteditionofDvořák’s

completesongs

• Oneofthemostpopularandbest-knownsongcyclesofthe

romanticrepertoire

• ExtensiveForeword(Cz/Eng/Ger)andCriticalCommentary(Eng)

bytheeditor

• Vocaltextsinthreelanguages(Cz/Eng/Ger)

Contents1. I chant my lay, a hymn of love2. Hark, how my triangle3. Silent and lone the woods around4. Songs my mother taught me5. Tune thy strings, oh gypsy6. In his wide and ample, airy linen vesture7. Cloudy heights of Tatra

Already published:

Cypresses for Tenor and Piano (B 11)BA 9569 · € 23.95

Antonín DvořákSongs II for High Voice and PianoBA 11517 · € 28.95

Songs II for Low Voice and PianoBA 11518 · € 28.95

BA 10432 BA 10431

9 790260 107793

ISMN 979-0-2601-0779-3

9 790260 107786

ISMN 979-0-2601-0778-6

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One of the most popular romantic song cycles


New Issue Title

Solo Voice

FranzSchubert:SelectedOperaAriasfor Baritone

BÄRENREITER URTEXT

Edited and arranged byPatrick RadeletBA 5655 · approx. € 27.95


Schubert’s operas contain a wealth of magnificent music. This anthology of opera arias for baritone with piano accompaniment presents a delightful selection from Des Teufels Lustschloss, Adrast, Die Freunde von Salamanka, Alfonso und Estrella and Fierabras.

An enclosed violoncello part for the aria “Wo find ich nur den Ort, mein Haupt zur Ruh zu legen” (Alfonso und Estrella) makes it possible to perform this piece in a chamber music setting.

• UrtexteditionbasedontheNew Schubert Edition

• Trilingualtexts(Ger/Eng/Fr)withaninformativeForeword,notes

onthearias’dramaticcontextandliteraltranslationsofthearia

textsintoEnglishandFrench

• Idiomaticeasy-to-playpianopart

Lyrical and dramatic gems

9 790006 562152

ISMN 979-0-006-56215-2

from: “Wo find ich nur den Ort, mein Haupt zur Ruh zu legen” (Alfonso und Estrella)


New Issue Title

Study Scores

Study score now with transposed part for clarinet in B-flat

Bohuslav Martinů: NonetNo.2H374

forFlute,Oboe,Clarinet,Bassoon,Horn,Violin,Viola,VioloncelloandDoubleBass

BÄRENREITER URTEXT

Edited by Jitka Zichová

Study scoreTP 440 · approx. € 22.50

(replaces H 3022)


Performance materialavailable on hire

Martinů’s Nonet No. 2 was composed in 1959, the final year of his life. It was commissioned by the ensemble Czech Nonet which premiered the piece at the Salzburg Festival and it appeared in print posthumously in autumn of that same year.

The principal source for this edition was Martinů’s autograph score. A photo-reproduction of the autograph with handwritten entries by the performers was used as a reference source as well as the first edition, which includes several amendments made by the Czech Nonet and authorised by the composer. Also taken into account were the corrections found in the correspondence between Martinů and violinist Emil Leichner, the ensemble’s artistic director. Unlike the version in the complete edition, the clarinet part has been transposed for the clarinet in B-flat.

• FirstUrtexteditionbasedonThe Bohuslav Martinů Complete

EditionIV/4/1(ChamberMusicfor6–9InstrumentsI)

• Forewordbytheeditor(Cz/Eng/Ger)9 790260 108455

ISMN 979-0-2601-0845-5


New Issue Title

Study score now with transposed part for clarinet in B-flat

Study Scores

Dvořák’s famous masterpiece now in a study score

AntonínDvořák:ConcertoinAminorfor Violin and Orchestraop.53

BÄRENREITER URTEXT

Edited by Iacopo Cividini

Study scoreTP 422 · approx. € 14.95(replaces H 1004)


This study score is based on our recently published new scholarly-critical edition (BA 10422) of Dvořák’s op. 53, his only violin concerto. Besides the original print, the edition takes into account Dvořák’s autograph, which served as a model for the engraving. A fresh evaluation of the autograph has made it possible to reconstruct several variants ignored in the first and subsequent editions and to clarify ambiguities in notation and articulation.

• StudyscorebasedonthenewBärenreiterUrtextedition

• Variantsinthesolopartasossiapassages

• Forewordbytheeditoronthework’sgenesis(Ger/Cz/Eng)

9 790260 107694

ISMN 979-0-2601-0769-4


New Issue Title

New publications up to May 2017

Contemporary Music

DieterAmmannglutfororchestraBA 11151-72

DieterAmmannVIOLATIONfor violoncello and ensembleBA 11138-72

MiloslavKabeláč Two Fantasiasfor organH 8028

MatthiasPintscher mar’ehfor violin and ensembleBA 11150-72

AndreaLorenzoScartazzini EdwardIIOpera in ten scenes BA 11141-72

CharlotteSeitherFünfStückeumdenFlusszuquerenfor orchestra BA 11140-72

Miroslav SrnkaSouth Pole.A double opera in two partsBA 11147-72

Manfred TrojahnFour women from Shakespearefor soprano and ensembleBA 11149-72

Matthias PintscherPhoto: Franck Ferville

Charlotte SeitherPhoto: Marko Bussmann

Manfred TrojahnPhoto: Dietlind Konold

Dieter Ammann

Music example from: Srnka, South Pole · BA 11147-72

Miroslav SrnkaPhoto: Vojtěch Havlík

Miloslav Kabeláč Andrea L. ScartazziniPhoto: Janis Huber


New Issue Title

Autograph score and original parts reunited

PeterWollny(Editor):JohannSebastianBach“OEwigkeit,duDonnerwort”BWV20 Cantataforthe1stSundayafterTrinity

Faksimile-Reihe Bach’scher Werke und Schriftstücke. Neue Folge, edited by the Bach Archive Leipzig, Volume IXDocumenta musicologica II/52

Autograph score and original parts:Two 4-colour facsimile fascicles (24 + 64 pp, each in a facsimile cover) and a Commentary booklet (Ger/Eng, 16 pp) in a slipcaseBVK 2447 · € 289.00

Already published, not announced in previous New Publications Bulletins

Johann Sebastian Bach opened the second year of his Leipzig church compositions on 11 June 1724 with a performance of the cantata “O Ewigkeit, du Donnerwort”. The work is based on a church hymn by Johann Rist that depicts, in riveting language, the terrors of the Last Judgment and the torments of Hell, followed by an admonition to live a life pleasing to God. The poem inspired Bach to write one of his most impressive church compositions altogether.

This remarkably extensive score with twelve sheets sheds particularly instructive and detailed light on Bach's creative process. The Bach Archive Leipzig acquired this priceless manuscript at the end of 2016, making it possible for the first time to reunite the original performance material and the handwritten score of a Bach chorale cantata. Our facsimile edition complements the edition of BWV 20 presented by James Webster almost 50 years ago in volume I/15 of the New Bach Edition.

• Autographscorereunitedwith

the original parts

• Limitededitionof250copies

• WithaCommentaryby

PeterWollny(Ger/Eng)

Limited edition


New Issue Title

“The story of my love ... my torments, my harrowing dreams” Hector Berlioz

The seal is used exclusively for facsimile editions published by Bärenreiter which meet the highest demands in both scholarly and technical terms.

Features include:l Facsimile in high-quality colour printingl Scholarly commentary

Love and insanity, tenderness and vulgarity bordering on the grotesque: Hector Berlioz never avoided extremes, neither in his life nor in his oeuvre. His entire Symphonie fantastique is pervaded by a musical “idée fixe” representing a woman he adored. The symphony brought about his breakthrough and has remained popular ever since.

The impact of his masterly approach to composition, especially in the treatment of the orchestration, could still be felt in the 20th century. Berlioz revised the work for years before it finally reached its definitive version.

204 159–163 IV IV 164–170 205


New Issue Title

Faksimile Berlioz

HectorBerlioz:Symphoniefantastiqueop.14

Facsimile of the autograph score held in the Bibliothèque nationale de FranceWith a Commentary by Hugh MacdonaldDocumenta musicologica II/53approx. 290 pp. of facsimile and 20 pp. of Commentary (Eng/Ger/Fr)Half-leather bindingBVK 1601approx € 695.00


He entered many of these changes in the autograph score, which was also used for performances, by pasting strips of paper over the bars or parts in question.

This facsimile edition, in high-quality four-colour reproduction, presents the manuscript as it is today – with strips of paper that can be folded out, making both versions visible.

Hugh Macdonald, General Editor of the New Berlioz Edition, explains the work’s genesis and presents particular passages from each movement.


New Issue Title

Complete Editions

New publications up to May 2017

ConcentusMusicus,VolumeXVINiccolòPiccinni,LabuonafigliuolaEdited by Francesco Paolo RussoBA 8392-01

The Bohuslav Martinů CompleteEdition,SeriesVI/2,Volume3CantatasontextsbyMiloslavBurešEdited by Vít ZouharBA 10575-01

HeinrichSchützNewEditionoftheCompleteWorks,Volume36PolychoralChurchConcertosEdited by Claudia TheisBA 4488-01

NewEditionoftheCompleteWorks,Volume 1 HistoriaderGeburtJesuChristiSWV435New revised edition. Edited by Bettina VarwigBA 5953-01

GeorgPhilippTelemannMusicalWorks,Volume65MusicforChurchConsecrationsIIEdited by Wolfgang HirschmannBA 7815-01

Music example from: Schütz, New Edition of the Complete Works, Volume 1: Historia der Geburt Jesu Christi SWV 435BA 5953-01


New Issue Title

Tracking down an enigma of music history

ClaudioMonteverdi:L’incoronazionedi Poppea Opera regia

BÄRENREITER URTEXT

Edited by Hendrik Schulze et. al.

ScoreBA 8792 · approx. € 110.00


Vocal score in preparation

Performance material (performance score and continuo part) available on hire

L’incoronazione di Poppea, Claudio Monteverdi’s final opera, had a formative impact on the evolution of this genre. Yet its convoluted source situation makes it one of music history’s great enigmas. There are practically no references to the original version that Monteverdi performed in Venice in 1643, as the score has not survived.

To celebrate the 450th anniversary of Monteverdi’s birth, this operatic masterpiece is appearing in an edition close to the presumed original. The new edition is based on the score prepared in Venice and found among the possessions of Francesco Cavalli.

This scholarly edition came about due to a remarkable project at the University of North Texas; it was compiled and edited by Hendrik Schulze and his students on the basis of the latest research findings concerning source evaluation, performance practice and the historical context.

• DetailedIntroductiontoquestionsregardingsourcesand

interpretation(Eng/Ger)

• Extensivecriticalapparatus(Eng)

• LibrettoeditedbyNicolaBadolatowithtexttranslations

(Ital/Eng/Ger)

• AppendixwithalternativereadingsfromtheNaplessource

9 790006 533091

ISMN 979-0-006-53309-1

Opera


New Issue Title

Orchestra

Classical masterpiece in a new Urtext edition

BedřichSmetana:Šárka

SymphonicPoemforOrchestra

BÄRENREITER URTEXTEdited by Hugh Macdonald


To appear in December 2017

Performance materialavailable on hire

Composed in January–February 1875, Šárka is the third symphonic poem in Smetana’s six-part cycle Má vlast (My Fatherland). He first published it in a version for piano-duet issued by publisher Urbánek in 1880. The score of the first edition did not appear in print until 1888, four years after Smetana’s death.

Owing to the many errors in the first edition, Hugh Macdonald has based this new edition on the autograph score with annotations by Adolf Čech, who conducted the premiere on 17 March 1877. The autograph and print of the piano-duet version served as additional sources.

• ClassicalmasterpieceofCzechmusicinanewscholarly-critical

edition

• FollowsonfromHughMacdonald’sUrtexteditionofVltava

(TheMoldau)

• DetailedForewordbySmetanaexpertOlgaMojžíšová

(Eng/Cz/Ger)andCriticalCommentarybytheeditor(Eng)

9 790260 108042

ISMN 979-0-2601-0804-2

Already published:

Bedřich Smetana: Vltava (The Moldau)

BA 9558 Score · € 39.95

Performance materialavailable on sale

New Issue Title


New Issue Title

Orchestra

JosephHaydn:SymphonyinCmajorHob.I:90

URTEXTEdited by Andreas Friesenhagen


Wind set BA 10981-65 · approx. € 46.95

Violin I BA 10981-74 · approx. € 9.95Violin II BA 10981-75 · approx. € 9.95Viola BA 10981-79 · approx. € 9.95Violoncello BA 10981-82 · approx. € 9.95Double bass BA 10981-85 · approx. € 9.95

To appear in August 2017

Haydn’s Symphony in C major Hob. I: 90, dated 1788 in the autograph, belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82–87) and the London symphonies (Hob. I: 93–104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791–92 and 1794–95. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. With Symphony No. 90, Bärenreiter has now published the complete performance material for all the symphonies from Nos. 82 to 104 as well as several Sturm und Drang symphonies.

• BasedontheG.HenleCompleteEditionoftheWorks of Joseph Haydn

• Orchestralpartsinalargeformat(25.5x32.5cm)

Continuing the publication of the Haydn symphonies

9 790006 564620

ISMN 979-0-006-56462-0

New Issue Title

More new Haydn repertoire:

Joseph HaydnLate Piano SonatasEdited by Bernhard Moosbauer and Holger M. StüweWith notes on performance practice and fingerings by Rebecca MaurerBA 10804 · approx. € 24.50To appear in September 2017


New Issue Title

TheAuthoritativeMusicEncyclopedia –Now Online

MGG Online is the new digital encyclopedia for music researchers worldwide.

It is based on the second edition of Die Musik in Geschichte und Gegenwart, the authoritative reference work that has supported music scholarship since 1949, and features newly written articles and regular updates.

MGG Online has been developed by Bärenreiter and J. B. Metzler in partnership with Répertoire International de Littérature Musicale (RILM).

Extensive Content Covering All Music Disciplines

MGG Online features the content of the second edition of Die Musik in Geschichte und Gegenwart with more than 19,000 articles:

● More than 18,000 biographical articles cover composers, singers, instrumentalists, and theorists. Many of these articles are in the area of jazz and popular music. There are also articles covering literary fi gures, ensembles, publishers, librettists, philosophers, musicologists, and stage directors.

● About 1300 subject articles focus on periods, countries, regions, and cities, sources, genres, and instruments. In addition, there are comprehensive articles on institutions (including music libraries), music iconographical subjects, and relationships to the other arts. MGG‘s unique breadth of scope is illustrated by the inclusion of articles on music as it relates to history, philosophy, law, the natural sciences, and other topics.

MGG_Online_Vorschau_DS_engl_Gn.indd 2 10.02.2017 14:00:11

Continuously Updated Content

Bärenreiter and J. B. Metzler are responsible for the content of MGG Online, ensuring that the encyclopedia remains comprehensive and authoritative.Hundreds of articles have been revised, updated, or newly written by internationally recognized authorities in their fi eld.

Technologically Advanced Presentation

RILM has built a new platform, whichsearches every corner of MGG Online to identify material relevant to the researcher’s objective. Current features include:

● Sortable lists of works and bibliographies

● Powerful platform with the most

advanced search and browse capabilities

● Easy toggling between current and older

versions of each article

● Automatic translation from German

into over 100 languages via

Google Translate integration

● User accounts where annotations can

be created, saved, and shared

● Links to related content in

RILM Abstracts of Music Literature

● An interface compatible with mobile and

tablet devices

Like the content of MGG Online, the platform will be enhanced on an ongoing basis.

Visit rilm.org/mgg-online/ for subscription information or to request a free 30-day trial for your institution.


New Issue Title

Continuously Updated Content

Bärenreiter and J. B. Metzler are responsible for the content of MGG Online, ensuring that the encyclopedia remains comprehensive and authoritative.Hundreds of articles have been revised, updated, or newly written by internationally recognized authorities in their fi eld.

Technologically Advanced Presentation

RILM has built a new platform, whichsearches every corner of MGG Online to identify material relevant to the researcher’s objective. Current features include:

● Sortable lists of works and bibliographies

● Powerful platform with the most

advanced search and browse capabilities

● Easy toggling between current and older

versions of each article

● Automatic translation from German

into over 100 languages via

Google Translate integration

● User accounts where annotations can

be created, saved, and shared

● Links to related content in

RILM Abstracts of Music Literature

● An interface compatible with mobile and

tablet devices

Like the content of MGG Online, the platform will be enhanced on an ongoing basis.

Visit rilm.org/mgg-online/ for subscription information or to request a free 30-day trial for your institution.


New Issue Title

ImprintBärenreiter-VerlagKarl Vötterle GmbH & Co. KGHeinrich-Schütz-Allee 35-3734131 Kassel · Germany

Errors excepted; price changes and delivery terms subject to change without notice. Content valid as of June 2017.

[email protected]

Printed in Germany1/1706/5 · SPA 042

Artist photos pages 1, 10, 11: Marco Borggreve

Design of pages 10, 11, 20, 21: DW Cre8tive

Telemann picture: © Universitätsbibliothek Frankfurt, Staatsbibliothek zu Berlin des Telemann-Zentrums Magdeburg.

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