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Shepherd References,
continued from page 34
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BIBLIOGRAPHY
T hi s b i b li o g ra p h y i s n o t r e s t r i c t e d s im p l y t o t h e s t ud y of p o p u la r
music. There
is
an e x t e n s i v e l i t e r a t u r e on t h e h i s t o r y of p o p u l ar
m us ic . I t i s i nt en de d r a t h e r , i n c o nj u nc t io n w it h t h e r e f e r e n c e s f o r
t h e p a p e r ,
t o g i v e a f e e l f o r t h e d ev elo pm en t of a c r i t i c a l m u si co lo gy
which i t was argued was neces sa ry f o r t h e suc ces s fu l t eac h in g of popu-
l a r music i n t h e u n i v e r s i t y .
J o u r n a l s
In te rn a t io na l Review o f t h e Ae s th e t i c s and Soc io logy of Music, pub-
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Pop ular Music , pub l ishe d by t h e Cambridge Un ivers i ty Pres s and ed i t ed
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Popular Music Perspectives,
published by the International Society for
the Study of Popular Music and edited by David Horn. Perspectives
is the proceedings of the International Conferences on Popular
Music Studies organized by IASPM. Volume
1
is available from
David Horn, The Library, The University, Exeter EX4 4PT, United
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Tagg, P.
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