1fact americans spend more time with tv than with all other media combined (minutes) television...
TRANSCRIPT
1A S S O C I A T E S
FACTFACTAmericans spend more time with TV than with Americans spend more time with TV than with
all other media combined all other media combined (minutes)(minutes)
253
30
128
1945
Television Newspapers Radio Magazines Internet
Source: TVB
2A S S O C I A T E S
FACTFACTTelevision is considered “most influential” Television is considered “most influential”
by 78% of all adultsby 78% of all adults
InternetInternet8%8%
Most Influential
TelevisionTelevision78%78%
NewspapersNewspapers7%7%RadioRadio
4%4%
MagazinesMagazines3% 3%
Source: TVB
3A S S O C I A T E S
FACTFACTMore adults learn about products More adults learn about products
from television than any other mediumfrom television than any other medium
InternetInternet10%10%
TelevisionTelevision52%52%
NewspapersNewspapers15%15% RadioRadio
6%6%MagazinesMagazines
17% 17%
Source: TVB
4A S S O C I A T E S
FACTSFACTS
Speak for themselves . . .Speak for themselves . . .
. . . or do they?. . . or do they?
A S S O C I A T E S
Thinking On Your FeetThinking On Your Feet
5
A S S O C I A T E S
Thinking On Your FeetThinking On Your Feet
5
CoherentCoherent
A S S O C I A T E S
Thinking On Your FeetThinking On Your Feet
5
CoherentCoherentConversationalConversational
A S S O C I A T E S
Thinking On Your FeetThinking On Your Feet
5
CoherentCoherentConversationalConversationalPreparedPrepared
A S S O C I A T E S
Thinking On Your FeetThinking On Your Feet
5
CoherentCoherentConversationalConversationalPreparedPreparedFlexibleFlexible
A S S O C I A T E S
Thinking On Your FeetThinking On Your Feet
5
CoherentCoherentConversationalConversationalPrepared Prepared FlexibleFlexibleCredibilityCredibility
A S S O C I A T E S
Thinking On Your FeetThinking On Your Feet
5
CoherentCoherentConversationalConversationalPrepared Prepared FlexibleFlexibleCredibilityCredibilityBe Yourself … at your bestBe Yourself … at your best
12A S S O C I A T E S
What Gets In The Way?What Gets In The Way?
Thinking On Your FeetThinking On Your Feet
13A S S O C I A T E S
What Gets In The Way?What Gets In The Way?1.1. Complex messageComplex message
Thinking On Your FeetThinking On Your Feet
14A S S O C I A T E S
What Gets In The Way?What Gets In The Way?1.1. Complex messageComplex message
2.2. Being Being heardheard
Thinking On Your FeetThinking On Your Feet
15A S S O C I A T E S
Thinking On Your FeetThinking On Your Feet
What Gets In The Way?What Gets In The Way?1.1. Complex messageComplex message
2.2. Being Being heardheard
3.3. Anticipating Anticipating clientclient responses responses
16A S S O C I A T E S
Thinking On Your FeetThinking On Your Feet
What Gets In The Way?What Gets In The Way?1.1. Complex messageComplex message
2.2. Being Being heardheard
3.3. Anticipating Anticipating clientclient responses responses
4.4. “The medium is the message”“The medium is the message”
17A S S O C I A T E S
Thinking On Your FeetThinking On Your Feet
A.A. Structuring the messageStructuring the message- Planning- Planning- Organizing- Organizing- Staying On-track- Staying On-track
B. Engaging clientsB. Engaging clients
C. Controlling challengesC. Controlling challenges
18A S S O C I A T E S
For Example . . .For Example . . .Media Mix AllocationMedia Mix Allocation
TVTV 10 %10 % 35%35%
NewspapersNewspapers 50%50% 45%45%
RadioRadio 30%30% 15%15%
Direct MailDirect Mail 10%10% 5%5%
CurrentCurrent Sales ObjectiveSales Objective
19A S S O C I A T E S
Structuring the MessageStructuring the Message ““T-Bar” PlanningT-Bar” Planning
20A S S O C I A T E S
ObjectiveObjective“What is my purpose in giving this presentation?”
“What do I want to accomplish?”
Structuring the MessageStructuring the Message ““T-Bar” PlanningT-Bar” Planning
21A S S O C I A T E S
Structuring the MessageStructuring the Message ““T-Bar” PlanningT-Bar” Planning
Three PurposesThree Purposes
• To inform . . .To inform . . .
• To persuade . . .To persuade . . .
• To explore . . .To explore . . .
22A S S O C I A T E S
Objective: Objective: To persuade marketing mgr. at To persuade marketing mgr. at 11stst National to increase spot TV mix to National to increase spot TV mix to
35%35%
Structuring the MessageStructuring the Message ““T-Bar” PlanningT-Bar” Planning
23A S S O C I A T E S
Objective: Objective: To persuade marketing mgr. at To persuade marketing mgr. at 11stst National to increase spot TV mix to National to increase spot TV mix to
35%35%• SpecificSpecific
• AchievableAchievable
• Written downWritten down
Structuring the MessageStructuring the Message ““T-Bar” PlanningT-Bar” Planning
24A S S O C I A T E S
Key MessageKey MessagePointsPoints
Objective: Objective: To persuade marketing mgr. at To persuade marketing mgr. at 11stst National to increase spot TV mix to National to increase spot TV mix to
35%35%
Structuring the MessageStructuring the Message ““T-Bar” PlanningT-Bar” Planning
25A S S O C I A T E S
Structuring the MessageStructuring the Message ““T-Bar” PlanningT-Bar” Planning
Objective: Objective: To persuade marketing mgr. at To persuade marketing mgr. at 11stst National to increase spot TV mix to National to increase spot TV mix to
35%35%
• New shows on station
• GRPs• HUTS and PUTS• How station’s news
delivers W 25 - 54
Key MessagePoints
26A S S O C I A T E S
Structuring the MessageStructuring the Message ““T-Bar” PlanningT-Bar” Planning
Objective: Objective: To persuade marketing mgr. at To persuade marketing mgr. at 11stst National to increase spot TV mix to National to increase spot TV mix to
35%35%
““Who is the client and what Who is the client and what do I know about him or her?”do I know about him or her?”
““What does our team need to What does our team need to know for us to persuade the know for us to persuade the client?”client?”
Client Key MessagePoints
27A S S O C I A T E S
Structuring the MessageStructuring the MessageClient AnalysisClient Analysis
1.1. What does the client get excited about?What does the client get excited about?
28A S S O C I A T E S
1. What does the client get excited about?1. What does the client get excited about?
Her year-end bonus … chance to be a Her year-end bonus … chance to be a herohero
Structuring the MessageStructuring the MessageClient AnalysisClient Analysis
29A S S O C I A T E S
Structuring the MessageStructuring the MessageClient AnalysisClient Analysis
1. What does the client get excited about? 1. What does the client get excited about?
Her year-end bonus … chance to be a heroHer year-end bonus … chance to be a hero
2. What issues might be barriers to 2. What issues might be barriers to reaching our objective?reaching our objective?
30A S S O C I A T E S
Structuring the MessageStructuring the MessageClient AnalysisClient Analysis
1. What does the client get excited about? 1. What does the client get excited about?
Her year-end bonus … chance to be a heroHer year-end bonus … chance to be a hero
2. What issues might be barriers to 2. What issues might be barriers to reaching our objective?reaching our objective?
A “radio habit” … “TV is risky”A “radio habit” … “TV is risky”
31A S S O C I A T E S
Structuring the MessageStructuring the MessageClient AnalysisClient Analysis
1. What does the client get excited about? 1. What does the client get excited about? Her year-end bonus … chance to be a heroHer year-end bonus … chance to be a hero
2. What issues might be barriers to reaching our objective?2. What issues might be barriers to reaching our objective? A “radio habit” … “TV is risky”A “radio habit” … “TV is risky”
3. What does the client need to make a 3. What does the client need to make a decision?decision?
32A S S O C I A T E S
Structuring the MessageStructuring the MessageClient AnalysisClient Analysis
1. What does the client get excited about?1. What does the client get excited about? Her year-end bonus … chance to be a heroHer year-end bonus … chance to be a hero
2. What issues might be barriers to reaching our objective?2. What issues might be barriers to reaching our objective?A “radio habit” … “TV is risky”A “radio habit” … “TV is risky”
3. What does the client need to make 3. What does the client need to make a decision?a decision?PROOF!PROOF!
33A S S O C I A T E S
Structuring the MessageStructuring the MessageClient AnalysisClient Analysis
4.4. How much does she already know?How much does she already know?
. . . think she knows?. . . think she knows?
34A S S O C I A T E S
Structuring the MessageStructuring the MessageClient AnalysisClient Analysis
4.4. How much does she already know?How much does she already know?
. . . think she knows?. . . think she knows?
… … past experience past experience … all she needs to know… all she needs to know
35A S S O C I A T E S
Structuring the MessageStructuring the MessageClient AnalysisClient Analysis
4.4. How much does the client already know about the issue? How much does the client already know about the issue? … think she knows?… think she knows?
… … past experience … all she needs to knowpast experience … all she needs to know
5. What is her attitude likely to be toward 5. What is her attitude likely to be toward our team and our views?our team and our views?
36A S S O C I A T E S
Structuring the MessageStructuring the MessageClient AnalysisClient Analysis
4.4. How much does the client already know about the issue? How much does the client already know about the issue? … think she knows?… think she knows?
… … past experience … all she needs to knowpast experience … all she needs to know
5. What is her attitude likely to be toward 5. What is her attitude likely to be toward our team and our views?our team and our views?
… … uphill climbuphill climb
37A S S O C I A T E S
Structuring the MessageStructuring the Message““T-Bar” PlanningT-Bar” Planning
Objective: Objective: To persuade marketing mgr. at To persuade marketing mgr. at 11stst National to increase spot TV mix to National to increase spot TV mix to
35 %35 %
2. Excited … turning business around3. Potential barrier – the
past4. Needs proof
Key Message
5. Wants a “guarantee”
1. Power of TV – overview of recommendation
2. Why TV will work for her business
3. Acknowledge past 4. Reach & Frequency -
other evidence5. Recommendation –
why schedule will deliver
Client1. Decision-maker
38A S S O C I A T E S
Structuring the MessageStructuring the Message“Star Model”“Star Model”
39A S S O C I A T E S
Structuring the MessageStructuring the MessageOverview of theOverview of the“Star Model”“Star Model”
Attention
40A S S O C I A T E S
Orientation
Structuring the MessageStructuring the MessageOverview of theOverview of the“Star Model”“Star Model”
Attention
41A S S O C I A T E S
Structuring the MessageStructuring the MessageOverview of theOverview of the“Star Model”“Star Model”
Body
Orientation
Attention
42A S S O C I A T E S
Structuring the MessageStructuring the MessageOverview of theOverview of the“Star Model”“Star Model”
Orientation
1. Power of TV – overview of recommendation
2. Why TV will work 3. Acknowledge past 4. Reach & Frequency …
evidence5. Recommendation –
why schedule will deliver
Body
Attention
43A S S O C I A T E S
Structuring the MessageStructuring the MessageOverview of theOverview of the“Star Model”“Star Model”
Summary“So what!”
Attention
Orientation
Body
44A S S O C I A T E S
Structuring the MessageStructuring the MessageOverview of theOverview of the“Star Model”“Star Model”
ActionOrientation
Attention
BodySummary“So what!”
45A S S O C I A T E S
Ask Yourself: Ask Yourself:
““How will I keep on-track so I’ll How will I keep on-track so I’ll remember what I planned to say?”remember what I planned to say?”
Structuring the MessageStructuring the Message Staying On-trackStaying On-track
46A S S O C I A T E S
• Read to the client?Read to the client?
Structuring the MessageStructuring the Message Staying On-trackStaying On-track
47A S S O C I A T E S
• Read to the client?Read to the client?
Structuring the MessageStructuring the Message Staying On-trackStaying On-track
48A S S O C I A T E S
• Read to the client?Read to the client?
• Memorize?Memorize?
Structuring the MessageStructuring the Message Staying On-trackStaying On-track
49A S S O C I A T E S
• Read to the client?Read to the client?
• Memorize?Memorize?
Structuring the MessageStructuring the Message Staying On-trackStaying On-track
50A S S O C I A T E S
CuesCues
Structuring the MessageStructuring the Message Staying On-trackStaying On-track
51A S S O C I A T E S
Structuring the MessageStructuring the Message Staying On-trackStaying On-track
• Key words and phrasesKey words and phrases
• Trigger you to rememberTrigger you to remember
CuesCues
52A S S O C I A T E S
… Recommendation that will deliver
To persuade marketing Mgr. At 1To persuade marketing Mgr. At 1stst National National to increase spot TV mix to 35%to increase spot TV mix to 35%
Collaboration- W/agency- “Partner”- Our mutual success
Meet with agency - move forward
1. Power of TV – Overview
2. Why TV will work 3. Sorry – 4 years ago4. R & F – evidence5. Plan
- schedule will deliver- quality of commercial
Structuring the MessageStructuring the Message “Star Model”“Star Model”
53A S S O C I A T E S
Structuring the MessageStructuring the Message“Star Model”“Star Model”
Pause
Pause
Pause
Pause
Pause
54A S S O C I A T E S
Structuring the MessageStructuring the Message“Star Model”“Star Model”
Pause
Pause
Pause
Pause
Pause
Pause To:Punctuate the message
55A S S O C I A T E S
Structuring the MessageStructuring the Message“Star Model”“Star Model”
Pause To:Punctuate the messageTake a break
Pause
Pause
Pause
Pause
Pause
56A S S O C I A T E S
Structuring the MessageStructuring the Message“Star Model”“Star Model”
Pause To:Punctuate the messageTake a breakGive client a break
Pause
Pause
Pause
Pause
Pause
57A S S O C I A T E S
Structuring the MessageStructuring the Message“Star Model”“Star Model”
Pause To:Punctuate the messageTake a breakGive client a breakWhen asked a question
Pause
Pause
Pause
Pause
Pause
58A S S O C I A T E S
Structuring the MessageStructuring the Message“Star Model”“Star Model”
Pause To:Punctuate the messageTake a breakGive client a breakWhen asked a questionWhen challenged
Pause
Pause
Pause
Pause
Pause
59A S S O C I A T E S
Structuring the MessageStructuring the Message“Star Model”“Star Model”
Pause
• SilentSilent Pause – noPause – no““ums” or “uhs”ums” or “uhs”
• May May seemseem long to you long to you
60A S S O C I A T E S
Structuring the MessageStructuring the MessageAnswering QuestionsAnswering Questions
Meet togetherwith agency - move forward
ActionOrientation
BodySummary“So what!”
To persuade marketing Mgr. At 1To persuade marketing Mgr. At 1stst National to increase spot TV mix to National to increase spot TV mix to
35%35%
61A S S O C I A T E S
Structuring the MessageStructuring the MessageAnswering QuestionsAnswering Questions
Meet togetherwith agency - move forward
Action Orientation
BodySummary“So what!”
Let’s move forwardRecap ActionRecap Action
62A S S O C I A T E S
Structuring the MessageStructuring the Message
SummarySummary
1.1. Planning – “T-Bar”Planning – “T-Bar”
2.2. Organizing – “Star” ModelOrganizing – “Star” Model
3.3. Staying On-track – “Cues”Staying On-track – “Cues”
63A S S O C I A T E S
Thinking On Your FeetThinking On Your Feet
A. Structuring the messageA. Structuring the message
B. Engaging clientsB. Engaging clients- Building blocks- Building blocks- “Grabber”- “Grabber”- Style- Style
C. Controlling challengesC. Controlling challenges
64A S S O C I A T E S
Engaging ClientsEngaging Clients
Attention
Body
Orientation
65A S S O C I A T E S
Engaging ClientsEngaging Clients Building BlocksBuilding Blocks
To persuade marketing Mgr. at 1To persuade marketing Mgr. at 1stst National to increase spot TV mix to National to increase spot TV mix to
35%35%
66A S S O C I A T E S
Engaging ClientsEngaging Clients Building BlocksBuilding Blocks
• FactFact
67A S S O C I A T E S
Engaging ClientsEngaging Clients Building BlocksBuilding Blocks
• FactFact
• TV will reach more of their TV will reach more of their prospective customers in almost prospective customers in almost every major demo segment than every major demo segment than radioradio
68A S S O C I A T E S
Engaging ClientsEngaging Clients Building BlocksBuilding Blocks
• FactFact
• TV will reach more of their prospective TV will reach more of their prospective customers in almost every major demo customers in almost every major demo segment than radiosegment than radio
• StatisticStatistic
69A S S O C I A T E S
Engaging ClientsEngaging Clients Building BlocksBuilding Blocks
• FactFact
• TV will reach more of their prospective TV will reach more of their prospective customers in almost every major demo customers in almost every major demo segment than radiosegment than radio
• StatisticStatistic
• We reach 94% w18-54 in a We reach 94% w18-54 in a weekweek
70A S S O C I A T E S
Engaging ClientsEngaging Clients Building BlocksBuilding Blocks
• FactFact
• TV will reach more of their prospective TV will reach more of their prospective customers in almost every major demo customers in almost every major demo segment than radiosegment than radio
• StatisticStatistic
• We reach 94% w18-54 in a weekWe reach 94% w18-54 in a week
• ExampleExample
71A S S O C I A T E S
Engaging ClientsEngaging Clients Building BlocksBuilding Blocks
• FactFactTV will reach more of their prospective TV will reach more of their prospective customers in almost every major demo segment customers in almost every major demo segment than radiothan radio
• StatisticStatisticWe reach 94% w18-54 in a weekWe reach 94% w18-54 in a week
• ExampleExampleBailey Building and Loan Bailey Building and Loan increased its TV mixincreased its TV mix
72A S S O C I A T E S
Engaging ClientsEngaging Clients Building BlocksBuilding Blocks
• AnecdoteAnecdote
73A S S O C I A T E S
Engaging ClientsEngaging Clients Building BlocksBuilding Blocks
• AnecdoteAnecdote
““. . .Gardening Center in . . .Gardening Center in town . . . town . . . Sam facing declining business . . Sam facing declining business . . . . We helped him . . .”We helped him . . .”
74A S S O C I A T E S
Engaging ClientsEngaging Clients Building BlocksBuilding Blocks
• AnecdoteAnecdote
““. . .Gardening Center in town . . . Sam facing . . .Gardening Center in town . . . Sam facing declining business . . . We helped him . . .”declining business . . . We helped him . . .”
• AnalogyAnalogy
75A S S O C I A T E S
Engaging ClientsEngaging Clients Building BlocksBuilding Blocks
• AnecdoteAnecdote
““. . .Gardening Center in town . . . Sam facing . . .Gardening Center in town . . . Sam facing declining business . . . We helped him . . .”declining business . . . We helped him . . .”
• AnalogyAnalogy
Increasing TV in mix is like an Increasing TV in mix is like an investment in the bank . . . See investment in the bank . . . See your returns growyour returns grow
76A S S O C I A T E S
Engaging ClientsEngaging Clients Building BlocksBuilding Blocks
• AnecdoteAnecdote““. . .Gardening Center in town . . . Sam . . .Gardening Center in town . . . Sam facing declining business . . . We helped facing declining business . . . We helped him . . .”him . . .”
• AnalogyAnalogy““Increasing TV in mix is like an investment Increasing TV in mix is like an investment in the bank . . . See your returns grow”in the bank . . . See your returns grow”
• TestimonialTestimonial
77A S S O C I A T E S
Engaging ClientsEngaging Clients Building BlocksBuilding Blocks
• AnecdoteAnecdote““. . .Gardening Center in town . . . Sam facing . . .Gardening Center in town . . . Sam facing declining business . . . We helped him . . .”declining business . . . We helped him . . .”
• AnalogyAnalogy““Increasing TV in mix is like an investment in Increasing TV in mix is like an investment in the bank . . . See your returns grow”the bank . . . See your returns grow”
• TestimonialTestimonial““Increased use of TV =17% Increased use of TV =17% increase in savings accounts”increase in savings accounts”
78A S S O C I A T E S
Engaging ClientsEngaging Clients Building BlocksBuilding Blocks
• VisualVisual
79A S S O C I A T E S
Engaging ClientsEngaging Clients Building BlocksBuilding Blocks
• VisualVisual253
30
128
1945
Television Newspapers Radio Magazines Internet
80A S S O C I A T E S
Building Block (C)
Building Block (B)
Subpoint
Building Block (A)
Main Point
Engaging ClientsEngaging Clients Building BlocksBuilding Blocks
81A S S O C I A T E S
Engaging ClientsEngaging Clients
“Grabber”Attention
82A S S O C I A T E S
•Fact
•Statistic
•Example
•Anecdote
“Grabber”Attention
Engaging ClientsEngaging Clients
83A S S O C I A T E S
Engaging ClientsEngaging Clients
•Fact
•Statistic
•Example
•Anecdote
•Analogy
•Testimonial
•Visual
• Question
“Grabber”Attention
84A S S O C I A T E S
Engaging ClientsEngaging ClientsWith With StyleStyle
1.1. Energy and enthusiasmEnergy and enthusiasm
85A S S O C I A T E S
Engaging ClientsEngaging ClientsWith With StyleStyle
1.1. Energy and enthusiasmEnergy and enthusiasm
2.2. Vocal varietyVocal variety
86A S S O C I A T E S
Engaging ClientsEngaging ClientsWith With StyleStyle
PitchPitchVocal varietyVocal variety
87A S S O C I A T E S
Engaging ClientsEngaging ClientsWith With StyleStyle
PitchPitch
PacePace
Vocal varietyVocal variety
88A S S O C I A T E S
Engaging ClientsEngaging ClientsWith With StyleStyle
PitchPitch
PacePace
VolumeVolume
Vocal varietyVocal variety
89A S S O C I A T E S
Engaging ClientsEngaging ClientsWith With StyleStyle
A)A) PitchPitch
B)B) PacePace
C)C) VolumeVolume
Vocal varietyVocal variety
90A S S O C I A T E S
Engaging ClientsEngaging ClientsWith With StyleStyle
1.1. Energy and enthusiasmEnergy and enthusiasm
2.2. Vocal varietyVocal variety
3.3. Purposeful movementPurposeful movement
91A S S O C I A T E S
Engaging ClientsEngaging ClientsWith With StyleStyle
GesturesGestures
92A S S O C I A T E S
Engaging ClientsEngaging ClientsWith With StyleStyle
1.1. Energy and enthusiasmEnergy and enthusiasm
2.2. Vocal varietyVocal variety
3.3. Purposeful movementPurposeful movement
4.4. Eye contactEye contact
93A S S O C I A T E S
Engaging ClientsEngaging ClientsWith With StyleStyle
SustainedSustained eye contact eye contact
94A S S O C I A T E S
Engaging ClientsEngaging Clients
SummarySummary• Building blocksBuilding blocks• Appropriate and well executed “Grabber”Appropriate and well executed “Grabber”• Presentation stylePresentation style
• Energy and enthusiasmEnergy and enthusiasm• Vocal varietyVocal variety• Purposeful movementPurposeful movement• Sustained eye contactSustained eye contact
95A S S O C I A T E S
Thinking On Your FeetThinking On Your Feet
A. Structuring the messageA. Structuring the message
B. Engaging ClientsB. Engaging Clients
C. Controlling challengesC. Controlling challenges- Avoid communication roadblocks- Avoid communication roadblocks- Acknowledge concerns- Acknowledge concerns- Communicate about communication- Communicate about communication
96A S S O C I A T E S
Controlling ChallengesControlling ChallengesSome ExamplesSome Examples
• Increasing the TV mix to 35% is Increasing the TV mix to 35% is too expensive!too expensive!
97A S S O C I A T E S
• Increasing the TV mix to 35% is Increasing the TV mix to 35% is too expensive!too expensive!
• The commercial we ran four years The commercial we ran four years ago may not have been high-ago may not have been high-quality but it was one we could quality but it was one we could afford!afford!
Controlling ChallengesControlling ChallengesSome ExamplesSome Examples
98A S S O C I A T E S
• Increasing the TV mix to 35% is too Increasing the TV mix to 35% is too expensive!expensive!
• The commercial we ran four years The commercial we ran four years ago may not have been high-quality ago may not have been high-quality but it was one we could afford!but it was one we could afford!
• I’ll have to talk to the bank president I’ll have to talk to the bank president before I approve a 13 week TV before I approve a 13 week TV schedule!schedule!
Controlling ChallengesControlling ChallengesSome ExamplesSome Examples
99A S S O C I A T E S
Controlling ChallengesControlling Challenges
After the client says,After the client says, “It’s too expensive!”“It’s too expensive!”What response would she NOT want to hear?What response would she NOT want to hear?
100A S S O C I A T E S
Controlling ChallengesControlling Challenges
After the client says,After the client says, “It’s too expensive!”“It’s too expensive!”What response would she NOT want to hear?What response would she NOT want to hear?
““Oh please, the bank can afford it!”Oh please, the bank can afford it!”
101A S S O C I A T E S
Controlling ChallengesControlling Challenges
After the client says,After the client says, “It’s too expensive!”“It’s too expensive!”What response would she NOT want to hear?What response would she NOT want to hear?
““Oh please, the bank can afford it!”Oh please, the bank can afford it!”
““You only You only thinkthink we’re expensive …” we’re expensive …”
102A S S O C I A T E S
Controlling ChallengesControlling Challenges
After the client says,After the client says, “It’s too expensive!”“It’s too expensive!”What response would she NOT want to hear?What response would she NOT want to hear?
““Oh please, the bank can afford it!”Oh please, the bank can afford it!”
““You only You only thinkthink we’re expensive …” we’re expensive …”
““Let me tell you a funny story about how Let me tell you a funny story about how we …”we …”
103A S S O C I A T E S
Controlling ChallengesControlling Challenges
After the client says,After the client says, “It’s too expensive!”“It’s too expensive!”What response would she NOT want to hear?What response would she NOT want to hear?
““Oh please, the bank can afford it!”Oh please, the bank can afford it!”
““You only You only thinkthink we’re expensive …” we’re expensive …”
““Let me tell you a funny story about how we Let me tell you a funny story about how we …”…”
““Do you think we should see your boss?”Do you think we should see your boss?”
104A S S O C I A T E S
Controlling ChallengesControlling Challenges
After the client says,After the client says, “It’s too expensive!”“It’s too expensive!”What response would she NOT want to hear?What response would she NOT want to hear?
““Oh please, the bank can afford it!”Oh please, the bank can afford it!”
““You only You only think think we’re expensive …”we’re expensive …”
““Let me tell you a funny story about how we …”Let me tell you a funny story about how we …”
““Do you think we should see your boss?”Do you think we should see your boss?”
““With the reach & frequency we discussed With the reach & frequency we discussed and our targeting …”and our targeting …”
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After the client says,After the client says, “It’s too expensive!”“It’s too expensive!”What response would she NOT want to hear?What response would she NOT want to hear?
““Oh please, the bank can afford it!”Oh please, the bank can afford it!”““You only You only thinkthink we’re expensive …” we’re expensive …”““Let me tell you a funny story about how we …”Let me tell you a funny story about how we …”““Do you think we should see your boss?”Do you think we should see your boss?”““With the reach & frequency we discussed With the reach & frequency we discussed
and our targeting …”and our targeting …”
“ “ I’m sure you’ll be able to manage it.”I’m sure you’ll be able to manage it.”
Controlling ChallengesControlling Challenges
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Controlling ChallengesControlling ChallengesAvoidAvoid
Communication “Roadblocks”Communication “Roadblocks”
• Criticizing Criticizing • DiagnosingDiagnosing• DivertingDiverting• Inappropriate questioningInappropriate questioning• Logical argumentLogical argument• ReassuringReassuring
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Controlling ChallengesControlling Challenges Acknowledge ConcernsAcknowledge Concerns
• It’s too expensive!It’s too expensive!
You think your budget won’t allow you You think your budget won’t allow you to increase the TV mix.to increase the TV mix.
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Controlling ChallengesControlling Challenges Acknowledge ConcernsAcknowledge Concerns
• The commercial we ran four years The commercial we ran four years ago may not have been high-quality ago may not have been high-quality but it was one we could afford!but it was one we could afford!
You’re concerned that a higher quality You’re concerned that a higher quality commercial will be too expensive.commercial will be too expensive.
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Controlling ChallengesControlling Challenges Acknowledge ConcernsAcknowledge Concerns
• I’ll have to talk to the bank president I’ll have to talk to the bank president before I approve a 13 week TV before I approve a 13 week TV schedule!schedule!
You’ll need his approval to finalize the You’ll need his approval to finalize the plan.plan.
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Controlling ChallengesControlling Challenges Acknowledge ConcernsAcknowledge Concerns
• HearHear the “heart” of the message the “heart” of the message
• If appropriate, If appropriate, paraphraseparaphrase the message the message
• Then, answer or respond to the challengeThen, answer or respond to the challenge
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For example:For example:
Client:Client: … … it’s too expensive!it’s too expensive!
Response:Response: “You think your budget won’t “You think your budget won’t allow you to increase the TV mix . . .allow you to increase the TV mix . . .
Controlling ChallengesControlling Challenges Acknowledge ConcernsAcknowledge Concerns
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For example:For example:
Client:Client: … … it’s too expensive!it’s too expensive!
Response:Response: “You think your budget won’t “You think your budget won’t allow you to increase the TV mix . . .allow you to increase the TV mix . . .
. . .. . . At first glance it may seem At first glance it may seem expensive, but our plan will provide expensive, but our plan will provide more value than your present more value than your present allocations.“allocations.“
Controlling ChallengesControlling Challenges Acknowledge ConcernsAcknowledge Concerns
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For example:For example:
Client:Client: … … it’s too expensive!it’s too expensive!
Response:Response: “You think your budget won’t “You think your budget won’t allow you to increase the TV mix . . .allow you to increase the TV mix . . .
. . .. . . A radio spot may be A radio spot may be cheaper, but in the long run, cheaper, but in the long run, considering radio’s impact vs. TV, considering radio’s impact vs. TV, it’s more expensive.”it’s more expensive.”
Controlling ChallengesControlling Challenges Acknowledge ConcernsAcknowledge Concerns
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For example:For example:
Client:Client: … … it’s too expensive!it’s too expensive!
Response:Response: “You think your budget won’t “You think your budget won’t allow you to increase the TV mix . . .allow you to increase the TV mix . . .
. . .. . . We can tailor your schedule We can tailor your schedule so you reach your best prospects.”so you reach your best prospects.”
Controlling ChallengesControlling Challenges Acknowledge ConcernsAcknowledge Concerns
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Controlling ChallengesControlling ChallengesCommunicate About The CommunicationCommunicate About The Communication
ImpasseImpasse
ConflictConflict
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Controlling ChallengesControlling ChallengesCommunicate About The CommunicationCommunicate About The Communication
MetacommunicationMetacommunication• ““It looks like we don’t see eye to eye It looks like we don’t see eye to eye
about . . . how about if I . . .”about . . . how about if I . . .”
• ““I don’t think I’ve convinced you that . . . I don’t think I’ve convinced you that . . . so let me . . .”so let me . . .”
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Controlling ChallengesControlling Challenges
SummarySummary1.1. Avoid communication “roadblocks”Avoid communication “roadblocks”
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Controlling ChallengesControlling Challenges
SummarySummary1.1. Avoid communication “roadblocks”Avoid communication “roadblocks”
Criticizing Criticizing
DiagnosingDiagnosing
DivertingDiverting
Inappropriate questioningInappropriate questioning
Logical argumentLogical argument
ReassuringReassuring
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Controlling ChallengesControlling Challenges
SummarySummary1.1. Avoid communication “roadblocks”Avoid communication “roadblocks”
2.2. Acknowledge concernsAcknowledge concerns- - HearHear the “heart” of the message the “heart” of the message
- If appropriate, - If appropriate, paraphraseparaphrase the message the message
- Then, answer or respond to the challenge- Then, answer or respond to the challenge
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Controlling ChallengesControlling Challenges
SummarySummary1.1. Avoid communication “roadblocks”Avoid communication “roadblocks”
2.2. Acknowledge concernsAcknowledge concerns
3.3. Communicate about the communicationCommunicate about the communication
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Controlling ChallengesControlling Challenges
SummarySummary1.1. Avoid communication “roadblocks”Avoid communication “roadblocks”
2.2. Acknowledge concernsAcknowledge concerns
3.3. Communicate about the communicationCommunicate about the communication-- “It looks like we don’t see eye to eye “It looks like we don’t see eye to eye
about . . . how about if I . . .”about . . . how about if I . . .”
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Thinking On Your FeetThinking On Your Feet
. . . Value?. . . Value?
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Thinking On Your FeetThinking On Your Feet
. . . Value?. . . Value?• Increase client understandingIncrease client understanding
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Thinking On Your FeetThinking On Your Feet
. . . Value?. . . Value?• Increase client understandingIncrease client understanding
• Grow your station’s credibilityGrow your station’s credibility
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Thinking On Your FeetThinking On Your Feet
. . . Value?. . . Value?• Increase client understandingIncrease client understanding
• Grow your station’s credibilityGrow your station’s credibility
• Increase sales … Build businessIncrease sales … Build business
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Thinking On Your FeetThinking On Your Feet
. . . Value?. . . Value?• Increase client understandingIncrease client understanding
• Grow your station’s credibilityGrow your station’s credibility
• Increase sales … Build businessIncrease sales … Build business
• Station becomes an informationStation becomes an information clearinghouse clearinghouse
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Thinking On Your FeetThinking On Your FeetNext StepsNext Steps
1. Set professional development goals1. Set professional development goals RealisticRealistic
S-t-r-e-t-c-hS-t-r-e-t-c-h
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1.1. Set professional development goalsSet professional development goals
2.2. Try out new techniques and skillsTry out new techniques and skills
Thinking On Your FeetThinking On Your FeetNext StepsNext Steps
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1.1. Set professional development goals Set professional development goals
2.2. Try out new techniques and skillsTry out new techniques and skills
3.3. Look for opportunities to practiceLook for opportunities to practice
Thinking On Your FeetThinking On Your FeetNext StepsNext Steps
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1.1. Set professional development goalsSet professional development goals
2.2. Try out new techniques and skillsTry out new techniques and skills
3.3. Look for opportunities to practiceLook for opportunities to practice
4.4. Find ways to get relevant feedbackFind ways to get relevant feedback
Thinking On Your FeetThinking On Your FeetNext StepsNext Steps
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1.1. Set professional development goals Set professional development goals
2.2. Try out new techniques and skillsTry out new techniques and skills
3.3. Look for opportunities to practiceLook for opportunities to practice
4.4. Find ways to get relevant feedbackFind ways to get relevant feedback
5.5. Adopt a “lifelong learning” mindsetAdopt a “lifelong learning” mindset
Thinking On Your FeetThinking On Your FeetNext StepsNext Steps
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Thinking On Your FeetThinking On Your FeetFacts . . .
3 Keys toThinking On Your Feet
A. Structuring the message- T-Bar, Star, Cues
B. Engaging Clients- Building blocks, Grabber, Style
C. Controlling challenges- Avoid Roadblocks- Acknowledge concerns- Metacommunicate
• Inform• Persuade• Build business
• Practice• Get feedback• Work hard
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FACTSFACTS
An important part of the story . . .An important part of the story . . .
. . . The rest is up to you . . . The rest is up to you
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Thinking On Your FeetThinking On Your Feet
Practice
Get feedback
Work hard