adam stryker learning to listen, listening to learn strategies for the interpretive mode in the...
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Adam Stryker
Learning To Listen, Listening To Learn
Strategies for the Interpretive Mode in the Language Classroom
Adam Stryker
Communication is Multi-Modal
Not just physical skills-listening, reading, speaking and writing…
In real life and in the classroom, listening does not appear in isolation…
We hear or view and then discuss or use that information to communicate interpersonally or present information…
Adam Stryker
Communication may…
Occur as…
Interpersonal Interpretive Presentational
Interpersonal Presentational Interpersonal
Interpersonal Interpersonal Interpretive etc…
Adam Stryker
Communication may…
Occur as…
Interpretive Interpersonal Presentational
Interpretive Presentational Interpersonal
Interpretive Interpersonal Interpretive
etc…
Adam Stryker
Communication may…
Occur as…
Presentational Interpersonal Presentational
Presentational Interactive Interpersonal
Presentational Interpersonal Interactive
etc…
Adam Stryker
Multi-modal communication= Authentic communication Interpretive Mode—Students interact with
lyrics of song/interpret song Interpersonal Mode—Students discuss
likes/dislikes of song/compare interpretations of song.
Presentational Mode—Students present the results of their discussion or may write a website review of the song.
Adam Stryker
Another Possible Scenario
Interpersonal Mode—Students discuss a technology they cannot live without.
Interpretive Mode—Students interact with report of top technologies in target culture/interpret differences.
Presentational Mode—Students present Venn diagrams comparing the two cultures or write an article for school newspaper.
Adam Stryker
Anticipated Outcomes for Interpretive Mode ACTFL Performance Guidelines for K-12
Learners… State Standards of Learning International Baccalaureate AP Language Rubrics School District Rubrics
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Anticipated Outcomes—ACTFL Performance Guidelines for K-12 Learners
NOVICE—Comprehension & Accuracy
Understand short, simple conversations and narratives (live or recorded material), within highly predictable and familiar contexts.
Determine meaning by recognition of cognates, prefixes and thematic vocabulary
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How do they determine meaning?How is their cultural understanding reflected?
NOVICE
Recognize key words or phrases embedded in familiar contexts
Recognize cognates, prefixes and thematic vocabulary
Understand both oral and written language that reflects a cultural background similar to their own.
Adam Stryker
Anticipated Outcomes—ACTFL Performance Guidelines for K-12 Learners
INTERMEDIATE
Understand longer, more complex conversations and narratives as well as recorded material in familiar contexts.
Identify main ideas and some specific information on a limited number of topics found in the products of target culture (TV, radio, video, live or computer presentations), although comprehension may be uneven.
Adam Stryker
How do they determine meaning?How is their cultural understanding reflected?
INTERMEDIATE Determine meaning by using contextual clues Use redundancy, paraphrasing and restatement in
order to understand the message. Identify main ideas and some specific information Use knowledge of their own culture and the target
culture(s) to interpret texts more accurately Recognize differences and similarities in the
perspectives of the target culture and their own. Recognize target culture influences in products and
practices of their own culture.
Adam Stryker
Anticipated Outcomes—ACTFL Performance Guidelines for K-12 Learners
PRE-ADVANCED
“Moving beyond literal comprehension toward more critical listening”
Understand main ideas and significant details on a variety of topics found in the products of the target culture such as those presented on TV, radio, video, live or computer presentations, although comprehension may be uneven.
Adam Stryker
How do they determine meaning?How is their cultural understanding reflected?
PRE-ADVANCED
Determine meaning by using contextual clues. Identify main ideas and some specific information Develop an awareness of tone, style and author
perspective Apply understanding of the target culture to enhance
comprehension of texts. Recognize the reflections of practices, products,
and/or perspectives of the target culture(s) in texts Analyze and evaluate cultural stereotypes
encountered in texts.
Adam Stryker
Examples of Authentic Spoken Texts
Songs News reports Documentaries Films or segments TV variety shows Game shows Soap operas Youth-oriented TV
shows
TV celebrity interviews TV talk shows on topic TV public service
announcements Radio commercials,
announcements, weather
Satellite radio (XM)
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Engaging Interpretive Activities for Songs
While listening to a song, students read printed lyrics and can…
Look for synonyms/antonyms before song ends
Identify the tone of the song from a list Match the paraphrases to certain verses Decide if certain statements are true of
false…
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Engaging Interpretive Activities for Songs
For sound to symbol recognition only… Students fill in blanks with words they hear Students play “Last Word Heard”
Adam Stryker
Four Daily Ways to Encourage Listening and Critical Interpretation
Pick Students at Random
Drawing names from an envelope, alphabets in a jar, pick a number, deck of cards, etc.
Do you agree?
Follow up with a random student to extend
answers
Can You Summarize?
Random picks to summarize in own
words/opinions
Listening Challenge Activities
“Bad Word”
20 Questions
True/False Definitions
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A Model for Teaching Interactive Listening
Several researchers propose models for guiding students through texts, helping them build strategies and improve interpretation.Eskey-- Interactive Model for ReadingSwaffar, Arens, and Byrnes--Procedural Model for Integrative ReadingPhillips--Classroom Plan for Developing Reading Comprehension
Adam Stryker
Applying to listening/interpretive mode Pre-listening—Students use language
structures as clues to meaning Identifying main elements— Students
recognize adverbs, cohesive devices, and phrases that connect ideas or signal a shift in topic, setting or event.
Identifying details— Students identify examples of text details that support main concepts.
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Applying to listening/interpretive mode Organizing/Revising main ideas and details—
Students use vocabulary from text to make changes in summary.
Recreating text— Students expand text phrases into sentences and paragraphs.
Reacting to text— Students use text as a reference to support their opinions.
Adam Stryker
ABCD Mindset of Backward Design
Think like an Assessor, creating the assessment for the end of the unit of study…
Using the Backward design model (consider local, state, national, AP or IB standards)…
Think like a Curriculum specialist, designing the units of study, themes/topics, and language functions required…
Think like a Designer, creating engaging activities and quizzes for daily lessons.
Adam Stryker
La Vida Es Un Carnaval por Celia Cruz
Todo aquel que pienseque la vida es desigualtiene que saber que no es asíque la vida es una hermosura¡Hay que vivirla!
Todo aquel que pienseque está solo y que está maltiene que saber que no es asíque en la vida no hay nadie solo¡Y siempre hay alguien!
Ay! No hay que llorar,que la vida es un carnavaly es mas bello vivir cantandooh-oh-oh Ay! No hay que llorarque la vida es un carnavaly las penas se van cantando(2X)
Todo aquel que pienseque la vida siempre es crueltiene que saber que no es asíque tan solo hay momentos malosY todo pasa
Todo aquel que pienseque esto nunca va a cambiartiene que saber que no es asíque al mal tiempo, buena caraY todo cambia
CORO(2X)
Para aquellos que se quejan tantoPara aquellos que solo criticanPara aquellos que usan las armasPara aquellos que nos contaminanPara aquellos que hacen la guerraPara aquellos que viven pecandoPara aquellos que nos maltratanPara aquellos que nos contagian
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Hoja de Actividad/ La Vida Es Un Carnaval por Celia Cruz
Busque usted las siguientes expresiones en la canción ANTES de que termine.
Esta es una expresión muy popular en el mundo hispanoparlante y es casi como la expresión inglesa “when life gives you lemons, make lemonade”:
……………………………………………………………………………
una cosa muy, muy bonita ……………………………
transformar/no ser el mismo para siempre ………………………………
dejar caer las lágrimas (Waaaah! Waaaah!)/lo que hacen los bebes mucho
……………………………………….. un gran festival …………………………… desaparecer ……………………. ser muy pesimistas con sus palabras que
dicen……………………….. tratar mal a los demás
……………………………. rifles, pistolas, cañones, misiles, etc.
……………………….. instantes ………………………………… envenenar con sustancias letales
……………………..
Busque usted las siguientes expresiones CONTRARIAS:
morir ………………………… simpático/justo …………………….. la paz y la armonía ………………..
Explique en sus propias palabras las ideas principales de la canción. Si un amigo tuyo tiene problemas, ¿cómo puede ayudar esta canción?
………………………………………………………………………………………………………………………………………………………………
Adam Stryker
My Baby You by Marc Anthony
As I look into your eyes I know the reasons why My life's worth a thousand skies You're the simplest love I've known And the purest one I'll own Know you'll never be alone
CHORUS My baby you
Are the reason I could fly And 'cause of you I don't have to wonder why Baby you
There's no more just getting by You're the reason I feel so alive Though these words I sing are true They still fail to capture you As mere words can only do How do I explain that smile And how it turns my world around Keeping my feet on the ground
REPEAT CHORUS I will soothe you if you fall
I'll be right there if you call You're my greatest love of all
REPEAT CHORUS Arianna, I feel so alive …
Adam Stryker
Interactive Listening ModelWhat outcomes can be anticipated?
Novice
Intermediate Learner
Pre-Advanced
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Sample Listening/Viewing Quiz
Criterio de Evaluación (score multiplied by 3 or 6 =……………)
You almost described the main idea.
1
You have most of the main idea.
3
You described the main idea well.
5
You caught little or no details.
1
You accurately caught a few of the supporting details.
3
You accurately caught most if not all of the supporting
details.
5
Your control of language structures interferes with
communication.
1
Your partial control of language structures
sometimes interferes with communication.
3
Your control of language structures enhance
communication.
5