adrian saxe
DESCRIPTION
The extraordinary experimentation in ceramic art of Los Angeles since World War II is international in scope. Among the most inventive and significant artists since 1970 is Adrian Saxe. Saxe's early work was site-specific sculpture that employed arrays of modular ceramic elements. Some of these pieces were exhibited in the late 1960s at the Pasadena Art Museum. Saxe has worked with the ceramic vessel because he saw the opportunity to address complex social and cultural issues in a format accessible to a broad audience. Since the early 1980s, Saxe has sought to reinvent a role for ceramic art that employs decorative art conventions to comment on social and cultural expectations surrounding a number of topical themes. Some of these themes are explored in his new exhibition, GRIN—Genetic Robotic Information Nano (Technologies).TRANSCRIPT
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Adrian Saxe
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Frank Lloyd Gallery, Inc.
2525 Michigan Avenue, B5b
Santa Monica, CA 90404
PH: 310 264 - 3866
FX: 310 264 - 3868
www.franklloyd.com
Adrian Saxe
Front Cover:
Adrian Saxe in his studio, 1987
Photo by Anthony Cuñha
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The extraordinary experimentation in ceramic art of Los Angeles since World War II is international in scope. Among the most inventive and significant artists since 1970 is Adrian Saxe. Saxe’s early work was site-specific sculpture that employed arrays of modular ceramic elements. Some of these pieces were exhibited in the late 1960s at the Pasadena Art Museum.
Saxe has worked with the ceramic vessel because he saw the opportunity to address complex social and cultural issues in a format accessible to a broad audience. Since the early 1980s, Saxe has sought to reinvent a role for ceramic art that employs decorative art conventions to comment on social and cultural expectations surrounding a number of topical themes. Some of these themes are explored in his new exhibition, GRIN—Genetic Robotic Information Nano (Technologies).
Christopher Knight of the Los Angeles Times has written, “With outrageous humor and unspeakable beauty, [Saxe] makes intensely seductive objects that exploit traditional anthropomorphic qualities associated with ceramics. Having pressed the question of the utility of his own art in a post-industrial world, his work engages us in a dialogue about our own place in a radically shifting cultural universe.”
Adrian Saxe
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Lollycock (Bronze Dento), 1968porcelain, lusters and Plexiglas cover and base14 ½ x 9 x 9 inches
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Lollycock (Dento), 1968porcelain, lusters and Plexiglas cover and base14 ½ x 9 x 9 inches
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Untitled Crystalline Dome Set, 1968porcelain and Plexiglas base6 ¼ x 21 x 7 ½ inches
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4 squared - Chrome Crystalline Array, 1968eartheware50 ¾ x 82 inches
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Untitled Ewer (Aubergine), 1982porcelain9 inches high
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Untitled Ewer (Bittermelon), 1982porcelain and lusters10 ¼ x 5 ½ x 3 inches
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Untitled Covered Jar on Stand with Antelope Finial, 1980-1981porcelain22 ⅝ inches high
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Untitled Covered Jar on Stand with Antelope Finial (Garth Vader), 1986porcelain, raku, stoneware, and lusters20 ¾ x 12 x 11 inches
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Untitled Mortar Bowl with Stand, 1987porcelain, raku, and lusters15 ¼ x 8 x 8 inches
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Untitled Mortar Bowl with Stand, 1987porcelain, raku, and lusters9 ⅝ x 8 x 7 inches
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Untitled Covered Jar on Stand with Antelope Finial (Prosperity), 1987porcelain, raku, and lusters31 ½ x 11 x 6 inches
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Untitled Covered Jar on Stand with Antelope Finial (Critical Mass), 1987porcelain and stoneware32 ½ x 11 x 6 inches
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Untitled Ewer (French Curve), 1987porcelain and stoneware11 ½ x 7 inches
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Untitled Ewer (Franklin Gothic Italic Ampersand), 1989porcelain10 ¼ x 9 inches
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Untitled Covered Jar on Stand, 1987porcelain, raku, and lusters15 ½ x 16 x 9 inches
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Untitled Covered Jar on Stand, 1987porcelain, raku, and lusters15 ½ x 16 x 9 inches
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a & b, 1987porcelain and lustersdimensions variable
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Amy-Yma (Camus-Sumac), 1989garniture of five porcelain gourds15 x 30 x 4 ½ inches
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Shirley’s Friend, 1989porcelain, lusters, faceted cubic zirconia, and Brazilian phantom quartz crystal21 x 13 x 9 ¾ inches
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Untitled Covered Jar, 1989porcelain, lusters, rubies, and gold11 ⅞ x 4 ½ x 4 ½ inches
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Acorn Squash Teapot with Gold Veining, 1990porcelain7 ½ x 9 ½ inches
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Gold Cabbage Teapot, 1990porcelain9 ¼ x 9 inches
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Sur le bout de la langue, 1991porcelain, raku, lusters, blue sapphire rhinestones, and found objects13 ½ x 15 x 11 inches
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Caprideux Carquois, 1991porcelain, lusters, and mixed media16 ¾ x 6 ½ x 8 inches
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Untitled Mystery Ewer, 1992porcelain, lusters, and mixed media11 ⅛ x 8 ½ x 4 ½ inches
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Untitled Mystery Ewer, 1992porcelain, lusters, and mixed media11 ⅛ x 8 ½ x 4 ½ inches
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Clue: Book - Cheese - Ribbon, 1993porcelain and mixed media23 ¾ x 9 ¼ x 8 inches
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Untitled Jar (D.A. Moraine), 1994porcelain and mixed media26 x 14 ½ x 9 inches
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Come on Baby! Light My Fire Hydrant, 1993porcelain, stoneware, mixed media30 x 12 inches
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Bungee de Campostella, 1995porcelain, stoneware, and mixed media36 x 8 ½ x 12 ½ inches
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Untitled Ewer (St. Bevery Hills), 1995porcelain, stoneware, and mixed media18 ¾ x 10 ⅞ x 5 ⅝ inches
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Untitled Ewer (San Gennaro), 1994porcelain, stoneware, and mixed media14 ¼ x 9 ¼ inches
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Hi-Fibre Double-Happiness Magic Lamp, 1997earthenware, stoneware, and mixed media26 ¼ x 15 x 5 ½ inches
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Hi-Fibre Crucible of Courage Magic Lamp, 1997earthenware, stoneware, and mixed media21 x 12 ½ x 4 inches
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1-900-Zeitgeist, 2000porcelain, stoneware, and mixed mediaInstallation view at the J. Paul Getty Museum, Departures: 11 Artists at the Getty, 2000
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Nirvanarrhea, 2002ceramic and stoneware63 x 32 inches
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Irrational Exuberance, 2001porcelain, noble metal lusters, and rhinestones8 x 9 x 5 ¼ inches
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Shiitake Jamboree, 2001-2004porcelain, stoneware, lusters, overglaze enamels, and mixed media27 ¼ x 10 ¾ x 10 ½ inches
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Le Rois du Monde Futur, 2004porcelain, stoneware, overglaze enamel, lusters, and mixed media26 ¼ x 13 ¼ x 10 inches
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Sweet Dreams, 2004porcelain, stoneware, overglaze enamel, lusters, and mixed media31 ¼ x 14 x 8 ¼ inches
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Untitled Ewer (Twanger), 2004porcelain, stoneware, lusters, mixed media14 ⅛ x 8 ⅝ x 6 ¾ inches
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Untitled Ewer (BSD), 2004porcelain, stoneware, mixed media13 x 8 ¼ x 5 ⅝ inches
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Bell of Tacos, King of Burgers, 2004porcelain, stoneware, lusters, and mixed media29 x 12 ⅜ x 7 ¼ inches
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D’Nile, 2004porcelain, stoneware, overglaze lusters, and mixed media31 x 17 ½ x 7 ¼ inches
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Untitled Ewer (Fungo-Bungo), 2004porcelain, stoneware, and mixed media14 ⅛ x 8 ⅝ x 6 ¾ inches
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Untitled Ewer (Twister with Apatite II), 2004porcelain, stoneware, and mixed media16 ⅛ x 9 x 5 inches
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Golden Extremophile, 2004earthenware and stoneware33 ½ x 8 x 7 ¼ inches
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Green Extremophile, 2004earthenware and stoneware32 ¼ x 8 ½ x 9 inches
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Welcome Stranger, 2011porcelain, lusters and mixed media on Antique wood base14 ¾ x 8 ¼ x 5 ¼ inches
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Outback Cathedral, 2011porcelain, lusters and mixed media on Antique wood base15 ¾ x 7 ¾ x 7 inches
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Holy Trinity- Fat, Salt, Sugar, 2011 (view 1)porcelain, lusters and mixed media on Antique wood base16 ½ x 8 x 5 ⅜ inches
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Holy Trinity- Fat, Salt, Sugar, 2011 (view 2)porcelain, lusters and mixed media on Antique wood base16 ½ x 8 x 5 ⅜ inches
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Dynamite-maki California Spider Roll, 2011porcelain, lusters and mixed media on Antique wood base22 ¾ x 11 x 7 ½ inches
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Juvenile Gavage à trois, 2011earthenware and lusters 22 ½ x 10 ⅜ x 7 ½ inches
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Springtime for Laphroaig, 2011earthenware on wood base 29 x 18 ⅜ x 15 ¾ inches
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Bunnahbain Forever, 2011stoneware on wood base 22 ¾ x 19 ¼ x 17 ¼ inches
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Adrian Saxe1943 Born in Glendale, California Lives and works in Los Angeles, California
1974 B.F.A., California Institute of the Arts, Valencia, California1965- Chouinard Art Institute, Los Angeles1969
2011 GRIN - Genetic, Robotic, Information, Nano (Technologies), Frank Lloyd Gallery, Santa Monica, California2004 New Work, Frank Lloyd Gallery, Santa Monica, California2000 Garth Clark Gallery, New York1998 The American Hand, Washington, D.C.1997 Wish I May, Wish I Might, Frank Lloyd Gallery, Santa Monica, California Garth Clark Gallery, New York1996 Garth Clark Gallery, New York1995 Garth Clark Gallery, Los Angeles, California1994 Garth Clark Gallery, New York1993 The Clay Art of Adrian Saxe, Los Angeles County Museum of Art, traveled to the Museum of Contemporary Ceramic Art, Shigaraki, Japan and Newark Museum, New Jersey (thru 1995)1992 Garth Clark Gallery, New York1991 Garth Clark Gallery, Los Angeles, California Garth Clark Gallery, Kansas City, Missouri1990 Garth Clark Gallery, New York1989 Ceramic Sculpture, Garth Clark Gallery, Los Angeles, California1988 Garth Clark Gallery, New York1987 Art Gallery, University of Missouri, Kansas City, Missouri Garth Clark Gallery, New York1985 New Work, Garth Clark Gallery, Los Angeles, California Porcelain from Sèvres, with Light, American Hand, Washington, D.C. Since Sèvres—New Works, Garth Clark Gallery, New York1983 New Raku and Porcelain Works, Garth Clark Gallery, New York The American Hand, Washington, D.C., Thomas Segal Gallery, Boston, Massachusetts
Education
One PersonExhibitions
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Museum Collections
1982 Between Sèvres and Momoyama, Garth Clark Gallery, Los Angeles, California The American Hand, Washington, D.C.1980 The American Hand, Washington, D.C.1979 The American Hand, Washington, D.C.1973 The American Hand, Washington, D.C.1970 Canyon Gallery II, Los Angeles, California1963 Orange Coast College, Costa Mesa, California
Arizona State University Art Museum, Ceramics Research Center, Tempe, ArizonaBrooklyn Museum of Art, Brooklyn, New YorkCanton Museum of Art, Canton, OhioCarnegie Museum of Art, Institute and Carnegie Museum of Natural History, Pittsburgh, PennsylvaniaCooper-Hewitt Museum Smithsonian Institution, National Museum of Design, New YorkCultural Affairs Commission, County of Los Angeles, CaliforniaCurrier Museum of Art, Manchester, New Hampshirede Young Museum, San Francisco, CaliforniaEverson Museum of Art, Syracuse, New YorkFirst Bank, Minneapolis, MinnesotaGardiner Museum, Ontario, CanadaHallmark Fine Art Collection, Hallmark Cards, Inc., Kansas City, MissouriKruithuis Museum, ‘s-Hertogenbosch, NetherlandsLong Beach Museum of Art, Long Beach, CaliforniaLos Angeles County Museum of Art, Los Angeles, CaliforniaThe Metropolitan Museum of Art, New YorkMint Museum of Craft and Design, Charlotte, North CarolinaMusée des Arts Décoratifs, Pavillion de Marsan, Palais de Louvre, ParisMusée National de Céramique de Sevres, Sevres, FranceMuseum of Arts and Design, New YorkMuseum of Fine Arts, Houston, TexasNational Gallery of Australia, CanberraNelson-Atkins Museum of Art, Kansas City, MissouriNerman Museum of Contemporary Art, Overland Park, KansasNewark Art Museum, Newark, New JerseyNora Eccles Harrison Museum, Logan, UtahOakland Museum of Art, Oakland, CaliforniaPrudential Life Insurance, Newark, New JerseyRacine Art Museum, Racine, Wisconsin
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Renwick Gallery, National Collection of American Art, Smithsonian Institution, Washington, D.C.Rhode Island School of Design Museum of Art, Providence, Rhode IslandShigaraki Ceramic Cultural Park, Shigaraki, JapanTaipei Museum of Fine Art, Taipei, Taiwan, R.O.C.Times-Mirror Corporation, Los Angeles, CaliforniaToledo Museum of Art, Toledo, OhioU.S. News and World Report, Washington, D.C.Victoria and Albert Museum, London, EnglandThe White House, Washington, D.C.
© 2011 by Frank Lloyd Gallery