a seminar on ‘ism’ of architecture

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    A SEMINAR ON ‘ISM’OF ARCHITECTURE

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    CONTENT• ARCHITECTURAL ‘ISM’.• DEFINITION.•

    TYPICAL EXAMPLE WITH IMAGES.

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    ARCHITECTURAL ‘ISMs’

    • ECLECTICISM..• EXPRESSIONISM.• CUBISM.• CONSTRUCTIVISM.• FUNCTIONALISM.• BRUTALISM

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    ECLECTICISM

    - The term comes from the Greek word"ἐκλεκτικός" ( eklektikos ), literall "choosi!the #est$

    - Term is %sed to descri#e the com#i!atio! i!a si! le work of eleme!ts from di&ere!t

    historical st les$

    - To e'ol'e a st le #ased % o! %alities ofse'eral$

    - *or e$ $ Gi'i! a historical fa+ade to amoder! #%ildi! $

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    The ch%rch of the a rada *amilia i!.arcelo!a desi !ed # /!to!io Ga%di is a!ota#le e0am le of eclecticism $

    http://en.wikipedia.org/wiki/Sagrada_Familiahttp://en.wikipedia.org/wiki/Sagrada_Familiahttp://en.wikipedia.org/wiki/Barcelonahttp://en.wikipedia.org/wiki/Antonio_Gaudihttp://en.wikipedia.org/wiki/Antonio_Gaudihttp://en.wikipedia.org/wiki/Barcelonahttp://en.wikipedia.org/wiki/Sagrada_Familiahttp://en.wikipedia.org/wiki/Sagrada_Familiahttp://en.wikipedia.org/wiki/Sagrada_Familia

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    ECLECTICISM

    New York Pala e!B"#a$es% &H"'(a)* )

    Ma#)+# C+%* C,"' +l &-,) e) P,s% Hea#O/ e0 a#)+# !s$a+'.

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    EXPRESSIONISM• 1t descri#e the acti'ities of the

    Germa! ,2%tch , /%stria! a!d2a!ish a'a!t arde from 3435-3467$

    • 8haracteri9ed # free %se ofa#stract form which makes

    recede!ce o'er co!sideratio! off%!ctio! $e historical

    recede!ce .

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    EXPRESSIONISM•

    :!e of the most im orta!t of thearchitects who are co!sidered to #ee0 ressio!ists is ;rich

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    E+'s%e+' T,we)

  • 8/9/2019 A Seminar on ‘Ism’ of Architecture

    10/30WALT DISNEY CONCERT HALL

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    FRANK GEHRY’S CENTER FOR BRAINHEALTH.

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    1EY FEATURES OF EXPRESSIONISM

    • #+s%,)%e# s2a$es.• -)a( e'%e# l+'es..•

    ,)(a'+ ,) 3+, ,)$2+ -,) s.• ass+4e s "l$%e# s2a$es.• e5%e's+4e "se ,- ,' )e%e a'# 3)+ 6.•

    la 6 ,- s* e%)*.• a'* -a' +-"l w,)6s )e'#e)e# ,'

    $a$e) 3"% 'e4e) 3"+l%.

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    CUBISM•

    8%#ism was a mo'eme!t that#e a! i! *ra!ce i! the earl 65 th 8e!t%r # a!ish artist >a#lo>icasso a!d *re!ch artistGeor es .ra %e $

    • ;G$@/AT;B GB:>C1D ,./DC/D $

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    BAUHAUS(),$+"s 2,"se

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    CUBISM• 8%#ists disti! %ish their work

    thro% h the co!str%ctio! ofshar oi!ts, slici! la!es, a!dcr stalli!e sha es i! their artworks$

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    8%#ist Co%se of the tai ei erfomi! arts ce!tre

    .lack ra %e, 89ech Be #lic .

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    CONSTRUCTIVISM•

    8o!str%cti'ist architect%re wasa form of moder! architect%re$ that Eo%rished i! the o'iet

    D!io! i! the 3465s a!d earl34F5s$• 1t com#i!ed ad'a!ced

    tech!olo a!d e! i!eeri! witha! a'owedl 8omm%!ist social

    %r ose .

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    E 3ass* ,- R"ss+a +' Ha4a'a!CUBA

    AR. ALE1SANDR RO1HEGOV

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    CONSTRUCTIVISM• This ro% rod%ce a#stract

    works reEecti! moder!machi!er a!d tech!olo %si!

    lastic , lass, a!d otheri!d%strial material$

    • /B8C1T;8T - A/21

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    T2e 8)s% a'# ,s% -a ,"sC,'s%)" %+4+s% a) 2+%e %")al $),9e %

    Ta%l+':s T,we)

    Ha e) a'# S+ 6le A) 2+%e %")al Fa'%as* 3* Ya6,4 C2e)'+62,4! ;

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    FUNCTIONALISM• 1! the earl ears of the 65th

    ce!t%r , 8hica o architect Ao%is%lli'a! o %lari9ed the hrase

    Iform e'er follows f%!ctio!I• 1* the f%!ctio!al as ects are

    satisJed, architect%ral #ea%two%ld !at%rall a!d !ecessaril

    follow$• %2e -"' %+,' ,- a' ,39e % s2,"l#

    #e%e) +'e +%s #es+(' a'# a%e)+als.

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    FALLING WATER!AR.F.L.WRIGHT

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    G"((e'2e+ >M"se"AR.F.L.WRIGHT

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    BRUTALISM• .BDT/A1 < 1 / TKA; :* /B8C1T;8TDB;

    @C18C *A:DB1 C *B:< 34L5s T:

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    • E5a $les a)e %*$+ all* 4e)* l+'ea)!-,)%)essl+6e a'# 3l, 6+s2! ,-%e' w+%2 a$)e#, +'a' e ,- ,' )e%e

    ,'s%)" %+,'.• EG.

    NATIONAL ASSEMBLY

    BANGLADESH .MILL OWNERS ASSOCIATION!

    AHMEDABAD.

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    3a'(la#es2 Pa)l+a e'%

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    MILL 0WNER ASSOCIATION,AHMEDABAD

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    r ,3a)%s l+3)a)*! "'+4e)s+%* ,- %,),'%,

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    REFERENCES

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    THANK

    YOU