1 studles of patronage - springer978-1-349-00623-6/1.pdf · discussed in essays by a. warburg,...

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Bibliographical Notes No comprehensive analysis of Italian art patronage in the fifteenth and early sixteenth centuries has yet been written. These notes indicate some of the particular studies which are available, and the principal printed collections of documentary sources: they do not pretend to be a full bibliography of the subject, nor a list of all the books and articles cited in the present work. 1 Studles of Patronage Florentine artists and patrons have deservedly been the most closely studied. M. Wackernagel, 'Der Lebensraum des Klinstlers in der Florentinischen Renaissance' (Leipzig, 1938) and H. Lerner-Lehmkuhl, 'Zur Struktur und Geschichte des Florentinischen Kunstmarktes' (Wattenscheid, 1936) are both fundamental. M. Meiss, 'Painting in Florence and Siena after the Black Death' (Princeton, 1951) should be consulted for the earlier period, and for the Medici period E. H. Gombrich, 'The Early Medici as Patrons of Art' in 'Italian Renaissance Studies', ed. E. F. Jacob (London, 1960), reprinted in Gombrich, 'Norm and Form: Studies in the Art of the Renaissance' (London, 1966); and A. Chastel, 'Art et humanisme au temps de Laurent le Magnifique' (Paris, 1959). Aspects of Florentine patrician patronage are discussed in essays by A. Warburg, 'Arte del ritratto e borghesia fiorentina', and 'Le ultime volonta di Fran- cesco Sassetti', in 'La Rinascita del Paganesimo Antico' (Florence 1966), Italian translation by E. Cantimori of his 'Gesammelte Schriften' ed. G. Bing (Leipzig and Berlin, 1932). The best account of business practice among a group of Quattrocento painters is U. Procacci, 'Di J acopo di Antonio e delle compagnie di pittori del 209

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Page 1: 1 Studles of Patronage - Springer978-1-349-00623-6/1.pdf · discussed in essays by A. Warburg, 'Arte del ritratto e borghesia fiorentina', and ... patronage with Marxist theories

Bibliographical Notes

No comprehensive analysis of Italian art patronage in the fifteenth and early sixteenth centuries has yet been written. These notes indicate some of the particular studies which are available, and the principal printed collections of documentary sources: they do not pretend to be a full bibliography of the subject, nor a list of all the books and articles cited in the present work.

1 Studles of Patronage Florentine artists and patrons have deservedly been the most

closely studied. M. Wackernagel, 'Der Lebensraum des Klinstlers in der Florentinischen Renaissance' (Leipzig, 1938) and H. Lerner-Lehmkuhl, 'Zur Struktur und Geschichte des Florentinischen Kunstmarktes' (Wattenscheid, 1936) are both fundamental. M. Meiss, 'Painting in Florence and Siena after the Black Death' (Princeton, 1951) should be consulted for the earlier period, and for the Medici period E. H. Gombrich, 'The Early Medici as Patrons of Art' in 'Italian Renaissance Studies', ed. E. F. Jacob (London, 1960), reprinted in Gombrich, 'Norm and Form: Studies in the Art of the Renaissance' (London, 1966); and A. Chastel, 'Art et humanisme au temps de Laurent le Magnifique' (Paris, 1959). Aspects of Florentine patrician patronage are discussed in essays by A. Warburg, 'Arte del ritratto e borghesia fiorentina', and 'Le ultime volonta di Fran­cesco Sassetti', in 'La Rinascita del Paganesimo Antico' (Florence 1966), Italian translation by E. Cantimori of his 'Gesammelte Schriften' ed. G. Bing (Leipzig and Berlin, 1932). The best account of business practice among a group of Quattrocento painters is U. Procacci, 'Di J acopo di Antonio e delle compagnie di pittori del

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Corso degli Adimari nel xv secolo', 'Rivista d'arte', xxxv (1961).

Stimulating but tendentious attempts to associate art and patronage with Marxist theories of economic and social development are to be found in F. Antal, 'Florentine Painting and its Social Background: The Bourgeois Republic before Cosimo de' Medici's Advent to Power: XIV and early XV Centuries' (London, 1947); and A. Hauser, 'The Social History of Art' (London, 1951). For warning criticisms of this kind of approach, see the reviews of Antal's book by M. Meiss in 'Art Bulletin', xxxi (1949) 143-50, and of Hauser's by E. H. Gombrich, reprinted as 'The Social History of Art' in 'Meditations on a Hobby Horse and Other Essays on the Theory of Art' (London, 1963), and of both by Y. Renouard, 'L'artiste ou le client?' and 'Aux sources de !'inspiration artistique', reprinted in his 'Etudes d'histoire medievale' (Paris, 1968) pp. 115-26.

Civic patronage has been interestingly discussed in two studies more concerned with the fourteenth century: H. Wieruszowski, 'Art and the Commune in the time of Dante', 'Speculum', xix ( 1944); N. Rubinstein, 'Political ideas in Sienese Art', 'Journal of the Warburg and Courtauld Institutes,' xxi (1958). The patronage of the papal court is mentioned extensively in L. von Pastor (trans. F. I. Antrobus), 'The History of the Popes from the Close of the Middle Ages', i-vi (London, 1891-8); F. Saxl, 'Lectures' (London, 195 7) contains essays on various projects in Rome, including the Borgia Apart­ments and the Villa Farnesina; recent contributions include J. Ackerman, 'The Belvedere as a Classical Villa', 'Journal of the Warburg and Courtauld Institutes', xiv (1951); L. D. Ettlinger, 'Pollaiuolo's Tomb of Sixtus IV', ibid., xvi (1953), and 'The Sistine Chapel before Michelangelo' (Oxford, 1965). Patronage in the north Italian princely courts is well illustrated in the works of Julia Cartwright and her daughter C. M. Ady: see especially J. Cartwright, 'Isabella d'Este' (London, 1903) and 'Beatrice d'Este' (London, 1905). For the patronage of Sigismondo Malatesta of Rimini, see C. Mitchell, 'The Imagery of the Tempio Malatestiano',

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'Studi Romagnoli', ii (1951). There is no general work upon Venetian patrons, but attention is drawn to private patrons in Venice by G. Francastel, 'De Giorgione au Titien: l'artiste, le public et la com­mercialisation de l'oeuvre d'art', 'Annales', xv (1960).

Short studies of particular interest include R. S. Lopez, 'Hard Times and Investment in Culture' in 'The Renaissance: A Symposium' (New York, 1953), reprinted in 'The Renaissance: Six Essays' (New York, 1962); 'Cities, Courts and Artists' (Conference Report), 'Past and Present', xix (1962); A. Blunt, 'The Social Position of the Artist' in his 'Artistic Theory in Italy 1450-1600' (Oxford, 1940); A. Chastel, 'Art and Poetry' in his 'The Age of Humanism' (London, 1963); J. Lamer, 'The Artist and the Intellectuals in Four­teenth Century Italy', 'History', liv (1969), which anticipates a detailed study by the same author of artists and patrons before 1420.

Monographs on individual artists often provide detailed analysis of their relations with patrons; see for examples the second paragraph of the following section.

2 Documentary Sources in Print The great nineteenth-century collections of texts remain

splendid quarries, even if their editing may sometimes need revision. The pioneer work, an incomparable anthology in spite of its inaccuracies, is J. Gaye, 'Carteggio inedito d'artisti dei secoli xiv. xv. xvi' (Florence, 1839-40). The collections edited by G. Milanesi are fundamental: these include 'Documenti per la storia dell'arte senese' (Siena, 1854-6) 'Le lettere di Michelangelo Buonarroti' (Florence, 1875), 'Les corres­pondents de Michel Ange: Sebastiano del Piombo' (Paris, 1890), 4Nuovi documenti per la storia dell'arte toscana dal XII al XV secolo' (Florence, 1901 ); and his edition of Vasari's 'Lives' is indispensable both for the text and annotation, 'Le Opere di Giorgio Vasari', i-vi (Florence, 1878-82). On artists working in Tuscany, see also S. Borghesi and L. Banchi, 'Nuovi documenti per la storia dell'arte senese' (Siena, 1898) and with reference to the Ope1 • of Florence cathedral, C. Guasti, 'Santa

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Maria del Fiore' (Florence, 1887) and G. Poggi, 'Il duomo di Firenze' (Berlin, 1909). Many documents illustrating patronage have been published in collections of materials upon other leading Italian churches: for example, L. Fumi, 'Il duomo di Orvieto e i suoi ristauri' (Rome, 1891) or A. Gatti, 'La basilica petroniana' (Bologna, 1913); for the papal court, see the texts in E. MUntz, 'Les arts a la cour des papes pe!ldant le XV et le XVI siecles', i, 'Bibliotheque des Ecoles francaises d'Athenes et de Rome', iv (1878); 'Les arts ala cour des papes, 1484-1503' (Paris, 1898). Civic and ecclesiastical patronage in Venice is well documented in the copious works of P. Paoletti, 'L'architettura e la scultura del Rinascimento' in Venezia (Venice, 1893), 'Raccolta di documenti inediti per servire alla storia della pittura veneziana nei secoli XV e XVI' (Padua, 1894-5); see also G. Lorenzi, 'Monumenti per servire alla storia del Palazzo Ducale' (Venice, 1868) and C. Boito, 'Docu­menti per la storia dell'augusta ducale basilica di San Marco' (Venice, 1888). For artists and patrons in the other great maritime republic, Genoa (often over­looked), see F. Alizeri, 'Notizie dei professori del disegno in Liguria dalle origini al secolo XVI' (Genoa, 1876-80). Princely patronage in the court of Milan is documented by C. Mogenta, 'I Visconti e gli Sforza nel castello di Pavia' (Naples, 1883), and F. Malaguzzi­Valeri, 'Pittori lombardi del Quattrocento' (Milan, 1902). For the patronage of Isabella d'Este at the Gonzaga court of Mantua a new and complete edition of the very copious correspondence is required; meanwhile see W. Braghirolli, 'Carteggio di Isabella intorno ad un quadro di Giambellino', 'Archivio Veneto', xiii (1877), and A. Luzio 's articles 'I precettori d'Isabella d'Este' (Ancona, 1887) and 'Ancora Leonardo da Vinci e Isabella d'Este', 'Archivio storico dell'arte,' i (Rome, 1888).

Much material is to be found in the notes and appendices to monographs upon individual artists, or in special collections of their letters and other written remains. Only a few examples can be given here: P. Kristeller, 'Andrea Mantegna' (London, 1901); C.J. Ffoulkes and

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R. Maiocchi, 'Vicenzo Foppa of Brescia' (London, 1909); L. Beltrami, 'Documenti e memorie riguardanti la vitae le opere di Leonardo da Vinci' (Milan, 1919); F. Canuti, 'II Perugino' (Siena, 1931); V. Golzio, 'Rafaello nei documenti' (Vatican, 1936); R. W. Kennedy, 'Alesso Baldovinetti' (New Haven, Conn., 1938); A. S. Weller, 'Francesco di Giorgio' (Chicago, 1943); R. Krautheimer, 'Lorenzo Ghiberti' (Princeton, 1956); H. W. Janson, 'The Sculpture of Donatello' (Princeton, 1957). Many others have been cited in this work, and can be found by use of the Index under the appropriate artist's name. On documentation concerning individual painters, the most useful quick guide is U. Thieme and F. Becker, 'Allgemeines Lexikon der bildenden Klinstler' (Leipzig, 1907-50; reprinted 1964-6).

Miscellaneous texts of significance include E. MUntz, 'Les collections des Medicis au XVe si~cle' (Paris, 1888), an inventory of works in the Medici Palace at the death of Lorenzo the Magnificent; G. Perosa, 'Giovanni Rucellai ed il suo zibaldone', i (London, 1960), the memoranda of a private Florentine collector; Neri di Bicci's 'Ricordanze', recording all this minor painter's commissions from 1454 to 1472, partly edited by G. Poggi in 'II Vasari', i, iii, iv (Arezzo, 1927-31) extracts from the text are given by G. Milanesi, 'Le opere di Giorgio Vasari' (Florence, 1878-82) ii 71-9; the short biographies of many fifteenth-century patrons by the Florentine bookseller Vespasiano di Bisticci, 'Vite di uornini illustri', edited by P. d'Ancona and E. Aeschlimann (Milan, 1951), and translated by W. G. and E. Waters as 'The Vespasiano Memoirs' (London, 1926); the MS. known as the 'Anonimo Morelliano', containing inventories of private collections in Venice and else­where in the sixteenth century, edited by T. Frimmel in 'Quellenschriften fur Kunstgeschichte', n.f. i (1888) and translated by G. C. Williamson as 'The Anonimo' (London, 1903).

English translations are included as well as the original texts in many of the works listed above which have English or American editors. A few non-'literary' documents are included in E. G. Holt, 'The Literary Sources of Art

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History' (Princeton, 1947), reprinted as 'A Docu­mentary History of Art'(New York, 1957); the work of translation by E. H. Ramsden, 'The Letters of Michelangelo' (London, 1963) must also be mentioned.

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Index

Note. Artists are indexed under the names by which they are generally best known, whether surnames, christian names or nicknames, etc., e.g. Botticelli, rather than Sandra or Filipepi.

Agniolo di Nichola (of Porta a Signa), 184

Agnolo da Siena, 160 Alamanni, Domenico Andrea, 173 Albano, Taddeo, 149-50 Alberti, Leon Battista, xxv, xxvii, 25,

112, 117, 164, 181-3 Alberto di Maestro Tomasino of

Brescia, 4 Aldobrandini, Giovanni, 114-15 Alemagna,Giovanni d', see Giovanni Aleman, Louis d' (Cardinal), 3-6 Alemania, Martino Guglielmo de, 173 AlexanderVI (Pope), 25, 176 Alexandria, 57-8 Alfonso (Duke of Calabria), 75, 176 Alfonso (King of Naples), xxvi n, 93 Altoviti, Leonardo de', 190 Amadori, Alessandro, 148 Ambrogio, Fra (Prior of Jesuati), 135 Ancona, 123 Andine, Michelangelo, 16 Angelico, Fra Giovanni da Fiesole,

xxviii, xxxi, xxxiii, 91-2, 106-8, 109 n, 110-11, 193-6

Angelo, di Giovanni Simone (of Bm:go Sansepolcro), 9-10

Anghiari, battle of, 87 Antonello da Messina, 152 Antonio da Pinerolo, 22 Antonio (Archbishop of Florence), see

St Antonino Apelles, 22 Aquila, Zuan Battistad', 33 Arcimboldi, Antonio (Archbishop of

Milan), 159-60 Arigucci, Arigho, 13 Avignon, xxxiv

Bacino di Michelangelo, 33 Baglioni, Alberto de', 60 Baldovinetti, Alesso, xxvii, 13-14, 172,

192, 196-7 Barbagelata, Giovanni, 186 n Barbarigo, Agostino (Doge of Venice),

80-1, 121-2 Barbarossa, Frederick (Emperor), 123 Barbo, Pietro (Cardinal), see Paul II

(Pope)

Barcha, Antonio del (of Perugia), 201-3

Beccaria, Zaccaria (of Pavia), 204 Becharo, Vittorio, 150 Bellacio, Niccolb di Giovanni del, 43 Bellini, Gentile, 56-8, 121-2 Bellini, Giovanni, xxix, xxxii, 56-9,

78-82, 125-32, 143, 197 Bellini, J acopo, 56 Bellini, workshop of the, 121 Belliniano, Vettor, 58 Bembo, Pietro, 82 n, 125, 130, 131-2 Benedetti, Piero di Luca, 52-3 Benedetto (sacristan of S. Pancrazio),

13 Bentivoglio (family), 70 Benuzzi, Niccolo di Piero, 63 Bergognone, 151 Bernardi, Antonio di Gerio, 73 Bernardino di Venantio, 16 Bernardo Antonio di Castiglione, 135 Bertoldo, 102-4 Biagio d'Alberto (Servite friar), 14 Bicci di Lorenzo, 197 Bicci, Neri di, see Neri Bisticci, Vespasiano da, see Vespasiano Bollani, Marco, 81 Bollis, Bartholomeo de (canon of St

Peter's), 22 Bologna:'Legate of, 3, 8, 71; Lieutenant

of, 70-2; church of San Petronio in, XXV, 3-8

Bon, Giovanni and Bartolomeo, 66-9, 167-9

Bona of Savoy (Duchess of Milan), 120-1 Bonafacio da Cremona, 156 Bond, Ser Piero di Ser Andrea, 54 Boninsegna di Matteo, xxiv n Borgherini, Leonardo de', 32, 34 Borghi, Niccolo di Ser Frescho, 43 Borgia, Rodrigo (Cardinal), see

Alexander VI (Pope) Borgo Sansepolcro: Austin friary of,

9-10; Company of the Misericordia in, 52-3

Botta, Leonardo, 152 Botticelli, 21-2, 97-9, 133-5, 153 Bracciano, 176 Braccio di Ser Leonardo Braccio, 73

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Bramante, 22, 30 Brunelleschi, Filippo, xxiv, xxvii,

39-41 Bruni, Leonardo, 47-8 Buffala, Francesco, 30 Bugatto, Zanetto, 151-2, 155, 158 Buonarrotti, Michelangelo, see Michel-

angelo Burgundy (Duke of), 107 Busti, Bernardino de', 207 Butinone, Bernardo, 159

Cagnola, Luigi, 152 Cairo (view of), 121 Canovale, Fra, see Coqadini Capponi, Giovanni di Micho, 43 Caraffa, Olivieri (Cardinal), 22-5 Careggi, 96 Carpaccio, Vittor, 78, 122-4 Castagno, Andrea del, 13, 107 Castello, Giovanni da, 1 71 Castello (villa), 97 Catoni, Ser, 165 Cenni, Girolamo di Lorenzo, 73 Cennini, Cennino, 186 Ceresara, Paride, 125, 140-1 Cerini, Luca Bartolomeo, 29 Otarlier, Jean, see Jean de France Otierichino, Giovanni di Barduccio di,

43 Otioggia (cathedral), xxvi n Otrist, representations of: Crucifixion,

5, 11, 204; Enthronement, 5, 170; Nativity, 5, 13-14, 20, 125, 128, 130, 173; Pieta, 17; other repre­sentations, 6, 85-6, 108-10, 129, 145-7, 173-4

Ciani, Giuliano di Matteo, 52 Ciarla, Simone di Battista, 29-31 Cicero;102, 198 Cinaglia, Cardo, 60 Cino di Bartolo, 6-7 Cischii, Nanno, 9-10 Clement VII (Pope), 31-2 Colleoni, Bartolomeo, 176 Colonna, Giovanni, see Martin V

(Pope) Constantii, Giorgio, 193 Constantinople, 63, 70 Contarini, Antonio, 1u8 Contarini, Girolamo, H2 Contarini, Marin, 167-9 Contarini, Taddeo, 149-50 Corio, Bernardino, 154 Cornaro ('Cornelio'), Francesco, 131 Corradini, Fra Bartolomeo di Giovanni,

192 Correr, Filippo, 69 Correr, Gregorio (Protonotary), 116-17 Correr, Polo, 69 Corte, Giovanni Pietro da, 157-8 Cossa, Francesco, xxvi, xxvii, 162-4

216

Cristoferi,Jacobo, 193 Crist us, Petrus, 110 Cupid (Amor, Eros), 136-7 Cyriac of Ancona, 160

Dante, 200-1 Daphne, 137 Datini, Francesco, xxxii n, xxxiv David, 85, 105 Decembrio, Angelo, xxiv n Desiderio da Settignano, 110 Diana, 137 Diedo, Hieronymo, 80 Doctis, Giuliano de', 52 Doctis, Papus di Simone de', 52 Dolci, Giovanni Pietro de', 20-2 Domenico di Michelino, 200-1 Donatello, xxiv, xxvii, 63-7, 102-4,

108,176 Donati, Lucrezia de', 105 Donati, Manno, 92 Doviza, Bernardo da Bibbiena

(Cardinal), 30, 33

Elijah, 184 Elisha, 184 Este, Baidassare d', 169-71 Este, Beatrice d', 143 Este, Borso d' (Duke of Ferrara), xxvii,

162-4 Este, Isabella d' (wife of Gian

Francesco II Gonzaga, q.v.), xxvii­xxix, xxxi-xxxii, 124-50

Este, Leonello d' (Marquis of Ferrara), xxiv n, 112, 116, 160-1

Este, Niccolo d' (Marquis of Ferrara), 8 Europa, 137 Eyck,Jan van, 110, 152

Faenza, 11 Fazio, Bartolomeo, 151 Ferrara: villa of Belfiore, near, 160-1;

villa of Belriguardo, near, 170; Palace of Schifanoia, 162-4, 169; San Domenico, 169-71 ; other references, 92

Ferrari, Agostino de', 207-8 Ferrario, Ambrogio, 159 Fichi, Giovanni de', 52 Ficino, Marsilio, 9 7-9 Fideli, Stefano de', 157 Fieravanti, Aristotele, 70-2, 76 Filarete, 164 Flanders, 49, 109-10, 151-2 Florence: churches in: Annunziata, 13,

14, 114-17, Baptistery of San Giovanni, 3, 39, 44, 47-51, 85, 190-1, Cathedral of S. Maria del Fiore, xxv n, 39-41, 44, 51, 200-1, Or San Michele, xxv, 42-6, S. Frediano, 185, S. Giglio, see S. Maria Nuova, S. Lorenzo, 34, 105, S. Marco, 54, 91, 202, S. Maria

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Novella, 24, 172-5, 197, S. Maria Nuova, 14, 196, S. Pancrazio, 11-12, S. Romolo, 197, S. Spirito, 91-2, S. Trinita, 172, 205-6; Con­fraternity of the Purification, 53-5; Council of, 1439,69;Guilds: Calimala (cloth),42-3,45,47-8, 190-1,Cambio (money-changers), 42-5, Corrazzai (armourers), 42, Fabricanti (builders), 48, Lana (wool), xxv, 40-1, 44-6, Linaiuoli (linen or flax spinners), xxxi, 42, 195; Palaces: de' Medici, 95-6, della Signoria, xxxii, 69-70, 85-8, 144

Foppa, Vincenzo, 151, 154-8, 186 n, 204

Forteguerri, Niccolo (Cardinal), 99-101 Forteguerri, Piero (brother of the

above), 101 Fortino, Lorenzo, 29 Foscari, Francesco (Doge of Venice),

6, 67 Francesca, Piero della, see Piero Francescho di Mariotto del Vernaccia,

15 Francesco d'Antonio, 54 Francesco di Niccolo (Austin friar),

9-10 Francesco di NiccoloTommaso, 59 Francesco I son of Giacomo da

Montalcino), 19 Frederick III (Emperor), xxvii, 118 Frizzi, 33

Gaddi, Agnolo, xxxii n Gadio, Bartolomeo, 156-8 Galatea, 137 Galli, Domenico di Pacino Simone, 73 Gamberti, Giovanni, 124 Gattamelata, Erasmo da Narni, 109 Genoa (church of S. Domenico), 186 Gentile da Fabriano, 78 Ghiberti, Lorenzo di Bartolo, xxiv,

xxv, xxvii, xxxiv, 3, 39-51, 67,183, 190-1

Ghiberti, Vettorio (son of the above), 49-51, 190-1

Ghiori, Pietro Paolo, 193 Ghirlandaio, Davide, 15, 172-5 Ghirlandaio, Domenico, xxx-xxxii, 15,

21-2, 153, 172-5 Giacomo da Lorenzo, xxvi n Giambono, Michele, 186-7 Giancristoforo (Romano), 127 Gianfigliazzi, Bongianni de', 205-6 Giocondo, Fra, 31 Giorgione da Castelfranco, 150-1 Giotto, xxxiii, 94, 106, 108-9, 183 Giovanna, wife of Simone of

Sansepolcro, 9-10 Giovanni di Agniolo, 54 Giovanni d' Alemagna, 186-7

Giovanni di Giovanni de Alemania (friar), 9-10

Giovanni Luigi of Mantua, 22 Giuliano da Foligno (Austin friar), 9-10 Giuliano da Maiano, 191 Giulio Romano, 33 Glaucera, 137 God the Father, representations of,

158, 184, 192 Goliath, 105 Gonzaga, Federico I (Marquis of

Mantua), 120-1 Gonzaga, Federico II (later Marquis of

Mantua), 150 Gonzaga, Gian Francesco I (Marquis of

Mantua), 112-14, 116 Gonzaga, Gian Francesco II (Marquis

ofMantua), 121-6, 145, 150 Gonzaga, Ludovico (Marquis of

Mantua), xxxiii, 112-20 Gozzoli, Benozzo, 53-5, 95-6, 190-1,

205-6 Graces, the Three, 97 Guariento, 78 Guarino of Verona, 112, 160-1 Guicciardini, Giovanni di Messer Luigi,

43

Hercules, 85, 108, 177 Herod, 174 Hieronimo of Porto Venere, 35 Holofernes, 109 Horae of spring, 97

Ippoliti, Matteo, 150

Jacobo di Piero, 196 J acopo da Colle, 64 Jacopo della Quercia, xxv, 3-8 Jean de France (and his son Francois),

167-8 Jerusalem, 122-4 Judith, 85, 109 Julius II (Pope), xxxi, 34-5, 86 Jupiter, 137, 183 Justinian, 69-70

Ladislas of Padua, 22 Lamberti, Pietro, 67 Landucci, Benedetto di Luca, 172 Lapacci, Bartolomeo de' (Prior of S.

Romolo), 197 Laurana, Luciano, 76, 164-6 Lauro diS. Giovanni, 22 Lazarus, 31 Leo X (Pope), 30-4, 82 Leonardo da Vinci, xxiii n, xxix, 87-8,

143-8, 206-8 Leonardo di Tato, 64 Leonbruno, Lorenzo, 123·4, 143 Lezze, Michele da, 82 Lionardo di Ser Stefano, 65

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Lippi, Filippino, 22-5, 133-4, 153, 205-6

Lippi, Fra Filippo, xxvi n, 91-4, 108, 110, 143, 153, 201-3

Lippomano, Tommaso, 81 Loredan, Leonardo (Doge of Venice),

83 Lorenzo da Pavia, 129 Lorenzo di Bartolo, see Ghiberti Louis XII (King of France), 146, 207 Lupicini, Marcus, 40 Lucca, 76-7 Lucretius, 97 Lysippus, 47

Machiavelli, Niccolb, 87-8 Magi, the Three, 95-6, 107-8, llO, 173 Malatesta, Francesco, 133-8 Malatesta, Roberto, 183 Malatesta, Sigismondo, 181-3 Malipiero, Stefano, 80 Malipiero, Tommaso, 67, 69 Manetti, ll4 Manetti, Gianozzo, 18 Manetto, Antonio di Ciacheri, 182 Manfredi (da Vicenza?), 177 Mantegna, Andrea, xxvii, xxxii, xxxiii,

xxxiv; 116-21, 124-5, 127, 130-2, 139, 142-3

Mantua: churches in: S. Andrea, 113-14, S. Lorenzo, 113, S. Sebastiana, 113, Ia Chavriana, near, 113; other references, 112, ll7, 122

Marcello, Antonio, 69 Marchesi, Pietro, 157 Marco di Christofano, 70 Maron, Piedro Paolo, 1 71 Marsuppini, Carlo, xxxiii Martelli, Roberto, 96 Martin V (Pope), 5 Martini, Francesco di Giorgio, 75-7,

164 Martini, Guasparre di Niccolo, 52 Masaccio, xxvii, 94, 106, 143 Maso di Bartolomeo, 192 Massi, Ambrogio, 52 Massi, Michelangelo, 52 Matteo di Francesco d' Andrea da

Settignano, 49 Mattio dell'Isola, 165 Mauro, Luca, 80-1 Medici, Averardo di Francesco de', 43 Medici, Carlo de', 73-4 Medici, Cosimo de', xxvii, 42-3,91-2, 105 Medici, Giovanni di Cosimo de', xxvi n,

93, 105 Medici, Giovanni di Lorenzo de', see

Leo X (Pope) Medici, Giuliano de', 102, 104-5, 110 Medici, Giulio de', see Clement VII

(Pope) Medici, Lorenzo de' ('ll Magnifico'),

218

xxv, xxxiii, 22-3, 72, 91, 99-107, 115, 153

Medici, Lorenzo di Pierfrancesco, 97-9 Medici, Piero di Cosimo de', xxxiv,

91-6, 104-5 Medici, Piero di Lorenzo de', 176-7 Medici (family), xxvi, 85 Medusa, 137 Melchiorre da Larnpugnano, 157 Mercury, 97, 99,137 Michelangelo Buonarroti, xxiii n, xxxi,

xxxii, 31-5, 47, 87, 172 Michelino, Domenico di, 200-1 Michelozzo, 49, 63-5, 114, 164 Michie!, Marcantonio, 149 Migliorati, Lapo di Guido de', 63 Milan: Confraternity of the Con-

ception in, 206-8; Ducal Palace, 159; other references, 87, 143-4

Monaldeschi, Gentile de', 193 Montefeltro, Federigo di (Duke of

Urbino), 107,112,164-6 Montefeltro, Guidobaldo di (Duke of

Urbino), 31 Montescalari, Abbot Gabriele of, 22 Moses, 20, 69-70 Muses, the, 161-2

Nanni, Francesco (canon of Sateano), 29

Naples, see Alfonso (King of Naples) Narbonne, 31 Neptune, 137 Neri di Bicci, xxvi, xxvii, xxix, xxxi,

xxxiv, 11-13, 15, 69-70, 183-5, 189-92, 201

Nero, Golden House of, 25 Niccoli, Niccolb, xxvii Nicholas V (Pope), 18-19, 193 Nofri, Uguccio of Luxemburg, 9-10

Orcagna, 42 Organi, Matteo degli, 65-6 Oricellari, Benedetto de', 190 Oricellari, Ugolino di Francesco de', 45 Orsini, Virginio, 175-7 Orvieto (cathedral), 19!1-4 Ospedaletto (villa of), 153

Padua, 116, 119 Palco, 15 Palla, Giovanni della, xxxiv Pallas, 137 Panciatichi, Piero, 177 Paolo di Donato, 63 Papi (chamberlain), 154 Papi, Francesco di, 50 Parentucelli, Tommaso, see Nicholas V

(Pope) Paris, 107 Parma, 8 Pasti, Matteo de', xxvi, 94-5, 181-3

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Paul II (Pope), xxxiv Pavia: castle, 155-8; S. Giacomo, near,

204 Pazzi Conspiracy, 102 Perugia: Guild of Money-changers,

59-60; S. Pietro, xxxi, 16 Perugino, xxiii n, xxviii, xxxi, xxxii n,

16-17, 20-2, 59-60, 83, 125, 133-43, 153, 159, 205-6

Pesello, Francesco di, 107-8, 110 Petrarch, 94 Phoebus, 183 Piccolomini, Aeneas Sylvius, see Pius IJ

(Pope) Piccolomini, Francesco de' Todeschini

(later Pope Pius III), 25-9 Piero della Francesca, 9-10, 52-3 Piero d'Antonio, 12-13 Piero the Spaniard, 113 Pietro da N ovellara (Carmelite friar),

143-6 Pietro Giovanni (Austin friar), 9-10 Pintoricchio, Bernardo, xxxiii, 25-9,

197-9 Piombo, Sebastiana del, see Sebastiana Pisa, 103 Pisanello, Vittore, 78, 81, 116, 160 Pistoia, 177; church of S. jacopo,

99-101 Pius II (Pope), 25-6, 112 Pluto, 137 Poggibonsi, Company of S. Nicholo at,

191 Poggio a Caiano, 177 Poliziano, Angelo, 97 Pollaiuoli, Antonio, 17 5-7 Pollaiuolo, Piero del, 101, 107-8 Polyphemus, 137 Prato: cathedral, 63-6; church of S.

Maria delle Carceri at, xxv, 72-4; hospital of S. Silvestro or del Dolce, 73; other references, 102

Preda (De Predis), Ambrogio, 206-8 Prisciani, Pellegrino, 163 Priuli, Benedetto, 80 Proserpina, 137 Pulci, 102

Quercia, J acopo della, see J acopo Quirini, Andrea, 81

Raphael, xxiv, xxvii, xxxii, 25, 29-33, 150

Riario, Girolamo, 102-4 Ridolfi, Christophoro de', 171 Rimini (church of S. Francesco at), 181-3 Risorbolo, Niccolo, 73 Robbia, Lucha della, 192 Robertet, 146 Rome: churches in: S. Maria della

Pace, 22, S. Maria sopra Minerva, 22, 24, St Peter's, 18-19, 30-1;

Castel Sant'Angelo, 25; Vatican Palace, 18-22, Borgia apartments, 25, Sala dei Pontefici, 33-4, Sistine Chapel, xxxii, 19-22, 153, 188, Stanza del Incendio, xxxii, 29, Stanza della Segnatura, xxxii

Rosselli, Cosima, 21, 188-9, 205-6 Rossellino, Bernardo, 164 Rossi, Bernardino de', 159 Rossi, Tommaso de', 189 Rovere, Domenico della (Cardinal), 21 Rovere, Francesco della, see Sixtus IV

(Pope) Rovere, Giuliano della, see Julius II

(Pope) Rovere, Leonardo Grosso della

(Cardinal), 34-5 Rovigno, 68 Ruffino, Simon, 169-71 Ruskin,John, 67, 167 Ruzier, Andrea, 58-9

St Albert, 184 St Ambrose, 170-1 St Anne, 143, 145 St Anthony of Padua, 15 St Antonino, 174 St Benedict, 11 St Bernardino, 15 St Biascio, 16-17 St Bonaventura, 15 St Catherine (of Siena?), 11, 174 St Dominic, 54, 174, 192 St Elizabeth, 172, 174 St Fedele, 17 St Francis, 15, 54 St Frediano, 185 StGeorge, 42 St Giovanni Gualberto, 11-12 St Jerome, 54, 107, 109 StJohn the Baptist, 42-4, 54, 70, 107

(?), 108, 128-9, 174, 207 StJohn the Evangelist, 17 Stjoseph, 128 St Margaret, 185 St Mark, 42, 57-8, 67-8 St Mary Magdalene, 17 St Mary the Virgin, 5, 15-17, 20, 52,

54, 63, 72, 85, 91, 107-8, 110, 120, 128, 143-6, 173-4, 184, 192, 195-6, 206-8

St Matthew, 42-4 St Paul, 5, 107 St Peter, 5, 54, 107 StPeter Martyr, 174, 192 St Petronio, 5 St Sebastian, 107 St Stephen, 44-6 StThomas the Apostle, 63 StThomas Aquinas, 22, 174 St Vincent Ferrer, 174 St Zacharias, 172, 174

219

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St Zenobius, 54 Salai, 146 Salvator di Ser Antonio Angeli, 16 Sangallo, Giuliano da, 72-4 Sansovino, Andrea di, 85-7 Sassetti, Francesco, 172 Sassi, Lorenzo d' Agniolo, 65 Savona, 204 Scala. Bartolomeo, 102 Scola, Battista, 128 Scalona, Giancarlo, 121-2 Scotti, Gottardo de', 157 Sebastiana del Piombo, xxxi 31-4 Sebenico, 181 ' Sellaio, Leonardo, 35 Serragli, Niccolo d'Agnolo, 43 Sforza, Francesco (Duke of Milan),

109, 151, 176 Sforza, Bianca Maria Visconti, 151 Sforza, Galeazzo Maria (Duke of

Milan), 106-7, 152, 154-8, 204 Sforza, Gian Galeazzo (Duke of

Milan), 159 Sforza, Ludovico (Duke of Milan)

xxiii n, 143, 159-60 ' Siena, 8, 134; balla of, 7 5-7, 197-9 ·

cathedral library, 25-9; Fonte Gaia' 3-4 '

Simone di Angelo (of Sansepolcro) ~10 '

Sixtus IV (Pope), 19-22, 104 177 Soderini, Argentina, 148 ' Soderini, Piero, 85, 148 n Soderini, Tommaso di Lorenzo 70

184-5 ' ' Spello (S. Maria Maggiore), 16-17 Squarcione, Andrea, 107, 109 Stefano, Domenico di, 53-4 Strozzi, Agostino (Abbot of Fiesole)

140-2 ' Strozzi, Domenico, 140 Strozzi, Filippo, 24-5 Strozzi, Zano bi degli, 19 7

Tagliapietra, Luca, 113, 115, 117-19 Terranuova, Domenico da, 32 Theodore of Gaza, 160 Tinaccio di Piero, 51 Tintoretto, 78 Titian, 78, 81-4 Tornabuoni, Giovanni, 172-5 Torrigiani, Antonio, 70 Tortorella, Cambio and Giovanni

Marco, 189

Toschi, Benedetto, 11-12 Tovaglia, Angelo, 147 Tovaglia, Piero del, 114-15 Traversari, Ambrogio, 4 7 Trebbio, 94 Trevisan, Marco, 81 Trissino, Ambrosio, Antonio Gabriel,

171 ' Trivulzio, Erasmo, 204 Tura, Cosimo, 170-1

Uccello, Paolo, 1 0 7 Ugolini, Pietro di Ercolano, 16 Urbino, 29, 75; Palace of, 164-6; S.

Domenico, 192 Uzzano, Niccolo da, 47-8

Valaresso, Paolo, 69 Valier, Francesco, 84 Vasari, Giorgio, xxiii, xxiv, xxv, xxvii,

25, 39, 47, 71,87 133, 153 n, 176, 183,196,198,205

Vatican, see Rome Veneziano, Domenico, 91-3, 110, 196 Venice: Ca d'oro, 167-9; churches in:

S. Agnese, 187, S. Marco, 66, 68, S. Pan tale on, 18 7, Council ofTen, 82-4; College of Sages, 84; Doge's Palace: Hall of the Greater Council 56, 78-84, 123-6, Porta della Carta 66-8; Fondaco dei Tedeschi, 78-83; Salt Office, 67-8, 78, 81-4; Scuola di San Marco, 56-9; other references, 6, 27, 94-5, ll8, 123, 152, 159

Venier, Giovanni, 82 Ventura di Francesco, 16 Venus, 97-9, 137, 140 Verona, 6-7, 68, 116 Verrocch!o, Andrea, 100-1, 104-6, 176 Verroc~hio, Tommaso, 104 Vespas1ano da Bisticci, xxvii Vianello, Michele, 125-9 Vicemala, Jacobino, 156 Vicovaro, 176 Vieri, Luca and Marco dei 29 Vittorino da Feltre, 112 ' Vivarini, Alvise, xxvi, 78, 80-1

Weyden, Rogier van der, 151-2

Zati, Marco, 88 Ziliol, Vettor, 58-9