15 th century european art chapter 18. fully identify

15TH C

ENTURY

EUROPE

AN

ARTC

HA

PT

ER

18

FULLY IDENTIFY

FULLY IDENTIFY

FULLY IDENTIFY

A. B.

FULLY IDENTIFY

FULLY IDENTIFY

FULLY IDENTIFY

EARLY RENAISSANCE

• John the Good, Philip the Bold, John the Fearless, Philip the Good, Charles the Bold

• Duke of Burgundy – Mixing alliances with England and France

• Roger van der Weyden, Jan van Eyck, and Robert Campin

MERODE ALTARPIECE (OPEN)

Robert Campin (Master of Flemalle) Center panel 2’1”x 3’

1425-1428 Metropolitan Museum of Art

Oil on Wood

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LEFT AND RIGHT PANELS, MERODE ALTARPIECE

MARGERETE SCRYNMAKERS AND PETER INGELBRECHT

DETAIL OF MERODE ALTARPIECE

ST. VERONICA DISPLAYING THE SUDARIUMRobert Campin

1430

Oil on wood

GHENT ALTARPIECE (OPEN)Jan van Eyck

11’5” x 15’

Oil on Panel

Ghent

Court Painter of

Philip the Good

GHENT ALTARPIECE (CLOSED)

Jan van Eyck

11’5” x 7.5’

ARNOLFINI PORTRAIT

Oil on wood

2’9”x 1’10”

Oil on Wood

National Gallery, London

CLO

SE-U

P O

F TH

E A

RN

OLF

INI PO

RTR

AIT

GIOVANNI ARNOLFINI

MAN IN A RED TURBAN

Jan van Eyck

1433

Oil on Wood

1’1” x 10”

Jan van Eyck,The Annunciation,

1434.

“Hail, full of grace…”

“Behold the handmaiden of the Lord.”

DEPOSITION (NOTRE-DAME HORS-LES-MURS)

Roger van der Weyden

Center Panel

DEPOSITION DETAIL

Roger van der Weyden

ANNUNCIATION

Roger van der Weyden

ST. COLUMBA ALTARPIECE

Roger van der Weyden

3’ x 9’

1455

Oil on Panel

DETAIL OF ST. COLUMBA ALTARPIECE

PORTRAIT OF A LADY

Roger van der Weyden