AARON

portfolioCAMPBELL

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HOUSTON INTERNATIONALATIONALAT

PROMENADE

TABLE OFTABLE OFT

CONTENTS

agency

AUSTIN

ADVERTISEMENTagencyISEMENTagency

DALLAS

galleryPERFORMANCE

VERONA ITALY

PIAZZA

HOUSTON

of cultureMUSEUM

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HOUSTON

of cultureMUSEUM

The Houston Museum of Culture is a dynamic building that sits within the heart of the East End in Houston, Texas. It is adjacent to many important landmarks within the community, including Our Lady Guadalupe Church, East End Esplanade, and the Bayou. The architecture and landscape react to each driver in a dynamic and unique way. The entrance of the building is raised and opens up towards the church creating a courtyard, while the split through the lobby runs perpendicular to the bayou. The second story program of the TTU Studio points out over the landscape towards the Esplanade. By designing around these drivers, it allows for a dynamic and interesting form of the building, as well as circulaton throughout the space.

NAVIGATION

SAMPSONYORK

EW: NAVIGATION, CANAL, HARRISBURGNS: JENSEN, SAMPSON, YORK, MILBY

JENSEN

CANAL

MILBY

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BUILDINGTYPES

area building types

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material + activity diagram6

1. ENTRANCE COURTYARD 6. BOOK STORE 11. THEATRE 2. FOYER 7. STAGING + STORAGE 12. RECORDING STUDIO3. RECEPTION 8. OFFICES 13. ARCHIVE ROOM4. EXHIBITION HALL 9. RESTROOMS 14. CLASSROOMS5. EAST END MUSEUM 10. DEMONSTRATION LAB 15. OUTDOOR MOVIE VIEWING

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7 rst level oor plan

16. GARAGE 21. TEXAS TECH STUDIO17. CONFERENCE ROOM18. FOOD PREP19. COMPUTER LABS20. OPEN TO BELOW

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8second level oor plan

11. PARKING GARAGE 5. ROTATING SCULPTURE SPACE 9. LARGE PARK SPACE

3. HOUSTON MUSEUM OF CULTURE 7. DOG PARK 11. RUNNING + BIKING TRAIL2. OUTDOOR VIEWING AREA 6. PARK GREEN SPACE 10. KID PLAYGROUND

4. EXTERIOR COURTYARD 8. FOOD TRUCK PARK 12. OUR LADY OF GUADALUPE CHURCH

13. EAST END ESPLANADE

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south elevation

east elevation

site plan

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back entrance from park

courtyard

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museum entrance12

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HOUSTON INTERNATIONALATIONALAT

PROMENADEThe Houston International Promenade is the rst of many projects to an extensive revitaliza-tion process of East Downtown Houston. It is an attempt to bring a sense of landscape and topography into a distinct urban environ-ment. The promenade will be a unique urban condition in which many systems can interact. The design of the promenade reacts to three distinct drivers: BBVA Compass Stadium + Residential In uence + Commercial/ Market In uence. By integrating programs that meet the need of each driver, while being dynamic for any user, the promenade space will be its own unique sense of place. By designing around these drivers, it allows for the prom-enade to adapt, and grow as future develop-ment occurs adjacent to the site.

prom

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grb dynamo stadium

discovery green

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PHASE 1: TREE PLANTING

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PHASE 4: FUTURE RESIDENTIAL/COMMERCIAL DEVELOPMENT

COMMERCIAL RESIDENTIAL

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promenade phases16

section01scale 3/32 = 1

0 5 15 35

section02scale 3/32 = 1

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section03scale 3/32 = 1

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section04scale 3/32 = 1

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site section

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A1_ pavilion2_ community garden3_ volleyball court4_ movie in the park5_ urban forest

6_ dog park7_ water area8_ playground9_ soft tailgate10_ concert area

11_ hardscape tailgate

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site plan

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agency

AUSTIN

ADVERTISEMENTagencyISEMENTagencyThe SLIP Studio Advertising agency sits at the corner of I-35 and 6th street in Austin, Texas. This underpass acts as a gateway between east and west downtown. The agency acts as an extension of west 6th street east of the highway. It also acts as a beacon; a grand entrance into the up and coming east side. The agency program is merged with a rock climbing wall, allowing the interior of the space to be dynamic with many people and systems merging into one. The structure is a steel paneled facade, with a concrete shell inside, acting as a separation and the climbing wall. The form of the building is carved from mani-festations of pedestrian/ vehicular circulation, carved away from a cube giving the building a dynamic facade.

superimposeda

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CUBE VERTICAL CUT HORIZONTAL CUT FINAL FORM

STRUCTURAL_CORE

TWO WAY_FLAT SLABTWO WAY FLAT SLAB CAST IN PLACE W/ DROP PANELS

STRUCTURAL CONCRETE_COLUMNSSCOMPOSIT__STRUCTURE

STRUCTURAL CONCRETE_WALLL

structural diagram

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1ROCK CLIMBING WALLRECEPTION DESKGALLERYRESTROOMS

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COMPUTER LABCONFERENCE ROOMSTAFF OFFICES

DESIGN DIRECTORS OFFICESTAFF STORAGELOUNGEART & MATERIALS LIBRARYVIEWING ROOMVIEWING PROJECTIONDESIGN STAFF OFFICESEXECUTIVE SUITES

SLIP STUDIO RECEPTION

oor plans27

longitudinal section

south elevation

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view of entrance29

gallery space30

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VERONA ITALY

PIAZZAThe event that guided the project was based around the condition of pocketing. The pockets on the site are the result of sublayers, intersecting in uences, and buildings that are located near the site. The site itself is a large pocket used to wrap around the surrounding urban environment. From studying the use of pockets and how they are formed, the site was then created using layers of pocketing. The rst pocket is the site itself, and how it forms around the church and buildings located near the site. The next pockets were created using in uences from the surrounding site, such as the bridge, theatre, church, and buildings nearby. Hardscape and softscape areas were created as a result from using the in uences. Within these smaller pockets another sub layer of pockets are located to help direct gathering areas and events. The form of the pocket came from a reference back to the church and the shape it creates on the northeast side. The pattern was then used to identify the pockets so that people could have a designated space to gather so they can create or participate in an event. The pockets are made of many different materials. Through the use of gure- gure an offset condition to was derived to help create a sectional pocket by either excavating material or using the same material to build up a surface.

POCKETING STUDIES POCKETS: A VARIETY IN POCKET SIZE AND POCKET GEOMETRY ALLOW THE USER TO DEFINE THEIR OWN EVENT WITHIN THAT SPACE

POCKETS CAN BE CREATED BY MATERIALS, BOUNDRIES, VEGITATION, OBJECTS, PATHS, HEIGHTS, GEOMETRY, LAYERS, AND PATTERNS

POCKET--A SMALL CAVITY IN THE EARTH-A RECEPTABLE, CAVITY, OR OPENING-A SMALL, ISOLATED OR PROTECTED AREA OR GROUP

HEIGHTS VEGIATION

LAYERING

PATHS

OBJECTS

LANDSCAPE MATERIALS

GEOMETRY

BOUNDRIES

form generation diagram33spatial diagrams

sections/perspectives34

ROSSO VERONAPERLINO ROSAPERLINO BIANCOREFECTING POOLCARRARACOBBLE STONE PIETRA PI PRUN PIETRA DISTRIAPORFIDO GRASS

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parking

pockets

hardscape

softscape

tables

site plan35

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The Dallas Performance Gallery sits within the cultural district in downtown Dallas. The Dallas Performance Gallery acts as a DART station, gallery, and performance space. By thorough examination of the site, as well as its in uences, massing and program developed. Throughout the design process, decisions were made to accommodate not only those of the DART system, but pedestrians and vehicular commuters as well. The building allows for a gallery space, within available space for performance, and movies. This is possible by the roof space, which is able to be occupied. The structural system is a concrete shell, with a light glass wall underneath. Atop the side of the shell is a light steel mega box truss, allowing for the program to be embedded within the truss itself. The truss is off set slightly and cantilevered over the edge of the oor space.

DALLAS

galleryPERFORMANCE

form generation

program positioning diagram

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I- BEAM

.5 METAL PANELS

INSULATION

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DETAIL 1

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A GRADECONCRETE GROUND SLAB

STEEL DOWEL ANCHORSSUBSOIL DRAINAGE

EXTRUDED POLYSTYRENE FOR WATERPROOFINGBCDE

A C CHANELANGLE CONCRETE CASTROOF DECKING

THERMAL INSULATIONI- BEAM

1/2 METAL CLADING

BCDEF

wall sectionstructural diagram

concrete slab

concrete shell

walls

mullions

siding/ roof

box truss structure

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82.00'

93.50'

122.00

'

55.50'

23.00'

27.00'

74.25'

66.00'

16.00'

SECOND_ FLOOR

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AO FFICESWORKROOMMAIN GALLERYRESTROOMSLOBBYSECONDARY GALLERYROOF DECK

BCDEFG

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SECOND_ FLOOR

oor plans41

transverse section

longitudinal section42

model pictures43

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