guerino mazzola (fall 2015 © ): introduction to music technology i introduction i.3 (fr sept 11)...
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Gue
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II INTRODUCTION INTRODUCTION
I.3 I.3 (Fr Sept 11) (Fr Sept 11) Oniontology: ExamplesOniontology: Examples
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The Ontology of MusicThe Ontology of Music
poiesis neutral level aesthesispoiesis neutral level aesthesis
physicalphysical
psychologicalpsychological
symbolicsymbolic
expressionexpression
significationsignification
contentcontent
signssigns
realit
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realit
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communicationcommunication
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Realities: PhysicalRealities: Physical
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hounted
Realities: SymbolicRealities: Symbolic
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John Cage: ASLSP (John Cage: ASLSP (http://www.john-cage.halberstadt.de))
Realities: SymbolicRealities: Symbolic
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Gustav Klimt: Beethoven FriezeGustav Klimt: Beethoven Frieze
Realities: PsychologicalRealities: Psychological
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PhysicalSymbolicSymbolic
Psychic
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Arnold Schoenberg/John CageArnold Schoenberg/John Cage
Communication: PoiseisCommunication: Poiseis
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StockhausenStockhausen
Communication: PoiseisCommunication: Poiseis
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Cecil Taylor/Peter BroetzmannCecil Taylor/Peter BroetzmannCommunication: PoiseisCommunication: Poiseis
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Karlheinz Stockhausen Klavierstück IXKarlheinz Stockhausen Klavierstück IX
Communication: PoiseisCommunication: Poiseis
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with Stockhausenwith Stockhausen
Communication: AesthesisCommunication: Aesthesis
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Performance/InterpretationPerformance/Interpretation
Communication: AesthesisCommunication: Aesthesis
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CommunicationCommunication
AesthesisAesthesis
Neutral NiveauNeutral Niveau
PoiesisPoiesis
Jean Molino, Paul Valéry, Nicolas Ruwet, Jean-Jacques NattiezJean Molino, Paul Valéry, Nicolas Ruwet, Jean-Jacques Nattiez
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„„Firework“Firework“
ExpressionExpression SignificationSignification ContentContent
SignSign
aliquid pro aliquo
SemioticsSemiotics
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harmonic analysisharmonic analysis
SignSign
ContentContent
SignificationSignification
ExpressionExpression
tonal modulationtonal modulation G G maj maj E-flatE-flat maj maj
„„score surface“score surface“
SemioticsSemiotics
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CommunicationCommunication
Neutral Niveau
Poiesis
Aesthesis
RealitiesRealities
SignSign
Content
PhysicalSymbolic
Psychic
Signification
Expression
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Teak Leaves at the TemplesTeak Leaves at the Temples
EmbodimentEmbodiment
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The Oniontology of MusicThe Oniontology of Music
FactsFactssignssigns
realit
ies
realit
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communicationcommunication
ProcessesProcesses
GesturesGestures
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FactsFacts
ProcessProcess
GestureGesture to maketo make
to refer toto refer to
to be the caseto be the case
MIDIMIDI
EmbodimentEmbodiment
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FactsFacts
ProcessProcess
GestureGesture
EmbodimentEmbodiment
Gue
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FactsFacts
ProcessProcess
GestureGesture
disembodiment & schematizationdisembodiment & schematization
evaluation & dissectionevaluation & dissection
EmbodimentEmbodiment
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Louis Hjelmslev‘s Babuschka-PrincipleLouis Hjelmslev‘s Babuschka-Principle
Sign systems are boxed systems, Sign systems are boxed systems, having components, which having components, which are composed of sign subsystems, are composed of sign subsystems, which are again composed ofwhich are again composed ofsign subsystems, etc. sign subsystems, etc.
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Expression Signification Content
Connotation
„Firework“ FireworkFirework
ExpressionExpression SignificationSignification ContentContent
„Firework“
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Aesthesis: Aesthesis: ListenerListener
Neutral Niveau: Neutral Niveau: Recording (e.g. CD)Recording (e.g. CD)
Poiesis: Poiesis: InterpreterInterpreter
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tip spacetip space
positionposition
pitchpitch
onsetonset
Renate Wieland & Renate Wieland & Jürgen Uhde:Jürgen Uhde:
Forschendes ÜbenForschendes Üben
Die Klangberührung Die Klangberührung ist das Ziel der ist das Ziel der
zusammenfassenden zusammenfassenden Geste, der Anschlag ist Geste, der Anschlag ist
sozusagen sozusagen die Geste in der Gestedie Geste in der Geste..
The sound contact is The sound contact is the target of the the target of the
embracing gesture, embracing gesture, the touch is so to the touch is so to speak the speak the gesture gesture
within the gesturewithin the gesture..
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looploop
Hypergestures! Hypergestures!
knotknot
„„loop of loops “loop of loops “
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