zz top - early classics

Intro Free time

Words and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard

A Fool for Your Stockings

Copyright © 1979 Music Of Stage ThreeAll Rights Administered by Stage Three Music (US) Inc., a BMG Chrysalis company

All Rights Reserved Used by Permission

from ZZ Top - Degüello

Moderately slow q = 77

= 3 3 Gtr. 1(clean)

Gtr. 1: Drop D tuning:(low to high) D-A-D-G-B-E

fw/ fingers

*D7

let ring **let ring

*Chord symbols reflect basic harmony.

1/2 1/2

**6th string only

let ring

____= 3

Gtr. 1 tacet

Am7

Gtr. 4 tacet

Is1. it

3

Gtr. 4 (clean)

mp

†

†Played as even eighth-notes.

1 1

***Gtrs. 2 & 3 (clean)

mfw/ fingers

***Composite arrangement

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12 12 1012

0 0

44

55

44

55

44

55

44

55

44

55

55

1010

12 12 1012

0

444

555

444

555

444

555

555

777

777

888

777

555

777

555

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10 13 15 15

01

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1

you

VerseGtr. 2 tacet

Am7

a gain- out

Dm7/A

side- just bang

Am7

in’- on the front

*

Dm7/A

3

door? You said

Am7

you had e

Dm7/A

nough,- now you’re

3 3 3 3

Gtr. 3

Rhy. Fig. 1

*Swing behind the beat.

com

Am7

in’- back for more.

Dm7/A3

But that’s al

Dm7

right,-

3

C/D Dm7 C/D

I said that

3 3

End Rhy. Fig. 1 Rhy. Fig. 2

that’s

Am7

al right.-

Dm7/A3

Am7

Dm7/A

I

C

may not want to ad mit- it,

33 3


Bm7

I’m just a fool for your

E9sus4

stock ings- I be lieve.-

Am7 Dm7/A Am7 Dm7/A

Now,2. I

33 3 3 3

Gtr. 2

3

Gtr. 3

let ring let ring End Rhy. Fig. 3

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211

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2

232

232

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don’t

VerseGtr. 2 tacetGtr. 3: w/ Rhy. Fig.1 (1st 3 meas.)

Am7

mind when you

Dm7/A

send mon ey-

3

and bring

*Sung as even eighth-notes.

Am7

your girl friends

Dm7/A

- with

*

you. But how

Am7

could one be

Dm7/A

so thought less,-

3

to try

3 3 3

Am7

and have, ah, less

Dm7/A

than two?

3

But that’s al right,

Dm7

-

C/D Dm7 C/D

I said that that’s

3 3 3 3

Gtr. 3

al

Am7

right,- ba

Dm7/A

by.-

3

Am7 Dm7/A

I may

C

not

**

want to ad mit- it,

33 3

**Sung as even eighth-notes.

Bm7

I’m just a fool for your stock

E9sus4

ings- I be lieve,- ba

Am7

by.-

3 Dm7/A

3 3

Gtr. 2

3

Gtr. 3

let ring let ring

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3

Gtr. 2

Guitar SoloGtr. 3 tacet

Am7

3 3 3 3 3 3

1/4

Gtr. 2

3

C/D

3 3 3 3

3 33

3 3

1/2 1/4 1/2

Gtr. 3

Rhy. Fig. 4 End Rhy. Fig. 4

Am7 C

33 3 3 3 3

1/2

775

886

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55

55

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775

886

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553

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5 775

55

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77 9

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7

010

3

010

3

010

010

3

4

Bm7 E9sus4

Am7

3 3 3

3 531/4

let ring let ring

Gtr. 2

Gtr. 3 tacet

3 3 3 3

31/41/41/4 1/41/41/4

Gtr. 3: w/ Rhy. Fig. 4

C/D

3 33

3 33

3

3

1/2 1/21/41/41/4

Gtr. 2

Am7

3

C*

5 3

*Played behind the beat.

2 1/2 1/4 1 1 1/2

Gtr. 3

5 75 7 7 8 7 5 7

75 7 5

77

7 5 7

109 7 5 5

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775

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77

5 7 57

77

57 5 3 5

3 5 3

10 10 13 16 13 1313 13 13 13

01

01

010

3

010

3

010

010

3

5

Gtr. 3: w/ Rhy. Fig. 3 (last 3 meas.)

Bm7

E9sus4 Am7

Dm7/A

Gtr. 2 tacet

Am7 Dm7/A

Now,3. I’m

3

Gtr. 2

3 3 5

66

1/2

tell

VerseGtr. 3: w/ Rhy. Fig. 1

Am7

in’- ev ’ry-

Dm7/A

bod- y,-

3

well, it seems

Am7

too good to be

Dm7/A

true. But sweet

Am7

things can al

Dm7/A

ways- get sweet er.- I

3 3 3 3 3

know

Am7

mine

3

did, how

Dm7/A

’bout you?

3

Yes, it’s al


Dm7

right.-

C/DGtr. 2 tacet

Dm7 C/D

I

3

said, yeah, I

3 3

Gtr. 2

said

Am7

yes it is. That’s

Dm7/A

al right.-

3

Am7 Dm7/A

I may


*Sung as even eighth-notes.

C

not want to ad

*

mit- it,

33 3

Bm7

I’m just a fool for your

E9sus4

stock ings- I be lieve.-

Am7 Dm7/A Am7 Dm7/A

Have mer cy.-

3 3 3 3 3

Gtr. 2

3

5 87

57 7 5 7 5

75

77

75 7

75

7 5 3 535

5

5

55

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6

Fade out

Outro-Guitar Solo

Am7

3 3 3 3

1/41/41/4

3

3

3

3

3

1/4

3 3 3 3

Begin fade

3

3 3 33

3

3 3 33 3 3 3 3 31

1/4

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5 77

03 4 53 3

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5 7 910

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78

5 777

7

AModerately fast q = 137

Words and Music by Billy F Gibbons, Frank Lee Beard, Dusty Hill and Bill Ham

Apologies to Pearly

Copyright © 1972 Music Of Stage Three and Stage Three SongsCopyright Renewed

All Rights Administered by Stage Three Music (US) Inc., a BMG Chrysalis companyAll Rights Reserved Used by Permission

from ZZ Top - Rio Grande Mud

____= 3

Gtr. 1 (dist.)

Gtr. 1: Open E tuning:(low to high) E-B-E-G#-B-E

fw/ slap-back delayw/ slide

μ *E 3 3 3 3 3 3 3 3

Gtr. 2 (slight dist.)

mfP.M.


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let ring let ring

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P.M.

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3 33 3 3 3

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grad. bend

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33

let ring

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Intro Moderately fast q = 134

Arrested for Driving While BlindWords and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard

from ZZ Top - `Tejas

Copyright © 1976 Stage Three SongsCopyright Renewed

All Rights Administered by Stage Three Music (U.S.) Inc.All Rights Reserved Used by Permission

____

= 3

μ

C *** G5

8fr

132

Bb7

10fr

132

C7

5fr

132

G7

3fr

13

F5

Well,1.

Gtr. 3 (dist.)

frake

3

1

*Gtrs. 1 & 2 (dist.)

f**

P.M.

33

*Two gtrs. arr. for one. **Vibrato to bottom two notes only

***Chord symbols reflect basic harmony.

drivoth

VerseGtr. 3 tacet2nd time, Gtr. 4: w/ Rhy. Fill 1

G5

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3

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Gtr. 4 (clean)

w/ chorusw/ fingers

† p

†2nd time, played mf

Gtrs. 1 & 2Rhy. Fig. 1

P.M.

P.M. 3

Rhy. Fill 1

Gtr. 4

XX

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G7

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Gtr. 4 tacet

3

2. Now, just the

Gtr. 3

let ring let ring P.M.

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Em7

3

C

and let me tell

G7

you we were fly in’- while blind.

Gtr. 3

w/ pick let ring


3

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3 3 3 3 3 3 3 3 3 31 2

0 3

3

Gtr. 4

Gtr. 3

Guitar Solo

let ring

G7

let ring let ring let ring

Bb7

let ring

G7


Gtrs. 1 & 2

Rhy. Fig. 3

P.M.

P.M. 3

F5

let ring

C7


Bb7

P.M.

let ring

let ring End Rhy. Fig. 3

P.M.

36

36

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811

811

811

811

8

10 10 6

36

1

1

1 810

810

810

810

810

810

810

810

68

68

68

68

68

68

68

68

4

let ring

G7

let ring let ring

Bb7

Gtr. 4: w/ Fill 1

D5

rake

33

P.M.

let ring P.M.

3

3

Gtr. 4

Gtr. 3

Em7 C G7

3 3

3 3 3 3 3 3 3let ring 1/2 1/2

1/2

Gtrs. 1 & 2

let ring P.M.

3

Gtrs. 1 & 2: w/ Rhy. Fig. 3

Rhy. Fig. 4

Gtr. 3

Gtr. 4

G7

let ring

Bb7

let ring

G7

3 3 3 3 3 3 33 3

3 3

1/2 1/4

36

36

3 3 3

5 5 12

XX

X10 12

1010

12 12 11 10 10

3 3 3 3 3 3 3 3 3 3 31 3 4 5 5

5

5

5

5 5

5

5

5

5 0

5

6 633

5

33

5 35

76

76

76

76

76

76

76

76

76

7

5 75 5 X

355

55

00

3 3 3 3 3 3 3 3 3 31 2

0 3

0 1

67

67

67

67

67

67 7

67

655 3

33

36 3

033

35

33

55 5

53

5

5

P.M.

F5

P.M.

C7


Bb7

P.M.P.M.

3

3 3let ring

11/4 1/4

Gtr. 4

End Rhy. Fig. 4

Gtr. 4: w/ Fill 1

Gtr. 3

let ring

G7


Bb7

3

D5

rake

33

Gtrs. 1 & 2

P.M.

P.M.

3

Gtr. 4

Em7

C

G7

3. Then they

Gtr. 3

P.M.

3 3 3 3

1/2 1/21/2

Gtrs. 1 & 2


3

53 3

3 13

1

0

811

811

811

811

811 8 11 8 8 8

83

36

36

36

3

5 5

XX

1010 12 10

1012 11 10 10

3 3 3 3 3 3 3 3 3 3 31 3 4 5 5

757

57

57

57

57

5

6 633

533

35 3

57 7

67

65 3

32

0 3

5 75

757

03

535 0

0

3 3 3 3 3 3 3 3 3 31 2

0 3

0 1

6

had

VerseGtrs. 1 & 2: w/ Rhy. Fig. 1Gtr. 3 tacetGtr. 4: w/ Rhy. Fig. 4

G7

us up a gainst- the wall,

Bb7

hey,

it’s on

G7

ly- blood grain al co- hol-

3

Gtr. 5 (clean)

w/ fingers

p

F7

3

and there ain’t

C7

no cause for a larm,- we ain’t

out

G7

to do no bod- y- no harm.

Bb7

How could an

Gtr. 4: w/ Fill 1

D5

y- one- be so un

33

-

Gtr. 5 Fill 3

let ring End Fill 3

3

Gtrs. 1 & 2

P.M.

P.M.

33

3

3

5

5

3

3

3

3

5

5

3

3

3

3

5

5

3

3

1

1

8

8

10

10

8

8

8

8

3

3

5

5

3

3

3

3

5

5

3

3

5

5

5

5

5

5 5

3 3 3 3 3 3 3 3 3 3 31 3 4 5 5 5 5 5 5 5 5 5

7

kind

Em7 C

to ar rest

G9

- a man for driv in’- while blind?

Gtr. 5 tacet

3

*Gtrs. 4 & 5

let ring

*Composite arrangement

Gtrs. 1 & 2


3

Gtr. 3

Outro-Guitar SoloGtrs. 1 & 2: w/ Rhy. Fig. 3Gtr. 4: w/ Rhy. Fig. 4

G7 Bb7

P.M.

P.M.

G7

3

3 3

3

1 1

F7 C7 Bb7

1/4 1/2

Gtr. 3

G7 Bb7Gtr. 4: w/ Fill 3

D5

rake

33 3

Gtrs. 1 & 2

P.M.

P.M.

33

8

10

8

55

91010

5 75

75 0

35 5 0

3 3 3 3 3 3 3 3 3 31 2

0 3

5 35 3

55

53

53

55 5 3 5 3

5

3

3 63

8 67

87

68

78

78

7

6

8 68

776 6

5 3 45

5 35 5 X

X10

1012 11 10 10

3 3 3 3 3 3 3 3 3 3 31 3 4 5 5 5 5 5 5 5 5 5

8

Gtr. 4 tacet

Em7 C μ

3 3

3 3

1/2

let ring

P.M. let ring 3 3

**

D5 Eb5 D5 C#5

*Switch to neck pickup.

*

**Played behind the beat.


P.M.

Gtr. 3

Gtrs. 1 & 2: w/ Rhy. Fig. 5 (till fade)

D5 Eb5

***

D5 C#5 D5

3

Eb5

3

T

***Vibrato executed w/ left hand ring finger at 12th fret.

1 1

D5 C#5 D5 Eb5

let ring D5 C#5

3 3 3 3

7

66 8 8 6

7 05 4 3 2 1 0

4 3 2 1

5 75 5 0

35 5 5 4 3 2 1 0

4 3 2 1 4

9 10 1010

12

4 57

57

57

57

57

57

57

68

57

57

57

57

57

57

46

12 12 1010

1712 12 12 10 1210

10 11 10 121010

12

1010 12

1012

1012

1012

1012

1012

1212

1012

12X

10X

12 1012

9

Fade out

D5 Eb5 D5 C#5 D5 Eb5

33 3let ring 1/2

D5

3let ring

C#5 D5 Eb5 C#5

3 3

D5 Eb5 D5

T

C#5 D5

slight P.H.

Eb58va

1 1/2

locoD5

3

C#5 D5 Eb5 D5 C#5

3

3 3 3 3 3

1/4

Begin fade

D5 Eb5 D5 C#5 D5 Eb53 3 3 3 3 3 3 3 3

31

D5 C#5 D5 Eb5 D5 C#5 D5

3

Eb5

3 3 3 3

1 1/2 1 1

D5 C#5

3D5 Eb5 D5 C#5

1010

11 1012

12

10 11 10 12

12

12 1210

1212

10

12 10 12

10

12 12

10

10 12

10

10 12

10

10 12

10

10 12

10

10 12

10

10

10

12 1012 12

12 1012 12

1012

12 10 12 12 1310

10 13 10 13

13 101010

1010

1310

15

0XXX13

X15 20 15 15 13 15 1313

1513

1314 14

1312

1212

1210

12 1012 11 10 8 10 12

1010 12

1010 12

1010 12

10

10 1210

10 1210

10 1210

10 1210

10 1210

10 1210

10 1210

12 10 8 10 810

12 12 10

12 1012

12 12 10 12 1012

12 10 12 10 12 12 1012 12

12 10

1012

10 12 1210

10 8 10 12 10 1010

1210

12 1010

1210

10 10 1210

10

10

Intro Fast q = 174

Words and Music by Billy F Gibbons and Bill Ham



Bar-B-Qfrom ZZ Top - Rio Grande Mud

Gtr. 3 (dist.)

mfw/ fingers

____= 3

Gtr. 3: Drop D tuning:(low to high) D-A-D-G-B-E

Gtr. 2 (dist.)

*Am7

fw/ chorus & slight delay

9fr

213

Am

14fr

213

Dm

Am

3

Gtr. 1 (dist.)

mf

P.M. throughout

sim.

*Chord symbol reflects overall harmony.

3 3

3

3

grad. bend1 1/4

P.M.

98

9 7 57 7

5 7 75 5

3

7 9 9 7 5

02

0 022

3022

0 02

3 02

0 02

302

0 02

3 02

302

0 02

302

87 5

7 7 376

98

9 7 5

55

7 5

0 02

322

03

02

3X 3 0

20 0

2

302

0 02

322

022

302

1

f3

Am

P.M.

3

3

1 11/2

3

3

11/2


5 76

98

9 7 58

7 57

57 5

98

9 7 5

3X

32

022

22

302

0 02

322

022

3

22

302

0 02

302

55

7 77 5 7 3

8 9 9 7 58

75

59 10

0 02

3 02

0 02

302

0 02

3 02

0 02

302

0 02

3 02

0 02

302

2

1. No, ba -

P.M.

3

1 1/2 1/2 1/4

VerseGtr. 2 tacet

by,- tell

3

me why don’t you? Well,

P.M.

1/4

Rhy. Fig. 2

108 8

107

105 8

57 5

77 5 7

0 02

3 02

0 02

302

0 02

3 02

0 02

302

0 02

3 02

0 02

302

0 02

3 02

0 02

302

3 35 7

0 02

3 02

0 02

302

0 02

3 02

0 02

302

0 02

3 02

0 02

302

0 02

3 02

0 02

302

3

Gtr. 3

Dm

now, ba

3

by,- tell

3

me why don’t

Am

you? Ah, ba -

Gtr. 1

(cont. in notation)

-

3

Dm

by, tell me why don’t

Am

you? 2. No, ba

3

-

End Rhy. Fig. 2

Verse

*

Gtr. 1: w/ Rhy. Fig. 2 (1st 8 meas.)

Am

by,- want to make me some? Oh,

Gtr. 2

P.M.

Gtr. 3

(cont. in slashes)

3

*Chord symbols reflect implied harmony.

0 02

3 02

0 02

302

0 02

3 02

0 02

322

0 02

3 02

0 02

302

0 02

3 02

0 02

302

0 02

3 02

0 02

302

0 02

3 02

0 02

322

0 02

3 02

0 02

302

0 02

3 02

0 02

302

80

10

109

10

109

10

109

10

109

10

109

10

109

10

109

10

109

10

5 75

4

Gtr. 3

now, ba by,

Dm

- want to make me

Am

some? Oh, ba -

Gtr. 2

3

1 1/4 1 1/2

1

Gtr. 3

(cont. in notation)

-

Dm

3

by, want to make me

Am

some?

3

Gtr. 2

grad. bend

1/2

1 1/4

1

1 1/2

1/2

1

1 3/4

Gtr. 1 Rhy. Fill 1 End Rhy. Fill 1

10 13 13 13 10 13 10 10 10

13 13 13 13 10 10

0 02

3 02

0 02

3 02

0 02

302

0 02

322

0 02

302

0 02

302

0 02

3 02

0 02

302

5

Gtr. 2

Guitar SoloGtr. 1: w/ Rhy. Fig. 2Am

P.M.

3

3 1 1 1

Gtr. 3

w/ thumb

3

w/ pick (cont. in slashes)

3

Gtr. 3

Gtr. 2

Dm

grad. bend

Am

1

2 1/4

(cont. in notation)

Dm

3

Am

3 3

1 1 1/2 1/4

Gtr. 2

*

P.H.

Gtr. 2 tacet

Am8va

loco

3

slight P.H. P.H.

8valoco

3

P.H. 8va

loco

slight P.H.

3 3

8va

P.H. loco

3

P.H.

8valoco

3

Am7

P.H.

8va

3

loco

slight P.H.

Pitch: D D B B

Gtr. 3

w/ thumb

3 3 3 3 3 3 3 3

*Chord symbols reflect implied harmony (next 12 meas.).

98

9 7 5 7 7 57 5

7

98

9 77 5

55 8 5

75

7 5

0 0 0 0109

10

109

10 0

5 75 X

XX

109

10

109

10

109

10

109

10

109

10

109

10

10910

98 10

9 910 10

1110 10 13

1210 13 13 13 10 13 10

9 7 5

87 7 5 5 7

5

07

55

77

7 49

8 10 10 10 10 8 10 10

12 12 12 12 12 12 12 X 12 X 12 12 12 X X X 9 X X X 77

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 7 5 2 1

6

Dm

3slight P.H.

3

8valoco

3

P.H. 3

Am

3

P.H. 3

slight P.H. P.H.

3slight P.H.

Pitch: B A E

3 3 3 3 3 3 3 3

15ma

B

8va15ma

3

8va

P.H. loco

3

G

3

slight P.H. 3

P.H. P.M.

Am7

Pitch: A F# D#

3 3 3 3

(cont. in slashes)

Gtr. 3

w/ pick

Gtr. 2

Gtr. 1: w/ Rhy. Fill 1

Am

let ring


3 3

1/21

1/21 1

9 9 9 9 9 7 7 7 7 5 5 5 5 5 5 5 5 5 4 5 4 5

0 0 0 0 0 0 0 0 0 0 0 0 7 7 7 7 7 7 7 7 7 7 7 7

4 4 4 4 4 47 7 7 7 7 7 7 7 X 5 54

9 9 9 9 9 9 5 5 5 5 5 5 7 5 7 5 7 5 7 5

1717

1717 17 14 14 17

1714

16 17

5 65 8 5 8

58

75

75

5

7


Dm

let ring

Am

grad. bend

33 3

1 1

1 1/2

1


Dm

3

Am

3 1 1/2

2

Gtr. 2

Gtr. 3: w/ Rhy. Fig. 3 (2 times)Gtr. 1: w/ Rhy. Fig. 2

Am

let ring let ring 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

Gtr. 3: w/ Rhy. Fig. 4 (2 times)Dm Am

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

Dm

Am

3. No, ba -

grad. bend P.M.

3

3 3 3 3 3 3 3 33

1 1 1

5 57 7

77

5 75

5

7

58 5

58 5

58 5

5 8 8 5 8 5

7

10 1210 10 13 13 13 10

913 10 10 10

7 5 7 57

4

7 4

5 55

55

5

5 5 8 8 5 55

8 5 55

8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5

5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5

5 5 8 5 5 5 8 5 5 5 5 5 87

58 5 5 8

78 5

77

77

77

55

55

7 7 7 75 7 3

5 7 7

8

Gtr. 3


-

Am

by, tell me why don’t you? Oh,

Gtr. 2

3 11/2

1/21

Dm

now, babe,

3

tell me

3

why don’t

Am

you

P.M.

make me

Dm

some of your fine fa mous- Bar -

Am

B - Q?

3

1 1/2

7 XXXX

7555

XXXX

7555 8 8 5 5

57 7 5

7 7 5

7 755

75 5

5 555

910 10

10 13 13 10 13 10 10

9

Gtr. 2

Outro-Guitar SoloGtr. 1: w/ Rhy. Fig. 1 (12 times)

Am 3

1/21/4

Gtr. 3

slight P.M.

3

3 3

1/2 1/4

slight P.M.

3 3

1/2

98 10

910

8

98

9 7 5 75

57

5 75

98

9 7 98

5 75 7

5 5 55 7

57

5 X5 3

98

9 7 57 5

57 75

98

98

98

798

9 7 58

5 5 8

98

9 77 5 98 10

7 108 10

98

98

98

10

Gtr. 2

3 3 3 3

Gtr. 3 tacet3

3

1 1/2

Gtr. 3

Gtr. 1

3 3 3

Gtr. 2

Gtr. 3 tacetP.M.

1 1 1 1

Gtr. 1

3 3 3

steady gliss.

slight P.M.

1 1/21 1

1 1/2


3 3

7 98 10

7 108 10

7 9 7X X7

9 98

988 5

1110 10

12 11 1013

1013

10 1210

98

98

98

0 02

3 02

0 02

302

0 02

3 4

2

0 02

3 4

2

0 02

3 02

0 02

302

0 02

3 02

0 02

3 4

2

101110 10

12 1210 10 10 10 10 10

10XX 10

12X10 10

1212 10

1212

12 10XX

1210 10

1210 10 X

0 02

3 02

0 02

302

02

02

02

3 02

0 02

3 4

2

0 02

3 02

0 02

302

0 02

3 02

0 02

3 4

2

1210

1210 10 10 1310 10 13 13 10 13 10 10 3

7 1110 10 13

76

0 02

302

0 02

302

0 02

3 02

0 02

3 4

2

0 02

3 02

0 02

302

0 02

3 02

0 02

3 4

2

11

Fade out

Gtr. 2

Gtr. 1: w/ Rhy. Fig. 5 (4 times)

P.M. P.M.

3 3

let ring

1 1 1/2

1

let ring P.M.

slight P.M.

3 3 3 3 3 3 3 3

Gtr. 2

slight P.M.

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

Gtr. 1

Rhy. Fill 2 End Rhy. Fill 2

3

Gtr. 2

Begin fadeGtr. 1: w/ Rhy. Fig. 1 (5 times)

slight P.M.

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

Gtr. 1: w/ Rhy. Fill 2 Gtr. 1: w/ Rhy. Fig. 1

slight P.M. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

1110 10 10

1110 X

1210 10 1310

1110 X 13 13 10

1210 X 10

1110 10

1110 10 10

1110

10 1011

10 1011

10 10 1011

109 7 5

7 5 7 7

5 5 5 55

5 8 88

5 5 55

55

8 5 55

55

8 5

55

55

8 5 55

55

8 5 55

55

8 5 55

55

8 5 55

55

8 5 55

55

8 5 55

55

8 5 55

55

8 5 55

55

8 5 55

55

8 5 55

55

8 5 55

55

8 5

0 02

3 02

0 02

3 02

0 02

302

0 02

3 4

2

0 02

3 02

0 02

302

0 02

302

0 02

302

55

55

8 5 55

55

8 5 55

55

8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5

5 55

8 5 5 55

8 5 5 55

8 5 5 55

8 5 5 55

8 5 5 55

8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5

12

from The Best of ZZ Top

Intro Moderate Blues Rock q = 144

Beer Drinkers & Hell RaisersWords and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard

Copyright © 1979 Stage Three SongsAll Rights Administered by Stage Three Music (U.S.) Inc.


Verse

Gtr. 3 (dist.)

Gm7

mf

μ

Gtr. 2 (clean)

Riff A

mf

End Riff A

P.M. Gtr. 1 (dist.)

Rhy. Fig. 1

mfP.M. P.M. P.M. P.M.

End Rhy. Fig. 1


Gtr. 1: w/ Rhy. Fig. 1 (3 times)Gtr. 2: w/ Riff A (3 times)3rd time, Gtr. 4 tacet

Gm7

AndTheThe

1.2.3.

ifcrowdjoint

yougetswas

seeloudjump

me

in’-

walkwhenlike

in’thea

-


downbandcat on

thegetshot

lineright,tin.

withsteel

Lord, I

mygui

thought

fatar

the-

floor

v’ritecry

-in’

hon- through

was

ky-

-

Gtr. 3

Rhy. Fill 2

Gtr. 3

78

78

78

78

78

78

78

78

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 33 4 5

3 0

1

3

3 3

33

3 3 3

33

3 3 3

33

3 3 3

33

3 3 3

33

33

33

3 3

33

3 3 3

33

3 3 3

33

3 4 53 0

1

3

78

78

78

78

78

78

78

78

78

1

Chorus

thegon


tonknight.na

-

-

in

give

mind.

in.

Well,Yeah,

I’lltryA

in’sound

-in’-

toa

becovlot

hereer- up

like

a roundthe

acor

- sup

house


pernercon

-- time

fight,gres

-

- sio- nal,-

with mybut

’cause

Riff B End Riff B

canev

we’re

’ryex

μ

-of

thing’sper

--

din

i-coolmen-

ner

tal

-

-

and’cause

a bunchthey’s

and

ofjust

pro

fine.tight.

fes- sion- - al.

Oh,Beer

beer

Beerdrink

Cm7

drink

drinkers-

ers

ers,

-

-and hell

hell

and hell

Gtr. 3

Riff C1

Gtr. 2

Rhy. Fill 1A

P.M.

End Rhy. Fill 1A Riff C

P.M.

Gtr. 1

Rhy. Fill 1

P.M.

End Rhy. Fill 1 Rhy. Fig. 2

P.M. P.M. P.M. P.M. P.M. P.M.

78

78

78

78

78

78

12 10 1213

1213

1213

1213

1213

3

5 33 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

3

5 3

8 8

88

8 8 8

88

8 8 8

88

8 8 8

88

8 8 8

88

8

2

CoT oda 1.

2.

raisraisrais

Gm7

ers,ers,ers,

---

yeah.yeah.

Mm,

yeah. Mm,

Dm7

oh, oh, oh,Oh,well, ba

Cm7

by,- don’t you wan na- come with

P.M.

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

Gm7

me?

μ

Ah,

μ

play it boy!

End Riff C1

End Riff C

P.M.

P.M.

P.M. P.M. P.M.

End Rhy. Fig. 2

P.M.

P.M.

78

78

78

78

78

1415

1415

1213

1213

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 35 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3

3 3

33

3 3 3

33

3 3 3

33

3 3 3

33

3 3 3

33

3 10 10

1010

10 10 10

1010

1010

1010

10 8 8

88

8 8 8

88

8 8 8

78

78

78

78

3 3 3 3 3 3 3 3 33 4 5

3 0

1

3

33 4 5

3 0

1

3

3 3

33

3 3 3

33

3 3 3

33

3 4 53 0

1

333

3 4 53 0

1

3

3

Guitar Solo

Gtr. 4 (dist.)

Gtr. 1: w/ Rhy. Fig. 1 (3 times)Gtr. 2: w/ Riff A (3 times)Gtr. 3: w/ Riff B (3 times)

f

Gm7

1/4 1

11/41

Gtrs. 1 & 2: w/ Rhy. Fills 1 & 1A

μ

P.M.

semi-harm.

Gtr. 1: w/ Rhy. Fig. 2Gtrs. 2 & 3: w/ Riffs C & C1

Cm76

1 hold bend1

Gm7

* 1

hold bend

T*

*Vib. executed w/ L.H.

1 1/4

Dm7 Cm7 Gm7

3 3 3 33

3

1 1 1 1 1

68 8 8 8

8 68 8

68 6

7 76

5 35 5

3 563

38

86

8 8 67

8 87

68 6

788

78

86

500

35 3 5

5 5 55 X 3 X 5

5 3 05 3 0

3

5

56

5 3 55

3 5 10 510 5 55 33

36 3 6 3

53

35

35

45

355 3 55 5 55 5 5 3

553

33 3 6 3

35

3

4

D.S. al Coda

μ

Gtr. 1: w/ Rhy. Fig. 1 (3 times)Gtr. 2: w/ Riff A (3 times)Gtr. 3: w/ Riff B (3 times)

Gm7 3

1/4 1/4

grad. bend1

hold bendT 1

1


μ

P.M.

Gtr. 1: w/ Rhy. Fig. 2Gtrs. 2 & 3: w/ Riffs C & C1

Cm7 6

1 1

Gm7

P.H.*Harm.

Dm7

Pitches: E F#

1

*Harmonic & open 3rd string sound simultaneously.

1

Cm7 Gm7

P.S.

1 1/2 1 1/2 1 1/2

33

55 5

63

33 3

86

86 6

8 67

87

6 68

7

86 8 13 8 88 6

88

88

66 8

8 8

500

3 5 35

5 5 53 3 5

0 5 3 05 3 0

3

5 563

38

8 67

87

68

78 8

86 68

786 6

7 76

7 98 11 8

108 11 8

108 11 8

108 8

10 108

10 10

X

5

CodaOutro-Guitar Solo

Gtr. 2

Gtr. 1: w/ Rhy. Fig. 2 (lsat meas.)Gtr. 3: w/ Riff C1 (last meas.)

μ

P.M. Gtr. 4

Gtr. 1: w/ Rhy. Fig. 1 (till fade)Gtr. 2: w/ Riff A (till fade)Gtr. 3: w/ Riff B (till fade)

Gm7

3 3 3

8va loco

P.S.

1 1 1 1 1 1 1 1

hold bendT

hold bendT

sim.T T T1 1 1 1 1

T T T T T T T T T T T T T T1 1 1 1 1 1 1 1 1 1 1 1 1 1

T T T T T T 1/2

(8) 1 1 1 1 1 1

1

3 1 1 1/21

33 4 5

3 0

1

3

1815

1815

1815

1815

1815

1815

1815

18

X

1033

6 87

886 13 8 13 8 13 8 13 8 13

8 13 8 13 8 13 8 13 8 13 8 13 8 13 8 13 8 13 8 13 8 13 8 13 8 13 8 13

8 13 8 13 8 13 8 13 8 13 8 13 8 8 68 8 6 8 6

78 6

78 6

78 6

78 6

7

8 67

8 67

65 3

5 3 5 55

33

53 5

5 55

35 5 5

53 5 5 5 5 3

6

Begin fade

Fade out

3 33

3

33 3

3 1

3

33 3 3

3 3 3

1/2 1/21

3 3 3

3

11/21

hold bend

TThold bend

Tsim.

T T T 1/2 1 1 1 1 1 1/2

5 3 55

35

55 3

5 4 3 13

31 3 1 53 5 5 5 5

53 7

6 8 8 8 66

78 8 8 6

6

78

6 88 6 8 68 8 6 8

7 76

5 3 55

53

55

53 55

3 33 5 5 5 5 3

55

3 55

33

5 4 233

31 3 1

3 331 5

55

553 5 5 7

6 8 86

8 86

87

68

7

86 8 6 8

8 13 8 13 8 13 8 13 8 13 8 8 68 8 8 8 8

6

7

Intro

Slowly q. = 45




Blue Jean Bluesfrom ZZ Top - Fandango!


mpw/ pick & finger

μ

let ring

**Bm

w/ picklet ring

G

3 3

*Gtr. 2 (clean)

p

*Doubled throughout **Chord symbols reflect implied harmony.

Bm G Bm

grad. release

G

3 3 3 1/2 1

7 8 9

90

79

7

9 7

0

7 5 75 7 5

30 2

443

30

99

7 99

79

99

79

910

9 7 9

2443

30 2

443

30

1

VerseGtr. 1 tacet

Bm

I1. done ran in to- my ba by,-

G Bm

and fi n’lly- found my old blue jean.

G

3 43

3

4

Gtr. 2

Rhy. Fig. 1

Bm

G Bm

Gtr. 1

rake

3 31 1/2

Gtr. 2 3

Em

I done ran in to- my ba by,- and fi n’lly- found my old

G

blue jean.

3 33 3 4

3

let ring

let ring 3

2443

30 2

443

30

X9 9 7

109 7 9 9 7 77 9 7 9 9

78

9 79 9 7

7 5

2443

30 2

443

2 2 1

7 8 7 5

07998

2 2 1 079987

30

2

Bm G Bm

G

3 31 1/2

F#5

I could tell that they was mine from the oil

Bm

and the gas o- line.-

G3

grad. release

rake 1/2

End Rhy. Fig. 1

Gtr. 1

Guitar SoloGtr. 2: w/ Rhy. Fig. 1

Bm G Bm G

rake 3 3 3 3 3 3 3

1/2 1/2 1

9 9 9 9 7

710

9 7 9 7 79 9 9 79 7

9

2443

30 2

443

3

XX

9 9 7 9

24

44

5 23

0

97

9 9 97 9

77 10 7

79 9 7 9 9

9

77

9 9 9 7 XX

10 10

3

Bm G

3 3 3 3 1/2 1/2

Bm

rake 3 3 3 1/2 1/2

Em

3 3 5 3 31/2

G Bm G

rake 3 3

3 3

3 3 1 1 1/2

1

Bm G

3 3 3

3

1/2 1/2

F#5 Bm G

3 3 3 3 3 1

10 107

10 7 109 9 7

99

97 9 9 9 7

99

9

77

9 9 9 79

7 97 9 9 9 7

XX

9 9 7

9 8

7 109

77

7 9 9 79

99

77

9 9 97

97 9

97 9

9 9 7 99

79

9 9 9 712

12 1212

1012

12 12 12

XX

9 9 7 9 7

9 9 9 79

99

79 9

77

9 7 5

9 9 7 9 9 9 9 9

9 97

97

79

99

7 9 9 97 10 12

1012

12 1012

1012

4

Gtr. 1

Interlude

w/ reverb

Bm μ Bm G Bm

w/ pick & finger

G

3 3

1 1

Gtr. 2


Bm

If2. I ev er- get back my blue jean,

G Bm

Lord, how hap py- could

G

one man be.

5 3 34

Gtr. 1

3

Bm G Bm

rake 3 3 3 3 3

3

1

Em

If I ev er- get back my blue jean,

Lord, how hap py-

G

could one man be?

53 3

3 1/2

12

9 7 99 7

0

9 7

0

9 7 5 7 9

2443

2443

30 2

443

30

7 7 7 7

97 9

97

9 9

7

9

7

9

7

9

7

9

7

9

7

9

7

9

7

9

7

9

7

0X

10 10 79

7 9 9 9 9 7 9

5

Bm G Bm

G

rake

1

F#5

’Cause if I get back those blue jeans, you know

Bm

my ba by- be bring ing- ’em

G

home

33 3 3

to

Guitar SoloBm

me.

G Bm

G

w/ slapback delay

3 3 3 3

33 3 3

11/2 1/2

1/4

Gtr. 2

Riff A End Riff A

XX

10

10

14 13 1215

1215 12 10

7 10 10 710

7 9 9 7 99

79

97 9 9

7 9 9

23

0 23

0

6

Gtr. 1

Gtr. 2: w/ Riff A (till fade)

Bm G

3 3 33 3 3 3 3 3 3

11/2

11/2

11/2

11/2

11/2

11/2

11/2

Bm G Bm

G3 3 3

3 3

1/2 1

1

Bm G Bm G

P.H.

15maloco

3 3 3 3 3 3 3

1 1/2 1 1/2 1 1Pitch: B

1 11/2

Bm

P.M.

G

3 3 3 3 3 3 3 3

1 1/2 hold bend1T

Bm

string noise

G

pick against string

Bm

rake

G

w/ pick & finger

3 3

3 3

3

hold bend

T

1/21

9 7 99

7 910

9 9 7 9 7 9

9 9 9 79

99

79 9 7

9 7 57

1212

1012

000

19 19 19 19 18 17 15 1716

1516

1716

1516

17 15 1716

15 17 17 1712 12 10 12

12

10 77 10

9 9 79

7 9 9 90

9 7 99

79

99

7 9 9 12 9 9 7 9 7

9 12

X

X

XX

9 9 7 99

79

99

9 7 5 75 7 5 7 5 7 5 7

7

0 0

9

7

Fade out

Bm

let ring G

3 3 3 3 3

Begin fade

Bm

let ring G

w/ pick

3

Bm G

3 3 3 3 3 3

1/2 1 1/2

Bm

3

G 3 3 1/2 1

1/41/4

Bm G

3 3 3

3 3

1

Bm G

3 3 3

3 3

3

7

0

9 7

0

9 7 5 7 97

0

7 7 7

0

7 7 7

0

7

0

7

0

7

0

7

0

7

0

9

0

7 5 7

0

5 7

5 7 97

0 0

99

7

0 0

9

07

0

9 7

0

9 7

00

9 77

0

9

7

10 77

79 9 7

99

97 9 9 X 7

99

9

77

9 9 7

107

7

10 710 7

90

9 7 99

7 977 7 10

010

10 10 77

9 9 79

99

77 6

9 79

79 7 5 5 7 5 7 7 8

7 5 77

5 7 7 97

79

79

99

79 9 7 9

7

9

7

9

7

8

Intro Free time



Brown Sugarfrom ZZ Top’s First Album

Words and Music by Billy F Gibbons

*Gtr. 1 (dist.)

**

f

E

____= 3

mp

let ring mf mpP.M. mf

f

3 3

*Set vol. knob at 3/4 volume.

**Chord symbols reflect basic harmony.

1 1/4 1/4 1

My friends they all told me,

3

P.M.

mp

let ring mf f

3 3

1/2 1/2

man, there’s some thin’- gon na- change your life.

33

slight P.H.

3

3 3 3

00

2 2 02

0 30

3

2

X00

X 2 2 02

0 2 02

00 2 0

3

2

0 3

2

3

22 4

3 54

5 3 54 4

32 0 0 2 0

20

0 2 02

0

1

Slow q = 76

Free time

q = 76

Free time

A

My friends they all told me,

3

P.M. P.M.

mp

let ring f mfP.M.

3

1/2 1/2 1/2

man, there’s some thin’- gon na- change your life.

E

3 3

P.M. f mf

f

mp 1/2 1/2 1/2

B7

Got ta- have that brown sug ar,-

mf

f mp mf

P.M.

3

1/2 1/2 1/2

A

man, it just gon na- change my life.

E

3

*

P.M. P.M.

f

mf

mp

P.M.

let ring *P.M. 5th string only.

1/2 1/2

0 2 03

2

0 3

2XX

302

02

04

04

02

02

04

3

02

02

04

04

02

02

04

04

300

3

23 4

3 54

5XXX

3

2

3

2

3

204

04

54

64

04

04

06

3

02

02

04

04

05

05

04

04

02

0 044

04

02

30

3

2 2 02 0

3 0

2

0

2

q = 76

Free time

f

mf

let ring P.M. 3

33

33

1/2 1/2

B7

Man, I got ta- have that brown sug ar,-

3

A

man, it just gon na- make me feel so

3 3 3 3

P.M. f mpP.M. 1/2

E

right.

Oo.

mfP.M.

fP.M.

mf

P.M. 1/2 1/2 1/4 1/4

f

2 43 5

45 3 5

4 43

2 0 2 02

0 3 30 0 0

3 0

2

2

304

XX

04

54

64

04

04

06

302

02

04

04

022

0 04

02

XX

0 XX

02

XX

30

3

222

02 0

2 0 23

2X 0

XXX

30

30

3 0

2XXX

3 43 5

45 5

3 55 5

32

43

4 2 0 2

3

Moderately q = 107

Play 3 times

=

Oh yeah.

mf

let ring f

3 3 3

1/2 1

E

G5 D5 E G5

1.

D5

There’s

f

Gtr. 3 (dist.)

P.M.

P.M.

Gtr. 1

*

**Gtrs. 1 & 2

P.M.

P.M.

*Vol. swell to full volume. **Two gtrs. arr. for one.

some

VerseE

thin’- make me feel good, and it’s gon na- change my life.

G5 D5

Rhy. Fig. 1

P.M.

P.M.

P.M.

P.M.

P.M.

0 2 02

00 2 0

20

0 2 03

2

0

1512

15 1215 14 12 14

0 0

1212

66

XX

66

77

0 0

1212

66

XX

XX

77

12 12 12

0 0 XXX

XXX

30 5 7

0 0 XXX

XXX

30 5 7

0 0 0 0 0 0 0 3 0

5

0 0 0 0 0 3 0 0 0

1212

66

XX

XX

77

0 0 0

0 2

0 0 0

2

3 0 0

0 2

0 0 0 0

2

3 0 0 XXX

XXX

30 5 7

4

CoT oda

E G5

Oh,D5

There’s some

2nd time, Gtrs. 1 & 2: w/ Fill 1E

thin’- make me feel good, and it’s gon na- change my

P.M.

P.M.

P.M.

P.M.

P.M.

P.M.

life.

G5 D5 E G5

Oh,D5

I got ta- have

B5

some of that

B6

brown

B5

sug ar,

B6

-

B5

P.M.

P.M. End Rhy. Fig. 1

P.M.

P.M.

P.M.

P.M.

Fill 1

Gtrs. 1 & 2

P.M.

P.M.

0 0

1212

66

XX

XX

77

0 0 0 0 0 0 0 3 0

5

0 0 0 0 0 3 0

0 0 XXX

XXX

30 5 7

0 0 0 0 0 0 0

2

3 0 0 02

02

0 0 0

2

3

0 0

1212

66

XX

66

77

0 0

1111

1212

66

XX

XX

77

244

24 4

4

244

0 0 XXX

XXX

30 5 7

0 0 XXX

XXX

30 5

5 79

79

711

711

79

79

711

79

0 0 0 0

0 2

0

0 2

3 0 0 0 0

0 2

0 0

2

3

5

A5

got

A6

to try

A5

it be fore- I die.

E G D5 E

G5 D5

let ring

P.M. P.M.

P.M.

1/2

P.M.

P.M.

P.M.

Man,

Verse

2.


E

it sure do save me, when there’s no place left for me.

G5 D5

Gtrs. 1 & 2

P.M.

P.M.

P.M.

E

G5 D5

Man,

E

it sure do save me, when there’s no place left for

P.M.

P.M.

P.M.

02

04 2 4

422

22

02

3 0 0 3

66

XX

XX

77

0 0

1111

1212

66

XX

XX

77

57

57

59

59

57

57

57

3 0 0 XXX

XXX

30 5 7

0 0 XXX

XXX

30 5 7

0 0 0 0 0 0 0

2

3 0 0 02

02

0 0 0

2

3 0 0 XXX

XXX

30 5 7

0 0 XXX

XXX

30 5 7

0 0 0 0 0 0 0

2

3 0 0 0 0 0 3

6

me.

G5 D5 E G5 D5

Got ta- have

B5

some of that

B6

brown sug

B5

ar,-

B6 B5

P.M.

P.M.

P.M.

A5

’cause

A6

it’s just

A5

gon na- set me free.

E G5 D5 E

G5 D5

Gtr. 3

P.M.

P.M.

1/2

Gtrs. 1 & 2

let ring P.M.

P.M.

Gtr. 3

Guitar Solo

E5

let ring

μ


E5

let ring

μ

let ring let ring let ring let ring

P.M. P.M.

0 0 XXX

XXX

30 5 7

0 0 XXX

XXX

30 5

5 79

79

711

711

79

79

711

79

3 0

2

3 03 0 0

1111

1212

66

XX

XX

77

0 0

1111

1212

57

57

59

59

57

57

59 7

57

0

0 0 XXX

XXX

30 5 7

0 0 XXX

XXX

30 5 7

3 343 3

4 33 3

43

3 33

43 3

343 3 3

343 3

4 33 3

43

3 33

43 3

43 3 3

079

079

022

022

7

E5

let ring μ

let ring let ring let ring let ring E5

let ring μ

let ring

1

P.M. P.M.

Gtr. 3

D5 E5 D5 E5

P.M. 1

1/2

Gtrs. 1 & 2

P.M. P.M.

P.M. P.M.

D5 E5 D5 E5

P.M. P.M. P.M.3

11/2 1/2 1 1 1 1

P.M. P.M.

P.M. P.M.

steady gliss.

3 343 3

4 33 3

43

3 33

43 3

343 3 3

343 3

4 353 3

43 5 3 5 5

079

079

022

022

5 54

X 54

5 5 3 5 1512

15 1215 14 12 14

1412 14

77

99

0

99

0 XXXX

99

XXXX

XXXX

99

99

77

99

0

99

99

0

9

XXXX

99

XXXX

XXXX

99

99

14 14 12 14 14 1214 14

1412 14

14 14 1214 14 12

1412

14 1412

1412

14 12

77

99

0

99

0 XXXX

999

XXXX

XXXX

99

99

77

99

0

99

0 XXXX

99

XXXX

XXXX

99

99

8

A5 B5/A C5/A B5/A A5 B5/A C5/A B5/A A5

1/2 1

Rhy. Fig. 2

P.M. P.M.

P.M.

let ring P.M. P.M.

P.M.

let ring

D5 E5

rake P.M.

D5 E5 1 1 1/2

P.M. P.M.

P.M. P.M.

steady gliss.

B5 A5 B5/A C5/A B5/A A5

let ring

1 1 1 1

P.M. P.M. P.M.

let ring P.M. P.M.

End Rhy. Fig. 2

P.M.let ring

12 14 14 14 12 14 1214

12 14 14 14 12 14 1214

22

044

44

055

44

22

022

044

44

055

44

22

0

XX

1512

15 1215 14 12 14 14

1412 14 14 12 1214 14

14 14 12 14 12

77

99

0

99

0 XXXX

99

XXXX

XXXX

99

99

77

99

0

99

0 XXXX

99

XXXX

XXXX

99

99

14 14 12 14 1414

1214

1412 14

14 1414

12 1415

1415

14 1415

14 12

44

244

2 244

244

44

XX 0

22

044

44

055

44

22

0

9

D5 E5 D5 E5

let ring D5

hold bend

E5

let ring

1 1

P.M. P.M.

P.M. P.M.

P.M. P.M.

D5 E5

let ring let ring

D5 E5 D5 E5 1/2

P.M. P.M.

P.M. P.M.

P.M. P.M.

steady gliss.

Gtr. 3


A5 B5/A C5/A B5/A A5 B5/A C5/A B5/A A5 D5 E5 1

1/2 1/21/2 11/2

11/2

1/21/2 11/2

1/2

D5 E5

let ring

B5 A5 B5/A C5/A B5/A A5

1 1 1/2 1 1/2 1 1/2 1 1/21 1

15 15 12 15 15 12 1414 14

1412

12 12 1414 14

1514 12 12

77

99

0

99

0 XXXX

99

XXXX

XXXX

99

99

77

99

0

99

0 XXXX

99

XXXX

XXXX

99

99

77

99

0

99

0 XXXX

99

XXXX

XXXX

99

99

1917 1917

1816

17 15 17 15 15 16

1412 13 14

1212

14 12 1414 14

1412

14 12

77

99

0

99

0 XXXX

99

XXXX

XXXX

99

99

77

99

0

99

0 XXXX

99

XXXX

XXXX

99

99

77

99

0

99

0 XXXX

99

XXXX

XXXX

99

99

1414

1414

1414 14 14

141414

1414

1414 14 12 14

1412

1214

12 14 14 1414

12

1415

14 1415

14 12 14 1615 15 15 15 15 15 17 17 17 17 17

10

Play 6 times

Gtr. 3

D5 E5 D5 E5

P.M.

InterludeE5

Gtrs. 1 & 2

P.M. P.M.

P.M. P.M.

steady gliss.

P.M.

P.M.

P.M.

P.M.

P.M.

P.M. B5 B6 B5

P.M.

B6

P.M.

P.M.

P.M.

P.M.

A5

P.M.

B5/A

P.M.

C5/A B5/A A5

let ring E G

P.M. D5

† Riff A1

EP.M.

G5 End Riff A1

D5

†Played behind the beat.

P.M. P.M.

P.S.

let ring

P.M. Riff A

P.M. End Riff A

17 17 15 1716

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11

D.S. al Coda

Coda

Gtrs. 1 & 2: w/ Riff A (2 times)Gtr. 3: w/ Riff A1 (2 times)

E

G5 D5 E G5

Oh,3.

D5

there’s

have

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that, that

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brown sug

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-

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to

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Gtr. 3

P.M.

P.M. P.M. P.S.let ring

Gtrs. 1 & 2

P.M.

E

die.

G5 D5 E

G5 D5

Outro-Guitar Solo

E

P.M.

P.M.

P.M.

P.M.

P.M.

P.M. Riff B

P.M. End Riff B

P.M.

244

24 4

4

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Fade out

Gtr. 3

Gtrs. 1 & 2: w/ Riff B (till fade)

P.M.

let ring let ring let ring let ring let ring

let ring


3

P.M.

P.M.

1 1/2 1 1/2

Begin fade

P.M.

1 1/2 1/2

1

1/2

let ring

3

1 1 1 1

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14 1414

12 1415

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14 12 14 1414

12 1412 15 12

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12 1414

1214

12

13

Moderately q = 96

from Greatest Hits

Cheap SunglassesWords and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard



Rhy. Fig. 1

Rhy. Fig. 1A

mf

Gm7

* Gtr. 1 (clean)

Intro

**

mf

F6 G5

Bb6

C5 Gm7 F6 G5

End Rhy. Fig. 1A

End Rhy. Fig. 1Bb6

C5

* Gtrs. 1 & 2 both doubled throughout.

* Gtr. 2 (dist.)divisi

** Chord symbols reflect overall harmony.

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A

Gm7 F6 G5 Bb6 C5 Gm7 F6 G5 Bb6

When1.

C5

you

Now,3.

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go

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (3 times)Verse

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tle-

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---

Gtr. 1 tacetG5 F6 G5 Bb6 C5 Bb6

Oh,

Gtr. 1

divisi

Gtr. 2 Rhy. Fig. 2

Gtr. 2

Gtr. 1

Gtr. 2

Rhy. Fill 1

divisi

765

876

51 3

535

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535 7

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Oh, yeah.

G5 F6 G5

End Rhy. Fig. 2

* Gtr. 3

InterludeGtr. 2 tacet

Rhy. Fig. 3F/G E/G F/G E/G

End Rhy. Fig. 3

* Elec. piano arr. for gtr.

mf

Gtr. 4 (dist.)

** w/ delay

mp

w/ bar

w/ bar

-4 1/2** Set for quarter-note regeneration w/ 3 repeats.

-4 1/2 -6 -4 1/2

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F/G E/G

w/ bar F/G E/G

delay offw/ bar

ppgrad. dive

-4 1/2 -4 1/2

-2

-3 1/2

Gtr. 4

Guitar SoloCm7

mf

Gtr. 1

Rhy. Fig. 4


35

35

15

35

35 1

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35

15

35

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535

15

135

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15

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10108

10108

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10108

10108

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810

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End Rhy. Fig. 4

108 10 10 10 8

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3

Gtr. 4

InterludeGtr. 1 tacetGtr. 3: w/ Rhy. Fig. 3 (2 times)

F/G E/G

mpw/ bar

w/ delay

F/G E/G

w/ bar

-6 -6 -6-2

-3 1/2

F/G E/G

w/ bar

F/G E/G

w/ bar

-6 -4 1/2 -4 1/2

* Depress and vibrato bar simultaneously.

*

-2-3 1/2

delay off


Cm7

Guitar Solo

mf

P.M.

P.H. 1/2

P.H.

Bb

semi-harm. 1/2

Cm7

P.H.1/4

12 12 12 12

12 12 12 12

8 8 868

10 8 6 8 88 108 10

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8 6 8 8

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8 8 8 78

6 86 8 6

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8 108 10

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4

Coda

D.C. al Coda

Gtr. 4 Dm7 D

1/21/2 1/21/2 1/21/2 1/21/2

Gtr. 1

Gtr. 4 tacetGtr. 1: w/ Rhy. Fig. 2

G5

Interlude

F6 G5 Bb6 C5 Bb6

G5 F6 G5 Bb6 C5 Bb6

G5 F6 G5 Bb6 C5 Bb6

G5 F6 G5 C5

Gtr. 4

w/ slap-back delay

G5Outro-Guitar Solo

steady gliss.

1

Gtr. 2

P.M. P.M. P.M. P.M.

P.M. 1/2

1

Riff A

P.M. P.M. P.M. P.M.

55

5 3 55

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P.M. P.M. P.M.

End Riff A

P.M.

Gtr. 4

Gtr. 2: w/ Riff A (4 1/2 times)

P.M. P.M. 11/2

rake

1 1

P.M.

1/4 1

P.M.

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poco rit.

1 1 1

1 1

1/21/2

Gtr. 2: w/ Riff A (1st meas.) (8 times)

Harm. 55 5

5

1

Pitches: GD

Band tacet

μ

P.M.

1/4

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55

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XX 5 3

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3 13

7

Intro Moderately q = 110

Words and Music by Billy F GibbonsChevrolet

Copyright © 1972 Music Of Stage ThreeCopyright Renewed



Gtr. 1(slight dist.)

*

mf

E μ

A

1/2

Gtr. 2(slight dist.)

mf


1/2

E μ A E

w/ pick & finger

A

1/2

1/2

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14 14 1214 14

0

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0

2

2

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2

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2 1

1

E

A

In1. a

w/ pick & finger let ring

P.M.let ring

flat

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E

for ty- one- with my Strat

A

by the door, we was go

Dsus4

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D

try- for

let ring

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05

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what

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A

The

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es,- just the joy

μ

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E

Interlude

E

A

let ring

w/ pick & finger 1/4

let ring

w/ pick & finger 1/4

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if

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μ

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E

P.M. let ring let ring

w/ pick& finger1/4

let ring

w/ pick& finger

1/4

Interlude

E

A

Hal le- lu- -

P.M.

w/ pick & finger

w/ pick & finger

0 04

0

2

02

0 05

7

04

72 0

3

22

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0

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Chorus

E

jah,- hal le- lu-

A

jah,- ride

B

my Chev ro- let.- Hal le- lu- -

P.M. P.M.

P.M.

E

jah,- hal le- lu-

A

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D

ro- let.-

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P.M. P.M. P.M. P.M.let ring

1/4

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7

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04

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6

Interlude

E

Mm.

A

E

A


mfP.H.

15maloco

1

*Gtrs. 1 & 2

slight P.M.


Gtr. 3

Guitar Solo

E A Ew/ pick & finger

Gtr. 1

slight P.M.

Gtr. 2

slight P.M.

1514

02

3 42 0 3

24

2

0 3 42 0

232

42

XX

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12 14 1412

1412

1412

1212

14 1412

12 11

15

12

14

02

3 42 0

232

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02

3 42 7 14

12 14 14

7

Gtr. 3

Gtr. 2 tacet

A

w/ pick & finger E

P.M.

A

let ring 1 1 1/4

Gtr. 1

slight P.M. 1/4 1/4

E

let ring A E

let ring

slight P.M.

A

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slight P.M. let ring

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14

12

1412 14 14 12

14 12 1214 12

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2

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E

let ring A

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1 1/41/4

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Harm.

let ring w/ pick & finger

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E

P.M. P.M.let ring

A

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slight P.M. let ring

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E

A

f

Gtr. 3

w/ pick & finger

Gtr. 1

slight P.M. w/ pick & finger

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14

1215

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12

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2

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32

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14 1214 14

1212 10 10

15

12

14

12

15 14 15 14

12

02

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02

32

42

2

2

9

Interlude

E AGtr. 3 tacet

P.M.

P.M.

w/ pick & finger w/ pick & finger

E

A

I3.

Gtr. 4

Gtr. 2

P.M.

Gtr. 1

w/ pick & finger

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0

2 2

12 13

4

4

0

2

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0

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2

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10

took

VerseE

the road down the Cin

A

co- through that

w/ clean tone

w/ pick & finger

P.M. P.M.

red

Gtr. 4 tacet

Dsus4

Braz os- Riv

D

er- land.-

μ E

Done hit that free way- at sun -

Gtr. 2

let ring P.M. 1/4

Gtr. 1

let ring let ring

P.M. P.M.1/4

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5

6

5

4

3

4

3

6

5

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22

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05

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022

22

11

A

set,- now the big

Dsus4

cit y- lights

D

are at hand.

μ E

Oh, oh, oh.

w/ pick& finger

1/4

P.M. P.M.let ring

w/ pick& finger1/4

Interlude

E

A

Hal le- lu- -

w/ pick & finger

P.M.

w/ pick & finger

0

2

057 7

04

72 0

3 0

2

2

042

022

42

22

05

7

04

72 0

3

22

2

4

4

2

2

0

0

1

0

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2 2

4

4

0

2

2

0

0

1

0

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12

Chorus

E

- jah, hal le- lu-

A

jah,-

P.M. P.M. P.M. let ring

ride

B

my Chev ro- let.- Hal le- lu-

E

jah,- hal le- lu- -

w/ pick & finger

P.M. P.M. P.M. P.M.

XXX

24

2

0

0 04

022

4 22

0 042

022

42 2

0

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4 X 4 9

12

9

12

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6

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466

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A

jah,- ride

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my Chev

D

ro- let.-

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w/ pick& finger1/4

P.M. P.M. let ring

w/ pick& finger1/4

Outro

E

w/ pick & finger A E

w/ pick & finger A

w/ pick & finger w/ pick & finger

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w/ pick & finger E9

w/ pick & finger

X 2

05

75

04

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05

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04

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2

4

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2

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0

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2

4

4

2

2

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0

1

0

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4

2

2

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2

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3 4

2 2

2

4

4

2

2

0

0

1

0

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02

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2

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4

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2

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1

0

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14


Moderate Rock q = 125

FrancineWords and Music by Billy F Gibbons, Kenny Cordray and Steve Perrone

Copyright © 1972 INDIA INK MUSIC and EMI APRIL MUSIC INC.Copyright Renewed

All Rights for INDIA INK MUSIC Controlled and Administered by ALMO MUSIC CORP.All Rights Reserved Used by Permission

5fr

F5fr

C

3 1 2 1 11

Intro

(Drums)**Gtrs. 2 & 3 (dist.)

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f

End Riff A

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Gtr. 1 (dist.)

P.M.

Rhy. Fig. 1

mfP.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

End Rhy. Fig. 1


Gtr. 1

P.M.

Rhy. Fig. 2Gtrs. 2 & 3: w/ Riff A

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

End Rhy. Fig. 2

Oh,My


2.3.

Verse

C5

GotFranFran

1. a girl,cine,cine

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heroh,just

name’sFran

turned

Francis,thir

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findo

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estyoumy

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Gtr. 2

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

1110

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3rd time, Gtr. 2: w/ Rhy. Fill 1F C/F

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Gtr. 3 tacet

C5 F C/F

F

Gtrs. 2 & 3

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Gtr. 3

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Interlude

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If

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I’d throw her back in the

C5

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let ring let ring

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F

And if I caught her with my moth er’s- son,

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I’d call her dad dy- and get my gun.

let ring

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Interlude

Gtr. 1

P.M.

Gtrs. 2 & 3: w/ Riff A

C5

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.Gtr. 1divisi

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D.S. al Coda

Gtrs.2 & 3

Guitar SoloF C

Gtr. 4

grad. bend grad. bend

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8va

1 1 1 1/2

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Gtr. 5 (dist.)

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f P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

FGtr. 4 tacetG5 D

Gtrs. 1 & 5 tacet

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loco

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*


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let ring

Gtr. 1: w/ Rhy. Fig. 2Gtrs. 2 & 3: w/ Riff AC5

Interlude

118

11 118

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355

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Uh,

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And I

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Gtr. 3

Rhy. Fig. 3B

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Rhy. Fig. 3

She’s all that I want.

C5 C/F F C/F

And I

F

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End Rhy. Fig. 3B

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End Rhy. Fig. 3A

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End Rhy. Fig. 3

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Gtr. 1: w/ Rhy. Fig. 3 (5 times)Gtr. 2: w/ Rhy. Fig. 3A (3 times)Gtr. 3: w/ Rhy. Fig. 3B

G5

her. She’s all that I need.

C5 F C/F F C/F

And I

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Voc. Fig. 1

(Whew.)

8va

End Voc. Fig. 1

Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)

G5

her, she’s all that I want.

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Gtr. 3

H.H. let ring H.H.

let ring

8va

F C/F

And I

F

need

C/F G5

her, she’s all that I need.

8va

H.H. let ring

loco

let ring H.H.

( )

C5 F C/F F C/F

And I

F

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C/F G5

her,

Gtr. 3

H.H. 8va

let ring loco

H.H.let ring

(3(15))

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she’s all that I want.

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And

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I

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8va

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(3(15))

let ring let ring

* Voc. begin fade

G5

her, she’s all that I need.

**C5 F C/F F C/F C5

loco

H.H. 8va

let ring


OutroGtr. 1: w/ Rhy. Fig. 3 (till fade)G5

loco

H.H. let ring

C5

** Voc. fade out

F C/F F C/F

H.H. 8va

let ring 5(17)


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Begin fade

Fade out

G5

loco

H.H. let ring

C5 F C/F F C/F8va

H.H. F C/F

let ring


G5

loco

H.H. let ring

C5 F C/F F C/F8va

H.H. F C/F

let ring


G5

loco

H.H. let ring

C5 F C/F F C/F F

H.H. 8va

C/F

let ring


5

43

17

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8

Intro Moderately slow q = 81



Goin’ Down to Mexicofrom ZZ Top’s First Album

Words and Music by Billy F Gibbons, Bill Ham and Dusty Hill

Play 3 times

Bb5

C5

5fr

1234

Bb74fr

1234

A7

Bb5 C5

T34 11

G5

μ

1. I was


f


on

Ninefine

Verse2nd time, Gtr. 1: w/ Fill 1

3.

F5

teen

G5

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myand

way

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down

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to

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iewas

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blethings

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thethepoor.

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Gtr. 1

Gtr. 2

*

Rhy. Fill 1

T T

End Rhy. Fill 1

T T P.M.

*T = Thumb on 6th string

Fill 1

Gtr. 1

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C7

a

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the crowd,

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been

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the same way for, oh, so long, it looks

C7

like I’m sing in’- the same

Bb5

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3

P.M.

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2.

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Gtr. 1 tacet

Bb5

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2. A

Gtr. 2

if

D7

you don’t mind, I’ll just move a long- but it looks

C7

like I’m sing in’- the same

Bb5

old song.”

Gtr. 1 (cont. in slashes)

Gtr. 2

let ring let ring P.M. let ring

Gtr. 1

(cont. in notation)

Bb7

Interlude

P.M.

A7 Bb7

P.M.

Gtr. 2

Gtr. 2

(cont. in slashes)

P.M.

Gtr. 1

P.M. P.M.

33

55

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mp

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Gtr. 1

A

P.M. mf

C D A C D A

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1/2

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1/2

Guitar Solo

A7 P.M.

let ring

1/21

Riff A End Riff A

0 0 0 3 5 5 0 0 0 0 3 53

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Gtr. 1

Gtr. 2: w/ Riff A (3 times)

let ring

let ring

1

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*played f .

1 1/4

1/2 1/2

P.M.

let ring

let ring P.M.

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rit.

Free time

hand

D7

in hand we walked a long,- each

C7

of us sing in’- the same old song.

P.M.


P.M. let ring

OutroGtr. 1 tacet

Bb5 C5 Bb5

C5

Gtr. 2

Bb5 C5

Gtr. 2

G5

(cont. in slashes)

Gtr. 1

let ring P.M. let ring 1 1

let ring mp

slight P.M. 61

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33 6 3

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5 35 4 3 1

3

8


Intro Fast Blues Rock q = 228

Heard It on the XWords and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard



1.

2.

Verse

*Gtrs. 1 & 2 (slight dist.)

A5

Rhy. Fig. 1

C5 A5 G5 C5 A5 G5 C5 A5 G5 D5 C5 A5 C5

End Rhy. Fig. 1

G5 D5 C5 A5 C5 G5

f


Yeah!

P.M.


A5 G5 G5 G5

We

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times)

2.

C5

Docan all

1.

1. you rethank

mem-Doc

C5

bertor

A5

-- B.

backwho

in ninestepped

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six-thety- six?-

line.

D5 C5 A5 C5

With

G5

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C5 A5

tryof

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where

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Oh,

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C5 A5

and’ry-

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--

G5

there,night.

D5 C5 A5 C5 G5

I’m’Cause

talkif

C5 A5

in’you

- ’boutdon’t

thatit’s

G5

outsure

C5

lawyou

A5

- Xwon’t

is

G5

cutget

C5

tin’to

A5

- throughfeel

thein’-

air.right.

G5 D5 C5 A5 C5

Gtrs. 1 & 2


Rhy. Fill 1

P.M.

End Rhy. Fill 1

022

55

22

022

22

00

3

55

22

022

22

00

3

55

22

022

22

00

3

77

55

055

00

77

55

055

00

55

22

022

22

00

3

55

22

022

22

00

3

77

55

055

00

77

55

055

X 3 2

1

Chorus

μ

An

D5

y- where,

F5

- y’all,

D5 μ

ev

E5

’ry- where,

G5

- y’all,

E5

I

Gtr. 1

Rhy Fig. 2

End Rhy. Fig. 2

let ring 1/4

Gtr. 2

Rhy. Fig. 2A End Rhy. Fig. 2A 1/21/2 1/41/4

heard

C5

it,

G5

I heard

C5

it,

G5

I heard

C5

it on

G5

the

A5

X.

Rhy. Fig. 3

P.M.

End Rhy. Fig. 3

Rhy. Fig. 3A

P.M.

P.M.

P.M.

End Rhy. Fig. 3A

0

023

023

3 023

0 1 2

0 0 3

2

0

2

0

0

023

023

45

023

0 1 2

0 0

3 433

2

00

0

0

55

00

55

00

55

00

3

22

2

3 0

55

00

3

00

55

00

3

00

55

00

3

22

2

3 0

2

1.

Interlude

2.

Guitar Solo

C5 G5 C5 G5 **8va

Harm.*don't pick

locoC5 G5

P.M.

A5 μ

P.M.

*After striking open strings on beat 2 1/2, lightly touch w/ L.H. finger.**Refers to harm. only

P.M.

P.M.

Gtrs. 1 & 2

C5 A5

P.M.

G5

P.M.

C5 A5

P.M.

G5

P.M.

C5 A5

P.M.

G5

P.M.

D5 C5

P.M.

A5 C5 G5

Gtrs. 1 & 2

C5 G5P.M.

A5

***Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 3/4 times)

w/ slide & wah-wah (as filter)


f

C5 A5 G5 C5 A5 G5

***Gtr. 2: w/ wah-wah as filter, till end.

55

00

55

00

55

55

00

3

22

0 3 4

55

00

3

00

55

00

3

00

55

00

3

22

0 3 4

55

22

022

22

00

3

55

22

022

22

00

3

55

22

022

22

00

3

77

55

055

00

22

00

3

22

22 14 14 14 14 14

3

1 , 3..

2.

4.

C5 A5 G5 D5 C5 A5 C5 G5 D5 C5 A5 C5 G5

Gtrs. 1 & 2: w/ Rhy. Fill 1

steady gliss.

D5 C5 A5 C5

Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A

μ D5 F5 D E Gtr. 2: w/ Rhy. Fig. 2 (last meas.)

G5 E

Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A

C G C G C G A

w/o slide

Gtr. 3C G C G C G A

Gtrs. 1 & 2

P.M.

P.M.

P.M.

14 14 1412 13 12

1413 17 13 12

1413 17 10 X

77

77

6 5

777

999

999 8 7

999

55

00

22

00 5

500

22

00 5

500

22

3

55

00

22

00 5

500

22

00 5

500

22

55

00

3

00

55

00

3

00

55

00

3

22

4

Interlude

Half-time feel

End half-time feel Free time

Outro A Tempo

Repeat and fade

Gtrs. 1 & 2

Gtr. 3 tacet

A5 G5

P.M.

A5 G5

P.M.

C5 A5

P.M.

G5

P.M.

C5 A5

P.M.

G5

P.M.

D5 C5

P.M.

A5 C5 G5

C5 A5

P.M.

G5

P.M.

C5 A5

P.M.

G5

P.M.

C5 A5

P.M.

G5

P.M.

D5 C5

P.M.

A5 C5 G5

μ

E5

C5 A5

P.M.

G5

P.M.

C5 A5

P.M.

G5

P.M.

C5 A5

P.M.

G5

P.M.

D5 C5

P.M.

A5 C5 G5

22

00

3

22

22

00

3

55

22

022

22

00

3

55

22

022

22

00

3

77

55

055

00

55

22

022

22

00

3

55

22

022

22

00

3

55

22

022

22

00

3

77

55

055

00

0 0 0 1 1 1 2 2 2 3 3 3 4 40 0 3 3 3 2 2 2 1 1 1 0 0 0

3 3 2 2

1 1 0 0 04 4 4 3 3 3 2 2 1 1 0

55

22

022

22

00

3

55

22

022

22

00

3

55

22

022

22

00

3

77

55

055

00

5

from Degüello

Intro Moderate Rock q = 110

I Thank YouWords and Music by Isaac Hayes and David Porter

Copyright © 1968 ALMO MUSIC CORP. and WALDEN MUSIC, INC.Copyright Renewed


*Am7 D/A Am7 G5/A A Am7 D/A Am7


**w/ chorus

mfP.M.

* Chord symbols reflect implied harmony.** P.M. applies to downstem notes only (next 4 meas.).

Gtr. 2 (dist.)

μ

mf

A51 1/2

Gtr. 1

P.M.slight P.M.

Gtr. 2 tacet

F#5 G5 G#5

You

Gtr. 1

slight P.M.

0 0555

0 0777

0555

0 000

0 000

0222

0 0555

0 0777

0555

7 78

78 8

778

58

58

7 5

0 0 07 7

0 07 7

0 07 7

0 07 7

0 07 7

0 07 7

01 2

4

3

5

4

6

1

Chorus

did

Am7

n’t- have to love me

D/A

like you did,

Am7

but you did,

D/A

but you did,

Am7 E D

and I thank

Am7

you.

D/A

You


Rhy. Fig. 1

mf w/ chorus

let ring let ring let ring let ring let ring End Rhy. Fig. 1

let ring

Gtr. 1

slight P.M.

Riff A

slight P.M.

End Riff A

did

Gtr. 1: w/ Riff AGtr. 3: w/ Rhy. Fig. 1

Am7

n’t- have to love me

D/A

like you did,

Am7

but you did,

D/A

but you

did,

Am7 E D

and I thank

Am7

you.

D/A

0555

0777

0555

0777

0555

76

54

0555

0777

0 07 7

0 07 7

0 07 7

0 07 7

07

5 7 5 5 0 07 7

0 07 7

2

Verse

But

Gtr. 1: w/ Riff A (1st 2 meas.) (2 times)

1.

Am7

you took your love

D/A

to some

Am7

one- else.

D5/A

I would

Am7

n’t- know what it meant to

D/A

be loved

Am7

to death.

D5/A

Gtr. 2

*1/2

*Roll back vol. knob.

Gtr. 3

Rhy. Fig. 2

let ring let ring let ring sim.

You

Am7

made me feel like

D/A

I’ve nev

Am7

er- felt,

D5/A

kiss

Em7

es- so

3

good I had to hol

Gtr. 2 tacet

ler-

F#5

for

3

help.

G5 G#5

You

Gtr. 2

1

Gtr. 3

let ring End Rhy. Fig. 2

Gtr. 1

slight P.M.

Riff B End Riff B

7 7 57

8 5

0555

0777

055

077

0555

0777

055

077

5

75

0555

0777

055

077

0

787

0

787

0

787

0 07 7

0 07 7

0 07 7

0 07 7

0 0

2 2

0 0 0 0 0 1 2

4

3

5

4

6

3

Chorus

Verse

did

Gtr. 1: w/ Riff A (2 times)Gtr. 3: w/ Rhy. Fig. 1 (2 times)

Am7

n’t- have to squeeze it,

D/A

but you did,

Am7

but you did,

D/A

but you did,

Am7 E D

and I

thank

Am7

you.

D/A

You did

Am7

n’t- have to hold it,

D/A

but you did,

Am7

but you did,

D/A

but you

did,

Am7 E D

and I thank

Am7

you.

D/A

Ev

Gtr. 1: w/ Riff A (1st 2 meas.) (3 times)Gtr. 3: w/ Rhy. Fig. 2

2.

Am7

’ry- day was

D/A

Gtr. 2

1/2

some

Am7

thing- new.

D5/A

You put

Am7

on your bag and

D/A

your fine

Am7

to do.-

D/A

p

You

Am7

got me try

D/A

ing- new

Am7

things too,

D5/A

just

Gtr. 1: w/ Riff B

Em7

so I can keep up with

F#5

you.

G5 G#5

grad. bend

mf

1/2 1

7 7 57 5 7

8 10

108 5 5

4

Guitar Solo

Chorus

Gtr. 2

A5

* f

G5 D5 Gtr. 1: w/ Riff C (2 times)A5

*Vol. knob full

1/2 1/2

Gtr. 1 Riff C

slight P.M.

End Riff C

Gtr. 2

G5

D5 A5 G5

D5

1/2 1/4 1/4 1/4 1/4 1/4

Em7

F#5 G5 G#5

You did

A5

n’t- have to

μ

shake it, but you

Gtr. 2

8va

P.H. loco

Pitches: E E E

1/2

Eb

1 1 1 1/2

Gtr. 3

let ring

Gtr. 1

slight P.M.

77

77

55

7 5 5 5 75

777

X X77

55

7 X

0 07 7

0 07 7

3 3

5 55 5

7 7

5 5 5 75

777

X0

77

55

7

0

5 5 5 75

7

5 6

50

77X

7 7 7 7 7 577 7

5

0

787

0 0

2 2

0 0

2 2 24

1 2

4

3

5

4

60

5

Verse

did,

Gtr. 2 tacet

but you did, but you did, and I thank you.

E D

You

Gtr. 3

Gtr. 1

did

Gtr. 1: w/ Riff AGtr. 3: w/ Rhy. Fig. 1

Am7

n’t- have to make it

D/A

like you did,

Am7

but you did,

D/A

but you did,

Am7 E D

and I thank

Am7

you.

D/A

All

Gtr. 1: w/ Riff A (1st 2 meas.) (3 times)Gtr. 3: w/ Rhy. Fig. 2

3.

Am7

of my life

D/A

I’ve been

Am7

short changed.-

D5/A

With out-

Am7

your love,

3

ba by,

D/A

- it’s a

3 3

Gtr. 2

mp

1/2

cry

Am7

ing- shame.

D5/A

But now

Am7

I know what

D/A

the fel las- talk

Am7

ing- a bout-

D5/A3

76

54

7 5

7 7 5

55

75 6 7

6

Outro

when

Gtr. 1: w/ Riff B

Em7

they say that they been turned

F#5

out.

G5

I want

G#5

to thank

Gtr. 1: w/ Riff C (till fade)Gtr. 2 tacet

A5

you.

Gtr. 3

w/ slide

*

*Vibrato causes notes to sound.

*

G5 D5

I want to thank

A5

you.

G5 D5

I want to

thank

A5

you.

G5

Yes,

D5

I want to thank

A5

you.

G5 D5 A5 G5 D5

07

7 55

777

777

5

55 7

6 55 7 5

27 5 3 2 3 0

30

0 50

30

50

57

70

70

79

0

90 50 7

75

55 5

0

75 5

0

7 57

77

5 5 47 7 5

77

4

7

Begin fade

Fade out

A5 G5 D5 A5

G5 D5 A5 G5 D5

A5

let ring G5 D5 A5

G5 D5

let ring A5 G5 D5

A5 G5 D5 A5 *

*

*As before

G5 D5 A5

* G5 D5 A5 *

*As before

5 5 75

77 5

3 50 0 1

3 50

3 51

202 3

0 4 0 0

4 3 0 4 3 0 4 3 0 5 5 33

205

0 4 0 4 3 0 4 3 01

4 3 03

0

2 4 0 5 77

55

077

77

5

55

00 7

77

55

5

7

77

720 23

0 03 2

0 03

10

22

242

22 5

25 12

2 2

1

0

0 130 0

3 350

0 50

5

77

67 7

77

555

0

5 67

5 65

77 7

5 77

57

77

0

6 7 66 7 8 5

5

77

77

6 57

77

0

8



I’m Bad, I’m Nationwidefrom Deguello



Slower q = 80 Faster q = 104

Gtr. 1 (elec.)

fw/ dist.

C5 C6 F5/C C5 C6 C5

5fr

312

F/A

Bb5/F

5fr

111

C

B5/F# C5 C6 C5 C6 C5

1 1 1 1

*Gtr. 2 (elec.)

fw/ dist.

P.M. P.M. let ring *Set vol. knob at 3/4 volume.

Gtr. 1

μ (C7)

(F5) Eb5

Gtr. 3 tacetC5 C6 C5 C6 C5 C6 C5

8va

1 1/2 1

*Gtrs. 2 & 3

Gtr. 2

P.M. P.M. P.M. 3 3 3

*Gtr. 3 (acous.) - played f .

11

X X

8

1011 8

10 810

108

8 108

11

8 6 8 6

11 810 10 8 10

10

10

810

810

812

88

81010

810

812

810

81010

88

88

88

99

810

810

812

8 810

810

812 10

10

8

10 10 810

10

8X

X18

15

1110

1211

1211

1211

1110

1211

1211

1211

1211

1211

1211

1088

XXX

81010

XXX

8 XXXX

810

812

81010

XXX

81010

XXX

81010

810

812

81010

XXX

81010

XXX

81010

810

812

81010

1

1. Well,

*

I

C6

was

C5

roll

VerseGtr. 1 tacet

in’- down

C6

the

F5/C

road

C5

in

C6

some

F5/C

cold

C5

blue

C6

steel,

F5/C C5

I had

C6

a

C5

steady gliss.

8va

P.M. let ring

P.M.

*w/ slow flanger

blues man

F5

in

F6

the

F5

back and a

F6

beau

F5

ti- cian

C5

- at

C6

the

F5/C

wheel.

C5 C6

We

F5/C

go

C5

in’- down

C6 F5/C

town

C5

- in

C6

the

C5

Gtr. 2

P.M.

mid dle- of

C6

the

F5/C

night.

C5 C6

We

C5

laugh in’

F5

- and

F6

I’m

F5

jok in’- and

F6

we

F5

feel

C7

in’- al

C6

right.

F5/C

-

C5

Oh, I’m

C6

bad,

C5

P.M.

20 18 18

XXX

81010

XXX

81010

810

812 10

10

810

810

812

88

810

810

812

88

810

810

812

88

810

810

812

810

XX

810

812

810

810

810

812

810

XX

810

812

88

810

810

812

88

810

810

812

88

810

810

812 10

10

XX

810

812

88

810

810

812

810 X

X8

108

128

108

108

108

128

10

8

88

81212

88

810

810

812

810

2


Chorus

** F

I’m na

tion- wide.-

C

*Gtr. 1

Rhy. Fig. 1

loco

w/ barw/ fingersw/ reverb

***

w/ barlet ring

w/ bar

***

let ring

*P.M. 4th string only, next 6 meas. ***Omit staccato when recalling Rhy. Fig. 1.

Gtr. 2

†let ring ††P.M.

let ring

**Chord symbols reflect basic harmony (next 6 meas.) †3rd string only. ††4th string only.

Yes, I’m bad,

F

I’m na

tion- wide.-

w/ bar

let ring

w/ bar

***

w/ barlet ring

End Rhy. Fig. 1

let ring

P.M.

Gtr. 1 tacetC5 C6 F5/C C5 C6 C5 μ (C7)

(F5)

Eb5

Eas2.

Verse

Gtr. 3 tacet

in’

C5

- down

C6

the

F5/C

high

C5

wayin

C6

a

Gtr. 2

P.M. let ring Gtrs. 2 & 3

Gtr. 2

P.M.

3 3 3

121011

121011

555

7

6

756

756

000

XX

810

812

8 810

810

812

81010

81010

812

810

810

810

812

1010

XX

810

812

88

810

810

812

81010

2

1

121011

121011

555

7

6

81010

810

812

88

810

810

812 10

10XX

810

812

8 810

810

812

810

81010

6

810

810

812

88

810

810

812 10

1110

1211

1211

1211

1110

1211

1211

1211

1211

1211

1211

1088

XX

810

812

8 810

810

812

8

3

new

C5

Ca dil

C6

- lac,

F5/C

-

C5

I had

C6

a

C5

fine

F5

fox

F6

in

F5

front, I had

F6 F5

three more

C5

in

C6

the back.

C5 C6

They

C5

P.M.

sport in’- short

C6 C5

dress es,- wear

C6

in’

F5/C

- spike

C5

-heel

C6

shoes,

C5 C6

they

C5

smok in’

F5

- Luck

F6

y

F5

- Strikes and wear

F6

in’

F5

-

P.M.

ny

Cm7

lons-

C6

too.

C5

’Cause we

C6

bad,

C5

Chorus


F5 F6 F5 F6 F5 F6

we

F5

na

tion

F6

- wide.

Bb5/F

-

*let ring

P.M.

*As before

C5 C6 F5/C C5 C6 C5 C6 C5

Yeah, we

C6

bad,

Bb5/F F5 F6 F5 F6 F5

let ring

P.M.

810

810

812

88

810

810

812 10

10XX

810

812

810

810

810

812

810

XX

810

812

8 81010

810

812

810

XX

810

812

810

810

810

812

88

810

810

812

810

810

810

812

810 X

X8

108

128

108

108

108

128

10

8

88

812

810

XXX

810

812

81010

XX

810

812

8 810

810

812

81010

810

812

8 810

810

812

88

XX

810

812

88

810

810

812

81010

810

812

8 810

810

812 8

88

108

10812

8 810

810

812

81010

4


we na

tion- wide.-

C5 C6 F5/C C5 C6 C5 μ

F Eb5

P.M.

Gtrs. 2 & 3

3 3 3

*Gtr. 1

Guitar Solo

Gtr. 3 tacet

reverb off

C5

w/ pick & fingers

Eb5 F5/C C5 Eb F5/C

P.M. let ring

3 3 6 6 3

*Two gtrs. arr. for one.

1 1/2

Gtr. 2

**T T T

P.M.

**T = Thumb on 6th string

C5

P.M.

Eb5 F5 F5/A

P.M. 1 1/2

T P.M. let ring

T

81010

6 810

810

812

88

810

810

812

810

1110

1211

1211

1211

1110

1211

1211

1211

1211

1211

1211

1010

88

1010 10

1088

10 101 3

5

3

5

3

5

3

5

3

5

3

5

3

5

3

5

3

5

3

5

3

5

XX

810

XX

8 XXXXXX

XXXXXX

XXXXXX

88

X8

1010

XX

810

XX

8 XXXXXX

XXXXXX

XXXXXX

888

X8

1010

1010 10

1088

10 10 1 31

33

31

33

31

33

31

333

810

8 XXXXXX

XXXXXX

XXXXXX

XXXXXX

88

1010

11 1210

10

126

5

C5

P.M.

Eb5/C F5/C C5 Eb5/C F5/C

P.M. let ring

6 6 6 3 3

1 1/2

P.M. P.M.

T

C5 Eb5 F5/C F5/A

P.M. 1 1/2

T P.M.

T let ring T

C5

P.M.

Eb5/C F5/C C5 Eb5/C F5

P.M. let ring

6 6 3 3 3 3

1 1/2

P.M.

T

1010 10

108

10 101 3

5

3

5

3

5

3

5

3

5

3

5

3

5

3

5

3

5

3

5

3

5

3

5

810

810

8 XXXXXX

XXXXXX

XXXXXX

XXXXXX

8X88

X8

1010

XX

810

XX

8 XXXXXX

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XXXXXX

8X88

X8

1010

1010 10

1088

10 10 1 311

333

311

333

311

333

311

333

XX

810

XX

8 XXXXXX

XXXXXX

XXXXXX

XXXXXX

88

X8

1010

XX

11 1210

10

126

33 10

10 101010 8

10 101 3

5

3

5

3

5

3

5

3

5

3

5

3

5 5

3

5

3

5

3

5

3

5

810

810

XX

8 XXXXXX

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XXXXXX

XXXXXX

X8

88

X8

1010

XX

810

XX

8 XXXXXX

XXXXXX

XXXXXX

XXXXXX

X8

88

1010

6

C5 Eb5/C F5 F5/A

P.M. 1 1/2

T let ring

T

Gtr. 4 (elec.)

Rhy. Fig. 2

w/ dist.f

F/A CEnd Rhy. Fig. 2


C5 Eb5 F5/C

Gtr. 1

P.M.

slight P.H.

1/2 1/2 1/4 1/2

Gtr. 2

P.M.T P.M.

T P.M.

T

C5 Eb5 F5/C C5 Eb F5/C

1/2 1/2

T P.M.

T P.M.T

1010 1010

108

10 10 1 311

333

311

333

311

333

311

333

XX

810

XX

8 XXXXXX

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XXXXXX

X8

88

1010

XX

11 1210 10

10

126

33 8

810 8

10 1010 810

810

810

8 XXXXXX

810

777

888

1010

XX

810

XX

8 XXXXXX

XXXXXX

XXXXXX

XXXXXX

88

X8

1010

1010 8

10 8 10 810

1010

810 9 8 6 8 6

XX

810

XX

8 XXXXXX

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88

X8

1010

XX

810

XX

8 XXXXXX

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888

X8

1010

7

P.M.

C5

Eb5/C F5

P.M.

P.M.

C5 Eb5 F5/C

P.M. 1/4 1/4 1

T T P.M.

T

C5

slight P.H. Eb5/C F5/C

P.M.

C5

P.M. P.M.

Eb5

P.M.

F5

3/4

P.M.

T P.M.

F5/A

P.M.

C5 C6 F5/C C5

C6

P.M.

C5 Bb5/F

B5/F#

1/2 1 1/4

let ring

P.M.

31 3

13 1

3

13

1 3 1 33

XX

810

XX

8 XXXXXX

XXXXXX

XXXXXX

XXXXXX

X8

88

1010

XX

810

XX

8 XXXXXX

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88

X8

1010

3 1 1 31

3 3 1 3

10 8 1010

810

XX

810

XX

810

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88

X8

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XX

810

XX

8 XXXXXX

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88

1010

108

8 8 11 8

1010

1010 8

10 8 10 8 8 8 9

XX

11 1210

10

126 8

108

108

1288

810

810

812

810

810 8

888

88

99

8


C5

P.M.

C6

P.M.

F5/C C5 C6 C5 μ (C7)

(F5) Eb5

Gtr. 3 tacetC5 Eb5 C5

1

1/2

1 1/4 11/2

P.M. let ring

Gtrs. 2 & 3Gtr. 2

T P.M.

3 3 3

Eb5 F5/C

C5 Eb5/C μ C5

3. Well, I

Eb5

was

μ

8va

1 1/2

P.M.

T P.M.T

mov

VerseGtr. 1 tacetC5

in’- down

C6

the

F5/C

road

C5

in

C6

my

F5/C

V -

C5

Eight

C6

Ford,

F5/C C5

I had

C6

a

C5

shine

F5

on

F6

my boots,

F5

I had

F6

my

Bb5/F

Gtr. 2

P.M.

1010

900

8 1010

10 10 810

81010 10

1010

810

812

88

810

810

812 10

1110

1211

1211

1211

1110

1211

1211

1211

1211

1211

1211

1088

XX

810

XX

810

XXXXXX

XXXXXX

XXXXXX

XXXXXX

88

1010

810

1010

818

15 20 18 18

XX

810

XX

810

XXXXXX

XXXXXX

XXXXXX

XXXXXX

X8

88

X8

1010

XX

810

XX

810

XXXXXX

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XXXXXX

XXXXXX

X8

88

X8

10

XX

810

XX

810

XXXXXX

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88

10

810

810

812

88

810

810

812

88

810

810

812

88

810

810

812

810 X

X8

108

128 8

108

108

1288

9

side

Cm7

burns- low.

C5

With

C6

my

F5/C

New York

C5 C6

brim

F5/C C5

and

C6

my

F5/C

gold

C5

tooth dis

C6

played,-

C5 C6

no

C5

-

let ring

P.M.

bod y

F5

- gave

F6

me

Bb5/F

trou ble- ’cause

F6

they

Bb5/F

know

C5

I got

C6

it made.

C5

I’m

C6

bad,

C5

ChorusGtr. 1: w/ Rhy. Fig. 1

F5 F6 F5 F6 F5

*

P.M. let ring

*As before

F6

I’m na

F5

tion

F6

- wide.

F5/C

-

C5 C6 C5 C6 C5 C6 C5

Girl, I’m

C6

bad,

Bb5/F

let ring let ring

P.M.

F5

bad,

F6

bad,

F5

bad,

F6 F5

bad, I’m na

tion- wide.-

C5 C6 F5 C5

Yeah.

C6 C5

P.M. **

P.M. let ring

**Vol. swell to full volume.

8

88 7

8 81010

810

812

88

XX

810

812

88

810

810

812

88

810

810

812

8 810

810

812

810

XX

810

812

88

810

810

812

88

810

810

812

8 810

810

812

810 X

X8

108

128 8

108

108

128

1010

81010

810

812

8 810

810

812

88

810

810

812

8 810

810

812

81010

810

812

8 810

810

812 8

8

810

810

812

8 810

810

812

810

81010

XX

810

812

88

810

810

812 10

10


μ (C7) (F5) Eb5

Outro-Guitar Solo

Gtrs. 2 & 3 tacet

Cm7

F Cm7

F

*w/ slight dist. & octaver

loco

f

string noise

P.M.

*Octaver set for one octave below.

1/2

Gtrs. 2 & 3

Gtr. 7 (elec.)

Rhy. Fig. 3

mfw/ clean tonew/ fingers

3 3 3

Gtr. 6 (elec.)

P.M. throughout

Riff A

fw/ slight dist.

End Riff A

1/4 1/4

Cm7 F

**Gtr. 9 (elec.)

Gtrs. 5, 6 & 7 tacet

μw/ neck/mid p.u.w/ slight dist.

f

**w/ Fender Strat style pickup configuration.

1 1/2

End Rhy. Fig. 3

***Gtr. 8 (elec.)

P.M. throughout

Riff B

w/ dist.f

End Riff B

***Bass arr. for gtr.

1/4

8 10 810 8

8 108

810 10 8 X

X

31 3

1110

1211

1211

1211

1110

1211

1211

1211

1211

1211

1211

1088

534

534

534

534

756

534

534

534

534

756

3 3 3 3 3 3 31 3

3 3 3 3 3 3 3 13

1

3 13 X 3 3 3 1 3 1

3

10 8 8

534

534

534

534

756

3 3 3 3 3 3 31 3

3 13 2 1 0 1 2 3

13 2 1 0 1 2

11

Gtr. 9


Cm7P.M. w/ bar

F Cm7

P.M.

P.M. F

+1/2 1/4

Gtr. 6

Riff C

1/4 1/4

Cm7 F5

Gtr. 8: w/ Riff Bμ

End Riff C

1/4

Gtr. 5

Gtr. 6: w/ Riff A (2 times)Gtr. 7: w/ Rhy. Fig. 3 (1st 2 meas., 2 times)Gtr. 9 tacet

Cm7

P.M. F Cm7

P.M. F Cm7

P.M.

F

P.M. 31/2 1 1

Gtr. 9

Gtr. 5

divisi

Cm7

rake

F

Gtr. 9

Gtr. 5 tacetGtr. 6: w/ Riff CGtr. 7: w/ Rhy. Fig. 3

P.M.

Cm7 F Cm7 F

3

1 1/2 1/2

1/41/2

1/41/2

1/4

Cm7

F

P.M.

Gtr. 8: w/ Riff B

μ Gtr. 5

Gtr. 6: w/ Riff A (2 times)Gtr. 7: w/ Rhy. Fig. 3 (1st 2 meas., 2 times)Gtr. 9 tacet

Cm7

P.M. P.M.

F

1

10 8

1211

1211

12 10 108

810 8

810

108

3 3 3 3 3 3 3

1 33 3 3 3 3 3 3 1

31

10 108 88

1088

10 1088

1088

88

1088

10 1088

1088

88

108

3 3 3 3 3 3 31 3

3

1 3 3 3 31 3 3 1 3 3 1 3 1

3 1

10 10 8 10 1010

810 8

1010 8 10 10 8

08

10 10 8 108

108

8

XX

X 108 10

108 10 10

101010 10

10 10 810

118

1088

8 10 810 8

1011 8

10 10 8 10 8 108

810

10 810

12

Begin fade

Cm7

P.M. F Cm7

P.M. F Cm7

P.M. P.M. F

P.M. 1 1 1 1

Gtr. 9

Gtr. 5 tacetGtr. 7: w/ Rhy. Fig. 3

Cm7

P.M. P.M.

F Cm7 F

1/4 1/2

Gtr. 6

1/4

Cm7 F

Gtr. 8: w/ Riff Bμ

P.M. P.M.

Gtr. 7: w/ Rhy. Fig. 3 (till fade)Cm7

P.M.

F

1/4 1/2

1/4 1/4

Cm7 F Cm7 F

1/4

8 11 8 8 118 8

118 11 8

11 118

11 810

118 8 10 10 10 8 10

88

1010 8

10 810

10

1110

1211

12 10 8 10 8

10

10 810 8

10 10 87 10

3 3 3 3 3 3 31 3

3 3 3 3 3 3 36 3

8 810 8 10

108

10 9 8 6 8 68 1

33

1 3 31 1 31 31 31 3

3 1

3 3 3 3 3 3 31 3

3 3 3 3 3 3 3 31 3

3 31 1 31 31 13

13

3 1 33 1 1 31 31 3 3 1

3 3 3 3 3 3 3 13

3 3 3 3 3 3 31 3

13

Fade out

Gtr. 8: w/ Riff Bμ Cm7 F

1/4

1/4

Gtr. 9

Gtr. 6: w/ Riff C (last 3 meas.)Cm7

P.M.

F Cm7

hold bend grad. release

let ring P.M.

FGtr. 8: w/ Riff Bμ

1

Gtr. 9

Cm7 F Cm7 F

Gtr. 6

1/4 1/2 1/2 1/2

Cm7 F μ

1/2 1/2

3 53 5

53

5 4 3 1 38 10 10

8 108

1010

3 3 3 3 3 31 3

8 108 8 10 10

8X

10 1011

10108 10

108

101110

1211

1211

10

1011

88

1110

1211

101110 10

8 1110

1211

13

3 3 3 3 31 3

3 3 3 3 3 3 3 13

1

1211

101110

101110

10

8 10

1110

1211

3 3 3 3 3 3 31 3

14


Intro Slow Blues q = 72

Jesus Just Left ChicagoWords and Music by Billy F Gibbons, Dusty Hill and Frank Beard

Copyright © 1973 Songs of MosaicCopyright Renewed


G55fr

C5

1 1

Gtrs. 1 & 3: Tuning:(low to high) E-G-D-G-B-E

Gtr. 1 (dist.)

f

** G

= 3

C/G rake

C C/G

1/41/4 1/4

*Gtr. 3 (clean)

f


Gtr. 2 (dist.)

mf

P.M.


35

XX

35 0

3

0000

201

0000

201

68

35

35

35

35

35

35

35

68

35

35

35

35

35

35

35

68

1

Verse

2nd time, Gtr. 1 tacet

JeTook

1.2.

G

susa

-jumpjust left

throughChiMis

ca

C/G

-sis- sip-

go,-- pi,

G

andwell,

C/G

He’s boundmud dy-

forwa

Newter- turned to wine.

3 33

33

3

P.M.

Rhy. Fig. 1A

Rhy. Fig. 1

P.M.

0

0000

201

0000

201

0

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

2

Or

G

leans.-

C/G2nd time, Gtr. 1: w/ Fill 1

G C/G

Well, now,

3

1/4

P.M.

Fill 1

Gtr. 1

P.M.

31/4

35 5

0000

201

0000

201

5

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

5

35

3

Je

Took

Gtr. 1 tacet

*

C

susa

- justjump

leftthrough

ChiMis

casis

F/C

-- sip- pi,-

go,-

3

C

andmud

F/C

He’sdy-

boundwa ter-

forturned to

Newwine.

Or

333

3

3 3

-

Gtr. 3

Gtr. 2

P.M.

*Sung behind the beat.

leans.

G C/G G C/G

Hey, yeah, yeah.

2nd time, Gtr. 1: w/ Fill 2

G

Hey,

C/G

yeah.

End Rhy. Fig. 1A Rhy. Fill 1 End Rhy. Fill 1

End Rhy. Fig. 1

P.M.

Fill 2

Gtr. 1

5555

756

5555

756

0

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

0000

201

0000

201

0000

201

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

4

1.

2.

Work

A

Thenin’

out- from one

toendCal

toi-

the othfor

C

-er,nia

--

andthrough the

allfor

G5

pointsest- and

inthe

bepine.

tween.-

3 3 3 3 3

Gtr. 1

let ring

let ring let ring 3 3

3 3 3

1/4 1/2

Gtr. 3

Rhy. Fig. 2A End Rhy. Fig. 2A

Gtr. 2


P.M. 3


Ah, take me with you Je sus.-

33 3

Gtr. 1


3 3

3

3 3

3

1/4 1/4

Gtr. 3

(cont. in slashes)P.M.

30

0

3

0

00 3

3

3 2

3

2 1

3

00

2222

5555

0

022

355

6 3 35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

0

3

3

3

3 2

3

2 1

3

3 0

3

3

3

3 2

3

2 13 0

0 00

00

00

00

00

00

00

00

5

Guitar Solo

3

Gtr. 3


G5

P.M.

Gtr. 1

let ring P.S.

3

3

1

C5

P.M.

3 3 5

1 1 11 1 1 1/21/2

G5

P.M.

hold bend

3

6

3

3

3

1

1/4 1

118

118

118

55

3 33

3 0

118

118

XX 0

5 5 36

53

6655

56

3

55

36 3 6 3 6 3

55 35

35

3 56

3

0 3 0

118

118

118

553

6

Verse

P.M.

Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A

A5 C5 G5

3

let ring let ring 3

3

3

3

3 3

3 3

1 1/41

let ring let ring


let ring let ring

let ring let ring

3 3

3

3 3

3

3 3

3

1/4 1/4 1/4

You

Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A

3.

G

might not see Him in

C/G

per son,-

3G

but

C/G

He’ll see you just the same.

33

3

33

1

53

56

5 53 55

5 3 5 33 5

3 0

3

0 3

3

3 2

3

2 1

3

0

3

0 3

3

3 2

3

2 1

3

3 0

3

0 3

3

3 2

3

2 1

3

3 0

3

0 3

3

3 2

3

2 1

3

3

000 5

7

G C/G G

C/G

3 3

You

C

might not see Him in per

F/C

son,-

C

but

F/C

He’ll see you just the same.

3 3 3 3 3

3

1 1/2

G

3

C/G

Yeah.


G

3

C/G

3

3

1

33

3 0 0

33

3 0 0

5

53

3 35

XX

5 3 33

8

Outro-Guitar Solo

You

Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A

A

don’t

3

have to wor ry

C

-

3

’cause tak

G5

in’- care of bus’ ness- is His name.

33 3 3

let ring 3 3

let ring

1/2 1/4

let ring


let ring

let ring

3 3 3 3 3

3

3 3

3

1/4 1/4

Gtr. 2: w/ Rhy. Fig. 1 (till fade)

G5

P.S.

3 3 3 33

1 1 1

3

0

0 3

0

0

3

3

3

3 2

3

2 1

3 X

0

3

3

3

3 2

3

2 1

3

3 0

3

3

3

3 2

3

2 13 0

118

118

5XX 0 5

5

6 3 6 35

33 5 3

553

53

3 6

9

Begin fade

Fade out

3

let ring

3

3

33 3 3

1

1

C5

3

3

3 3

G5

33 6 6 3

3

A5 C5 G5

3

3

11 1

6 35

33 5 3

553

53 3 5

53 7 6

56 6 677

676

76

55 3 76

8 8 8 86

8 8 8 8 86

8 8 87 5 3

35

5

3

5 5

35

5

3

5 53 5 3

55

53 5

35

5

33 5 3

35

33

30

1 00

31

331

5 5 55 3 53

33

35

0

10


Just Got PaidWords and Music by Billy F Gibbons and Bill Ham


All Rights Administered by Stage Three Music (U.S.) Inc.All Rights Reserved Used by Permisson



Open E tuning:(low to high) E-B-E-G#-B-E

*

mf

Riff A

Em7

P.M. P.M. P.M. P.M.

End Riff A



mfw/ slideP.M.

Am7

p steady gliss.

Gtr. 1

p

Em7

mf

**

**Slide positioned halfway between the 11th & 12th frets.

mf

P.M. P.M. P.M. P.M.

P.M. P.M. P.M. P.M.

Riff B

P.M. P.M. P.M. P.M.

3 50

3

05

03

05

3 05 3 5

35 3 5

3 05

10 1211

12 10 12 10

12 12 12

3 53

5 3 53 5

534

11 1012

11 11.5 12

3 50

3

05

03

05

3 05 3 5

0

3

05

0

3

05

3 05 3 5

0

3

05

03

05

3 05

1

8va loco

P.M. P.M. P.M. P.M.

P.M. P.M. P.M. P.M.

P.M. P.M. P.M. P.M.

End Riff B

Just

Verse

1.

*E

got

paid

to day,-

D

got me a pock et- full of change.

Em7


*Chord symbols reflect overall harmony.

Said I just

E

got

paid to day,-

D

got me a pock et- full

P.M. P.M. P.M. P.M.

Riff C

P.M.

19

1912 10

1210

3 50

3

05

03

05

3 05 3 5

0

3

05

03

05

3 05 3 5

0

3

05

03

05

3 05

121212

121212

1212 10

1010

101010

101010

101010

1212

1212

1212

1212

1010

101010

13 141010

141010

123 5

0

3

05

03

05

3 05

12 12 1212

1212

10 10 10 1212

3 50

3

05

03 5

05

3 03 12

121212

1212

1212

1010

101010

13 141010

1014

2

Em7

of change. If you be lieve

G5

- like work in’- hard all day,

just

slight P.M.

P.M. P.M. P.M. P.M.

P.M. P.M. P.M. P.M.

End Riff C Rhy. Fig. 1

step

A5

on my shoes and take my pay.

Em7

P.M. P.M. P.M. P.M.

P.M. P.M. P.M. P.M.

End Rhy. Fig. 1

I

VerseGtr. 1: w/ Riff C (2 times)

2.

E

was born my

pa pa’s- son, when I hit

D

the ground I was on the run.

Em7

Gtr. 2

P.M.

1210.5 10

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Had one

E

glad hand

and the oth er- be hind.- You can

D

have yours, just

give me mine.

Em7

When the hound


G5

dog bark

in the black of a night, stick my

let ring

hand

A5

in my pock et,- ev ’ry- thing’s- all right.

Em7

Gtr. 2

A5

P.M.

Gtr. 1

P.M. P.M. P.M. pp

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Guitar Solo

A E7 A E7 A E7

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A E7 A E7


D A7 D A7 D

let ring A7


D A7

InterludeE

mpdon’tpick

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let ring

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p w/ slap back delay


delay off pp

p

let ring let ring

f

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B7 μGtr. 1: w/ Riff A

Em78va loco

*

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Gtr. 1: w/ Riff B

I3.

Gtr. 2

just

VerseGtr. 1: w/ Riff C (2 times)Gtr. 2 tacetE

got paid to day,-

D

got me a pock et- full of change.

Em7

Said,

“Black

E

sheep, black, do you got some wool?”

“Yes,

D

I do, man, my bag is full.”

Em7

It’s the

Gtr. 2

pp**

p mf

**Vol. swell

root


G5

of e vil- and you know the rest, but it’s way

A5

a head- of what’s sec ond- best.

Em7

let ring let ring

20 21 21 22 22 2220 10 5 11 10

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Gtr. 2

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OutroD5 E5 D5 E5

Gtr. 1

D5 E5 D5 E5 μ D5 E5 μ

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11


Words and Music by Billy F Gibbons, Dusty Hill and Frank Lee BeardKo Ko Blue




Gtr. 1 (dist.)

mf

*Am7 Gmaj7 Am D5 C5 A5 Am7 Gmaj7 Am D5 C5 A5 Am7 Gmaj7 Am D5 C5 A5 Am7 Gmaj9 Am D5 C5 A5

Gtr. 2 (dist.)

mf

*Chord symbols reflect overall harmony.

A7(no3rd)

C A7(no3rd)

C A7(no3rd)

C A7(no3rd) C

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1

hotbil

Verse

A7(no3rd)

ly’n’Wil

two,cold,

ly,-

what

C

man,he’s

youroll

quite

A7(no3rd)

goninga

-na- do?

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from

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A7(no3rd)

youinging

--

comedownsome,

andtouh,

seetwelve

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me

Ko

tomid

C

night?night.pie.

--

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Mm,

C

Uh,

*Gtrs. 1 & 2

Rhy. Fig. 1

P.M. P.M. P.M. P.M.

End Rhy. Fig. 1


1/41/4 1/41/4

Black,

iceshe’s


A7(no3rd)

white,cream,

nice if

C

youyou

feelknowask

A7(no3rd)

alwhat that

her

rightmeans.twice.

-

C

Iif

thinkAsk

A7(no3rd)

youI

him

couldgotand

ina

he’ll

broadflates

vor-day

you’llti-

C

light.like.fy.

-

-

A7(no3rd)

C

If

I

ChorusD5

could get

D6

to

D5

see her,

D6

you

D5

know I’d try

D6

to

D5

please her. Oh,

A7(no3rd)

my

D/A Ko

C5

Ko.

C#5 A5

Don’t

Gtr. 1

P.M.

Gtr. 2

P.M.

P.M.

98

98

98

55

98

98

98

55

98

98

98

55

98

98

98

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57

57

59

57

57

57

59

57

57

57

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57

59

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57

57

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3 4 022

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2

2CTo oda 1CTo oda

try

D5

to ask

D6

me

D5

why

D6

she

D5

set my

D6

soul

D5

on fire.

D6 D5

Oh,

A7(no3rd)

my

D/A

Ko Ko Blue.

P.M.

Riff A

P.M.

C5 C#5 A5

Oh,

A7(no3rd)

my

D/A

Ko Ko Blue.

C5 C#5 A5

End Riff A

P.M.

P.M.

57

57

59

57

57

57

59

57

57

57

59

57

57

57

59

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57

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35

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05 7

3

D.S. al Coda 1

1 Coda

Interlude

A7(no3rd)

C A7(no3rd)

C A7(no3rd)

C A7(no3rd) C

Oo,2.

P.M. P.M.

1/4

Rhy. Fig. 2

P.M. P.M.

End Rhy. Fig. 2

P.M. P.M.

InterludeA7(no3rd)

P.M. P.M.

Riff B

P.M.

P.M. P.M.

98

98

98

98

98

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98

98

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98

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P.M. P.M. P.M.

End Riff B

Harmonica Solo

*Gtr. 3

Gtr. 2: w/ Riff B (2 3/4 times)

f

A7(no3rd)

3

3

3

3

*Harmonica arr. for gtr.

Gtr. 1

P.M. P.M. P.M. P.M.

Riff C

P.M.

End Riff C

Gtr. 3

Gtr. 1: w/ Riff C (2 times)

3 3 3

1/4 1/4

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98

98

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98

5 798

98

98

5 7

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98

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5 7 X X98

98

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98

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98

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5 70

98

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98

98

98

5 7

2219 17

20 2019

1719 17

19 19 19 19 19 17 1917

19 19 17 1917

19 17

5

Gtr. 1: w/ Riff B (1st 2 meas,)

1/4 1/4

Gtr. 3

3 3

1/2

Gtr. 1

P.M. P.M. P.M.

Gtr. 3

Gtr. 1: w/ Riff B (1st 3 meas.) 8va

3

3

Gtr. 2

P.M. P.M. P.M.

191717

1917

19 17 1919 1919 19 17 19

1719 17 19

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98

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191919

1521 19 19 19 19 19 1517

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98

98

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98

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5 798

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98

6

Interlude

Gtr. 3loco

mf

Dsus4 A7(no3rd)

mf

Gtr. 4 (dist.)

Gtr. 1

P.M. P.M.

Gtr. 2

P.M.

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19 1916 19 16 17 19 19 17 1917

19 19 19

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5 798

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3 3 3 3

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3

3

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19 17 19

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98

98

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rake

P.M.

Gtr. 1

Gtrs. 3 & 4 tacet

Am7 Gmaj7 Am D5 C5 A5 Am7

P.M.

Gmaj7 Am D5 C5 A5 Am7 Gmaj7 Am D5 C5 A5 Am7 Gmaj9 Am D5 C5 A5

Gtr. 2

P.M.

19 17 19 17 X17

19 19 19 17 1917

17 1919 16

19 19

7 5 7 55

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98

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9

D.S. al Coda 2

2 Coda

InterludeGtr. 1: w/ Rhy. Fig. 1Gtr. 2: w/ Rhy. Fig. 2

A7(no3rd)

C A7(no3rd)

C

Gtr. 2: w/ Rhy. Fig. 1 (1st 2 meas,)

A7(no3rd)

C A7(no3rd)

Mm,3.

C

Hill -

OutroA7(no3rd) D/A A7(no3rd) D/A C5 C#5 A5

P.M.

P.M.

A7(no3rd) D/A C5 C#5 A5

let ring

Riff D


End Riff D

Rhy. Fig. 3

P.M.

End Rhy. Fig. 3 P.M.

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77

77

44

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98

77

77

44

3 3 47

0

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77

77

55

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77

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77

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10

Gtr. 4

w/ slide

Gtr. 1: w/ Riff DGtr. 2: w/ Rhy. Fig. 3 (4 times)

A7(no3rd) D/A C5 C#5 A5Gtr. 1: w/ Riff A (3 times)


let ring *

*Slide positioned halfway between the 13th and 14th frets.


let ring A7(no3rd) D/A C5 C#5 A5

let ring

Gtr. 4

C/A B/A Bb/A Am

Gtr. 1


Gtr. 2

Rhy. Fig. 4A End Rhy. Fig. 4A

20 19 151212 13.510

1414 13

141414

141414

111111 20 19 15 1210 14

14141414

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101010

20 19 15 1210 1414

141414

1414

1010

20 19 15 1210 1414

141414

141414

101010

20 19 18 18 17

98

87

76

55

109

98

87

75

11

1., 2., 3.

4.

Gtr. 4

Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A (4 times)

C/A B/A Bb/A Am Bb/A Am

Gtr. 4

A(b5) D(b5) A13/G F#(b5)

Gtr. 1

3

33

Gtr. 2 3

3

3

17 20 19 18 17 18 17 17 8

13

1718

1917

1819

1718

1917 17

56

75

67

56

75 5

12

Intro Moderately fast Shuffle q = 160

La GrangeWords and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard



from ZZ Top - Tres Hombres

Gtr. 1 (clean) *

mpw/ pick & fingers

A5

= 3


1/4

Ru mour- spread in’- ’round,

1/4 1/4

in that Tex as

3

- town, ’bout

3

rake

22

22

22

22

22

22

0 05

025

025

22

22

22

22

22

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02 2

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22

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022

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22

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022

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3 502

1

that shack out side- La Grange. AndSpoken:

you know what I’m talk in’- a bout.- Just let me know if you wan na- go

to that home out

on the range. TheySpoken: got ta- lot ta- nice girls.

3

02 2

2

022

022

022

022

22

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2

022

022

022

22

22

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222

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222

22

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02

022

022

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2

Verse

μ

Gtr. 1 tacet

A5

Gtr. 2 (dist.)

Rhy. Fig. 1

f

Have mer cy.-

C5 D5 A5

C5 D5

let ring

End Rhy. Fig. 1

let ring


A5

A haw, haw, haw,

haw.

C5

A haw,

D5 A5

a haw,

haw,

haw.

Well,1. I hear

C5

it’s

D5

fine,


A5

if you got

C5

the

D5

time

A5

and

C5

the

D5

ten

A5

to get your self

C5

- in

D5 A5

a, hmm,

hmm.

And I hear

C5

it’s

D5

tight

A5

most ev

C5

er- y

D5

- night,

A5 C5

but now

D5

02 2

2

022

22

22

022

022

022

022

022

022

022

3 522

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222

22

02 2

2

022

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3

Guitar Solo

A5

I might be

mis

C5

tak

D5

- en.-

A5

Hmm,

hmm,

hmm.

μ

Gtr. 2

let ring

Gtr. 3 (dist.)

mf

C5 Eb5 F5

33 3 3

1

Gtr. 2 Rhy. Fig. 2

C5 Eb5 F5

3

End Rhy. Fig. 2

022

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22

22

22

022

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22

22

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10

11

4

Gtr. 3


C5

Eb5 F5 C5

31

Eb5 F5 C5

w/ pick & finger Eb5 F5

3 3

1/2

C5 Eb5 F5 C5 Eb5 F5

33 3

11/4 1

C5 Eb5 F5

w/ pick & finger let ring C5

1 1

Eb5 F5 C5 Eb5 F5

33

3

C5

3

Eb5 F5

3

C5

3 3

w/ pick & finger 3 3 3 3

10 108 X

X8 1010

88 6 8 6

8 88 1010

88 6 8 6

10 1010

1012

1112

1112

1112

1110 8

108 10

88 6 8 6

8 8 6 86

86 8 6 8 8 10

8 1010

108

10 1010

108 8 8

10

8 810

8 1211

1011 11

1211

121211

1110

1211 11

10 8 10

88

11 810

88

1010 10 8

8 108

10 10 9 68 8 6 8

108 8 8

108

10 10 10108

1012

1112

1112

1112

1112

1112

1112

1112

1112

1112

1112

11

5

Interlude

3

Eb5 F5

3

C5

3 3


3 3 3 3

C5

3 3

Eb5

3

F5

3

C5

3 33 3 3 3

w/ pick & finger

3 3

Eb5

3

F5

3

C5


Gtr. 3

2nd time, Gtr. 3 tacet

A5/G A5/F#

A5/F

A5

*Gtrs. 1 & 2

w/ pick & fingers

3 3 3 3 3 3

let ring 3


Gtr. 1

Gtr. 2 tacet

mp

A5 1/4

1211

1211

1211

1211

1211

1211

1211

1211

1211

1211

1211

1211

10 810 8

1012

1112

1112

1112

1112

1112

1112

1112

1112

1112

1112

1112

11

1211

1211

1211 11

1211

10 1211

10 810

8 98 10

8 8

4 5

5

5

5

5

5

2 4

5

4

5

4

5

3

5

3

5

3

5

0 0 3 422

0

022

22

22

22

022

022

02 5

2

02 2

5

022

25

22

022

022

02

02

02 5

2

02 2

5

022

6

Outro-Guitar Solo

μ

1/4 1/4

Gtr. 2

Gtr. 1 tacet

w/ pick

A5 C5 D5

let ring A5 C5 D5

let ring

Gtr. 3


A5

grad. bend

P.H.

C5 D5 A5 C5 D5 A5

P.H.

3

3

Pitches: D E

4 1/2

D E

4 1/2

D E

1 7 1

P.H.

C5

semi-harm.

D5

A5

3 3

P.H.

C5P.H.

D5 A5

P.H.

3

1 1 1 1 1 Pitches: A B

1

A B

1

C5 D5

A5

3 3

C5

P.H.

D5 A5

P.H. P.H.

1 1

Pitches:

1

G A

1

B C#

1

B C#

1

B C#

1 1

G A

1 1

25

22

22

22

22

22

02 5

2

02 2

5

022

25

22

22

22

22

022

022

22

22

22

22

022

3 522

02 2 2

222

22

22

022

3 522

75

7 5 77 5

7 7

8 8 8 8 8 5

88 8 8 5 87 7 5 7 5

75 7

5 87 7 5

5 57

5 7 7 7 7 7 7 7 5 67 5 7 7

5 7 5 7

7

C5 D5 A5

P.H.

P.H.

C5 D5 A5

3

Pitches:

1

A B A G A G A

1 E F#

11/2

1

C5 D5 A5

semi-harm.

3 3 P.H.

C5 D5 A5 P.H.

3

3

1 Pitch: B

11/4 1

P.H.

semi-harm.

C5 D5

A5

semi-harm.

P.H.

C5

P.H.

D5

A5

P.H.

P.H.

3

1

Pitch: G G G

11/4 1/4 1/4 1/4 1/4 1 1/4 1/4

C5 D5 A5 C5 D5 A5

P.H.

1 1

Pitches: B

1

C#

1

B C#

1

B C#

1

F G

1 1 1 1

F G

1 1 1 1 1

C5 D5

P.H.

A5

C5

D5 A5

P.H. 3

Pitches: B C#

1 1

B C#

1

B C#

C

1/21

7 7 7 5 7 5 57 7

109

8 8 10 108

8 810

7 98

7 5 7 7 57 5 7

58 7

5

77

75

5

77 5

55 3 5

53 5

53

75

77 7 5

77 5 7

55 7

7 7 7 7 7 7 7 7 7 7 7 7 XXX

7 7 7

7 7 7 7 57 7

5 65

510 10 10

8 8 8

8

Begin fade

Fade out

C5 D5 A5 C5 D5 A5

3 3 3

C5 D5 A5 C5 D5 A5

3

P.H.

1

Pitch: A B

1

A B A B A B A B

1 1 1 1

3

C5 D5

P.H. A5 C5 D5 A5

3

A B

1

A B

1

A B

1

A B

1

C5 D5 A5 C5 D5 A5

C5 D5 A5 C5 D5 A5

X 10 8 57 5 7 5

75 6

5 55

89

1098

988

109 9

88

77

55

55

55

7 57 6 5

8 80

877

988

877

988

7 5 7 7 5 7 7 7 77

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5 75

58

58

7877

988

988

988

77

55

55

22

02

22

877

988

988

988

77

55

22

2877

988

988

988

77

55

55

22 2 2 7 9 9 9

88

988

77

55

7 7 7877

988

988 8

9 988

9

9




from ZZ Top - El Loco

Pearl NecklaceWords and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard

Esus4

Gtr. 1 tacet

E5

Ha,Laughing: ha, ha, ha, ha,

A5

ha.

E5

A5

Gtr. 1 (clean)

fw/ heavy reverb & chorus

*Gtr. 2 (slight dist.)

Rhy. Fig. 1

mfP.M.

*Doubled throughout

E5

A5

E5

A5 μ

She1.

Gtr. 2

P.M. End Rhy. Fig. 1

9

0

910

9

0

910

02

02

02

02

02

02

02

02 0

202

02

02

02

02

02

02

02

02

02

02

02

02

02

02 0

202

02

02

02

02

02

02

02

02

02

02

02

02

02

02 0

202

02

02

02

02

02

02

02

02

02

02

02

02

02

02 0

202

02

02

02

1

realSheShe’s

2.3.

VerseB5

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Gtr. 1

She

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Pre-Chorus

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Gtr. 1

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w/ bar

Gtr. 1

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P.M. P.M.

24

24

24

24

24

24

24

24

02

02

02

02

02

02

02

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424

24

24

24

24

24

24

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46

46

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say.say.say.

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Gtr. 1 tacet

μ

A pearl

Gtr. 1

w/ bar

w/ bar

Gtr. 3slight P.H. 1 1 1 1

Gtr. 2

P.M. P.M.

neck

ChorusGtr. 3 tacet

E5

lace.-

A5

She want a pearl neck

E5

lace.-

Gtr. 2

P.M.

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She want a pearl

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P.M. P.M.

46654

46654

244

022

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46

46

46

46

46

46

46

46

46

46

46

46

46

24

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02 0

202

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02 0

202

02

02

02

02

02

02

02

02

02

02

02

3

Gtr. 3

Guitar Solo*Am7 D7sus4

Gtr. 1

Gtr. 2

Rhy. Fig. 3

P.M.

*Chord symbols reflect combined harmony.

G

3

1

P.M.

7 5 7 57 5

22

10 2

2

10 2

2

10 2

2

10 2

2

10 2

2

10 2

0

10 2

0

10 2

0

10 2 0

0

1

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

57

57

57

57

57

57

57

57

5 75 97 7 9 7 5 7 7 5

20

1

001

0 20

10 2

0

00 2

0

00 2

0

00 2

0

00 2

0

00 2

0

00

57

57

57

57

57

57

57

57

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

4

Am7 1

End Rhy. Fig. 3

P.M.

D G B5

P.M.

5 7 5 7

5 8 8 5

22

10 2

2

10 2

2

10 2

2

10 2

2

10 2

2

10 2

2

10 2

2

10 2

2

10 2

2

10 2

2

10 2

2

10

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

302

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

5

77 7 9 5 7 9

20

10 2

0

10 2

0

10 2

0

10 2

0

10 2

0

10 2

0

00 2

0

00 2

0

00 2 2

0

0

0

00 0 2

0

00 2 2

0

00

0

00

57

57

57

57

57

57

57

57

57

57

57

57

57

57

57

57

35

35

35

35

35

35

35

35

35

35

35

35

35 2

424

5

D.S. al Coda(take 2nd ending)

Coda

InterludeGtr. 1 tacetGtr. 2: w/ Rhy. Fig. 1

E5

Ah.

A5 E5

A5

Gtr. 3

Gtr. 3 tacet

E5

A5

Yeah.

E5 A5

μ

Gtr. 3

Outro-Guitar SoloAm7 3

D7sus43

Gtr. 1

Rhy. Fig. 4

Gtr. 2

Rhy. Fig. 5

9

6 7 5 7 55 7 5 5

5 7 5 0

1414

1312 14

14

1312 14

14

1312 14

14

1312 14

12

1312 14

12

1312 14

12

1312 14

12

1312

02

02

02

02

57

57

57

57

6

G

3

Am7

End Rhy. Fig. 4

End Rhy. Fig. 5

Gtr. 3

Gtr. 1: w/ Rhy. Fig. 4Gtr. 2: w/ Rhy. Fig. 5

3

D7sus4 3

G 1

Gtr. 3

Am7

Gtr. 2

P.M.

2 3 2 3 0 5 7 5 0

121212

121212

121212

121212

1414

1312 14

14

1312 14

14

1312 14

14

1312

35

35

35

35 0

202

02

02

5 79 7 9 7 9 7 9 7 7

7 97 5 7 7 5

5 7 7 0 10

5 6 75 6 7

02

02

02

02

02

02

02

302

02

02

02

0 0 3 0

7

Gtr. 3


Am7

33

D9sus4

Gtr. 1

Rhy. Fig. 6


G3

Am73

1

let ring let ring

End Rhy. Fig. 6

Gtr. 3

Gtr. 1: w/ Rhy. Fig. 6 (till fade) D9sus4

hold bend1 1

3

G3 3

Am7

1/2 1/2

79 9 12 14 12 14 12 14 7 8 7 8

121212

14

13

141213

12121212

14

13

141213

12121212

14

13

141213

12121212

14

13

141213

10

7 5 7 7 97

87 5

121212

121212

10121212

121212

12121212

14

13

141213

12121212

14

13

141213

12

11 12 1415 15

151515 13

1415

15 15 15 13 13 15 13 15 15 15 1314

8

P.S.

D9sus4 G

1 1 1 1 1 1 1

3

Am733

3

1

let ring D9sus4

let ring

G

3

3

1/21

X X

14 19 0

0 00

2 2 0 2

5 5 3 5 3 5 5 3 5 3 5 3 5 3 5

85 5

85 5

85 5

85

85 5

85

85 5

75

7 57

57

5 7 77 98 810 10 8 10 8 10

810

810

810

810 10

810

810 10

810

810

810

810 10 10 10 10 10

1010 10 10 8 10

108 10 8 10 8

107 5

75 3 5

00 7 5 7 7 5

75 7 5 4

9

Fade out

Am7

P.S.

3

3

D9sus4 G

6 3

1 1/21

Begin fade

Am7

let ring

3 3

D9sus43 3

3 3

G3 3 3 3

Am7

2

X7

5 57

5 7 5 7 5 7 5 7 5 7 5 7

7 7 7 57

77

75 7 7 5

75 7

75

7 5 7 5 4 4 5 40

07

75

5

3 5 3 5 3 5 3 35 5 3 5 3 5 3 5 3 5 3 53 5 3 5 3 5 3 5 3 5 3 5

3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 35

10

Intro Fast q = 164

from ZZ Top - Tres Hombres

Precious and GraceWords and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard



Gtr. 1 (dist.)

(Drums)

Gtr. 3: Open E minor tuning:(low to high) E-B-E-G-B-E

μ *

mf

F5 G5

P.M.

F5 G5

P.M.

Bb5 G5

P.M. P.M.

F5

Riff A

G5

P.M.

F5 G5

P.M.

Bb5 G5

P.M. P.M.

End Riff A

F5

1/41/4

Gtr. 2 (dist.)

mfP.M. P.M. P.M. P.M. P.M. **P.M.

*Chord symbols reflect implied harmony. **Slight P.M.

***

G5

P.M.

F5 G5

P.M.

Bb5

P.M.

G5P.M.

F5 G5

P.M.

F5 G5

P.M.

Bb5

P.M.

G5

P.M.

F5

***Slight P.M.

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.1/4

1 3 1 3

22

33

33

3 1 1 3 1 3

22

33

3 1

1 3 1 3 3 1 1 3 1 3

1 3 1 3

22

33

3 1 1 3 1 3

22

33

3 1

1 3 1 3 3 1 1 3 1 31 1

3 1

1

Verse

F5

RidNn,

1.2.

G5

gooding- top

God

F5 G5

theAl

floodmight

Bb

-way

y,--

onwe

G5

awas

F5

Frigo

G5

daying

--

night.down

F5 G5

slow.

Bb5

G5 F5

P.M. P.M. P.M.

P.M. P.M. P.M. P.M.

P.M.

Riff B

P.M. P.M. P.M.

P.M. P.M. P.M. P.M.

P.M.

End Riff B

Gtr. 2: w/ Riff B

G5

TheYeah,

landif

F5 G5

wescape’sknew

Bb5

- sojust

finewhere

G5

andwe

F5

nathad

G5

to

F5 G5

’ralgo.

- sight.

Bb5 G5 F5

Gtr. 1

Riff C

P.M. P.M.


P.M.

End Riff C

1 3 1 3

222

333

3 1 1 3 1 3

22

33

3 1

1 3 1 31

3 1 1 3 1 31

3 1

1 3 1 3

22

33

3 1 1 3 1 3

22

33

3 1

2

Bb5

Uh,

C5

justCry ing,-

cruis

Bb5

just,

C5

ing-uh,

slowfly

Eb5

ing-through

C5

downthe

Bb5

adarkput

C5

of night.out

Bb5 C5

road

Eb5 C5

Withwith

Bb5

Gtr. 1

P.M. P.M. P.M.

P.M. *P.M. P.M. P.M.

P.M.

*Slight P.M.

Gtr. 2

P.M.

P.M. P.M.

PrePre

D5

ciouscious

--

andand

Grace,Grace

evin

’rymy

- thing’sflat

F5

-

G5

alhead

F5

-

G5

-

P.M. P.M.

P.M. **P.M. ***P.M. P.M. **Slight P.M. ***As before

6 8 6 8

77

88

8 6 6 8 6 8

77

88

8 6

1 31

3 1 1 3 1 31

3 1

57

57

57

57

57

57

57

57

1 3 1 3

57

57

57

57

57

57

57

57

1 3 1 3

3

right.Ford.

Bb5 G5 F5

G5 F5 G5 Bb5

Mm,

G5

hmm.

F5

P.M.* P.M.

P.M. P.M. P.M. P.M.

P.M.

*Slight P.M.

P.M. P.M. P.M. **P.M. P.M. P.M.

**Slight P.M.

Interlude

G5 Gb5 F5 G5 Gb5 F5 G5 Gb5 F5 G5 Gb5 F5 G5 Gb5 F5 D5 G5 Gb5 F5 G5 Gb5 F5 G5 Gb5 F5 G5 Gb5 F5 G5 Gb5 F5 D5

P.M.

P.M. ***P.M.

***Slight P.M.

22

33

3 1 1 3 1 3

22

33

3 1

13 1 1 3 1 3

13 1

4 5 4 3 5 4 3 5 4 3 5 4 3 5 4 35

5 4 3 5 4 3 5 4 3 5 4 3 5 4 35

4 5 4 3 5 4 3 5 4 3 5 4 3 5 4 35

5 4 3 5 4 3 5 4 3 5 4 3 5 4 35

4

Gtr. 3 (dist.)

F5

E5

F5 E5

F5 E5 F5

mfw/ slide

Gtr. 1

Gtr. 2

Guitar Solo

Cm


6 8

1 1 0 1 0 1 0 1

1

8 8 78

8 8 78

86

8 58

8 88

78

2 3 2 3 2 3 1 3

4X3

5

4

4X3

5

4

4X3

5

4

4X3

5

4

5


Gtr. 3 *

*Slide positioned halfway between the 11th and 12th frets.

Gtr. 1

Riff D End Riff D

Gtr. 3

Bb

Gtr. 1

Gtr. 2

8 8 78

88

888 10 11 811 11.5 7

87

88 7

88

8

1 3 1 3 1 3 1 3

75

7 56

7 7 56

7 7 56

76

78

0 1 0 1 0 1 0 1

2X2

3

3

1X1

3

3

1X1

3

3

1X1

3

3

6

Gtr. 1: w/ Riff DGtr. 2: w/ Rhy. Fig. 1

Gtr. 3Cm

Interlude

Gtr. 1

Gtr. 3 tacet

D5 C5 Bb5 A5 D5 C5 Bb5 A5

Gtr. 2

Verse

Gtr. 1: w/ Riff C (1 1/2 times)

F5 G5

So,3. if

F5 G5

you’re out

Bb5

roll

G5

ing

F5

- late

G5

some night,

F5 G5 Bb5

G5 F5

Gtr. 2


P.H.

Pitch: D

A

1/4

8 8 78

8 8 78

88 7

88 7

8 78

8

3 5 3 1 1 0 3 5 3 1 1 0

3 5 3 1 1 0

1 3 1 31 1

3 1 1 3 1 31

3 1

7

G5

yeah, and

F5 G5

you need

Bb5

a su

G5

per

F5

- nat

Gtr. 1: w/ Riff A

-

G5

u- ral

F5

-

G5

de light,-

Bb5

I’m talk ing- to you,

G5

bro ther.

F5

-

P.H. P.H. P.H.

P.H. P.H. P.H. P.H.

P.H.

Pitch: A B A B F G

A A B A B D

A

Bb5 C5

I know

Bb5 C5

some bod

Eb5

- ies,- they’s

C5

just

Bb5

out

C5

ta- sight.

Bb5 C5 Eb5

Get

C5

with

Bb5

Gtr. 1

P.M. P.M.


P.M.

Gtr. 2

P.H. P.H. P.H.

P.H. P.H. P.H. P.H.

P.H.

Pitch: G

D G

Pre

D5

cious- and Grace, they gon na- treat you right.

*Gtrs. 1 & 2

P.M.


1 3 1 31

3 1 1 3 1 31

3 1

6 8 6 8

77

88

8 6 6 8 6 8

77

88

8 6

1 3 1 31

3 1 1 3 1 31

3 1

57

57

57

57

57

57

57

57

57

57

57

57

57

57

57

57

8

Outro-Guitar SoloGtr. 1: w/ Riff C (6 times)

F5 G5 F5 G5 Bb5

G5 F5

G5 F5 G5 Bb5

G5 F5

Gtr. 3

*w/ pick & fingerdist. off

w/ slide

*On a Les Paul style guitar, pick the string as close to bridge as possible while simultaneously picking the same string between the bridge and stop tailpiece with the nail of your ring finger, next 8 meas.

Gtr. 2

P.M. P.H. P.H.

P.M. P.M. P.M. P.H. P.M.

P.M.

Pitch: A B F

A F

A

G5 F5

let ring

G5 Bb5 G5 F5 G5 F5 G5 Bb5

**

steady gliss.

G5

w/ dist.w/ pick

let ring **

**4th string sounded by slide.

P.M.

P.M.

Riff E

P.M.

P.M.

End Riff E

Pitch: A

A

13 15 15 141515 15 15 14

1515

1515

1515

15 15 1313 15 15 14

1 3 1 31

3 1 1 3 1 31

3 1

14 151515

15 1415

1513 15 13

1313

151515

131313

151515

131313

151515

131313

151515

1515

1515

1212

8

66

15

1 3 1 31

3 1 1 3 1 31

3 1

9

Gtr. 3

Gtr. 2: w/ Riff E (2 times)

F5 F5 G5

let ring

Bb5 G5

steady gliss.

F5 G5 F5 G5 Bb5 G5

F5

Gtr. 2: w/ Riff B (4 times)

G5 F5 G5 Bb5

let ring

G5

F5 G5

F5 G5 Bb5

steady gliss.

G5 F58va

*

*Hypothetical fret locations, next 18 meas.

G5 F5 G5 Bb5 G5 F5 G5 F5 G5 Bb5 G5 F5

8va

G5 F5 G5 Bb5 G5 F5 G5 F5 G5 Bb5 G5 F5

8va

1515 13

1515

1010 17 17 18 18 812 8 15 15

1415 13

1515 15

15 14

14 14 1515

15 1515 15 14

1515 15 14

1515

15 15 13 26

27 27 27 27 2527

27 2726

2527

27 2726

27 2527

27 27

2627

27 27 2627

27 27 2627

2727 25

2727 27 25

26 2727 27 20

10

Gtr. 3

G5 F5 G5 Bb5

G5 F5 G5 F5 G5 Bb5 G5

F5

15ma

Gtr. 1

P.M. P.M. P.M.

P.M. P.M. P.M. P.M.

Gtr. 3

*G7

Gb7

15ma

Gtr. 1

P.M. P.M. P.M. P.M.

let ring

Gtr. 2

P.M. P.M. P.M.

P.M.

*Bass plays G pedal, next 6 meas.

22 27 27 27 25 30 32 25 29 29 30 27 30 23 27 27 2527

1 3 1 3

22

33

3 1 1 3 1 3

22

33

3

27 27 27 27 27 27 25 30 30 30

6 76

7

7

76

7

7

7 656

6

6

65

1 3 1 31

3 19

11

rit.

F7

15ma 8va

*Slide positioned halfway between the hypothetical 29th and 30th frets.

*

**Slide positioned halfway between the hypothetical 28th and 29th frets.

**

P.M.*** P.M. P.M. P.M. P.M.

let ring

***2nd string only.

μ

8va

Free time†† Gm7

loco

p

†

†2nd string sounded by slide.

w/ bar rit.

-1/4-1 1/4

rit.

††Bass plays G.

30 29.5 29.5 29.5 28.5 28.5 28.5 28.5 28.5 28.5 18 12 19

6

6

65

645

54

5

5

54

5

5

5

9 8

1919

1313

55 8 12 13

0

333

7 7 6 5

11

12

Intro Free time

She Loves My AutomobileWords and Music by Billy F Gibbons, Dusty Hill and Frank Beard

Copyright © 1979 Music Of Stage ThreeAll Rights Administered by Stage Three Music (US) Inc., a BMG Chrysalis company


from ZZ Top - Degüello

Moderately fast q = 129

*A

1. She don’t

“What’s

____= 3Verse

2nd time, Gtr. 2 tacetA5

itlovegon

A6

na-me,take

A5

forsheyou

A6

loveto


f

simile on repeat

P.M.


lay

D5

myyour

D6

autop

D5

toon

- mo

D6

- bile.down?”

-

A5 Am7 D/A A5 Am7 D/A A5

SheShesaid,

don’t

P.M. P.M. P.M.

P.M.

1/4 1/4

577655

022

022

04

04

022

022

04

04

02

02

04

04

02

02

04

3022

055

0777

07 5

55

0777

07

3

1

1.

2.

“What’s

D5

itlovegon

D6

na-me,take

D5

forsheyou

D6

loveto lay

D5

myyour

D6

3

autop

D5

toon

- mo

D6

- bile.down?”

-

A5 Am7 D5/A A5

P.M. P.M. P.M.

1/4

Am7 D5/A A5

ButI

shesaid,

would

D#5

do

E5

“Honaney,

E6

-y

why- thing

don’t

E5

-you

justask

E6

tome

E5

whenslide

we hit

E6

the outbe

E5

hindskirts

E6

--

3

P.M.

P.M.

1/4

the

A5

wheel.

Am73

D5/A A5 Am7 D5/A A5

2. She said, of

A5

town.”

Am7 D/A A5

Gtr. 2 (dist.)

f

grad. bend

1/2

Gtr. 1

P.M. P.M. P.M. P.M.

P.M. P.M. P.M.

1/4

02

02

04

04

02

02

04

04

02

02

04

04

02

02

04

3022

055

077

07

0

55

077

07

68

79

79

711

711

79

79

711

711

79

79

711

711

79

79

711

3

10 13 13

022

055

077

07

055

077

07

3

20

555

0777

07

2

Gtr. 2

Am7 D/A A5Guitar Solo

A5 A6 A5 A6 A5 A6 A5 A6

3 3 3

Gtr. 1

P.M.

P.M.

1/4

A5 A6 A5 A6 A5 A6 A5

3

A6 D5 D6 D5 D6

33

1 1/2 1

P.M.

D5 D6 D5 D6 A5 A6 A5 A6 A5 A6 A5 A6

3

11/2 1 1 1 1

P.M.

59

65

510 10 8 10

810 8

910 8 10

810 8

9

555

0777

07

3022

022

04

00

022

022

04

00

022

022

04

00

022

022

04

00

10 10 8 108

10 89

10 10 8 1010

10810

10X

022

022

04

00

022

022

04

00

022

022

04

00

022

022

04

XX 0

202

04

04

02

02

04

04

10 10 8 10X

10 10 10 10 10 10 8 10

02

02

04

02

002

02

04

XX

02

022

04

00

022

022

04

00

022

022

04

00

022

204

5

3

E5 E6

*

E5 E6

P.M.

E5 E6 E5 E6

3

*Played as even eighth notes.

1

P.M.

1/4

A5 Am7

P.M.

D5/A

P.M.

A5

P.M.

Am7

P.M.

D5/A

A5 D5

let ring

D6 D5 D6

3

1/4

P.M. P.M. P.M.

P.M.

1/4

D5 D6 D5 D6 A5 A6 A5

*

A6 A5 A6

A5 A6

1

*As before

11/2

P.M.

1/4 1/4

10 10 8 10 8 10 810

810 7

07

77

5 7 85

585 5

079

07

07

11

07

079

07

0711

07

079

07

07

11

07

079

07

07

11

3

755

777

09

777

755

6 57

77

57

5 95

10 89

108

022

00 5

5

077

07 5

5

077

07

3

02

02

04

00

02

02

04

00

8 13 12 11 1013

1013 10

1110 12

10

02

02

04

04

02

02

04

3022

022

04

00

022

022

04

00

022

022

04

00

022

022

04

3

4

D5 D6 D5 D6 D5 D6 D5 D6 E5 E6 E5 E6

11

1

P.M.

E5 E6 E5

3. Well

E6

now,

3

she

Verse

A5

don’t

A6

care

A5

if I’m

A6 D5

stoned

D6

or

D5

slop

D6

py

3

-

3 1 1/4

P.M.

1/4

drunk.

Gtr. 2 tacetA5 Am7 D5/A A5 Am7 D/A A5

And

C#5

3

she

D5

don’t

D6

care

D5

if I’m

D6

Gtr. 1

P.M. P.M. P.M. P.M.

10 1013

1013 10 10 13

1013

10 131213

12 11 10

02

02

04

00

02

02

04

00

02

02

04

00

02

02

04

XX

079

07

07

11

07

079

07

0711

07

01010 10

1310

13 10 10 13 13

17

079

07

07

11

07

079

07

07

11

XX 0

22

022

04

00

022

022

04

00 0

202

04

04

02

02

04

3

022

055

077

07 5

55

0777

07

46

57

57

59

59

57

57

59

00

5

stoned

G5 G6

or

D5

slop

D6

py

3

- drunk.

A5 A6 Am7 A5 G#5 G5

Long

F#5

as

F53

P.M.

3 3

P.M.

1/4

she got

E5 E6

the keys

E5

and there’s

E6

a spare

E5

wheel

E6

in

E5

the

E6

trunk.

A5 Am7 D/A A5

3

Gtr. 2

Gtr. 1

P.M. P.M.

1/4

Am7 D/A A5

P.M.

C5

Outro-Guitar Solo

D5 D6 D5 D6 D5 D6 D5 D6

P.M. P.M.

35

35

37

XX

02

02

04

3022

022

04

00 5

5

07

XX

57

46

35

24

13

1110

1110

1110

079

07

11

07

079

07

07

11

07

079

07

07

11

07

079

07

07

11

3022

07 5

5

0

77

07

91110

57

77

57

X9

8X9

8

11

10X11

10

9

8

0 11X10

11

10

9

8X9

8

11X10

11

10

9

8

9

55

0777

07

3 5 59

5 57

57

59

59

57

57

59

59

57

57

59

3

6

D5 D6 D5 D6 D5 D6 D5 D6 D5 D6 D5 D6

3

1 1/21/21/4

1/21/4

P.M. P.M.

D5 D6 D5 D6 E5 E6 E5 E6 E5 E6 E5 E6

3 3

1/2 1/2 1/2 1/2

P.M. P.M.

A5 A6 A5 A6 A5 A6 A5 A6 D5 D6 D5 D6

3

1/21/4

1/21/4

1/21/4

1/21/4

1/21/4

1/21/4

1/21/4

1/21/4

1/21/4

1/21/4

P.M.

1/4

788

7

109

54

XX 10 10 8

10 10 12 12 10

5 59

5 57

57

59

59

57

57

59

59

57

57

59

3 5 59

5 57

57

59

5

1212 12 1012

1012

1010

12 1210 10

77 5 77

55 5

58 5 8

5 555

57

57

59

59

57

57

59

5 7 711

79

79

711

7 79

79

711

711

79

79

711

00

78

7 78 8

7 78 8

7 78 8

7 78 8

78 5

55

022

022

04

00

022

022

04

00

022

022

04

00

022

022

04

302

02

04

00

02

02

04

00

7

D5 D6 D5 D6 A5 A6

3

A5

A6

3

E5 E6

3

E5 E6

3

11/2

1/41/4

P.M.

1/4 1/4

A5

μ

*

A Bb#11 A

*As before

1/41/41/4 1/41/41/4 1/41/41/4 1/41/41/4 1/41/41/4 1/41/41/4 1/41/41/4

P.M. w/ pick & fingers

9 10 108

1010

810

88 10 8 0

10 810 7 5 7 7 5

02

02

04

00

02

02

04

3022

022

04

00

022

022

04

00

79

79

711

7 79

79

711

3

878

878

878

878

878

878

878

7655

14

022

1

30

0

20

8


from ZZ Top - El Loco

Tube Snake BoogieWords and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard



μ (Drums) *Gtr. 1 (clean)

mf

**E5

P.M.

*Two gtrs. arr. for one. **Chord symbols reflect basic harmony.


Guitar Solo

A5

f

Gtr. 1

Gtr. 2 (clean)

Gtr. 1 divisi

P.M.

f

***Gtrs. 1 & 2

P.M.

***Composite arrangement

Gtr. 3

let ring P.H.

Gtrs. 1 & 2

P.M.

002

02

04

00

02

02

04

00

02

02

04

00

02

02

04

00

23

00

23

00

02

02

04

00

02

02

04

00

02

02

04

00

02

02

04

302

02

04

00

02

02

04

00

3

43

43 0

23

023

23

00

3 34

30

2 0

02

02

04

00

02

02

04

00

02

02

04

00

02

02

04

00

02

02

04

00

02

02

04

00

1

E5

1/2 1 1/2

P.M.

B5

let ring A5

1/4

Rhy. Fig. 1

P.M.

E5

B7#9(no3rd)

II

Verse

1.2.

Gtr. 3 tacet

*

E5

gotgot

aa

gal,gal,

sheshe

liveslives

P.M.

P.M.


P.M.

*w/ fast Leslie effect on vocals throughout.

2

03

030

00

0

4

0

2 02

0

00

30 0

02

02

04

00

02

02

04

00

02

02

04

00

02

02

04

00

02

02

04

00

02

02

04

00

4 2 02 2

2 02 2

0 1 22

12

2

2

0 0 3 42

05 5

02

02

04

00

02

02

04

00 2

424

26

24

24

24

26

24

02

02

04

00

02

02

04

00

2 2 0 2 20 1

2 02 2

2

02

02

04

00

02

02

04

00

02

02

04

00

02 2

X23

02

02

04

00

02

02

04

00

2

’crosson

town.the block.

She’sShe’s kind

theaone

- funkthat

y- withreal

her pinkly

and- gets

black

F#5

downsocks.

G5

whenShe

G#5

shelike

Gtrs. 1 & 2

P.M.

boo

*A5

gie,-to boo - gie,

AsusÊ A AsusÊ

sheshe

A

dodo

thethe

tubetube

E5

snakesnake

EsusÊ

booboo

gie.gie.

E

--

EsusÊ

Well,Well,

E

nownow

Gtr. 3

Rhy. Fig. 3

dist. off

Gtrs. 1 & 2

End Rhy. Fig. 2

P.M. *Chord symbols reflect combined harmony, next 6 meas.

booboo


B5

gie,gie

--

litwoo

tlegie,

BsusÊ

--

baba

by,by,

B

-- �

boo

AsusÊ

gie- woo gie- all

A

night long.

E5

B7#9(no3rd)

Gtr. 3 End Rhy. Fig. 3


Guitar Solo

E5

w/ dist.

let ring

1/4 1/4 1/4 1/4 1/4 1/2 1

02

02

04

00

02

02

04

00

02

02

04

00

02

02

04

00

0

3

2

4

3

5

4

6

243

243

243

222

22

34

243

243

243

222

91110

91110

91110

999

91110

91110

91110

91110

999

02

02

04

00

02

02

04

00

02

02

04

00

02

02

04

00

02

02

04

00

02

02

04

00

02

02

04

00

02

02

04

00

465

465

465

444

243

243

243

243

222

87

87

87

87

87

8 8 30

3 00 0 0

3

F#5 G5 G#5 A5

1/2 1 1

E5

let ring

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st meas.)

B5

let ring 1/2 1/2

Gtr. 3 A5 E5

let ring grad. bend

μ

let ring 1/21/2 1/4 1/2 1/2

Gtrs. 1 & 2

P.M.

Gtr. 3


E5 semi-harm.

grad. bend

F#5 G5 G#5

1/41/4

A5

let ring E5

1


B5 A5

let ring E5 B7#9(no3rd)

let ring 1/2

3

4

0

2 0 2 22 0 0 02 2

0 1 20 0

20

22 0

2 2

2 0 12 2

30 1

00

4 2

0

2 0 02 2

0 1 22

20 0

23

0 03

4

0 0

2 021 1

00

30

00

02 0

2 2

3

02

02

04

00

02

02

04

00

02

02

04

00

02

02

04

00

02

02

04

00

02

05 3

45

4

3

45

43

2 021

21 0 1

00 3

01 2

3

22

20

00

2 6

7

6

5 00

6 03

0

4 23

0

2 0 02 2

0 1 2 2

0 12 0 2

0 0 2

3

0 0

3 04

0

2 02

00

2 43

430

2 02 0

202

0

4

I

VerseGtr. 3 tacet

3.

μ

got a

gal, she lives on the hill. She

won’t do it but her sis

ter- will. When she

boo

Gtrs. 1 & 2: w/ Rhy. Fig. 2 (last 4 meas.)Gtr. 3: w/ Rhy. Fig. 3

A5

gie,-

AsusÊ A AsusÊ

she

A

do the

tube

E5

snake

EsusÊ

boo gie.

E

-

EsusÊ

Well,

E

now

boo


B5

gie,- lit tle

BsusÊ

- ba by,

B

- boo

AsusÊ

gie- woo gie- all

A

night long.

E5

Blow your top,(Blow your top.)

blow

B7#9(no3rd)

your top.

Outro-Guitar Solo


E5

F#5 G5 G#5

Gtr. 3

let ring let ring

A5

let ring E5

3

1/2 1/2 1/4


B5 A51/2 1/2 1/2

E5 B7#9(no3rd)


E5 1/2 1/2

6 75

7

7

75

7

7 75

7 75

7 7

7

7 75

7

7

75

7 7

20

32 0 3

00 0

4

00 0

2 02 2

0 1

0

13

00 0

3 3

0 0 0 03 0 33 3 0 3 0

2 2 02

2 02 2

20 1

00

3 02 0 1

2 22 0

2 2

00 0

02

000

30

5

5

Fade out

F#5 G5 G#5 A5

let ring hold bend1

let ring let ring

E5 1 1/2 1/2


B5 A5 E5

1/4 1/4 1/4 1/4 1/4

B7#9(no3rd)


E5

Begin fade

F#5 G5 G#5 A5 let ring

1/21/4

E5 Gtrs. 1 & 2: w/ Rhy. Fig. 1 (till fade)

B5 A5

let ring

50

3 03 0

0 05

5

5

5

5

5

5

5

5

5

5

5

53

3 00 0 3

000 0 0

3 5 53 0 5 3 0

0

87 7

87 7

87 7

87 7

87 7 7

00 0

00 0

30

0

2 0

2 2 2 2 22 2

0 22 2

0 22

0 122

0 2 22

0 22

0 22

2 02 0

33 2 0 5 5

3 00 0 3 3 3

0

5 5 0 5 5 50

00

50

50

50

50

50

00

50

00

50

5

6

Intro Moderately fast Rock q = 146

TushWords and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard


Worldwide Rights for Music Of Stage Three Administered by BMG ChrysalisAll Rights Reserved Used by Permission

from ZZ Top - Fandango

* G7

tyye2

13

G53fr

14

G6

134

G5

13

C53fr

14

C65fr

13

D55fr

14

D65fr

111

D96fr

111

Eb93fr

14

G75fr

14

D7

Yeah!


mfP.M. P.M. P.M.

P.M.


mfP.M. P.M. P.M.

P.M.


(cont. in slashes)

Gtr. 2

Rhy. Fig. 1

type2 type2

End Rhy. Fig. 1

P.M.

G5

G6 G5 G6 G5

G6 G5 G6 G5

G6 G5 G6 G5 G6 G5

I’ve1. been

G6

up,

Gtr. 1

P.M. P.M. P.M.

P.M.

P.M. P.M. P.M.

P.M.

3 3

55

3

55

33

3

55

3

55

33

1

3 3

55

3

55

33

3

55

3

55

33

3 3

55

3

55

33

3

55

3

55

33

3 1 3 3

55

3

55

33

3

55

3

55

33

3 1

1

Verse


G5 G6 G5

I’veI’ve

beenbeen

G6

down,good,

G5 G6 G5

takeDal

mylas,

G6

-word,Tex

G5

as,-

G6 G5

myHol

whyly

G6

-’round.wood.-

P.M. P.M.

P.M. P.M.

P.M.

Gtr. 2

Rhy. Fig. 2

P.M.

open

1fr

2fr

G5 G6 G5 G6

C5 C6 C5 C6 C5

I ain’t

E

ask

F

in’- for

F#

much.

P.M. P.M.

P.M.

P.M.

G5 G6 G5

Mm.

G6 G5 G6 type2G5

I said,

G6

Lord,

D5

take me

D6

down

D7

town,-

D6

P.M. P.M. P.M.

P.M.

P.M.

3 3

55

3

55

33

1 3 3

55

3

55

33

3

55

3

55

33

3

3 3

55

3

55

33

355

355

75

7 85

8 75

7355

355

0 0 1 1 2 2

3 3

55

3

55

33

3

55

3

55

33

55

057

57

59

59

510

510

59

59

2

1.

2.

End Rhy. Fig. 2

P.M.

C5

I’m just

C6

look in’

C5

- for some

C6

tush.

G5 G6 G7 G6 G5 Eb9 D9

I’ve2. been bad,

P.M. P.M.

Rhy. Fill 1A End Rhy. Fill 1A

(cont. in notation)

G5 G6 G5 G6

Yeah.

G5

Eb9 D9

Gtr. 3 (dist.)

mfw/ slide

Gtr. 1

P.M.

Rhy. Fill 1 End Rhy. Fill 1

35

35

37

37

35

35

37

2 3 35

37

37

38

38

37

37

35 3 4 5 5

1

12

35

35

37

37

38

38

37

37

35 3 4 5

3

Guitar Solo

Gtr. 3

G5 G6 G7 G6 G5 G6 G5 G6 G5 G6 G5 G6

*Gtrs. 1 & 2

Rhy. Fig. 3

P.M.


G5 G#5 A5 Bb5 C5 C6 C5 C6 C5 μ

P.M.

G5 G6 G5

w/o slide

G6 G5

w/ slide

G6 G5 G6 D5 D6 D5 D63

P.M.

0 1212 12 12 12

1212 12

1212 12 12

12

1212

12

35

35

37

37

38

38

37

37

35

35

37

37

35

35

37

37

35

35

37

37

35

35

37

37

12

1212

12 10 1012 4 5

5

55 5

5

55 5 3 5 4 4

35

35

46

46

57

57

68

68 3

535

37

37

35

35

37

37

35

35

0 0 1 1 2 2

01212

1212 3 0 3 0

1212 12

77

6 7

77

77

55

0

35

35

37

37

35

35

37

37

35

35

37

37

35

35

37

37 5

757

59

59

57

57

59

59

4

C5 C6 C5 C6 G5 G6 G7 G6 G5 C5 C#5 D5

End Rhy. Fig. 3

P.M.

Gtr. 3


G5 G6

3

G7 G6

3

G5 G6

3

G5 G6

3

G5 G6

3

G5 G6

let ring 3

G5 G#5 A5 Bb5

3

C5 C6 C5 C6 C5 μ G5 G6

3

G5 G6 G5 G6 G5 G6

3

D5

D6 D5 D6 C5

C6 C5 C6 G5

G6 G7 G6


G5 Eb9 D9

Take3. me back,

3

3 3

3

33 3

55 5 3

0 55 3 3 0 12

12

1212 10

1210 10

35

35

37

37

35

35

37

37

35

35

37

37

38

38

37

37

35 3

546

57

12

12 12 12 12 12

12

12 12 12

12

12

12

12 12 12

12

12 12 1012 12 10

101212

5 5 5 67 5

5 55 3 12 12 12 10 12

11 1110

1212

12

11 1212

1515

15 15 15 1315

18 1315

1513 12 12

1212

1010

121212

1212

1212

1010

1212

12 10 912 14 14

5

Verse

Gtr. 2: w/ Rhy. Fig. 1Gtr. 3 tacet

G5 G6 G5

way back

G6

home,

G5 G6 G5

not by

G6

my self,

G5

-

G6 G5

not a

G6

lone.-

Gtr. 1

P.M. P.M.

P.M. P.M.

P.M. P.M.

G5 G6 G5 G6


C5 C6 C5 C6

I

C5

ain’t

E5

ask

F5

in’- for

F#5

much.

Gtr. 3

Gtr. 1 P.M.

P.M.

Gtr. 3 tacet

G5 G6 G5

Mm.

G6 G5 G6 G5

I said,

G6

Lord,

D5

take me

D6

down

D7

town,-

D6

Gtr. 1

P.M. P.M. P.M.

P.M.

P.M.

3 3

55

3

55

33

1 3 3

55

3

55

33

1 3 3

55

3

55

33

3

15 15 14 12

3

55

3

55

33

35

35

37

37

35

35

37

37

35

35

0 0 1 1 2 2

3 3

55

3

55

33

3

55

3

55

33

55

057

57

59

59

57

57

59

59

6

Outro-Guitar Solo

C5

I’m just

C6

look in’

C5

- for some

C6

tush.

G5 G6 G7 G6 G5

μ

Gtr. 3

Gtr. 1

P.M. P.M.

Gtrs. 1 & 2

Gtr. 3G5 G6 G5 G6 G5 G6 G5 G6 G5 G6 G5 G6

Gtrs. 1 & 2

P.M.

12

12

12 77

88

88

35

35

37

37

35

35

37

37

35

55

3

55

33

35

12 12 1212 15

912 12 12

10 12

X 1212 12 12

12

12

35

35

37

37

35

35

37

37

35

35

37

37

35

35

37

37

35

35

37

37

35

35

37

37

7

G5 G#5 A5 Bb5 C5 C6 C5 C6 C5 μ

P.M.

G5 G6 G5 G6 G5 G6 G5 G6 D5 D6 D5 D6

3

P.M.

C5

3

C6 C5 C6 G5 μ Ab9 G9

P.M.

1212

12

12 1212

12 1212 5 5

45 5

5

45 3

35

35

46

46

57

57

68

68 3

535

37

37

35

35

37

37

35

35

0 0 1 1 2 2

1212

1212

1212

12 11 1212

12

12

1212 12 7

77

7

7 7 5

35

35

37

37

35

35

37

37

35

35

37

37

35

35

37

37 5

757

59

59

57

57

59

59

7 5 5 3 020

20 1615

17 15 121212 12 10

35

35

37

37

35

35

37

37

35 11

10111111

109101010

8


Intro Moderate Blues q = 100

Waitin’ for the BusWords and Music by Billy F Gibbons and Dusty Hill



Verse


**Am7

f

P.M.

P.M.



P.M.

P.M.

Have

1. mer

Am7

cy;

-

P.M.

P.M.

Riff AP.M.

been wait in’- for the bus all day.

Have mer -

P.M.

P.M.

P.M.

7 5 705

07

07 5

55

705

0755

05

07

07 5

55

7

705

07

05

07

07 5

55

555

705

07

05

07

07 5

5555

7

705

07

05

07

07 5

555

07

05

07

05

07

07 5

555

07 5

07

05

07

07 5

555

07

07 5

07

05

07

07 5

555

07 5

07

05

07

07 5

555

07 5

07

05

07

07 5

555

07

1

Verse

D7

cy;

- been wait in’- for the bus all day.

P.M.

P.M.

1/4 1/4 1/4

Am7

I got my brown

E7

pa per- bag and my

P.M.

P.M. End Riff A

let ring

take

D7

home pay.

C

Am7

Have2. mer -

let ring

P.M.

P.M.


Am7

cy;

- old bus be packed up tight.

Have

mer

D7

cy;

- old bus be packed up tight.

Am7

Well, I’m glad

E7

just to get on and

07

05

07

05

07

07 5

67

05

07

05

07 7 5

6

7

700

07 5

07 7 5

57 5

07 5

07 7 5

55

5

0 3 4

2

0

3

0 02 2

1

5 23

5

0

7 507 5

07 7 5

57 5

07 7

07 7 5

5

07

2

Harmonica Solo

1., 2.

home

D7

to night.-

C A5

G5 D5 E5

2nd & 3rd times, Gtr. 1: w/ Rhy. Fill 1

Am7

Gtr. 1

let ring w/ slide

Gtr. 2

let ring P.M.

1/4

P.M.

P.M.

P.M.

*

*Tie note and vibrato to beat 1 of repeat.

Rhy. Fill 1

Gtr. 1

02

12

5 23

0

7 55

7 7121212

121212

141414

121212

02

12

5 23

0022

00

577

577

079

5 3 5 3 5 5 33

5

141414

121212

141414

121212

141414

121212

5 3 5 3 5 5 33

5 3 5 3 5 5 33

5 3 5 3 5 5 33

5

141414

121212

3

Guitar Solo3.

G7

w/o slidew/ wah-wah

1 1 1 1 1 1/4

P.M.

P.M.

P.M.

1/2 1

P.M.

P.M.

P.M.

33 1/2 1 1/2

1

P.M.

P.M.

P.M.

141414

86

86 6 6

86

7 5 5 5 55

3 5 5 5 3 35

5 5 53 0 0 0 3 0 0 0 3

3 1 3 1 3 3 11

3 1 3 1 3 3 11

3

0

33

6 8 6 87

6 8 8 8 8 8 8 8 8 86 8 8 6

8 8 6 8

3 1 3 1 3 3 11

3 1 3 1 3 3 11

3 1 3 1 3 3 11

3

776

5 3 5

0 6 3 06 3 0

5 5 5 35 3 5

3 55

5

33 10 10 7

107 7

3 1 3 1 3 3 11

3 1 3 1 3 3 11

3 1 3 1 3 3 11

07

4

Interlude

E7

7 10

1 1 1 1 1 1 1 1 1 1 1

P.M. P.M.

P.M. P.M. 1/4 1/4

let ring

wah-wah off

1 1 1/4 1/2

P.M. P.M.

P.M.

1/4

Gtrs. 1 & 2

Am7

P.M.

P.M.

P.M.

107 7

10 107 7 7

10 107 7

107 10

107 10 7 7

10 1010 7 10

107 10

107 7 10 7

07 5

05

0 05

3 05

05

0 05

3 0

10 1010 7 10 7

10 89

109

89 9

10 10 89 9 2

7 5 407

05

05

0 05

3 05

05

5 23

0

707

07

05

07

05

07

07

05

055

07

05 7

05

07

07 5

555

07

05

07

05

07

07

05 5

5

07

5

Verse

Right

3. on;

P.M.

P.M.

P.M.


Am7

that bus done got me back.

Right on;

D7

that bus done got me back.

Am7

Well, I’ll be rid

E7

in’- on the bus till I

Cad

D7

il- lac.-

C

Am7

Oo!

C E5

Gtrs. 1 & 2

let ring

P.M.

P.M.

07

05

07

05

07

07 5

555

07

05

07

05

07

07 5

555

07

05

07

05

07

07 5 5

5

07

02

12

5 23

00

705

07

05

07

07 5 5

5

07

05

07

05 5 2

30

6


Whiskey ’n Mamafrom ZZ Top - Rio Grande Mud

Words and Music by Billy F Gibbons, Frank Lee Beard, Dusty Hill and Bill Ham

Copyright © 1972 Music Of Stage Three and Stage Three SongsCopyright Renewed


Gtr. 2: Open E tuning:(low to high) E-B-E-G#-B-E

Gtr. 2 (dist.)μ **F5

G5 Bb5 C5 F5 G5 Bb5

mfw/ slide

C5

*Gtr. 1 (dist.)

mf


**Chord symbols reflect implied harmony.

F5 G5 Bb5 C5

***

F5 G5 Bb C5Gtr. 2 tacet

G5

μ

***Notes in parentheses sound while performing vibrato.

P.M.

†T †T = Thumb on 6th string

Verse

F5

1. I’m

G5

so tired, you

Bb5 C5 F5

on

G5

my head.

Bb5 C5 F5

Whis

G5

key- ma ma,

Bb5

- you

C5

Gtr. 1

Rhy. Fig. 1

1 33

1 3

5X33

5X33

XXXX

XXXX

XXXX

33

55

33

1 3

5X33

XXXX

XXXX

XXXX

33

55

33

33

33

1 3

5X33

XXXX

XXXX

XXXX

XXXX

33

55

33

1 3

5X33

XXXX

XXXX

XXXX

XXXX

333

55

33

355

1 3

5X33

XXXX

XXXX

XXXX

XXXX

33

55

33

1 3

5X33

XXXX

XXXX

XXXX

XXXX

33

55

33

1 3

5X33

XXXX

XXXX

XXXX

33

55

33

1

F5

should

G5

n’t- have said

Bb

you

C5

want

Bb5

ed

C5

- me to be your

Eb5 F5 Bb5

lov

C5

er- true,

Eb5

then

F5

T

T

turn a

G5

round- and treats me just,

Bb5

uh,

C5 F5

likes

G5

you do.

Bb5

I

C5

should have

D5

known bet ter- than

F5

to

G5

T

End Rhy. Fig. 1

μ

fool with a whis key- ma

F5 G5

ma.-

Bb5 C5 F5 G5

2. Now,

Bb5

I

C5

Gtr. 2

Gtr. 1

1 3

5X33

XXXX

XXXX

XXXX

333

55

33

6 8 8X10X88

XXXX

XXXX

XXXX

88

1010

88

6 8 8X10X88

XXXX

XXXX

XXXX

XXXX

88

1010

1 3

5X33

XXXX

XXXX

XXXX

XXXX

33

55

33

1 3

XXX

XXX

5X33

XXXX

XXXX

XXXX

33

55

3 510X12X1010

XXXX

XXXX

XXXX

1010

1212

1 33

3 53 5

3 5 1 31 3

5X33

XXXX

XXXX

XXXX

33

55

33

1 3

5X33

XXXX

XXXX

XXXX

XXXX

33

55

33

2


F5

could

G5

be right and

Bb5

I

C5 F5

could

G5

be wrong.

Bb5 C5 F5

You

G5

been lay in’- out

Bb5 C5

Gtr. 2

F5

all

G5

night long.

Bb5

You

C5

tel

Bb5

e

C5

- phoned- this morn in’,- said

Eb5

you’d

F5

be

Bb5

home

C5

soon.

Eb5

The

F5

door man

G5

- said he seen ya at

Bb5

the

C5

Club

F5

Blue

G5

La goon.-

Bb5

I

C5

should have

D5

known bet ter- than

F5

to

G5

Gtr. 2 tacetμ


F5 G5

ma.-

Bb5 C5 G5

μ

Gtr. 1 Rhy. Fill 1

T

End Rhy. Fill 1

2 3 2 32 3

88 4

3 2

42 2 3

3 53 5

3 5 1 31 3

5X33

XXXX

XXXX

XXXX

XXXX

33

55

3

3

Chorus

C5

Whis key- ma

Bb5

ma,

C5

- you were

Bb5

stand

C5

in’- there

Eb5 F5

with

G5

your curl ing- hair.

Bb5 C5

Gtr. 2

Gtr. 1

Rhy. Fig. 2

slight P.M.

F5

G5 Bb5 C5

Gtr. 2 tacet

Just to

Bb5

have

C5

you

Bb5

do

C5

me good,

Eb5

I

slight P.M.

know

D5

you could

C5

if

D5

you

μ

on ly- would.

Gtr. 1

P.M. 3

15 14 14

810

810

XX

68

XX

810

XX

68

810 8 10

8 8

1 3

XXX

5X33

XXXX

XXXX

XXXX

XXXX

33

55

33

1413 15

1315

13 13 14 14

1 3

5X33

XXXX

XXXX

XXXX

XXXX

33

55

8 810

XX

68

XX

810

XX

68

810 8 10

8 8

5 55 5

3 X X 5 5

5 7 5 3 53 5 5 3 0

1

4

F5 G5 Bb5 C5 F5

G5 Bb5 C5

Gtr. 2

Gtr. 1 End Rhy. Fig. 2

Guitar Solo

F5 G5 Bb5 C5 F5 G5 Bb5 C5

Rhy. Fig. 3


1513 15

1 3

5X33

XXXX

XXXX

XXXX

XXXX

33

55

33

1 3

5X33

XXXX

XXXX

XXXX

XXXX

33

55

33

15 13 1513 15

15 15 1513 15

13 15 151512 15

15 1313

1513 15

1 3

XXX

5X33

XXXX

XXXX

XXXX

XXXX

33

55

33

1 3

5X33

XXXX

XXXX

XXXX

XXXX

33

55

33

13 1512 15

15 15 13

15 13 15 13

1513 14

15 15

15 1314

15

1 3

5X33

5X33

XXXX

XXXX

XXXX

33

55

33

1 3

5X33

XXXX

XXXX

XXXX

XXXX

33

55

33

5

Bb5 C5 Eb5 F5 Bb5 C5 Eb5 F5

T

T

G5 Bb5 C5 F5 G5 Bb5 C5

D5 F5 G5 Bb5 C5 Eb5 F5

T

T

End Rhy. Fig. 3

1415

15 1415

15 1415

15 1415

15 1415

15 1415

15 1415

15 1415

15 1415

15 1415

15 1415

6 8 8X10X88

XXXX

XXXX

XXXX

XXXX

88

1010

88

6 8 8X10X88

XXXX

XXXX

XXXX

XXXX

88

1010

15 1415

15 1415

15 1415

15 1415

15 1415

15 1415

15 1415

15 1415

15 1415

15 1415

15 14

1 3

5X33

XXXX

XXXX

XXXX

XXXX

33

55

33

1 3

5X33

XXXX

XXXX

XXXX

33

55

1515 14

1515 14

1515 14

1515 14

1515 14

1515 14

1515 14

1515 14

1515 14

1515 13 15 13

3 510X12X1010

XXXX

XXXX

XXXX

XXXX

1010

1212

6 8 8X10X88

XXXX

XXXX

XXXX

XXXX

88

1010

6

G5 Bb5 C5 F5 G5 Bb5 C5

Gtr. 2

Gtr. 1: w/ Rhy. Fig. 3F5 G5 Bb5 C5 F5 G5

8va loco

Bb5 C5


Bb5 C5

P.H.

8va loco Eb5 F5 Bb5 C5 Eb5 F5

G5

P.M.

Bb5 C5 F5

steady gliss.

G5

8valoco

Bb5 C5

3

13 1513 15

15 1513 15

13 1512 15

15

14 1515 13

15

1 3

5X33

XXXX

XXXX

XXXX

33

55

33

1 3

5X33

XXXX

XXXX

XXXX

33

55

33

14 1514 13

1513 14 14

1414

1515

15 18 18 1920 1515 15

15 1513

1413

1515 15 15

15 1315

13151515

1313

1515

1515

1515

1313

13 1515 13 15

151313

131515 15 15

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D5 F5 G5 Bb5 C5 Eb5 F5


G5 Bb5 C5 G5

μ

ChorusGtr. 1: w/ Rhy. Fig. 2

C5

Whis key- ma

Bb5

ma,

C5

- you where

Bb5

stand

C5

in’- there

Eb5 F5

with

G5

your curl ing- hair.

Bb5 C5 F5

G5 Bb5 C5

Just to

Bb5

have

C5

you

Bb5

do

C5

me good,

Eb5

I know

D5

you could

C5

if

D5

you

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15

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on ly- would.

F5 G5 Bb5 C5 F5 G5

3. Well,

Bb5

the

C5

Verse

Gtr. 1: w/ Rhy. Fig. 1F5

sun

G5 come shin in’- on

Bb5 C5 F5

rain

G5

soaked street.

Bb5 C5 F5

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G5

key- ma ma,- where

Bb5 C5

F5

can

G5

she be.

Bb5

I

C5

guess

Bb5

I’ll

C5

have to put ya down

Eb5 F5 Bb5

on

C5

my list.

Eb5

I

F5

did n’t

G5

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Bb5

ah,

C5 F5

you

G5

in sist.

-

Bb5

I

C5

should have

D5

known bet ter- than

F5

to

G5

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Outro

F5 G5

ma.-

Bb5 C5 F5

G5 Bb5 C5

Gtr. 2

Gtr. 1

D5 F5 G5 μ

F5 G5 μ F5 G5 μ

T

3

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