MUSIC TECHNOLOGY 2006

TEXTS BY COURSE & PROGRAM

9298 Certificate in Music Technology

Ballora, M. (2003). Essentials of music technology. Upper Saddle River: N.J. Prentice Hall.

Bartlett, B. (1999). On-location recording techniques. Boston: Focal Press.

Bartlett, B. (1999). Practical recording techniques. Boston: Focal Press.

Davis & Jones (1989). Yamaha sound reinforcement handbook (2nd Ed). Hal Leonard Publishing.

Huber, D.M. & Runstein, R.E. (2001). Modern recording techniques (5th Ed). Boston: Focal Press.

Hugonnet, C. & Walder, P. (1999). Stereophonic sound recording: theory and practice.

Lipsky, O. (Ed.) (2004). Queensland Conservatorium style and research guide. Division of Information Services, Queensland Conservatorium Griffith University: Brisbane.

Sokol, M. (1997). The acoustic musician's guide to sound reinforcement and live recording. Prentice Hall.

Utz, P. (20030. Introduction to audio. The Computer Music and Digital Audio Series. Middleton: Wis. A-R Editions.

White, P. (2002). Music technology – a survivor’s guide. London: Hartnolls Limited.

1195 Bachelor of Music Technology: 1st Year

Ballora, M. (2003). Essentials of music technology. Upper Saddle River: N.J. Prentice Hall.

Bartlett, B. (1999). On-location recording techniques. Boston: Focal Press.

Bartlett, B. (1999). Practical recording techniques. Boston: Focal Press.

Davis & Jones (1989). Yamaha sound reinforcement handbook (2nd Ed). Hal Leonard Publishing.

Huber, D.M. & Runstein, R.E. (2001). Modern recording techniques (5th Ed). Boston: Focal Press.

Hugonnet, C. & Walder, P. (1999). Stereophonic sound recording: theory and practice.

Lipsky, O. (Ed.) (2004). Queensland Conservatorium style and research guide. Division of Information Services, Queensland Conservatorium Griffith University: Brisbane.

Sokol, M. (1997). The acoustic musician's guide to sound reinforcement and live recording. Prentice Hall.

Utz, P. (20030. Introduction to audio. The Computer Music and Digital Audio Series. Middleton: Wis. A-R Editions.

White, P. (2002). Music technology – a survivor’s guide. London: Hartnolls Limited.

1195 Bachelor of Music Technology: 2nd Year

Alten, S.R. (1999). Audio in media (5th Ed.). Belmont, CA: Wadsworth Publishing Co.

Bartlett, B. (1999). Practical recording techniques. Boston: Focal Press.

Hass, J. (2003) Principles of digital audio. URL: http://www.indiana.edu/~emusic/digital_audio.html

Houtsma, A.J.M (1987). Auditory demonstrations. Institute for Perception Research (IPO): Eindhoven The Netherlands

Huber, D.M. & Runstein, R.E. (2001). Modern recording techniques (5th Ed). Boston: Focal Press.

MUSIC TECHNOLOGY 2006

Huber, D.M. (1997). Hard disk recording for musicians. Schirmer Books, New York.

Katz, B. (2003). Digital domain. URL: http://www.digido.com

Lipsky, O. (Ed.) (2004). Queensland Conservatorium style and research guide. Division of Information Services, Queensland Conservatorium Griffith University: Brisbane.

Pohlmann, K. C. (2000). Principles of digital audio (4th Ed.). New York: McGraw-Hill.

Snyder, B. (2000). Music and memory – an introduction. The MIT Press, Cambridge: London

White, P. (2002). Music technology – a survivor’s guide. London: Hartnolls Limited.

White, P. (2000) Desktop digital studio. Sanctuary Publishing Limited: London.

Zettl, H. (2003). Video basics (4th Ed.) Wadsworth: San Francisco.

1195 Bachelor of Music Technology: 3rd Year

Alten, S.R. (1999). Audio in media (5th Ed.). Belmont, CA: Wadsworth Publishing Co.

Borwick, J. (Ed.) (1996). Sound recording practice (4th Ed.). Oxford: Oxford University Press.

Hirst, D. (2002). Developing analysis criteria based on Denis Smalley’s timbre theories. Teaching and Learning Research Support Department, University of Melbourne.

Katz, B. (2002). Mastering Audio: The Art and the Science. New York: Focal Press. ISBN: 0-240-80545-3

Lipsky, O. (Ed.) (2004). Queensland Conservatorium style and research guide. Division of Information Services, Queensland Conservatorium Griffith University: Brisbane.

Moylan, W. (2002). The art of recording: understanding and crafting the mix. New York: Focal Press. ISBN 0-240-80483-X

Robson, C. (1993). Real world research. Blackwell Publishing Ltd. ISBN 0-631-17639-6

Simpson, S. (2002). Music business: a musician's guide to the Australian music industry. (3rd. ed.). Omnibus Pre: London. ISBN 1-876871-61-X

Snyder, B. (2000). Music and memory – an introduction. The MIT Press, Cambridge: London

Stavrou, M.P. (2003). Mixing with your mind. Gillingham: Mosman. ISBN 0-646-42875-6

Wanderley, M. (2002). Gestural control of music. IRCAM, Centre Pompidou: Paris.

White, P. (1999). Recording and production techniques. London: Sanctuary Publishing Ltd.

Wishart, T. (1996). On sonic art (New and rev. ed). Harwood Academic: Amsterdam

Zettl, H. (1999). Sound, sight, motion – applied media aesthetics (3rd Ed.) Wadsworth Publishing Co.

2049 Bachelor of Music Technology with Honours

Dolby Laboratories Inc. (2002). Dolby 5.1-channel music production guidelines (Issue 2). SanFrancisco, CA: Dolby Laboratories Inc. URL: http://www.dolby.com/assets/pdf/tech_library/4_Multichannel_Music_Mixing.pdf

Draper, P., David, G., Evans, K., Mohrholz, K. & Rylands, D. (2005). IMERSD recording & studio handbook. Brisbane: Griffith University.

Holman, T. (2002). Sound for film and television. (2nd Ed.). Boston: Focal Press. ISBN 0-240-80453-8

Katz, B. (2002). Mastering Audio: The Art and the Science. New York: Focal Press. ISBN: 0-240-80545-3

MUSIC TECHNOLOGY 2006

Lipsky, O. (Ed.) (2004). Queensland Conservatorium style and research guide. Division

of Information Services, Queensland Conservatorium Griffith University: Brisbane.

Mitchell, D. (2001). Toward an aesthetic in mixing for multichannel music presentation. Murfreesboro, TN: MTSU Department of Recording Industry. URL: http://www.mtsu.edu/~dsmitche/rim458/materials/Aes_105.html

Moylan, W. (2002). The art of recording: understanding and crafting the mix. New York: Focal Press. ISBN 0-240-80483-X

Nakhara, M. (2002). Multichannel monitoring tutorial booklet. Tokyo, Japan: Yamaha Corporation & SONA Corporation. URL: http://www.yamahaproaudio.com/download/utility_lib/02r96/others/others.htm

Rumsey, F. (2003). Spatial audio. (2nd Ed.). Oxford: Focal Press. ISBN 0-240-51623-0

Simpson, S. (2002). Music business: a musician's guide to the Australian music industry. (3rd. ed.). Omnibus Pre: London. ISBN 1-876871-61-X

3095 Graduate Certificate in Music Technology

4119 Graduate Diploma in Music Technology

Alten, S.R. (1999). Audio in media (5th Ed.). Belmont, CA: Wadsworth Publishing Co.

Bartlett, B. (1999). Practical recording techniques. Boston: Focal Press.

Hass, J. (2003) Principles of digital audio. URL: http://www.indiana.edu/~emusic/digital_audio.html

Huber, D.M. & Runstein, R.E. (2001). Modern recording techniques (5th Ed). Boston: Focal Press.

Huber, D.M. (1997). Hard disk recording for musicians. Schirmer Books, New York.

Katz, B. (2003). Digital domain. URL: http://www.digido.com

Lipsky, O. (Ed.) (2004). Queensland Conservatorium style and research guide. Division of Information Services, Queensland Conservatorium Griffith University: Brisbane.

Pohlmann, K. C. (2000). Principles of digital audio (4th Ed.). New York: McGraw-Hill.

Robson, C. (1993). Real world research. Blackwell Publishing Ltd. ISBN 0-631-17639-6

White, P. (2000) Desktop digital studio. Sanctuary Publishing Limited: London.

White, P. (1999). Recording and production techniques. London: Sanctuary Publishing Ltd.

Zettl, H. (2003). Video basics (4th Ed.) Wadsworth: San Francisco.

1046 Bachelor of Multimedia (Sound Production Major)

Alten, S.R. (1999). Audio in media (5th Ed.). Belmont, CA: Wadsworth Publishing Co.

Ballora, M. (2003). Essentials of music technology. Upper Saddle River: N.J. Prentice Hall.

Bartlett, B. (1999). On-location recording techniques. Boston: Focal Press.

Bartlett, B. (1999). Practical recording techniques. Boston: Focal Press.

Davis & Jones (1989). Yamaha sound reinforcement handbook (2nd Ed). Hal Leonard Publishing.

Essex, J. (1996) Multimedia sound and music studio. New York: Random House.

Hirst, D. (2002). Developing analysis criteria based on Denis Smalley’s timbre theories. Teaching and Learning Research Support Department, University of Melbourne.

Huber, D.M. & Runstein, R.E. (2001). Modern recording techniques (5th Ed). Boston: Focal Press.

MUSIC TECHNOLOGY 2006

Huber, D.M. (1997). Hard disk recording for musicians. Schirmer Books, New York.

Hugonnet, C. & Walder, P. (1999). Stereophonic sound recording: theory and practice.

Lipsky, O. (Ed.) (2004). Queensland Conservatorium style and research guide. Division of Information Services, Queensland Conservatorium Griffith University: Brisbane.

Rumsey, F. & McCormick, T. (1996) Sound & recording. New York: Focal Press.

Snyder, B. (2000). Music and memory – an introduction. The MIT Press, Cambridge: London

Sokol, M. (1997). The acoustic musician's guide to sound reinforcement and live recording. Prentice Hall.

Utz, P. (20030. Introduction to audio. The Computer Music and Digital Audio Series. Middleton: Wis. A-R Editions.

Wanderley, M. (2002). Gestural control of music. IRCAM, Centre Pompidou: Paris.

White, P. (2002). Music technology – a survivor’s guide. London: Hartnolls Limited.

White, P. (2000) Desktop digital studio. Sanctuary Publishing Limited: London.

Wishart, T. (1996). On sonic art (New and rev. ed). Harwood Academic: Amsterdam

Zettl, H. (2003). Video basics (4th Ed.) Wadsworth: San Francisco.

Zettl, H. (1999). Sound, sight, motion – applied media aesthetics (3rd Ed.) Wadsworth Publishing.

ALL TEXTS

Alten, S.R. (1999). Audio in media (5th Ed.). Belmont, CA: Wadsworth Publishing Co.

Ballora, M. (2003). Essentials of music technology. Upper Saddle River: N.J. Prentice Hall.

Bartlett, B. (1999). On-location recording techniques. Boston: Focal Press.

Bartlett, B. (1999). Practical recording techniques. Boston: Focal Press.

Borwick, J. (Ed.) (1996). Sound recording practice (4th Ed.). Oxford: Oxford University Press.

Davis & Jones (1989). Yamaha sound reinforcement handbook (2nd Ed). Hal Leonard Publishing.

Essex, J. (1996) Multimedia sound and music studio. New York: Random House.

Holman, T. (2002). Sound for film and television (2nd Ed.). Boston: Focal Press. ISBN 0-240-80453-8

Huber, D.M. & Runstein, R.E. (2001). Modern recording techniques (5th Ed). Boston: Focal Press.

Hugonnet, C. & Walder, P. (1999). Stereophonic sound recording: theory and practice.

Katz, B. (2003). Digital domain. URL: http://www.digido.com

Katz, B. (2002). Mastering Audio: The Art and the Science. New York: Focal Press. ISBN: 0-240-80545-3

Lipsky, O. (Ed.) (2004). Queensland Conservatorium style and research guide. Division of Information Services, Queensland Conservatorium Griffith University: Brisbane.

Moylan, W. (2002). The art of recording: understanding and crafting the mix. New York: Focal Press. ISBN 0-240-80483-X

Nakhara, M. (2002). Multichannel monitoring tutorial booklet. Tokyo, Japan: Yamaha Corporation & SONA Corporation. URL: http://www.yamahaproaudio.com/download/utility_lib/02r96/others/others.htm

MUSIC TECHNOLOGY 2006

Pohlmann, K. C. (2000). Principles of digital audio (4th Ed.). New York: McGraw-Hill.

Robson, C. (1993). Real world research. Blackwell Publishing Ltd. ISBN 0-631-17639-6

Rumsey, F. (2003). Spatial audio. (2nd Ed.). Oxford: Focal Press. ISBN 0-240-51623-0

Rumsey, F. & McCormick, T. (1996) Sound & recording. New York: Focal Press.

Simpson, S. (2002). Music business: a musician's guide to the Australian music industry. (3rd. ed.). Omnibus Pre: London. ISBN 1-876871-61-X

Sokol, M. (1997). The acoustic musician's guide to sound reinforcement and live recording. Prentice Hall.

Snyder, B. (2000). Music and memory – an introduction. The MIT Press, Cambridge: London

Stavrou, M.P. (2003). Mixing with your mind. Gillingham: Mosman. ISBN 0-646-42875-6

Utz, P. (20030. Introduction to audio. The Computer Music and Digital Audio Series. Middleton: Wis. A-R Editions.

Wanderley, M. (2002). Gestural control of music. IRCAM, Centre Pompidou: Paris.

White, P. (2002). Music technology – a survivor’s guide. London: Hartnolls Limited.

White, P. (2000) Desktop digital studio. Sanctuary Publishing Limited: London.

White, P. (1999). Recording and production techniques. London: Sanctuary Publishing Ltd.

Zettl, H. (1999). Sound, sight, motion – applied media aesthetics (3rd Ed.) Wadsworth Publishing Co.