yuichi hirako, galleri christoffer egelund

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GALLERI CHRISTOFFER EGELUND BREDGADE 75 DK-1260 COPENHAGEN K DENMARK +45 33939200 [email protected] WWW.CHRISTOFFEREGELUND.DK YUICHI HIRAKO

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Antrophomorphic creatures inhabit the sprouting scenes of Yuichi Hirakos paintings and for a while the rooms of Galleri Christoffer Egelund as well when the plant-like beings seem to have crawled from the canvases into the rooms as sculptures. The renaissance artist Giuseppe Arcimboldo painted fantastic portrait heads made out of flowers, vegetables or fruits. In Hirakos paintings it seems like these plant people have been attributed bodies to walk around in a fairytale-like universe. Animated brushwork and pulsating colouring forms a world where the boundaries between culture and nature, man and plant and indoors/outdoors are non-existent. In the large painting Lost in Thought 3 the picture plane is divided into several fragments by a tree that embraces the entirety of the painting’s fictive universe. The paint runs down the bark like resin and mimics the natural deposition of material. Two vases containing stylised flowers are placed in the bottom right corner of the painting. Potte

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GALLERI CHRISTOFFER EGELUNDBREDGADE 75DK-1260 COPENHAGEN KDENMARK+45 [email protected]

YUICHI HIRAKO

GALLERI CHRISTOFFER EGELUNDBREDGADE 75DK-1260 COPENHAGEN KDENMARK+45 [email protected]

YUICHI HIRAKO

YUICHI HIRAKOMemories of My Garden / Shitting Man With a Purple Bird, 2010

Acrylic on canvas, 91 x 72,7 cm

“We have various relationships with plants. We live together with house

plants indoors, or we longingly re- create quasi-forests in gardens or

parks. Some of our ancestors also gave special meaning to them. In my

country, Japan, even plants have been given a God-like symbol of wor-

ship called “Shinboku.” Although plants live so close to us and share

our living space with us, we might not be as conscious of their presence

compared to other living beings that coexist with us. We do not share

a bed with plants, nor do we directly communicate with them as we

might do with other living beings. Despite their close presence, there

is a clear boundary between humans and plants in the physical world.

The forests have been identified as both a place of sacredness and

a habitat for devils. They have been viewed as uncivilized, barbaric

objects of hate in Christianity and as holy sanctuaries among Animists in

my country Japan, although such associations might not be as prevalent

today. Nevertheless, these associations have something to do with the

supernatural, something that transcends our human understanding.

If the plants are the children of the forests, they might really be the

incarnations and more easily accessible versions of spirits, the Divine,

or the Devil. Since plants are so unconsciously part of our daily life in our

modern society, I see a lot of instances where the relationship between

the plants and us humans is very ambiguous. The ambiguity stirs up

my imaginations and imageries of various rich contexts between the

human beings and the plants, and it inspires my works a great deal.”

YUICHI HIRAKO

YUICHI HIRAKOMemories of My Garden / Boy 22, 2012

Plaster, wood and lacque, 12 x 35 x 90 cm.

YUICHI HIRAKOMemories of My Garden / Boy 29, 2012

Plaster, wood and lacque, 14 x 30 x 84 cm.

YUICHI HIRAKOHamlet 1, 2012

Acrylic on canvas, 162 x 130,3 cm.

YUICHI HIRAKOHamlet 2, 2012

Acrylic on canvas, 162 x 130,3 cm.

YUICHI HIRAKOInstallation view, 2013

Courtesy Galleri Christoffer Egelund

YUICHI HIRAKOMemories of My Garden / Red Short Sleeves, 2010

Acrylic on canvas, 45,5 x 53 cm.

YUICHI HIRAKOFamiliar Sight, 2012

Acrylic on canvas, 400 x 200 cm.

YUICHI HIRAKOMemories of My Garden / Boy 21, 2012

Plaster, wood and lacque, 22 x 15 x 52 cm.

YUICHI HIRAKOMemories of My Garden / Man 4, 2012

Plaster, wood and lacque, 22 x 15 x 58 cm.

YUICHI HIRAKOYggdrasil 1, 2012

Acrylic on canvas, 130.3 x 162 cm.

YUICHI HIRAKOInstallation view, 2012

Courtesy Galleri Christoffer Egelund

YUICHI HIRAKOTrace the Origin, 2012

Acrylic on canvas, 200 x 400 cm.

YUICHI HIRAKOInstallation view, 2012

Courtesy Galleri Christoffer Egelund

YUICHI HIRAKOTree House 4, 2012

Acrylic on canvas, 130,3 x 162 cm.

YUICHI HIRAKOThe Leaf Vein VII, 2012

Ink on paper, 31 x 22 cm.

YUICHI HIRAKOThe Leaf Vein II, 2012

Ink on paper, 31 x 22 cm.

YUICHI HIRAKO1982 Born in Okayama, Japan

2006: B.F.A., Wimbledon College of Art, BA (Hons) Fine Art.

Lives and works in Tokyo

[Solo exhibitions]

2012: The Wooden Clapper, The Drawing Room, Manila, The Philippines

2012: Selected Forest, Satellite, Okayama, Japan

2012: Advanced Plants, WALL/H.P.FRANCE, Tokyo, Japan

2012: The Green Pieces, GALLERY MoMo Ryogoku, Tokyo, Japan

2012: Memories of My Garden : Hidden Forest, INAX Gallery, Tokyo, Japan

2012: Memories of My Garden : Mistletoe, Tokyo Wonder Site Art Cafe kurage,

Tokyo, Japan

2012: Sleeping in the Pine Forest, Galleri Christoffer Egelund, Copenhagen,

Denmark

2011: Yuichi Hirako Art Works, SATELLITE, Okayama, Japan

2011: Memories of My Garden : Song, Tokyo Wonder Site Hongo, Tokyo, Japan

2011: Tokyo Wonder Wall 2011 at Tocho, Skywalk Exhibition Space at Tokyo

Metropolitan Government, Tokyo, Japan

2010: Yuichi Hirako : Memories of My Garden, GALLERY MoMo Ryogoku, Tokyo,

Japan

[Group exhibitions]

2012: XMAS’12, Galleri Christoffer Egelund, Copenhagen, Denmark

2012: SUMMERTIME 12, Galleri Christoffer Egelund, Copenhagen, Denmark

2012: Back to the Nature, Fuma Contemporary Tokyo, Tokyo, Japan

2011: Mr,I Prize, Okayama Tenjinyama Plaza, Okayama, Japan

2011: XAS’11, Galleri Christoffer Egelund, Copenhagen, Denmark

2011: D Art Biennale Art Award 2011, Y++ Gallery Triwizart, Beijing, China

2011: D Art Biennale, Daitec, Aichi, Japan

2011: Arts Challenge 2011, Aichi Arts Center, Aichi, Japan

2011: Regenerate- Part.1, GALLERY MoMo Ryogoku, Tokyo, Japan

2010: The 10th Gunma Biennale for Young Artists 2010, The Museum of Mod-

ern Art, Gunma, Japan

2010: Tokyo Wonder Wall 2010, Museum of Contemporary Art, Tokyo, Japan

2009: Amuse Art Jam 09, The Museum of Kyoto, Kyoto, Japan

2009: Shell Art Award 2009, Daikanyama Hill Side Forum, Tokyo, Japan

2009: TOKYO WONDER SEEDS 2009, WONDER SITE Sibuya, Tokyo, Japan

2008: GEISAI 11, Tokyo Big Site, Tokyo, Japan

2006: Amuse Art Jam 06, The Museum of Kyoto, Kyoto, Japan

2006: Stepsiblings, Temporary Contemporary, London, UK

2005: Cocktail, Nolia’s Gallery, London, UK

2005: Free Range, G3 Gallery, London, UK

2005: ’05Degree show, Wimbledon School of Art, London, UK

[Others]

2012-2013: Permanent Exhibition, Tokyo Wonder Site Hongo, Tokyo, Japan

[Art Fairs]

2012: Art Taipei

2012: Art Copenhagen

2012: Art Gyeongju

2012: ArtMrkt San Francisco

2012: Young Art Taipei

2012: Art Herning

2010: ULTRA 03

2010: Art Fair Kyoto

[Awards]

2011: D Art Biennale, Outstanding Performance Award

2011: Arts Challenge 2011, Finalist Nominated

2010: The 10th Gunma Biennale for Young Artists 2010, Finalist Nominated

2010: Tokyo Wonder Wall 2010, Tokyo Wonder Wall Prize

2009: Shell Art Award 2009, Finalist Nominated

YUICHI HIRAKOGreen Ax 3, 2012

Modified Ax, wood and acrylic, 100 x 18 x 5 cm.

GALLERI CHRISTOFFER EGELUNDBREDGADE 75DK-1260 COPENHAGEN KDENMARK+45 [email protected]

GALLERI CHRISTOFFER EGELUNDBREDGADE 75DK-1260 COPENHAGEN KDENMARK+45 33939200MON-FRI 11AM-6PMSAT. 12PM-4PM